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Click here to subscribeA Chinese porcelain blue and white vase, 18th century, of meiping form and decorated with peach blooms and artemisia leaves, receded base, 21cm high (at fault)Condition report; Large stained crack to the shoulder of the vase which leads to a star crack. Some pitting visible. Areas of surface scratching. Underglaze moulding flaw to the neck of the vase.
A Chinese porcelain blue and white lamp base, 19th/20th century, of baluster square section, applied with gourd details and decorated with pine trees, flora, and fauna, 74cm high overall (restored) Condition Report: Neck of vase with overpainted restoration. The overall appearance is relatively grubby and firing flaws can be seen. Surface blemishes and grazes can be seen. Pitting visible. Some minor chips can be seen. See further images for clarification.
A Chinese porcelain Millefiori bowl, Qianlong seal mark, 20th century (possibly Guangxu), of circular form decorated with chrysanthemums, hibiscus and floral sprays, all against a gilt ground, recessed foot rim, 27cm diameter (at fault) Condition Report: Small re-glued section to the rim suspending a hairline crack (see images) otherwise overall appearance is good. Surface does show some areas of scratching. Colours still vivid and bright. Small filled chip to the foot rim.
A Chinese porcelain blue and white bowl, Kangxi mark, 19th century, externally decorated with a Pagoda landscape, the interior of the bowl similarly decorated with a border, four-character mark to the underside, 18cm diameter (at fault) Condition Report: Two rim descending stained hairline cracks otherwise ok. Signs of surface scratches and staining.
A Chinese porcelain snuff bottle, Qianlong six character mark, of rouleau form and decorated in blue and red palettes depicting Court figures, 8cm high, with a Tongzhi style water basin, 17cm wide, a Japanese famille rose bottle vase, 15cm high, and a blue and white printed ginger jar, 9.5cm high (4)
A selection of Chinese porcelain, to include four craquelure green glazed vases, of double gourd and ovoid form, 15cm and 12cm high, a Chinese Republic Period style wall plaque, of rectangular form depicting a landscape, 39 x 26.5cm, framed with a print after Marius Forestier, framed and glazed (6)Condition report: Wear can be seen to all pieces. No obvious signs of restoration. General surface blemishes, scratching and wear commensurate with age.
A Chinese porcelain vase, late 19th/early 20th century, Kangxi style, the meiping shaped vase decorated in a famille verte colour palette with birds perched upon branches, 23cm high Condition Report: No obvious signs of restoration. Small underglaze firing crack located beneath one of the butterfly's. Some enamel and surface scratching. Some small but minor enamel nibbles towards the foot otherwise overall appearance is good.
A RARE CHINESE IMPERIAL BLUE AND WHITE 'DRAGON' JAR SIX CHARACTER WANLI MARK AND OF THE PERIOD 1573-1620 The sides decorated with two ferocious five-clawed dragons chasing flaming pearls amidst clouds and a mountainous landscape, all beneath a register of scrolling lingzhi and above crashing waves resting upon an overlapping band of plantain leaves, with a six character mark arranged in two columns enclosed by double circles to the base, together with a reticulated wood stand and cover, with a paper label for Bluett & Sons, London, to the underside of the stand, 12.5cm. (3) Provenance: supplied to Bluett's by E Gordon Lowder, and later purchased by Mr Charles Sydney Cheston, painter, d.1960, and thence by descent. Recorded in Charles Cheston's 1946 catalogue as purchased from Bluett & Sons in 1924. Bluett's letter to Lowder of 27th January 1926 encloses a statement of account which includes payment of £12:10 for this vase; cf. R Davids & D Jellinek, Provenance, p.302 for further information about E Gordon Lowder. Cf. Enlightening Elegance: Imperial Porcelain of the Mid to Late Ming, The Huaihaitang Collection, p.368, no.118 for a very similarly decorated Wanli blue and white 'dragon' jar.明萬曆 青花趕珠龍紋罐《大明萬曆年製》青花楷書款來源：E Gordon Lowder售於Bluett’s，Charles Sydney Cheston（逝於1960）先生收藏，之後由其家族繼承。在其1946年的圖錄中記載，1924購於Bluett & Son，一封1926年1月27日的Bluett’s寫給Lowder的信中附言以£12:10購買了這件龍罐。
A LARGE CHINESE FAMILLE ROSE RUBY-GROUND 'FOUR SEASONS' MEDALLION BOWL QING DYNASTY/REPUBLIC PERIOD Painted with four roundels containing prunus, chrysanthemum, lotus, and peony, the interior turquoise, the base with a six character Qianlong seal mark, with a paper label for Bluett, London, a copy of the 1973 invoice is available, 19.6cm. Provenance: the Sir Harry and Lady Garner collection, and later from an English private collection, London, purchased from Bluett and Sons Ltd., 21st May 1973 for £45. Exhibited: The Oriental Ceramic Society, Exhibition of Enamelled Polychrome Porcelain of the Manchu Dynasty 1644-1912, 1951, no.200, where it is catalogued as seal mark of Ch'ien Lung and period.清/民國 紅地開光花卉紋撇口碗《大清乾隆年製》仿款來源：Harry紳士及Garner女士收藏，之後英國倫敦私人收藏，1973年5月21日以£45購於Bluett and Sons Ltd.。
