An 18th century Chinese porcelain footed bowl in the manner of Worcester, painted in gilt and decorated with an inset to the centre, diameter 20cm.Additional InformationExtensive restoration throughout, minor glaze chip to the foot rim, minor glaze hairline/fault to the foot rim, and wear to the gilding.
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A Chinese porcelain bottle vase with blue seal to the underside, height 16cm, together with a Chinese porcelain miniature double gourd vase, painted with floral sprays, height 6cm.Additional InformationBottle with restoration to neck and shoulders, double gourd vase with tight hairline crack to rim.
Five miniature Chinese porcelain bowls including a octagonal example painted in enamels with figures, diameter 6.5cm, a circular example decorated with fisherman and scroll, bears seal mark to the underside, diameter 6cm, a clobbered example, together with two blue glazed models of cockerels and similar footed vessel (8).Additional InformationBlue glaze vase with fine crazing. Small cockerel with some small chips to the base. small bowl with puce dragon restored. Small tea bowl with figures with a hair line crack and a small nick to rim. Smallest tea bowl with a hair line crack and small rim nick.
A 19th century Chinese reticulated porcelain Famille Verte vase, decorated throughout with bats, and with three panels of scenes of a boy and buffalo in gardens, six character mark to the underside of the base, height 31.5cm.Additional InformationSome general scuffs and rubbing with some glaze imperfections etc, and some rubbing to the enamels here and there, however overall appearance is good.
A 19th century Canton Chinese Famille Rose porcelain meat drainer and bowl of oval form, painted with exotic birds and floral sprays in panels, width of bowl 40cm.Additional InformationLight surface wear and scratches, minor chipping to the rims on each, there is larger chip to the rim on the draining dish.
Pair of 19th century Chinese porcelain covered ginger jars of ovoid form with underglaze blue painted cracked ice and prunus pattern decoration, each with painted underglaze blue double ring marks to base, 25cm high, on pierced hardwood circular stands. Condition report:One cover with 3 rim chips to top edge, the other cover with 7 chips to top edge and firing crack to underside. Both jars in good condition, no visible cracks or chips. Glaze impurities to both jars and covers, one jar has small minor firing cracks to interior base. Some scratches to both bases around inside of foot rims. Damage/old repair to one stand. As images.
Feine und seltene 'sancai'-farben glasierte Pilgerflasche aus IrdenwareChina, Tang-DynastieH. 15,5 cmDer abgeflachte runde Korpus ruht auf einem ausladenden Sockelfuß und erhebt sich zu einem taillierten Hals und einem länglichen, mit einer Galerie versehenen Rand. An den Schultern sind zwei Schlaufenhenkel angebracht, jede Breitseite ist mit floralen Mustern und Rankenwerk verziert, alles unter lebhaften Spritzern von grüner, bernsteinfarbener und cremefarbener Glasur, der Sockel ist unglasiert, so dass der nackte Korpus sichtbar wird.Bedeutende süddeutsche Privatsammlung, vor 1995 bei Christie's in London erworbenEine ähnlich gestaltete sancai-glasierte Flasche mit gepunztem Boden und blütenförmigem Hals befindet sich in der Sammlung des Kunstmuseums Den Haag, abgebildet in Beatrice Jansen, Chinese Ceramiek, Den Haag, 1976, Abb. 49. Ein weiteres Exemplar wurde in Ganjing, Kreis Heyang, ausgegraben und befindet sich heute im Kreis Heyang Museum, abgebildet in Chen Anli, Hrsg., Zhonghua guo bao: Tang sancai juan, Xi'an, 1998, Abb. 49. Vergleiche auch ein grün glasiertes Exemplar, abgebildet in R.L. Hobson, The Catalogue of the George Eumorfopoulos Collection of Chinese, Korean, and Persian Pottery and Porcelain, Bd. I, London, 1925, Abb. 24, Nr. 162Unglasierter Stand mit kleinen Bestoßungen
Großer 'Famille rose'-Cloche mit Blüten und SymbolenChina, frühe Qianlong-PeriodeD. 32,2 cmGlockenförmiger, gewölbter Deckel mit kleinem Rand und pilzförmigem Abschluss auf der Oberseite. Die Dekoration in den Farben der 'Famille rose' emailliert und vergoldet, mit mehreren verschiedenen Symbolen und Treillis gemusterten Bändern auf der Außenseite, das zentrale Design Prunus und Pfingstrosen.Süddeutsche Privatsammlung, zusammengetragen vor 2007Jorge Welsh veröffentlichte eine ähnliche Wärmeglocke (Maria Antónia Pinto de Matos, The RA Collection of Chinese Ceramics: A Collector's Vision, 2011, Bd. 2, Nr. 213) sowie einen Satz von zehn gewölbten Wärmeglocken mit dem dazugehörigen Geschirr in 'Out of the Ordinary: Living with Chinese Export Porcelain', 2014, S. 86, Nr. 22Wenige Glasurabsplitterungen, Haarriss an der Seite
