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Lot 176
A FRENCH SILVERED BRASS PORCELAIN INSET MANTEL CLOCK GARNITURE IN THE CHINESE TASTEUNSIGNED, LATE 19th CENTURYThe eight-day single train movement with oval plates flattened across the top edge to take the balance platform, with unusual duplex escapement lever escapement incorporating escape wheels set between the plates regulated by sprung monometallic balance, the backplate stamped 5864, the porcelain dial with polychrome rosette painted centre within turquoise ground cartouche chapter ring with vertically aligned Arabic hour numerals, the case modelled as a cushion-mounded drum decorated with geometric bands suspended via strapwork side mounts and chains within a stand with stylised scroll cast and pierced arched top member, over conforming shaped side uprights applied to ogee-shaped platforms united by a dragon panel-centred stretcher, the whole set on a rectangular platform base inset with a porcelain panel polychrome painted with shaped floral cartouche within stylised simulated cloisonne decorated gul inhabited yellow field and a repeating flowerhead painted chocolate ground outer border, the base of ogee form with stylised lion mask to the shaped apron and incorporating scroll feet at the angles; the twin candelabra side pieces with pierced crests over rectangular porcelain inset screen panels decorated with putti within yellow ground borders opposing guls to verso, flanked by scroll shaped side sconces over rectangular convex moulded bases with pierced apron and scroll feet.The clock 35cm (13.75ins) high, 31cm (12.25ins) wide, 16.5cm (6.5ins) deep; the candelabra 28cm (11ins) high, 25.5cm (10ins) wide, 9cm (3.5ins) deep.
Lot 123
A PAIR OF GILT BRASS REPLICA MINIATURE COMBINATION BAROMETER AND CARRIAGE TIMEPIECE COMPENDIUMSUNSIGNED, PROBABLY OF CHINESE MANUFACTURE, RECENTEach with single train movement with platform lever escapement regulated by sprung balance, and cherub-centred rectangular porcelain dial incorporating pink ground 'jewelled' gilt scrollwork to the margins and steel moon hands, the aneroid barometer mechanism set beside the timepiece constructed with vacuum chamber and enclosed motionwork, the matching register with spurious annotations beneath the usual weather observations, the gilt brass case with reeded T-shaped carrying handle to centre flanked by corniche design mignonette casings for the timepiece and barometer each with bevel-glazed top glasses, figural decorated porcelain panels to sides and musical trophy decorated doors to rear, on shaped base with turned feet; with a gilt brass miniature carriage timepiece with manual calendar, unsigned, recent with conforming movement and rectangular white enamel Roman numeral incorporating day-of-the-week and date-of-the-month dials to lower margin each adjusted manually via squares to the movement backplate, in bevel-glazed mignonette cannelee type case, (3).The compendiums 10.5cm (4.125ins) high, 12cm (4.75ins) wide, 5cm (2ins) deep; the timepiece 8cm (3.25ins) high with handle down, 5cm (2ins) wide, 4.5cm (1.75ins) deep.
Lot 158
COLLECTION OF SIX PORCELAIN WARES 19TH-20TH CENTURY 十九至二十世紀 娘惹粉彩花鳥紋瓶、清 ‘南京號’ 海撈青花山水人物圖杯盞兩對 及 明 成化款 ‘萬曆號’ 海撈青花蝴蝶紋碗（共六件） comprising: a Straits-Chinese famille rose vase, 19th-20th century, painted with birds and floral sprays against a blue ground; two pairs of blue and white Nanking cargo cups and saucers, Qing dynasty 18th century; and a blue and white bowl, Ming dynasty, Chenghua mark, decorated with butterflies on the exterior Dimensions:largest: 34.2cm high Provenance:Provenance: Private Singaporean collection.Both of the Nanking cargo dishes and one cup with labels on the base 'Christie's The Nanking Cargo Lot 5109', the other with a similar label but 'Lot 5110'; The bowl with two labels underneath the mouth rim, 'NANHAI MARINE ARCHAEOLOGY 7431' and 'Nanhai Marine Archaeology WanLi'
![[A PRIVATE SCOTTISH COLLECTION, EDINBURGH] COLLECTION OF ART REFERENCE BOOKS ON CHINESE ART: MUSEUM COLLECTIONS AND EXHIBITI](https://cdn.globalauctionplatform.com/6b62d065-6f1f-4875-8053-b06800d40736/d50ca236-0987-410f-98d4-b07600ed4178/468x382.jpg)
Lot 35
