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Lot 154

A Chinese table screen, containing a porcelain plaque depicting Guan Yin, the frame with pierced detail below the plaque, 53 x 33 x 17cm.

Lot 175

A Chinese Blanc de Chine porcelain table lamp with shade, having twin Ruyi design handles and a pierced body decorated with flowers, raised on a carved wooden base, 46 x 18cm (measured without shade)

Lot 226

A pair of Chinese blue and white porcelain chamber pots

Lot 5

Small Chinese eggshell porcelain fluted bowl painted in famille rose enamels with exotic birds in a blossom tree, blue 4 character mark to base, 3ins diameter

Lot 139

Chinese underglaze blue and white porcelain shallow covered dish probably for ink or watercolour, decorated to the lid with a phoenix amidst foliage, possibly late Ming, 4 , ins diameter

Lot 604

7¼" DIAMETER 19TH CENTURY CHINESE FAMILLE ROSE PORCELAIN DISH DECORATED WITH FIGURES & BIRDS

Lot 597

CENTRE TABLES, a pair, late 20th century Chinese padoukwood with circular tops and inlaid polychrome porcelain panels, 63cm D x 76cm H. (2)

Lot 257

A collection of Chinese snuff bottles, porcelain and glass along with a Doulton Lambeth conserve pot with silver plated mount.

Lot 148

Three 18th century Chinese porcelain armorial lobed dishes with coat of arms for the Palmer family, Holme Park, Sonning, all without damage or repair, 20.5 x 16.5 cm, 12.5 x 12.5 cm, 12.5 x 9 cm (3)

Lot 474

A group of ceramics to include a Chinese export plate; Japanese vases; a Wedgwood blue jasper jug circa 1900; Continental porcelain figures; a part dinner service etc (three boxes)

Lot 411

Modern Chinese blue and white porcelain cylindrical vase

Lot 410

A Chinese porcelain circular dish, Kangxi, painted in underglaze blue and famille verte enamels with rockwork and foliage within lattice borders, 39cm diameter

Lot 156

A Chinese porcelain blue and white jar painted with lotus and other flowers, associated cover, multiple stapled repairs

Lot 409

A Chinese celadon porcelain shallow dish

Lot 50

A Chinese porcelain dish, 19th century, painted in famille verte enamels with a pheasant perched amongst flowers and rockwork, 30cm diameter

Lot 366

A collection of Chinese blue and white porcelain including chargers, cups and saucers and sauce boats, 18/19th C. Dia.: 41,5 cm (the large dish)

Lot 10

A large Chinese porcelain model of a seated Luohan, 20th C. Dim.: 49,5 x 42,5 x 31,5 cm

Lot 124

A small polychrome Chinese porcelain model of a scholar's desk, ca. 1900 Dim.: L.: 14,5 cm - W.: 6 cm - H.: 11 cm

Lot 635

A group of Chinese monochrome and blue and white porcelain, Song and later H.: 9,5 cm (the vase)H.: 6,5 cm - Dia.: 14,5 cm (the bowl)

Lot 1194

A large Chinese blue and white kraak porcelain bowl with floral design, Wanli Dia.: 36 cm - H.: 16,5 cm

Lot 886

A Chinese porcelain imitation lacquerware covered box with prunus branches, 19/20th C. H.: 6,5 cm - Dia.: 9,5 cm

Lot 1251

A Louis XV ormolu-mounted lacquer and turquoise Chinese porcelain inkstand, Kangxi and ca. 1740 Dim.: 49 x 34 x 12 cm

Lot 1161

A large Chinese blue and white kraak porcelain bowl with floral design, Wanli Dia.: 36 cm - H.: 16 cm

Lot 1179

A very large Chinese blue and white kraak porcelain charger with a dragon, Wanli Dia.: 49,5 cm

Lot 553

A Chinese export porcelain "Commedia dell'Arte" saucer dish after Watteau, Qianlong Dia.: 13,5 cm

Lot 1172

A Chinese blue and white kraak porcelain plate with a deer, Ming, Wanli Dia.: 20 cm