A CHINESE FAMILLE VERTE 'LADIES AND BOYS' LANTERN KANGXI 1662-1722 The ovoid body decorated with a continuous scene of ladies and boys in a fenced garden, amidst pine, bamboo and rockwork, all framed within various diaper borders with cartouches enclosing mythical beasts, with a paper label for Marchant, London, to the interior of the mouth rim, together with a wood stand, 20.3cm. (2) Provenance: purchased from Richard Marchant Ltd., on 8th April 1986. Cf. W B Honey, Guide to Later Chinese Porcelain, pl.78 for a similar lantern; see also International Exhibition of Chinese Art, Royal Academy, London 1935-36, no.1658 for another example from the Anthony De Rothschild collection.清康熙 五彩早生貴子燈來源：1986年4月8日購於Richard Marchant Ltd.。
A PAIR OF FINE CHINESE IMPERIAL IRON-RED 'DRAGON' WINE CUPS SIX CHARACTER GUANGXU MARKS AND OF THE PERIOD 1875-1908 Each with a deep body rising from a tapered foot to a gently flared rim, both finely painted with two menacing five-clawed dragons in pursuit of flaming pearls, surrounded by stylised clouds, one beast looking back in fury at his pursuer, all above crashing waves, 4.8cm. (2) Provenance: the Myron Falk Collection, New York, and then an English private collection, Hertfordshire, purchased from Robert Kleiner & Co. Ltd., 30th June 2003, a copy of the receipt is available. Cf. S Marchant and Sons, Exhibition of Nineteenth Century Mark and Period Porcelain, 1991, p.63, no.68 for a pair of Guangxu mark and period cups with a similar design; see also the British Museum, registration no.PDF B711 for a Tongzhi mark and period example on loan from the Sir Percival David Foundation of Chinese Art; and see the Victoria and Albert Museum, accession no.803-1883 for another Tongzhi example.清光緒 御製礬紅趕珠龍紋盃 一對《大清光緒年製》青花楷書款來源：紐約Myron Falk收藏，之後英國赫福特德郡私人收藏。2003年6月30日購於Robert Kleiner & Co.Ltd.。
A RARE CHINESE BLANC DE CHINE GROUP EARLY 18TH CENTURY Modelled with a lady playing a qin, seated at a table beside a gentleman, with an incense burner, a vase and a basket of fruit, each wear long flowing robes, the oval base modelled with a wave design, with a paper label for Spink & Son to the base, together with a wood stand, 18.5cm. (2) Provenance: from a British private collection, purchased from Spink & Son Ltd., 30th June 1988. A copy of the invoice is available. Cf. R Kerr and J Ayers, Blanc de Chine: Porcelain from Dehua, no.32, where the authors identify the gentleman's headdress as a type worn by opera singers during the 18th century; see also Christie's, New York, 30th March 2005, lot 376 for a similar model.十八世紀早期 德化白瓷琴瑟和鳴擺件來源：英國私人收藏，1988年6月30日購於Spink & Son （附發票複印件）。
A PAIR OF CHINESE QINGBAI SMALL FOLIATE DISHES NORTHERN SONG DYNASTY 960-1127 Each potted as a flower, the six petals divided by crisp ridges in light relief extending towards the centre, the glaze with a clear blue tint, the flat bases unglazed, 11cm. (2) Provenance: from a British private collection, purchased from Priestley & Ferraro Chinese Art, 11th June 2003. A copy of the invoice is available. Illustrated: S Marsh, Brushpots: A Collector's View, p.170, where they are identified as from the Hutian kiln site in Jingdezhen, which later became the home of the Imperial porcelain factories.北宋 青白釉花口碟 一對來源：英國私人收藏，2003年6月11日Priestley & Ferraro（附發票複印件）。
A ‘BOY AND LINGZHI’ WHITE JADE CARVING China, Attributed to Qing DynastyThe jade figure is carved in the round out of a white stone as a smiling crouching boy, each of his hands grasping a lingzhi branch slung over his body. The open-worked part may have been meant as apertures for suspension.L: 5 cmWeight: 36,2 gramsNote: This boy figure is interesting in the sense that its position is similar to that of an apsara. If that boy holds a lingzhi fungus branch, it is more often depicted together with a lotus sprig, that association conveying a wish known as “Tongzi Lianzi” (童子莲子), lit. “continuous and harmonious descent”.白玉雕“童子与灵芝”中国，归于清代[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: Natural veins and inclusions in the stone.
A JADE ‘FIVE BATS’ ELEMENT OF A BELT BUCKLE / HOOK China, Qing Dynasty, 19th century Carved out of a white stone, the obverse with five flying bats, the reverse with a chi dragon shaped hook and a lotus bud shaped button. L: 5,9 cm – w: 4,6 cm Weight: 33 grams Note: Five bats stand for the "Five Blessings", namely longevity, wealth, health and composure, virtue, and the desire to die a natural death in old age."五福"玉带扣中国，清代，19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition: Natural veins and inclusions in the stone (though minor ones).
*A WHITE JADE ‘ELEPHANT AND VASE’ ELEMENT OF A BELT BUCKLE / BELT HOOK, TAIPING YOUXIANGChina, Late Qing to Republic / Minguo periodCarved out of a white stone with minor inclusions. The obverse engraved with a recumbent caparisoned elephant with a vase on its back. The reverse with a button and a hook.L: 7,3 cm – w: 5,8 cmWeight: 53 gramsProvenance: Cordy’s Auckland, New Zealand, 1988/03/30, lot 103.Note: The elephant is sometimes shown carrying a "treasure" vase (bao ping 宝瓶) on its back. Since the word "vase" (ping 瓶) has the same pronunciation as the word for "peace" (pingan 平 安), the implied meaning is "may you have 'good luck' (elephant) and 'peace' (vase)". The combination of an elephant and a vase conveys the wish “taiping Youxiang”, i.e. “May there be a peaceful reign”.白玉象瓶玉带扣中国，晚清至民国/现代*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Note: Natural veins and inclusions in the stone as well as russets (all minor ones).
