Original oil on canvas by artist Mandia who has painted a bunch of luscious red roses in a white and blue Chinese porcelain vase flanked on one side by an ornamental design of colorful flowers. Signature on lower right: E.L. Mandia? Housed in a gilded and dark brown wood frame. Sight size: 18"L x 22"H. Frame size: 23"L x 26.50"H x 1.50"W. Artist: Mandia (20th century)Issued: c. 1940Condition: Age related wear. Some paint loss throughout. Trace of repair on upper right side.
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A Modern Chinese style hardwood jewellery box, of stylised shape with two drawers to top and two doors opening to show three long drawers inside, approx. 34.5cm wide x 25.5cm high. Along with a 20th century oak cased three decanter tantalus, metal mounts and handle, with three porcelain labels - Whisky, Rum and Port. (2) Further details: general wear to all parts, some light loss, loose piece to Chinese box side.
Johnson Tsang (Chinese 1960-), 'Blockade Line', 2023, painted dry cast and porcelain filled resin sculpture wrapped in red cord, bearing the Artists stamped signature to the reverse of the sculpture, from an edition of 100, published by Avant Arte; 23.5cm x 15cm x 14cm23.5cm x 15cm x 14cmIn excellent conditionNo knocks, chips or cracks to the sculptureStored inside its original packaging, no apparent issues.
A pair of Chinese famille verte beaker vases, mounted as lamps, 19th / 20th century, each lamp decorated with birds in a rocky garden with blossoming prunus trees, the bases drilled, with shades, 36cm high, exc fitments; together with a Chinese famille noire baluster vase, mounted as a lamp, with shade, 53cm high exc fitment (3)Provenance: Christie's, London, Gloria: Property from the late Dowager Countess Bathurst, lot 181.It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Photograph: © Christie's ImagesCondition Report: Each porcelain vase appears to be in good condition with no chips or cracks detected, examination under UV light reveals extensive surface dirt to all three vases, possibly hiding some overpainting. The lamp conversions need to be re-done for wiring and secured properly - the brass fittings are somewhat loose. It is the buyer's responsibility to ensure electrical items are professionally rewired for use. Additional images are available - click here
A French gilt-bronze mounted porcelain encrier, 19th century, mounted with a Samson & Co. Chinese Export Kangxi style Buddha, modelled seated and laughing with tongue extended, dressed in chequered robes, red square mark to underside, the gilt-bronze base of foliate scrollwork form, the turquoise porcelain inkwell with glass liner and gilt oak leaf lid, supported on a gilt-bronze tree branch with gilt leaves and porcelain flowerheads, 14cm high, 24cm wide, 17cm deepCondition Report: The encrier is in overall good condition and presents well. The Samson Kangxi-style buddha has a small Samson mark to the underside, please see additional images for reference. The buddha's tongue has been chipped with the tip missing, otherwise the porcelain has some marks and light general wear and dirt. The inkwell is in good overall condition, with removable plastic liner, the gilt bronze cover does not sit securely on top and is loose, the hinged lid is functional. The flowerheads have small chips to the tips and edges of the petals, expected for this kind of porcelain decoration and its age, two of the flowerheads are loose bu present. The gilt-bronze mounts are in good condition with expectedlight tarnishing and scratches, consistent with age. Additional images are available - click here.
A Chinese porcelain tiled screen, circa 19th century with forty seven panels. Height 81 cm and each panel having a width of 17 cm (see illustration). CONDITION REPORT: The screen frame is all present but generally tired, scratched and scuffed. The hinges are all present although one has lost its centre pin. It is not possible to see the edges of the tiles as they are all within the frame. The second from left tile with two figures is badly cracked, three of the eight bottom tiles are missing, and all others are badly cracked. All other tiles appear to be free from cracks as far as we can tell.