Lot 1300

A collection of books on Chinese art, 20th C. Various dimensions.CHINA FOR THE WEST, David Howard and John Ayers, 1978. Volumes I and IICHINEES PORSELEIN EN AARDEWERK, 1972. D.F. Lunsingh Scheurleer IN THE WAKE OF THE LIEFDE: Cultural relations between the Netherlands and Japan, since 1600. By Collectif, 1986. CHINE DE COMMANDE, 1989. D. F. Lunsingh Scheurleer CHINESE PORCELAIN of the 19th and 20th centuries, 1977. H.A. Van Oort ASIATIC ART in the Rijksmuseum, Amsterdam, 1985. Pauline / Scheurleer, LunsinghCHINESE PORCELAIN, The Transitional Period 1620 – 1683, 1986. a Selection from the Michael Butler Collection CHINESISCHES UND JAPANISCHES PORZELLAN IN EUROPAISCHEN FASSUNGEN, 1980, D. F. Lunsingh Scheurleer PORCELAINE DE LA COMPAGNIE DES INDES, 1982, Michel Beurdeley KRAAK PORCELAIN, a moment in the history of trade, 1989, Maura Rinaldi CHINESE EXPORT WATERCOLOURS, 1984, Craig Clunas CHINESE EXPORT PORCELAIN, Chine de Commande from the Royal Museums of Art and History in Brussels, 1989, C. J. A. Jörg

Lot 1009

A collection of Chinese blue and white, famille rose and Imari style porcelain, 18th C. Dia.: 31 cm (the large plate)

Lot 178

Three pieces of 20th C. Republic Chinese famille rose porcelain and a double-walled saucer, Yongzheng H.: 36 cm (the vase) - Dia.: 27 cm (the plate)

Lot 1189

A pair of Chinese blue and white kraak porcelain deer bowls, Wanli H.: 12,5 cm - Dia.: 23 cm

Lot 1167

A pair of Chinese blue and white kraak porcelain bowls and a dish with crickets, Wanli Dia.: 29 cm (the dish) - Dia.: 22 cm (the bowls)

Lot 850

Three shares of the Ostend East India Company and two of the Swedish East India Company, 18th C. Dim.: ca. 32 x 20 cm (the Ostend East India Company shares) Added: An engraving of the coat of arms of the Ostend Company and one of the so called "Huis der Timmerlieden", where the company was partly founded. The Ostend company:The trade from Ostend in the Austrian Netherlands to Mocha, India, Bengal and China started in 1715. Some private merchants from Antwerp, Ghent and Ostend were granted charters for the East-India-trade by the Austrian govemment that had recently come to power in the Southern Netherlands. Between 1715 and 1723, 34 ships sailed from Ostend to China, the Malabar or Coromandel coast, Surat, Bengal or Mocha. Those expeditions were financed by different international syndicates composed of Flemish, English, Dutch and French merchants and bankers. The mutual rivalry between them however weighed heavily upon the profits and this resulted in the foundation of the Ostend East-India Company, chartered by the Austrian emperor in December 1722. The capital of the company was fixed at 6 million guilders, composed of 6,000 shares of 1,000 guilders each. It was mainly supplied by the moneyed inhabitants of Antwerp and Ghent. The directors were chosen out of the rich and skilled merchants or bankers who had been involved in the private expeditions. The company also possessed two factories: Cabelon on the Coromandel coast and Banquibazar in Bengal. Between 1724 and 1732, 21 company vessels were sent out, mainly to Canton in China and to Bengal. Thanks to the rise in tea prices, high profits were made in the China-trade. This was a thorn in the side of the older rival companies, such as the Dutch VOC, the English EIC and the French CFT. They refused to acknowledge the Austrian emperor's right to found an East-India company in the Southern Netherlands and considered the Ostenders interlopers. International political pressure was put on the emperor and he finally capitulated. In May 1727 the charter of the company was suspended for seven years and in March 1731 the second treaty of Vienna ordered the definitive abolition. The flourishing Ostend Company had been sacrificed to the interests of the Austrian dynasty. Between 1728 and 1731 a small number of illegal expeditions was organized under borrowed flags, but the very last ships sailing for the company were the two "permission-vessels" that left in 1732 and were a concession made in the second treaty of Vienna. Only a few documents are left because the municipal archives of Ostend were lost during the Second World War. The Swedish company: Not all the new companies were to be equally successful in their trading. The Swedish East India Company, established 1731 on the initiative of private merchants but with the caution of the central government, profited from the vain attempts of building new companies in some countries and from the short lived companies' existence in other as well. Both the Swedish and reformed Danish company were profiting from the vacuum created by the disappearance of the Austrian East India Company or commonly called Ostend Company because based in Ostend, itself dissolved under pressure from the great powers. The companies ventured upon colonization, because for example, anyone who possessed settlements on the route to the Orient could revictual more easily during the passage, while those who did not, always had to go to their rivals or competitors to replenish their stocks of provisions or change their drinking water. If they intend to succeed, they had to work out schedules for quick and safe sailing routes and solve their own acute problems, especially when they were not always willing to depend upon their competitors. Even smaller companies tried to be represented both in India and in China in order to conduct trade there. It is plain that for smaller companies - and thus for smaller powers - the East was too far off and too vast in area for them to make an appearance everywhere on the trading scene. The Swedes drew the lesson from their unfortunate Ostend colleagues, whose company's presence, both in India and China, had probably had accelerated its collapse. After several somewhat unsuccessful experiments in Surat and Bengal, the Swedes specialized in the China trade. The ultimate option of the Swedes for an East Indian trade that forsook, whether deliberately or otherwise, every form of colonization, was to bring nothing but profit to the enterprise and to sustain its prosperity for almost a century. This characteristic attitude would not be without historical significance for the Swedish policy of neutrality in later centuries. Nevertheless the trade with China was a difficult one. The Chinese regarded all foreigners with suspicion and contact with the "Foreign Devils" was severely restricted. Trading was allowed only in Canton and only under the supervision of Chinese "Hong" merchants. Foreign traders were not even permitted to live in Canton and could only visit their warehouses during the trading season. Once trading was finished, the cargo was loaded - porcelain in bundles, tubs and wooden boxes cushioned with rice paddy or marketable goods such as gallingall, pepper, rice, sago, or tea, at the bottom for ballast, followed by chests of tea and finally the precious silks and spices. The China Trade was a risky venture. Taxes, tributes, bribes and deceptions were rife. Storms, pirates, disease and rival traders were constant threats during the two-year round trip voyage from Europe. Most went well but sometimes disaster struck - as with the Gotheborg. Despite the risks, traders made huge profits for their companies, themselves and their countries. (source: swaen.com)

