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A collection of mixed Chinese items, to include a Canton porcelain vase, porcelain lamp, standing figure, pewter mounted Yixing teapot, mud-man type figure, a Fuzhou lacquer vase; and a Japanese figure of a ladyTeapot – small dents to the pewter.Sancai group – small chips.Japanese boy figure – missing a leg.Canton vase – small chips.Lacquer vase – cracked to base.Japanese lady figure – missing a hand.Lamp – appears intact.
Famille Rose Kamcheng, decorated with reserves of phoenixes and peonies on a foliate green ground, the cover with lion finial, red seal mark to base, together with Chinese famille rose enamelled porcelain chupu and cover, decorated with reserves of phoenixes amid rockwork and peonies, on a green ground with pink borders, red seal mark to base, and another Chupu cover
Two Qajar pottery bowls,Iran, 19th centuryOf shallow form, underglaze decorated in pink, blue and green with central rose and chrysanthemum spray to well and heart shapes on a lattice ground to cavetto, 25cm. diam (2) Footnotes: The decoration on these bowls is imitating Chinese famille rose porcelain. Famille rose was imported into 18th century Persia attracting various classes of society and having a major impact on the decorative repertoire of Qajar pottery.
JESSICA HAYLLAR (1858-1940) Pink Roses signed and dated 1904 lower right, oil on board, 25cm x 17.5cmNote: The eldest daughter of genre, portrait and landscape painter James Hayllar (1829-1920) Jessica Hayllar, along with her younger sisters Edith, Mary and Kate, honed their considerable artistic talents under the watchful eye of their father. Jessica was the most talented of her artistic siblings, as well as the most prolific - She exhibited at the Royal Academy in London regularly between 1879 and 1915 and also had works shown at the Society of British Artists, the Institute of Painters in Oil Colours and at the Royal Manchester Institution. However following an accident around 1900, (family tradition has it that she was crippled after being knocked down by a carriage), she turned to flower pictures, especially the azaleas which feature in so much of her earlier work. She died unmarried in 1940, in Bournemouth, the resort to which she and her father had moved in 1899.The Hayllar family homes, firstly in Wallingford and latterly in Bournemouth, were comfortable and fashionable, reflecting the late nineteenth century Aesthetic Movement taste for combining antique European furniture with Oriental porcelain and modern wallpapers and soft furnishings. The same blue and gilt Chinese jardiniere with blossoming branches and foliate roundels appears in 'A Sunny Corner' painted in 1909. Like her three sisters, Jessica liked to bring the beauty of the garden into her paintings, either with glimpses through the windows or vases displaying blooms such as the roses in the present picture.Framed dimensions: 32cm x 24.5cm
An 18th Century Chinese export Famille rose porcelain punch bowl, decorated in depiction of European settlements in China, with fortified structures and Christian churches, reserved alongside vignettes of birds amongst blossoming boughs within scroll cartouches on a pink rose and flowerhead diaper ground, the interior decorated with central blossom and foliage, the rim having a gilt Greek-key and iron red border, 29 cm, (a/f)
2 similar Chinese famille rose porcelain plates, Daoguang Period, decorated with Samurai Warriors, panels of text and exotic bird and butterfly rims, diameter 25.5cmBowl with butterfly in the central panel has a number of small rim chips plus a few tiny surface chips on the inner rim, no cracks or restoration, other plate has a few very tiny glaze chips on the very edge
A PAIR OF PORCELAIN PHEASANTS IN THE MID 18TH CENTURY CHINESE EXPORT MANNER, MODERN Famille Rose decoration with hand painted rockwork, one with de Gournay label taller 76.5cm high Provenance: De Gournay, where purchased by Count Manfredi della Gherardesca Condition Report: Bases are approximately 24.5cm wide, 18cm deep but with some natural variance from firing. Mild wear, marks, knocks and scratches as per relatively modern age, handling, use, and cleaning. Some minor rubbing to painted detailing- notably to black feather section to back of one, natural firing flaws- notably to bases, one with impressed De Gournay mark. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A Chinese Canton porcelain plate, 19th century, of circular form and extensively decorated with an abundance of butterflies in the famille rose palette against a gilt ground, 25cm diameter, with a 19th century Chinese porcelain baluster vase decorated in the imari palette, 10.5cm high (2) (at fault)Condition report; Plate - chip to rim. Pitting and fritting can be seen to the surface. Some gilt wear and surface scratches.Vase- Firing crack to the underside. Stained interior. Areas of wear to the decoration and scratches to the surface.
A pair of Chinese porcelain blue and white tea bowls, Qianlong (1736-1795), each circular tea bowl with ogee shaped gilt highlighted rim externally decorated with a landscape of pagodas, 8cm wide (2) (at fault)Condition report; One tea bowl with small firing crack to the rim. The other tea bowl with three rim descending stained hairline cracks. Each with some surface scratching and pitting. Gilt wear to rims.
A Chinese porcelain famille vert ginger jar, cover, and stand, 19th century, the ovoid ginger jar decorated in the Kangxi manner with birds perched upon rocky outcrops beneath blossoming sprays, bearing green artemisia leaf to the underside, raised on an associated carved wood base, with carved wood cover, 19cm high overall (at fault)Condition report; Pitted and stained to the interior. Wear to the spear head borders towards the lower section and shoulder section of the jar. Some pitting and scratching can be seen to the exterior. Cover with visible losses. Cover measures 6cm internal diameter and 8cm external diameter.
A Chinese porcelain clair-de-lune ground ginger jar and cover, 19th century, of typical ovoid form and decorated in the famille rose palette with two reserves depicting vases and precious objects, blue double concentric circle mark to the underside, 14cm highCondition report; Extensive pitting to the interior. Glazing flaws can be seen to the exterior including crazing, pitting and pooling. Surface scratching and wear can be seen. No obvious signs of repair of restoration.
A pair of Chinese porcelain Sancai glazed Dogs of Fo, 19th century, each modelled standing upon an integral plinth base, 20cm high, with a pair of Japanese Imari porcelain lobed chargers, Meiji Period (1868-1912), 31cm diameter (4) Condition report; Pair of dogs appear free from restoration and repair. Some minor chipping to the tips of the extended teeth. Minor firing cracks visible. General surface scratches. Pair of chargers with general surface wear throughout commensurate with age.
A Chinese porcelain famille vert ginger jar, 19th century, of ovoid form and decorated with two reserves depicting figures in a garden, 11cm high, with a further similar 19th century ginger jar, decorated with figures and a horse, with double concentric circle marks to the underside, 13cm high (2)Condition Report; Each with small stained firing crack to the rim. General surface scratching and pitting visible to each and some staining can be seen. No obvious restoration or repairs present.
A Chinese porcelain blue and white sleeve vase, 19th century, of tall cylindrical form with flared neck, externally decorated with a mountainous landscape depicting pagoda temples and shrines, 34.5cm high (at fault)Condition report; Noticeable chip to rim with very small faint descending hairline crack. Decoration appears good in keeping with the style. The side of the body has a stained hairline crack approximately 10cm in length. Pitting to interior of vase. Surface scratching and staining visible to the exterior. No apparent restoration.
A Chinese porcelain blue and white bowl, 19th century, Kangxi four character mark, decorated in the Wanli period style, and of circular panel design, 18cm wide (at fault)Condition Report; Multiple chips to the rim can be seen. Some pitting and surface scratching. No obvious restorations or repairs.
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106012 item(s)/page