A Chinese export porcelain rouge de fer five piece part dessert service, Qing Dynasty, circa 1790, each of bracketed oval shape, finely painted with differing central circular landscape panels with figures and boats, within floral swag borders enriched in gilt, comprising a footed tazza and four serving dishes30.5 x 26.5cmProvenance: The Frank Herrmann Collectionall in structural good order - no chips or cracks.However - heavy wear to gold on the rims, borders, circular panels, and tazza foot rim etc. Also slight wear to brown enamel border bands.Some significant glaze impurities (and grinding) to at least three of the serving dishes.
A group of five Chinese blue and white porcelain vases, Qing Dynasty, 19th century, all with prunus and crackled ice ground17cm - 27.5cm highTwo smallest vases both vases and covers in overall good conditionsLargest vase chip to rim and a large chip to main rimOne medium base chipped on rim and several chips on rim of cover Second medium vase -small chip on rima nd cover completely restored
A Chinese blue and white porcelain teapot and cover, Qing Dynasty, Qianlong Emperor, circa 1750, painted with two women and two boys playing on a terrace, hatched and floral borders, white metal chains from cover to handle, metal tip to spout11cm high;a miniature mug, circa 1750 6.5cm high; a barrel shape mustard pot, circa 1790 6cm high; two small "toy" bowls circa 1780 3.2cm high; a custard cup and cover in Fitzhugh pattern, circa 1800 8.5cm high (8)All in nice condition. Slight wear to the gilding of the custard cup
Three Chinese blue and white porcelain Diana cargo tea bowls and saucers, circa 1816, each painted with lakeland scenes with pagodas11cm diameterProvenance: Christie's, Amsterdam, 1995, lots 588 and 590The Frank Herrmann collectionThe Diana was owned by Palmer and Co. and was licenced by the English East India Company to sail from Calcutta or Madras to Canton, carrying cotton and opium. The ship would return to India from China laden with silks, tea, preserved fruits and many thousands of pieces of blue and white porcelain. Unfortunately, on 14th of March 1817, the Diana hit rocks off the Straits of Malacca and sank. The wreck was identified and recovered in 1994 by Dorian Ball of the Malaysian Historical Salvors.all good - sea washed slightly.one saucer with tiny rim chip and firing flaw in rim
A set of six of Chinese blue and white porcelain Diana Cargo Longevity Dishes, circa 1816, each centrally painted with a longevity character surrounded by four registers of "om" motifs 27.5cm diameter Provenance: Christie's, Amsterdam, 1995, lot 1233 The Frank Herrmann collection All sea washed as found. One dish has a tiny rim firing crack. One dish has a few flakes/chips off the foot rim. Generally all good.
A Chinese export Imari porcelain teapot and cover, Qing Dynasty, Qianlong Emperor, circa 1740, painted with scrolling peonies and chrysanthemums 13cm high; a famille rose small teabowl and saucer, circa 1735, enamelled with a maiden amongst gilt scrolls10cm diameter; a blue and white prunus pattern teabowl and saucer, circa 1750 13.5cm diameter; a Diana Cargo candlestick, circa 1816, white glazed 7.5cm high (7)Provenance: The Frank Herrmann collectionteapot - wobbles slightly. Gilding rubbed a little.teabowl - firing crack in foot. Saucer good.Prunus teabowl - both good but some firing imperfectionsCandlestick - sea creature accretions, stress cracks seen through glaze
A Chinese blue and white porcelain vase, Qing Dynasty, Kangxi Emperor, circa 1690, painted with four bold shoulder lappets enclosing lotus, flame motifs to the base, with later associated silver metal cover 14.5cm high; a sang de boeuf glazed ovoid vase, circa 1800, with later associated silver metal collar and cover 18cm high overall; a miniature blue and white vase, 18th century, with later mounts and cover 12.8cm high (3)sang de boeuf - a small area where the glaze hasnt take (a few mm) scratches to the body Very faint areas of dicolouration to the smaller vaseThe cover of the blue and white vase can be removed and the inner rim is unglazed
A pair of large Chinese porcelain cylindrical vases, Republic Period, each with two oval panels painted with Daoist mythical figures including Li Tieguai, Guanyin and Putai with inscriptions against an orange ground, and seal marks40.5cm highVase 1 - chip on rim Vase 2 - good stateThe tops - 22cm diam The bases - 17.5cm diam
A Chinese porcelain teapot and cover, Republic Period, painted in enamel colours with a scholar and attendant by a pine tree, script to the reverse 15cm high; a Dehua type small teapot with fo dog finial, prunus sprigs to the crabstock handle, dragon mask to the spout 8cm high (4) The smaller teapot has glaze crazing, there are some which have discoloured near to the spout. Small chip to rim adn rim of the spout. The other teapot has remnants of glue/celletape which was previoiusly securing the lid to the body, small chip to footrim and rim of the spout.