A JADE AND SILVER PLATED MOUNTED ‘THREE THRIENDS OF WINTER’ MAGNIFYING GLASS China, The jade dating to the Qing DynastyThe mount circa 1900 / 1920The silver plated mount is partly open-worked and chiselled with the theme of the “Three Friends of Winter”. It is also set with cabochons of hardstones including “apple green” jadeite jade. The grasp is surmounted by a jade belt hook / belt buckle with the terminal carved with a chi dragon head while the top is carved notably with a lingzhi fungus and a lotus. L (in total): 19,3 cmL (the sole jade belt hook): 9,7 cmTotal gross weight: 169 grams银镶玉“岁寒三友”中国，玉可追溯至清朝[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- natural veins and inclusions in the stone;- some stone cabochons with chips and then polished down;- possibly the end / head of the belt buckle restored.
A PALACE SIZED WHITE JADE ‘CASSIA, LINGZHI AND ROCKS’ VASE AND COVERChina, 20th centuryThis palace sized lidded archaistic vessel of facetted baluster shape is topped by a dome-shaped lid with a chrysanthemum flower shaped finial, its neck with two open-worked S-shaped handles. It majestically stands on a rocky base enhanced with fungus of immortality (lingzhi) and from which is emanating a branch of cassia flowers which naturalistically grows over the front part of the body up to the neck. The below of the vase is also worked to render rocks. The vase is carved out a large single piece of nephrite jade. Its inner part is very well hollowed. Offered at auction together with a wooden stand.H: 33 cm – w: 28 cm – depth: 6 cmWeight: 1549 gramsNote: The cassia is an evergreen plant with bright yellow flowers. In Chinese, cassia (gui 桂) has the same pronunciation as the word for "high rank" (gui 贵). Cassia and peaches together represent "high rank" and "longevity". Cassia also conveys a wish for success in the imperial examination. Lingzhi (灵芝), also known as the glossy ganoderma, is the sacred fungus of immortality that grows on the trunks or roots of trees including the pine.宫廷大小白玉‘桂、灵芝、岩’带盖花瓶中国，20世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- natural veins, cracks and inclusions in the stone;- please note the presence of a MATCHING WOODEN STAND;- please note the PROVENANCE and the PRICE ORIGINALLY PAID BY THE SELLER;- the inner part very well hollowed.
A JADE PADLOCK INSCRIBED WITH CHANG MING FU GUI 长命富贵China, Qing Dynasty, 19th centuryOpen-worked with two kui dragons and a bat, with peonies on the front part, a four-character seal mark on the reverse reading chang ming fu gui 长命富贵.H: 7 cm - w: 9,5 cm - thickness.: 0,4 cmWeight: 71 gramsNote: The inscription is a well-known Chinese charm meaning longevity, wealth and honor.玉石挂锁“长命富贵”中国，清朝，19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- Natural veins and inclusions;- A tiny minor chip to the head of one kui dragon.
AN APPLE GREEN AND EMERALD ACCENTS JADEITE JADE ‘MEIREN AND CRANE’ GROUP China, 20th century, Possibly dating to the 1970s Carved out of a milky stone with apple green and emerald green inclusions, Meiren in loose robe, with an elongated round face, a hair bun topping her head, holding a lotus sprig in her left hand, a branch of lingzhi raising from a rocky base on her left, a standing crane on her right. Offered at auction together with a matching wooden stand. H (stand excl.): 15 cm Weight: 257 grams Note: The crane (he, 鹤) is believed by the Chinese to live to a very old age and therefore is a symbol of longevity. Lingzhi (灵芝), also known as the glossy ganoderma, is the sacred fungus of immortality that grows on the trunks or roots of trees including the pine.苹果绿及翡翠“美人鹤”玉雕中国，20世纪，可能为1970年[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- broken then glued left hand;- broken then flower sprig;- small chip to the rocky part to the back.
A RUSSET AND APPLE GREEN ACCENTS JADEITE JADE ‘SHOULAO AND DEER’ GROUPChina, Attributed to late Qing DynastyCarved out of a milky jadeite jade stone with russets and apple green accents, the smiling God of Longevity in loose robes, with the characteristically high domed forehead, the long beard cascading down in fine straight lines, a staff held in both hands suspending a double gourd surrounded by three flying bats, a deer alongside. Offered at auction together with a matching wooden stand carved with flowers.H: 13,2 cm – w: 5,7 cm – depth: 2,2 cmWeight: 262,4 gramsNote: The God of Longevity, i.e. Shou Lao (寿老), also referred to as the "Old Immortal of the South Pole" (nanjixianweng, 南极仙翁) or the "Longevity Star" (shouxing 寿星), is the God of Longevity and is usually shown as a smiling old gentleman with a prominent forehead who holds a walking stick. As his name implies, Shou symbolizes a long life. So is the deer, which is traditionally believed to be the only animal able to find the lingzhi, i.e. the fungus of immortality. The bat (fu 蝠) does symbolize Happiness.赤褐及苹果绿“寿佬与鹿”玉雕中国，归于清朝[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - natural veins and inclusions;- a chip to the end of one bat's wing;- another chip to the back of one bat;- possibly with a chip and polished down to the below.