Pair of Qing dynasty vases, Green Family. China, 19th century.Hand-painted porcelain.With calligraphic inscriptions on front and back.Measurements: 58 cm (height); 23 cm (largest diameter).Pair of ornamental vases made in porcelain, belonging to the style known as Familia Verde. They have mirror decoration representing ceremonial motifs. Each of the vases depicts a retinue of servants celebrating and accompanying an emperor. On the reverse are jardinières, vases and floral motifs. The bright colours used, mostly in greenish tones, are in the style of the Green Family. The fretwork arrangement of the handles deserves special attention.The term Green Family is the Western name for a style of Chinese polychrome porcelain derived from wucai (literally 'five colours'). Wucai was created during the Ming dynasty, and has been widely used in China ever since. It is characterised by only some of the motifs being executed in cobalt-blue underglaze, while the rest of the decoration is applied already on the glaze. In addition, black glaze is added for the outlines, in early times covered with a translucent green glaze to fix it. The Green Family style is a type of wucai called yingcai ("solid colours"), which is characterised by the predominance of copper oxide green. The name yingcai refers to the quality of the glazes, which are crystalline because they are mostly applied to the glaze.
Pair of dishes. China, 18th century.Enamelled porcelain.Measurements: 28 cm (diameter).This pair of Chinese plates shows a profuse ornamentation, both on the bottom and on the rim of the plates. In its centre it represents landscape motifs with typically oriental architectural structures. The wings of both plates have medallions at the cardinal points, with floral decorations on the inside. The backs are also decorated with floral motifs.
Pair of vases; Fujian, China, Qing dynasty, late 19th, early 20th century.Enamelled porcelain.With mark on the base.Measures: 25 x 15 x 11 cmPair of decorative vases decorated with scenes of legendary characters, from the Chinese province of Fujian and dated to the last period of the Qing dynasty, late 19th century. It is important to note that the openwork apertures on the faces of the pieces represent the different trigrams that represent the interaction between yin and yang, with the continuous lines corresponding to yang and the broken lines to yin.
Pair of dishes. China, 18th century.Enamelled porcelain.Measurements: 21 cm (diameter).Pair of Chinese plates whose backgrounds are decorated with beautiful court scenes. In each one of them, a young lady is dedicated to the contemplation in a clear landscape. In one of them a small child accompanies her. The rim of the plates has a poly-lobed profile, combining fretwork and vegetal decoration.
Pair of Chinese vases. Qing dynasty, Kangxi period, 18th century.Hand-painted porcelain. Slight wear to the colour and some chipping at the base.Size: 26 x 11 x 11 cm.Pair of vases from the Kangxi period, with an elegant design, combining the angular base with the curvilinear shoulders. Floral growths decorate each side of the vase, between geometric and synthesised fretwork developing in vertical rows. The porcelain is hand-painted in two colours: cobalt blue on white. Gold lids provide the chromatic and formal counterpoint.The Kangxi Emperor was a great promoter and patron of the porcelain industry. It was during his reign that the ailing industry received a major revival. The artistic achievements made between the late 17th and early 18th centuries place these pieces among the finest in history. Wucai or Wu tsai porcelain for export, produced by folk kilns during the Kangxi period, has historically been referred to by Westerners as "green family porcelain". This name was given by Albert Jacquemart in the book Historie artistique, industrielle et commerciale de la porcelain, Paris 1862, to denote a group of pieces where the green glaze presents a certain leadership in the decorative composition.
Pair of Chinese vases, late 19th century.Enamelled porcelain and bronze.Stamps on the base.Measurements: 60 x 24 x 24 cm.Pair of Chinese vases with cylindrical tank, gently curved towards the foot and shoulders, with neck opening towards the mouth. Richly decorated with warriors in sumptuous attire and divinities interacting in animated scenes. The Immortals are set in landscape settings with peaked mountains rendered in beautiful blue tones. The palette is rich in contrasts: reds, pinks, whites, browns, ceruleans? The enamel painting is combined with bronze friezes worked in relief and serpentine dragons around the shoulders. The landscapes are dominated by the presence of trees with large canopies, a symbol widely used in Chinese art because of its symbolic character, related to longevity. The eroded rocks represent the passage of time.