Two similar Chinese porcelain boxes and covers from the Vung Tau Cargo, circa 1690, the lids moulded with a peony spray within vertically ribbed borders9 and 9.5cm diameterProvenance: The Frank Herrmann collection Both sea washed with stains and blemishes etcLarger example with badly cracked lid and chip (piece not retained).Larger one also sea creature accretions and chips on inner rim
A Chinese monochrome turquoise porcelain vase, late Ming Dynasty/early Qing, circa 1600-1700, of shaft and globe shape, on a high pedestal foot, with later associated carved and pierced wooden cover41.5cm high, 45cm high including the coverSlight glaze crazing and pitting in places, even fluorescence under UV with no apparent restoration. Uneven colour at the top possibly caused by heat.
A Chinese wucai porcelain cup, late Ming Dynasty, circa 1600, high footed, painted with three sprigs to the outside wall and one to the interior, blue parallel line borders, ruyi head mark to the base 6 x 8.6cm; a late Ming blue and white saucer dish, circa 1550-1600, painted with a fo dog roundel, debased seal mark 13.4cm diameter (2)Bowl - small niggles around the rim, small firing fault to the rim. Saucer dish - small area of black pitting to the rim, sea debris to the underside
A pair of Chinese porcelain Diana Cargo enamelled deep bowls, circa 1816, the outside walls enamelled with four hatched panels punctuated by flower heads in grey and white (sea washed)16 and 16.3cm diameterProvenance: Christie's, Amsterdam, 5-6 Nov. 2006, lot 829The Frank Herrmann collectionbowl 1) good - sea washed, as found.bowl 2) 8mm shallow chip on rim. slight flake on inner edge of the foot rim. Sea washed as found
A Chinese blue and white porcelain ovoid vase, late Qing Dynasty, circa 1890, painted with the Eight Immortals, baxian, with ruyi head collar, ten character mark in underglaze blue " Made in the department of.... in the year of Jiuguang Dao, the Academy Secretary Jiang Xin" 37.5cm highGlaze impurities and pimples. Otherwise good.
A pair of Chinese famille rose porcelain large plates, Qing Dynasty, Qianlong Emperor, circa 1750, each with triple panelled "propeller" borders and lotus sprays35cm diameterRubbing to the giding, one has a 13cm crack to the rim, other with an 8cm crack to the rim and five chips to the underisde of the rim.