A GROUP OF TWO (2) BELT BUCKLE / BELT HOOKSChina, Late Qing Dynasty, Circa 1900The first one made of gilt copper set with a tourmaline cabochon as well as with agate pieces. The second one made of silvered copper also set with a large tourmaline cabochon flanked by two malachite cabochons. The bellows nicely enhanced with filigree, openwork and chiselled flowers. An hallmark to one reading "昌記" (lit. Changji).Dimensions (the biggest): L: 8 cm - w: 3 cmTotal gross weight: 121,6 grams一组（2）腰带扣中国，晚清，约1900年[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- both with minor scratches, faded gilt and stains to back;- natural veins, cracks and inclusions in a few stone cabochons;- one malachite cabochon with a polished down chip.
A LARGE CAMEO AGATE ‘EAGLE AND BEAR’ SNUFFBOTTLE China, Qing Dynasty, 19th century Carved out of a semi-translucent light brown stone, the skin of the stone partially preserved to the front part and both carved and engraved to resemble an eagle and a bear. Very well hollowed. H: 6 cm Weight: 92,4 grams Notes: 1. The bear (xiong 熊) is not often depicted on Chinese charms and amulets but it is a powerful animal that the Chinese believe can invoke fear in evil spirits just as well as humans. It is sometimes shown, like on our snuffbottle, with an eagle because eagle or hawk (ying 鹰) and bear (xiong 熊) together sound just like the word "hero" (yingxiong 英雄). 2. See a related snuffbottle preserved at the Metropolitan Museum of New York (The Met), The United States of America, under accession number 14.40.448a, b, bequest of Benjamin Altman, 1913.“鹰与熊”玛瑙鼻烟壶中国，清代，19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- natural veins and inclusions in the stone;- the below might have been polished down.
A GROUP OF TWO (2) BLUE AND WHITE PORCELAIN SNUFFBOTTLES China, Late Qing Dynasty, 19th century The first one of flat ovate shape adorned with a city with characters, one door inscribed with “章江門”, a pavilion inscribed with “泰月王阁”. The second one also of flat ovate shape and adorned with willow trees on the bank of a pond. Both bearing an apocryphal four-character Qianlong mark in cobalt blue. One with a stopper. H (the biggest): 7 cm一组（2）个蓝白瓷鼻烟壶中国，晚清，19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESE
A SLIP DECORATED TERRACOTTA MODEL OF A HORSEChina, Tang DynastyThe horse naturalistically depicted standing four squares, on its back a removable saddle.H: 43,2 cmProvenance (according to seller): Dragon Culture Curio, Hollywood Road, Hong Kong, 2001.Note: The successful bidder will be provided with an Oxford Thermoluminescence analysis report with a result consistent with the suggested period of manufacture, dated 2002/01/21, smaple no. C102a7.陶俑 - 马中国，唐代[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- the left foreleg broken and re-glued;- desirable patina and colours;- the saddle removable;- three drilled holes for the Oxford test matching the description on the certificate (inner saddle, one below the neck, one below the back);- UV / black light checked.
*A SANCAI GLAZED TERRACOTTA / POTTERY GROOMChina, Tang Dynasty (618-907 AD)The standing groom with folded arms might have been originally pulling the reins of a horse. Its body all covered in three glazed, i.e. yellow, green and cream. Both its face and its boots left unglazed and rather slip decorated. Offered at auction together with a modern plexiglass stand. Provenance (according to the seller): Bought in January 2006 from Lam & Co Ltd.H (the sole sculpture): 22 cmNote: The successful bidder will be provided with an Oxford TL test, sample no. C205h55 dated 2005/11/11.三彩釉面赤陶俑中国，唐代（618-907）*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- a long crack to its right side;- a broken and then glued part of the arm to the left arm;- two holes for TL test, one to the back of the head, one other under the back of the skirt (matching the Oxford certificate description);- UV / black light checked.
*A LONGQUAN CELADON ‘TWIN FISH’ DISHAttributed to Southern Song Dynasty, 13th centuryThe dish is potted with deep fluted sides carved with upright lotus petals on the exterior, rising to a flat everted rim. The interior is decorated with a pair of sprig-moulded fish. The dish is covered overall with an even glaze of bluish-green tone, with the exception of the foot ring which is burnt orange in the firing.H: 3,7 cm – D: 13,2 cmNotes:1. For related dishes see Sen Shu Tey, The Collection of Chinese Art, Tokyo, 2006, p. 59, no. 70, Nezu Museum, Heavenly Blue: Southern Song Celadons, Tokyo, 2010, p. 71, fig. 44 as well as Christie's, The Classical Age of Chinese Ceramics: An Exhibition of Song Treasures from the Linyushanren Collection, Hong Kong, 2012, pp. 166-167, no. 68. Also see a related dish preserved at the Metropolitan Museum of Art of New York (The MET), The United States of America, under accession number 65.82.4.2. Please also see a related dish at Christie’s Hong Kong, China, 2015/12/02, lot 2806 sold for HKD2.260.000 BP incl.龙泉青瓷双鱼盘南宋，13世纪*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - hairlines in the glaze;- minor chips to the footrim;- UV / black light checked;- wears.