Lot 647

A Chinese cream-glazed porcelain turtle shaped ink stone, Yuan/Song or later H.: 5,5 cm - Dia.: 16,5 cm

Lot 563

A varied collection of Chinese famille rose, grisaille and Imari style porcelain, Qianlong H.: 11,5 cm - L.: 22 cm (teapot)H.: 6 cm - Dia.: 8 cm (cup) Dia.: 11,5 cm (saucer) Dia.: 22,5 cm (plate)

Lot 512

A pair of Chinese export porcelain pseudo-tobacco leaf trays, Qianlong Dim.: 25,5 x 17 cm

Lot 1190

A Chinese clobbered blue and white kraak porcelain bowl with floral design, Wanli Dia.: 36,5 cm - H.: 16 cm

Lot 500

A Chinese blue and white "Three Friends of Winter" dish, Qianlong mark and period Dia.: 17,8 cm Including a box.Full provenance including old catalogues and the book “Later Chinese porcelain” included with the piece. Provenance: - The collection of P.J. Donnelly - The collection of Soame Jenyns- Published in “Later Chinese porcelain”, Soame Jenyns, 1951, pl. XCV. - Sotheby Parke Bernett, Hong Kong, Nov. 16, 1983, Lot 514 (Illustrated on plate 8) - Exhibited : From the Tang to the Qing: Chinese Ceramics from circa 618-1850 A.D. - The collection of Dr. and Mrs. Peter Thompson, Hull University, Hull, UK, 1996, cat. no. 115 - Sotheby’s, London, Nov. 7, 2012, “Chinese ceramics from the collection of Peter and Nancy Thompson”, Lot 78- An English private collection. See also: - A similar example in the collection of the Palace Museum, Beijing, published in: A Contrast between Genuine and Fake Porcelain And The Porcelain Specimens from Ancient Kiln Sites Collected in the Palace Museum (Pictorial Album). Beijing, 1998 (故宫è—èä_ ä¸–瓷器真èµùå¯_比·å_†ä»£åè_窑åù€æ ‡æœ¬å›_å_•). Page 117, Picture 91.- Sotheby's, New York, March 19, 2016, Lot 1412, for a similar example. (link) (Result: USD 35.000)