A pair of Chinese Wu Shuang Pu porcelain hexagonal jardinieres, each painted with three historic figures including Tao Yuan Ming (365-427), Wen Tian Xiang (1236-1283) and Dong Xian (23-1 BC) alternating with extensive poetic inscriptions, apocryphal Daoguang seal mark in overglaze red23 x 16.5cmGood condition
Two similar Chinese enamelled porcelain figures of the Immortal Magu with deer, late Qing Dynasty, each tall mythical maiden dressed in robes enriched with cranes and phoenix birds, feeding auspicious flowers and fruits to spotted deer 29cm highfigure 1) tail of deer and antlers restored. small chips amongst flower petals both in the basket and in her hair. slight gilt rubbingfigure 2) small chips amongst flower petals both in the basket and in her hair. slight gilt rubbing
A Chinese export Cantonese porcelain large punch bowl, Qing Dynasty, 19th century, painted with panels of Manchu court figures and foliage inhabited by birds, gilded details26 x 60cmProvenance:Tusmore House, Bicester, Oxfordshire and thence by family descentLarge crack (old poor repair) from rim to footrim and slightly extending in to the base. Appro 7 inches from this crack there is another repaied crack which goes form the rim and six inches down the side. Small chip to rim whch has been repaired. Slight disoclouration in places and pitting to the interior also adbraded to the centre with possible limescale abrasion
A Chinese porcelain large dragon-handled vase, Qing Dynasty, Guangxu Emperor, circa 1875, finely enamelled in shaded colours with lotus, baskets, bats, peonies and tasselled drapes, enriched with gilded shou medallions and conjoined cash-coins, dragon silhouette handles, a yellow collar of ruyi to the shoulder60cm highOverall in good condition
A Chinese export Cantonese porcelain large punch bowl, Qing Dynasty, 19th century, painted with panels of Manchu courtly figures in palace pavilions alternating with foliate panels enclosing birds, against a dense foliate ground enriched with gilt23 x 57cmProvenance:Tusmore House, Bicester, Oxfordshire and thence by family descentGilding is rubbed especially to the rim, but otherwise in good condition.
A Chinese export soft-paste porcelain part tea service, Qing Dynasty, Qianlong Emperor, circa 1780, painted in blue and white and enamel colours with bands of ruyi heads enriched with flowers, lobed rims, comprising teapot and cover (with chained cover and metal mounted spout) 14cm high three teabowls, two saucers, a sugar basin and sparrow-beak milk jug 11cm high (9)Two of the saucers and one teabowl have niggles to the rim The slop bowl has surface losses to the rimThe handle of the teapot is broken off
A Chinese blue and white porcelain wine cup, Qing Dynasty, Kangxi Emperor, circa 1700, painted with a scholar and maiden near a table with brush pot and pens, four character Chengua mark 4 x 6.7cm diameter; another similar with two men and a cart near a willow 4.1 x 6.8cm Scholar - hairline crackCart - glaze pimples internally. Tiny rim faults.
A pair of Chinese Cantonese porcelain vases, late Qing Dynasty, circa 1900, painted front and back with panels of vases of flowers, fruits and bats, against a floral yellow ground (no covers) 19cm high; a Chinese blue and white porcelain pillow, 20th century, modelled as two recumbent boys holding lotus stems, the head with a pair of dragons 14.5cm high (3)All in nice condition
A Chinese export blue and white porcelain part tea and coffee service, Qing Dynasty, circa 1780, painted with extensive lakeland scenes within richly gilded borders, comprising teapot and cover, six teabowls, four coffee cups, and seven saucers (19)Provenance: The Frank Herrmann collectionfour saucers with small/tiny chipstwo coffee cups chippedill-matched saucer chipped
Two Chinese Nanking Cargo blue and white and cafe-au-lait bowls, circa 1750, the interiors painted with sprays of peonies within cross-hatched borders16.5 and 16.8cm diameterProvenance: Christie's, Amsterdam, 1986, lots 2564 and 2572The Frank Herrmann collectionOn Monday January 3, 1752, the Dutch East India Company ship, the Geldermalsen, struck a reef on her return journey to the Netherlands and sank in the South China Sea. From the crew, 32 survived while 80 went down with the ship and her cargo of tea, raw silk, textiles, dried wares, groceries, lacquer and porcelain. The cargo of Chinese porcelain was originally potted in Jingdezhen in Jiangzi province and then shipped to Nanking for delivery to the ship for final transportation to the Netherlands. The cargo was recovered by Captain Michael Hatcher and his team in 1985 and sold by Christie's Amsterdam on 28 April - 2 May 1986 as 'The Nanking Cargo'.both in good "as sea found" condition.
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106012 item(s)/page