*A BLANC DE CHINE / DEHUA MOLDED STANDING FIGURE OF THE SACRED HEART OF JESUSChina, Fujian, Dehua, Qing Dynasty, 18th to 19th centuryH: 35,7 cmProvenance (according to the seller): Bought in 1995/09/16 from Wan Feng, an antique shop located in Cat Street, Hollywood Road, Hong Kong, China.Notes: 1. The devotion to the Sacred Heart (also known as Sacratissimum Cor Iesu in Latin) is one of the most widely practised and well-known Catholic devotions, wherein the heart of Jesus is viewed as a symbol of "God's boundless and passionate love for mankind". This devotion is predominantly used in the Catholic Church.2. Compare with a related Dehua figure of Jesus preserved at The Victoria and Albert Museum (V&A), London, United Kingdom, under accession number C. 105-1963.德化白瓷圣心耶稣像中国，福建，德化，清代，18-19世纪*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- a few firing cracks (notably on the top of the right arm, on the below of the left arm, on the robe, to the below inner part);- a few original imperfections in the glaze;- one old chip to the back of the stand;- maybe a filled crack to the lower part of the robe to the back?
*A NEAR PAIR OF BLUE AND WHITE ‘FOUR GENTLEMEN’ PORCELAIN OVOID JARS China, Transitional period, 17th century Painted to their bodies with scattered sprays of lotus, orchid, bamboo, prunus, peony, chrysanthemum and insects. H (the biggest): 26,8 cm Notes: 1. The orchid, bamboo, plum and chrysanthemum are know as “The Four Gentlemen” (四君子, sìjūnzǐ). Each of them represents one of the seasons. All together, they represent a year. The plum and bamboo together signify friendship. A vase (瓶, píng) with flowers from all four seasons ( 四季, sìjì ) conveys the hidden meaning of peace for all the year (四 季平 安, sìjì píng'ān). 2. Compare with a single related vase at Christie’s London, United Kingdom, 2017/11/30 to 2017/12/07, lot 11, sold for USD4.375.近一对“四君子”瓷罐中国，过渡时期，17世纪*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - the first one (the biggest), with one chip and a crack to the rim, as well as numerous firing cracks to the bottom going up to the lowest part of the vase;- the second (the smallest), with short firing cracks to the below, two minor chips to the below, one with a glued part, a crack and a chip to the rim;- UV / black light check;- a few short firing cracks in the glaze.
*A DOUBLE GOURD SHAPED ‘FOUR GENTLEMEN’ BLUE AND WHITE PORCELAIN VASE, HULUPING China, Transitional period, 17th century, ChongzhenPainted to the bulbous lower body with scattered sprays of lotus, orchid, bamboo, prunus, peony and chrysanthemum, the flaring upper body with similar decoration, divided by a band of a trailing flowering branches H: 36,4 cm Notes: 1. The orchid, bamboo, plum and chrysanthemum are know as “The Four Gentlemen” (四君子, sìjūnzǐ). Each of them represents one of the seasons. All together, they represent a year. The plum and bamboo together signify friendship. A vase (瓶, píng) with flowers from all four seasons ( 四季, sìjì) conveys the hidden meaning of peace for all the year (四 季平 安, sìjì píng'ān). 2. The shape of this vase is referred to as húlu píng (葫芦瓶) and derives its form from a double gourd, a shape that was made possible by the invention of the Longquan Kiln during the Southern Song dynasty. As a symbol of fertility, the double gourd is considered to be good luck. It is also a Daoist emblem of immortality. 3. Compare with a related vase at Christie’s Amsterdam, The Netherlands, 2012/10/2-3, lot 294 sold for €15.000 BP incl.双葫芦形“四君子”青花瓷瓶，葫芦瓶中国，过渡时期，17世纪*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - firing crack to the below;- a circled crack to the below;- one unease point to the rim;- lightly bending.
A ‘PHOENIX’ ARCHAISTIC CELADON AND RUSSETS JADE AXEQing Dynasty or earlier, Zhou styleCarved out of a single piece of pale celadon jade, both sides adorned with a coiled phoenix describing serpentine lines, the upper part drilled with a hole for suspension.H: 29,7 cm – w: 9 cmWeight: 485 gramsProvenance (according to the seller): Bought in Canada by the seller (Canadian based) from a renown Estate: Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- natural veins and inclusions in the stone;- also natural cracks in the stone;- also few old chips notably to top part.Provenance (according to the seller):- Bought in Canada by the seller (Canadian based) from a renown Estate:Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.
A ‘DOUBLE BAT AND COIN’ OPENWORKED JADE PLAQUE / PENDANTChina, Qing Dynasty, 19th centuryCarved identically to both sides in a white jade stone with two bats flanking a coin, the coin engraved with “福寿双全”. Offered at auction with a wooden hanging stand.D: 5,9 cmWeight: 26 gramsNote: The combination of two bats and a coin / sapeque conveys the wish: “Happiness and longevity both complete”.镂空“福寿双全”玉牌中国，清朝，19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: Natural vein and inclusions in the stone.
A SMALL INCISED WHITE-GLAZED `DEER' VASE, HUChina, 17th to 18th centuryThe small vase has twin stag-head handles and is incised with a spotted deer resting by lingzhi, and the reverse with a pine tree growing beside a rocky outcrop.H: 7,1 cmNote: Compare with an identical vase offered at Christie’s London, United Kingdom, 2018/12/05-13, lot 44, sold for GBP6.250 BP incl.白釉“鹿”花瓶、壶中国，17-18世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- broken then restorations;- also restorations in the stag horns and hears;- two minor chips to foot rim;- UV / black light checked.