Chinese tureen, 18th century.Enamelled porcelain.Measures: 20 x 30 x 21 cm.Chinese tureen with a slightly rounded globular body. The handle of the lid takes the form of fruits wrapped in its sheath. The enamelled ornamentation is figurative: landscapes with architectural elements decorate the whole exterior surface of both bodies, in cobalt blue on white.
Chinese bowl, late 19th century.In enamelled porcelain.Measures: 37 x 13 x 37 cm.Chinese bowl in enamelled porcelain decorating the interior and exterior part of the bowl: the seat appears ornamented with a central figurative scene bordered with cartouches; water lilies and lotuses decorate the cavetto, and vegetable fretwork outlines the eaves. The variety of colours on the white slip is remarkable.
An 18th or 19th century Chinese Imari pattern teapot 15cm wide; a further Chinese porcelain teapot; a Cantonese porcelain jug and two Chinese porcelain bowls (5)The bowls in good condition, with some minor glaze loss to the rim; lid not matching on teapot; crack to the handle of the teapot and firing cracks as shown in photos; some other gilding loss.
A 19th Century unusual Chinese porcelain vase and cover of large size. The body of twisted spiral form decorated in panels using Wucai colours. Depicts repeating botanical details with geometric bands. The cover further decorated with pointed finial top. Restoration to rim and riveted repair to lid. Measures approx; 39cm tall.
A graduating pair of 19th Century Chinese Kangxi revival porcelain prunus pattern blue and white Ginger Jars. Both with blue ground and white blossoming prunus branches. Blue concentric circles to undersides. Restoration present, one with repaired rim and the other with extensive repair to body. Measures approx; 25cm & 18cm.
A 20th Century Chinese Republic period hand painted blue and white porcelain vase / brush pot. Cylindrical form with scenes of Imperial dragons chasing the flaming pearl among clouds and fire. The underside with four character Qianlong to base. No visible damage. Measures approx; 15cm x 10cm.
A large pair of 19th Chinese blue and white crackle glaze porcelain vases having hand painted decoration depicting figures & elders in exterior scene with one holding bird.Applied qilin / Dragon handles and raised on black rim. Vases both being hollow / baseless as designed. Measures approx; 35cm tall. Chip to handle on one but otherwise good condition. The other vase has got repair and chip to rim and handle.
An early 20th Century Chinese Xuantong blue and white porcelain tea bowl having panel set decoration depicting landscape scenes and precious objects raised on small circular foot. The underside bearing four character Xuantong mark in underglaze blue Kaishu script within two concentric circles. Measures approx; 5cm x 8cm.
A group of early 20th Century Chinese opium pipes / tobacco smoking pipes. Comprises a horn and white metal example decorated with mother of pearl and poem script, another with bamboo shaft and circular white metal bowl along with a crackle glazed porcelain example. Measures approx; 40cm long.
A GROUP OF CERAMICS, GLASS AND METALWARES INCLUDING HARRY WHEATCROFT SIX WORLD FAMOUS ROSES TEA WARES, by different manufacturers, comprising two Paragon trios in Peace and Prelude designs, a tea plate in Grand Gala pattern, and a Virgo pattern tea plate and teacup, all with Paragon Harry Wheatcroft backstamps, a Paragon trio in Grand Gala pattern, and a Virgo teacup and saucer, with black Paragon backstamps, four Roslyn China trios in Prelude, Rendezvous, Grand Gala and Peace, with the following Roslyn pieces: a Virgo sugar bowl, two saucers and two tea plates in Mme Ch Sauvage and Virgo, and a Mme Ch Sauvage cake plate, all with Roslyn backstamps, other items to include a Minton Pugin's Proverbs tea plate and wide rimmed bowl, a thirty seven piece oriental eggshell porcelain tea set, a Thomas Webb cut crystal comport height 14cm x diameter 20cm, a thin Chinese brass bowl on a wooden stand, a brass toasting fork, etc (Qty) (Condition report: the Harry Wheatcroft tea wares appear in good condition with only a little light wear in a couple of places, most other items appear in good condition, sd)
A QUANTITY OF WEDGWOOD 'CLEMENTINE' GIFTWARES ETC, to include trinket boxes, pin trays, vases, bud vases, powder bowl with cover, jardiniere, fruit bowl, etc, together with two Royal Doulton HB5119 dishes, Royal Worcester and Aynsley gift wares, twelve Wedgwood Cecily Mary Barker 'Flower Fairies' collectors plates, Chinese Disney Dwarf figures, Limoges porcelain dolls house furniture etc
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106012 item(s)/page