Lot 1182

A very large blue and white Chinese kraak porcelain dish, Ming, Wanli Dia.: 50 cm - H.: 8,5 cm

Lot 1180

A Chinese blue and white kraak porcelain charger with a flower vase, Wanli Dia.: 32 cm

Lot 1164

A Chinese blue and white kraak porcelain covered bowl, Wanli, and a floral bowl, Kangxi H.: 9,5 cm - Dia.: 20,5 cm (the Kangxi bowl)H.: 15,5 cm - Dia.: 13,5 cm (the covered bowl)

Lot 491

A collection of Chinese famille rose porcelain, Yongzheng/Qianlong Dim.: 37 x 28,5 cm (the large dish)

Lot 1188

Three Chinese blue and white kraak porcelain crow cups, Wanli H.: 8 cm - Dia.: 12,5 cm (the largest)

Lot 584

A Chinese verte biscuit armorial sweetmeat dish with the arms of Johannes Camphuys, VOC governor of Batavia, Kangxi Dim.: 12,5 x 12 cm  See also: Peabody Essex Museum, Inv. AE85686.A-I, for a complete set with this design. (link)It states: "... painted in yellow, green and aubergine glazes with a shield containing an elaborate coat of arms of Johannes van Camphuys, Governor General of the VOC in Batavia from 1641-1691. The set is composed of a central star-shaped dish surrounded by eight matching petal-shaped dishes, each decorated in translucent green, purple, yellow and black overglaze enamels. Most likely, the set originally had a shaped under-dish into which all nine pieces fit. This is believed to be the earliest Chinese armorial enameled porcelain ordered by a VOC commissioner."

Lot 53

Eight various Chinese porcelain and hardstone brush rests, 19/20th C. W.: 9 cm - H.: 11 cm (the tallest brush rest)

Lot 94

A LATE 18TH CENTURY CHINESE PORCELAIN BULLET FORM TEAPOT AND COVER, painted with cobalt blue blossoms and cartouches, containing polychrome figurative panels, 14cm high, together with the MATCHING SPARROW BEAK JUG, 11cm high (2)

Lot 95

AN 18TH/19TH CENTURY CHINESE PORCELAIN TEAPOT, of bullet form, with cover, painted in the famille rose palette with birds amidst blossoms, 14cm high, together with TWO CHINESE BLUE & WHITE TEAPOTS with covers (3)

Lot 116

A JAPANESE IMARI VASE of baluster form, 25cm high, a JAPANESE PORCELAIN VASE, painted with bird upon a branch decoration, 21.5cm high and a CHINESE RETICULATED PORCELAIN VASE, with peacock decoration, 23.5cm high in a fabric covered storage box (3)

Lot 123

A CHINESE CHING DYNASTY PORCELAIN GINGER JAR, cobalt blue painted in the round with a contemplative garden of fir, bamboo and prunus, sun depicted at the high shoulder, the base painted with double veneration rings, 20cm high (no cover)

Lot 1236

A collection of Chinese porcelain; and other items.

Lot 1778

A Chinese porcelain part dinner service, painted with flowering prunus against a green ground. Condition Report: Sixty Four pieces in total. Rubbing to gilt edges on most pieces.Damaged Pieces:Large Oval Platter - Chunk missingTureen Lid - chipped

Lot 1351

A quantity of Chinese and Japanese pottery and porcelain.

Lot 1561

A small quantity of Chinese porcelain, 18th century and later. Condition Report: GINGER JAR - Lid missing - chip to base.SAUCE BOAT - Handle repaired in several places.All plates chipped/broken and glued.

Lot 333

18th Century Chinese Export Porcelain 2xTeacups Cup & 1 Saucer

Lot 212

Two Chinese porcelain tankards (18th/19th c)

Lot 232

Chinese porcelain tea cannister with carved and pierced hardwood lid (A/F), a Chinese blue and white plate with character mark and two other oriental pieces

Lot 28

Quantity of assorted modern Chinese porcelain and china

Lot 352

Pair of large Chinese porcelain 19th c. blue & white vases, 22.5" high (A/F)

Lot 355

Six pieces of 18th c. and later Chinese porcelain

Lot 356

Pair of enamelled Chinese porcelain square vases, c.19th c., approx 8.75" high

Lot 393

Two 19th c. yellow ground Chinese porcelain vases

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