A NEAR PAIR OF SMALL ‘ICE CRACKING’ BLUE AND WHITE PORCELAIN OVOID JARSChina, Qing Dynasty, Kangxi periodBoth originally set with porcelain lids lately replaced by wooden ones.H (each, excluding the lid): 15 cm一对小型开片蓝白瓷罐中国，清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- it is most accurate to speak about a near pair than a perfect pair;- one with a imperfection in the glaze;- one with a short crack to the inner rim (and possibly a tiny chip near the same point);- few chips to wooden lids.
A NEAR PAIR OF 'ICE CRACKING' PATTERN BLUE AND WHITE PORCELAIN JARSChina, Qing Dynasty, Kangxi periodBoth offered at auction with later wooden stands and lids, the lids not being identical.H (the biggest one, excl. stand and lid): 22 cm近一对冰裂蓝白瓷罐中国，清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- one with a hairline starting from the rim visible both sides (inner and outer);- the other one with a tiny minor chip to the rim and with a few dark points (imperfections from the time of firing) within the glaze to the outer;- both lids with minor chips and cracks;- wooden lids are later replacements of original porcelain ones.
A GROUP OF TWO (2) BLUE AND WHITE PORCELAIN LIDDED TEAPOTSChina, Qing Dynasty, Kangxi periodBoth facetted, a bigger one and a smaller one, the biggest adorned with a floral spray while the smallest is adorned with ladies, their lids with lotus bud finials.H (the biggest one): 11,3 cm一组（2）个带盖青花茶壶中国，清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:UV / Black light checked THE BIG TEAPOT:- tiny chip to spout;- 2 firing cracks to spout;- few chips to the lid (mostly inner part);- one chip to rim of the lid with a crack going both to the inner and the outer part;- minor lacks of glaze;- the inner part of the lid partly repainted (restoration? but does not pop up under black light)THS SMALL TEAPOT:- tiny chips to inner lid and inner rim of teapot;- a minor chip to the end of the spout as well as to its side.
A GROUP OF TWO (2) BLUE AND WHITE PORCELAIN LIDDED TEAPOTSChina, Qing Dynasty, Kangxi periodBoth facetted, a bigger one and a smaller one, both adorned with a similar cobalt blue decoration of flowers, their lids with lotus bud finials. One with an old handwritten collector's label to the below.H (the biggest one): 11,3 cm一组（2）个带盖青花茶壶中国，清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- a few chips;- firing cracks, notably a large one to one of the teapot visible around the handle and also inside.
A ‘THREE FRIENDS OF WINTER’ BLUE AND WHITE PORCELAIN BOWLChina, Qing Dynasty, Kangxi periodResting on a ring foot, with an everted rim, adorned with plum, bamboo and pine, also referred to as “The Three Friends of Winter”. A flower to the inner part. A square blue mark to the below, possibly that of a shop.H: 9 cm - D: 18,1 cmNote: Because they all can flourish during the winter, the pine, plum tree and bamboo are known as the Three Friends in Winter.“岁寒三友”青花瓷碗中国，清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- imperfections in the glaze below;- tiny minor chips to rim;- UV / black light checked.
A GILT AND POWDER BLUE ‘HORSE RIDERS’ PHOENIX TAIL PORCELAIN VASE, FENGWEIZUN China, Qing Dynasty, Kangxi period Bears two antique dealers labels to the below. Offered at auction together with a matching wooden stand. H: 45 cm Provenance: - Pietro Accorsi Antichita, Torino, Italy;- La Chimera Antiquario, Italy.鎏金粉蓝“骑马者”凤尾尊中国，清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- traces and remains of tape / adhesive next to the rim;- faded gilt design, vanished to some points;- see provenance labels to below;- a tiny minor "chip" / "point" to the rim;- maybe a restoration to the inner part of the rim (visible under eyes but not popping up with black light?).
A LARGE PALACE SIZED IRON RED DECORATED POWDER BLUE LIDDED VASEChina, Qing Dynasty, Presumably Kangxi periodOf baluster shape, topped by a lid with lotus bud shaped finial, covered all over with a powder blue glaze but for reserved medallions painted with iron red auspicious vases as well as various flowers. The below bears a cobalt blue hare mark within a double circle. Bears an old collector's label to the below reading "54".H: 60 cm粉蓝带盖大花瓶中国，清代，推测为康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light cheked;- some imperfections and bubbles in the glaze.
A PAIR OF FAMILLE VERTE ‘MAGPIE AND WILLOW TREE’ PORCELAIN PLATESChina, Qing Dynasty, Kangxi periodAdorned in famille verte enamels with a magpie perched on a willow tree and surrounded by flowers, including prunus. On the wing, four reserved medallions with fish. The reverse of the wing with a geometrical pattern as well as with flower sprig. Each with a cobalt blue double circle to the below.D: 23,5 cmNote: One can say “There is a happy magpie on the tip of the plum branch”, lit. “Xi Shang Mei Shao” (喜上梅稍) which sound exactly like “Xi Shang Mei Shao” (喜上眉稍), lit. happiness up to one's eyebrows". 一对“喜上眉梢”瓷盘中国，清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- both with minor chips to the footrim;- one with a hairline to the rim, visible both sides.
*A PAIR OF CHINESE FAMILLE VERTE GARLIC-NECK BOTTLE VASESChina, Qing Dynasty, Kangxi periodEach brightly enamelled with tear-shaped floral panels alternating with pairs of floral sprays below bands of lappets and scrolls, and green cracked-ice-pattern on the garlic necks. One bears three labels to the below reading as follow: “S. Marchant & Son”, “K’ang His 1662-1722” and “SF86”.H: 21,3 cmProvenance (according to the owner and the labels):- Wing Tai Curios Center, Macao, 1986/06/06;- S. Marchant & Son, London, United Kingdom.Notes:1. It is said that those vases may have been down for the Islamic market.2. For a related pair of vases at public auction, please refers to Christie’s London South Kensington, 2013/07/02, lot 336, sold for GBD5.000 incl. BP.一对彩绘蒜颈瓶中国，清康熙年间*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV black light checked;- the first one with 2 original imperfections in the glaze to the rim (firing time) and minor firing cracks to below as well as MARCHANT label;- the second one with a light star hairline to the below and a few faded enamel points.
A ‘PARROT, BAT AND PLUM’ OPENWORKED JADE PLAQUE / PENDANTChina, Qing Dynasty, 19th centuryCarved identically to both sides in a white jade stone with a parrot, a bat and plum flowers. Offered at auction with a wooden hanging stand.H: 5,8 cm - w: 3,9 cmWeight: 21,5 grams”鹦鹉，蝙蝠和李子“镂空玉牌 中国，清朝，19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: Natural vein and inclusions in the stone.
A DOUCAI ‘WANG XIZHI’ PORCELAIN CUP China, Qing Dynasty, Kangxi period Delicately potted with deep rounded sides resting on a countersunk base, the exterior brilliantly enamelled with a continuous scene depicting Wang Xizhi dressed in a red robe and seated on a willow tree trunk, gazing at a wild geese frolicking on a pond. The below inscribed with an apocryphal six-character Chenghua mark in underglaze blue within a double circle. H: 3,5c m- D: 6,6 cmProvenance (according to the seller): Bought in Canada by the seller (Canadian based) from a renown Estate: Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.Notes:1. Cups painted with this elegant design include one from the collection of Peter Boode, sold twice at Sotheby’s London, United Kingdom, 1974/12/2-3, lot 191, and 1977/07/05, lot 259, and another one sold at Sotheby’s New York, 2012/09/11, lot 42, for USD68.500 BP incl.2. For the prototype of this motif, see a pair of Chenghua mark and period cups, in the Palace Museum, Beijing, illustrated in Sekai toji zenshu/ Ceramic Art of the World, vol. 14, Tokyo, 1976, pl. 56.3. Wang Xizhi (王羲之, 303–361) was a Chinese calligrapher, politician, general and writer during the Jin dynasty, best known for his mastery of Chinese calligraphy and particularly remembered for one of his hobbies, that of rearing geese. Legend has it that he learned that the key to how to turn his wrist whilst writing was to observe how geese moved their necks.*斗彩“王羲之”瓷杯中国，清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- a tiny hairline to the inner rim of the cup.Provenance (according to the seller): Bought in Canada by the seller (Canadian based) from a renown Estate: Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.
*A COPPER RED ‘MYTHICAL BEASTS’ BOTTLE VASE China, Qing Dynasty, Kangxi period With a flat unglazed foot, a globular body and an elongated tubular neck. Painted around the pear-shaped body with a lion, a pixiu and a bixie, the eyes picked out in underglaze blue. Label to the below: “Martindale Chinese Art 2018, #17”. H: 15,4 cm Provenance: Martindale Chinese Art 2018, #17 Note: Compare with a related vase sold at Christie’s New York, ‘Chinese Art from The Art Institute of Chicago’, 2019/09/10-17, lot 2, sold for USD32.500.*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- the tubular neck might have been restored (but this is not popping up under UV light?);- look at the eyes of the beasts which have been picked up with cobalt blue;- provenance label to the below.
A DELICATELY AND FINELY PAINTED ‘MAGPIES AND MAGNOLIA’ PORCELAIN WINE CUP China, Qing Dynasty, Probably 17th to 18th century Resting on a short ring foot, with an verted rim, the outer delicately painted in light blue with a couple of flying magpies as well as with flowers, the inner part also with flowers, the below inscribed with an underglaze blue four-character kaishu mark within a double square starting by ‘奂若XX’ (Huàn rue XX).H: 3,6 cm - D: 6,4 cmProvenance (according to the seller): Bought in Canada by the seller (Canadian based) from a renown Estate: Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- faded cobalt blue double ring to the inner part;- a tiny dot in the glaze to the outer of the cup.Provenance (according to the seller):- Bought in Canada by the seller (Canadian based) from a renown Estate:Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.
A SMALL APPLE-GREEN- CRACKLED-GLAZED MEIPING VASEChina, Qing Dynasty, Presumably Kangxi periodThe miniature vase resting on a short unglazed ring foot, the piece all covered with an apple-green-crackled-glaze.H: 10,6 cmNote: Compare with a related meiping vase at Freeman’s Philadelphia, 2017/09/09, lot 276, sold for USD3.900 BP incl.*开片苹果绿小梅瓶中国，清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked.
A GREEN GLAZED PEACH SHAPED ‘CADOGAN’ BISCUIT TEAPOTChina, Qing Dynasty, Kangxi periodNaturalistically shaped as a peach of longevity, resting on a short ring foot, the lower part of the front side with molded leaves. H: 10,5 cm*绿釉桃形茶壶中国，清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- tiny chips to the point of the spout;- tiny chips to the rim of the conical piece up to the handle;- a tiny chip to the ring foot as well as maybe a tiny chip re-glued to the foot ring;- black "stains" around the conical piece and the top of the handle (does not pop up under UV light so maybe original).
A SMALL FAMILLE ROSE PALETTE ‘LOTUS POND’ PORCELAIN VASEChina, Qing Dynasty, Yongzheng periodResting on a spread foot, with an elongated globular body and a trumpet neck. Adorned in famille rose enamels with a lotus pond.H: 18.6 cm”莲池“瓷花瓶中国，清雍正时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- two lines going around the body;- an old chip to the exterior of the foot;- one old chip to the body;- a few losses of enamels;- UV / black light checked;- imperfections in the glaze, notably inner neck.
A ‘LOTUS POND’ FAMILLE ROSE PORCELAIN BRUSHPOT, BITONGChina, Qing Dynasty, Yongzheng periodAdorned in vivid green, blue, yellow and pink enamels with lotus flowers and nenuphars in a pond.H: 12,4 cm - D: 10 cm粉彩“莲池”笔洗，笔筒中国，清雍正年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- a few losses of enamels.
A FAMILLE ROSE PALETTE ‘EIGHTEEN LUOHANS’ PORCELAIN ROULEAU VASE, BANGCHUIPINGChina, Qing Dynasty, 18th centuryResting on a ring foot, with an elongated rouleau shaped body and a trumpet neck. Adorned in Famille Rose enamels with eighteen luohans in various positions and with various symbols, one handling a globular vase from which emanates clouds amidst which is a flying dragon. On the neck, a budai with plating boys. A double underglaze cobalt blue circle to the below.H: 50,3 cm"十八罗汉"花瓶中国，清代，18世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- broken and very well restored;- see pictures of the inner part with visible cracks as well as the few visible cracks from the outer to assess restoration.
A WHITE JADE ‘HYDRA DRAGON AND PHOENIX’ PLAQUE / PENDANT / PEI MOUNTED AS A BROOCH WITH A GOLD PLAQUEThe jade: China, Qing DynastyThe mount: Presumably France, 20th centuryThe dragon depicted with a coiled and curvy body, its head, turned towards its back, is facing a phoenix, with incised / engraved details. With an auction house's label attached to it reading: "HOTEL DES VENTES NICE RIVIERA 15". Two hallmarks, one to the brooch, one to the pin, possibly a horse face.L: 7 cm - w: 3,6 cmGross weight: 32 gramsNote: Interestingly, the mount has been tailored-made. Indeed the plaque is matching the shape of the dragon, thereby not being visible when the brooch is worn. It bears an hallmark, likely a dog head.金镶白玉“龙凤”胸针白玉部分：中国，清代装饰部分：推测为20世纪法国[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - natural veins and inclusions in the stone;- the gold has been tested by the department and maybe 18K;- bought at a provincial French auction house, in Nice, French Riviera (see label).
A FAMILLE ROSE PALETTE ‘LADIES AND BOYS’ PORCELAIN VASEThe porcelain: China, Qing Dynasty, 18th century, Qianlong periodThe mount: of gilt copper, France, 19th centuryThe vase resting on a ring foot, with a globular body, a garlic neck. Adorned with Famille Rose enamels with ladies and boys on the body, with birds and flowers on the neck. With a European gilt copper mount.H (the sole vase, approx.): 24 cm粉彩“女子和童子”瓷瓶瓷器部分：中国，清乾隆年间，18世纪镶嵌部分：铜制，法国，19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- three probably stains and not restorations (?) popping up under UV light (see pictures);- possibly drilled, but we have not been able to remove the mount;- stains around the body;- faded enamels to some points.
A MONOCHROME FLAMBE / TRANSMUTATION GLAZED PORCELAIN BALUSTER TWO-HANLDED VASEChina, Qing Dynasty, Qianlong incised mark and possibly of the periodOf urn form and raised on a spreading foot, with a bow-string border below the shoulder and a pair of trailing scroll handles flanking the neck, the exterior covered with a glaze of crushed red color streaked in purple and milky blue and thinning to mushroom on the handles.H: 23 cmNotes:1. Flambé glazes derive from the Jun wares of the Song Dynasty (960-1279), a glaze that was first revived during the Yongzheng period and remained popular throughout the Qing Dynasty.2. Compare a closely related flambé-glazed vase, also with an incised six character Qianlong mark and of the period, at Sotheby’s New York, The United States of America, in Important Chinese Art on 2018/03/21, lot 538, sold for USD162.500 BP incl., and another, also described as Imperial, at Christie’s New York in The Marie Theresa L. Virata Collection of Asian Art: A Family Legacy on 2017/03/16, lot 614, sold for USD223.500 BP incl.双柄瓷花瓶中国，清朝，乾隆款识Provenance: PROPERTIES FROM AN IRISH COLLECTORA COLLECTION OF FLAMBE / TRANSMUTATION WARE PORCELAIN VASES[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- chips to the footrim and to the glaze near the footrim.
A MONOCHROME FLAMBE / TRANSMUTATION GLAZED PORCELAIN PEAR-SHAPED VASE, YUHUCHUPINGChina, Qing Dynasty, 18th to 19th centuryAll covered, but the foot rim, with a dark purple glaze with lavender splashes.H: 23,5 cmNote: Flambé glazes derive from the Jun wares of the Song Dynasty (960-1279), a glaze that was first revived during the Yongzheng period and remained popular throughout the Qing Dynasty.玉壶瓷瓶中国，清代，18-19世纪Provenance: PROPERTIES FROM AN IRISH COLLECTORA COLLECTION OF FLAMBE / TRANSMUTATION WARE PORCELAIN VASES[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- nothing noticed but look near the foot and the footrim for imperfections in the glaze.
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