[A PRIVATE SCOTTISH COLLECTION, EDINBURGH] COLLECTION OF ART REFERENCE BOOKS ON CHINESE ART: MUSEUM COLLECTIONS AND EXHIBITIONS 中國藝術參考書籍：館藏及展覽（約五十三本） Including but not limited to:Art Chinois: Musée Cernuschi acquisitions 1993-2004. Paris: Paris-Musées, 2005.Asiatic art in the Seattle Art Museum: a selection and catalogue. Seattle: Seattle Art Museum, 1973.Bruckner, Christopher. Chinese Imperial Patronage: Treasures from Temples and Palaces. London: Asian Art Gallery, 1998.Catalogue of the International Exhibition of Chinese Art: 1935-6. London: Royal Academy of Arts, 1935.Chinese Art from the Cloud Wampler and Other Collections in the Everson Museum. New York: Frederick A. Praeger, 1968.Chinese Art in the Royal Ontario Museum. Toronto: Royal Ontario Museum, 1972.Christie, Anthony. Chinese Mythology. Feltham: The Hamlyn Publishing Group Limited, 1968.City of Edinburgh Arts Centre. Gateway to the Silk Road: Relics from the Han to the Tang dynasties from Xi'an, China. Edinburgh: City of Edinburgh Museums and Galleries, 1996.Clunas, Craig and Harrison-Hall, Jessica et al. Ming: 50 Years That Changed China. London: British Museum Press, 2014.Clunas, Craig. Superfluous Things: Material Culture and Social Status in Early Modern China. Chicago: University of Illinois Press, 1991.Cook, Brian. Chinese Art. London: B. T. Batsford Ltd, 1935.Crawford, John M. The Crawford Bequest: Chinese Objects in the Collection of the Museum of Art, Rhode Island School of Design. Rhode Island: Brown University, 1993.Edmunds, Will H. Pointers and Clues to the Subjects of Chinese and Japanese Art. London: Sampson Low, Marston & Co., Ltd.Fang, Jing Pei. Symbols and Rebuses in Chinese Art: Figures, Bugs, Beasts, and Flowers. Berkeley: Ten Speed Press, 2004.Feng shui: gli oggetti dell'equilibrio. Milan: La Galliavola, 1998.Fong, Wen C. and Watt, C. Y. Possessing the past: treasures from the National Palace Museum, Taipei. New York: Metropolitan Museum of Art, 1996.Gombrich, Richard and Bechert, Heinz. The World of Buddhism. London: Thames and Hudson Ltd, 1991.Hay, Jonathan. Sensuous Surfaces: The Decorative Object in Early Modern China. London: Reaktion Books, 2010.Lawton, Thomas. Asian Art in the Arthur M. Sackler Gallery: The Inaugural Gift. Washington: Arthur M. Sackler Gallery, 1987.Ledderose, Lothar. Ten Thousand Things – Module and Mass Production in Chinese Art (The A. W. Mellon Lectures in the Fine Arts). Princeton: Princeton University Press, 2000.Lee, Sherman E. A History of Far Eastern Art. New York: Harry N. Abrams, 1982.Lee, Sherman E. et al. Eight Dynasties of Chinese Painting: Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 1980.Lin, James C. S. (Ed.). The Search for Immortality: Tomb Treasures of Han China. New Haven: Yale University Press, 2012.Ma, Baojie (Ed.). The Liaoning Museum. Hong Kong: London Editions, 2008.Michaelson, Carol. Gilded Dragons: Buried Treasures from China's Golden Ages. London: British Museum Press, 1999.Musée Cernuschi. Promenade Dans Les Collections Chinoises. Paris: Musée Cernuschi, 1983.Musée du Petit Palais. La Cité Interdite: Vie publique et privée des empereurs de Chine 1644-1911. Paris: Paris-Musées, 1996.National Museums of Scotland. Ming: The Golden Empire. Edinburgh: NMS Enterprises Limited, 2014.Rawson, Jessica and Rawski, Sakakida. China - the Three Emperors 1662 – 1795. London: Royal Academy of Arts, 2005.Rawson, Jessica (Ed.). Mysteries of Ancient China: New Discoveries from the Early Dynasties. London: British Museum Press, 1996.Rawson, Jessica (Ed.). The British Museum Book of Chinese Art. London: British Museum Press, 1992.Rawson, Jessica. Chinese Ornament: The Lotus and the Dragon. London: British Museum Publications Ltd., 1984.Rawson, Jessica. Ancient China: Art and Archaeology. London: British Museum Publications, 1980.Selected Masterpieces of Asian Art: Museum of Fine Arts Boston. Boston: Museum of Fine Arts Boston, 1992.Scott, Hugh. The Golden Age of Chinese Art: The Lovely T'ang Dynasty. Rutland: Charles E. Tuttle Company, Inc., 1966.Schloss, Ezekiel. Foreigners in Ancient Chinese Art; From Private and Museum Collections. New York: China House Gallery, 1969.Smith, Lawrence and Hulton, Paul. Flowers in Art from East and West. London: British Museum Publications Ltd., 1979.Splendeurs des Han: Essor de l'empire celeste. Paris: Flammarion, 2014.The Charles B. Hoyt Collection: Memorial Exhibition February 13 - March 30, 1952. Boston: Museum of Fine Arts.The Mount Trust Collection of Chinese Art. London: Victoria and Albert Museum, 1970.The Schiller Collection: illustrated catalogue. City Art Gallery Bristol, 1948.Thorp, Robert L. and Blower, Virgina. Spirit and Ritual: The Morse Collection of Ancient Chinese Art. New York: Metropolitan Museum of Art, 1982.Treistman, Judith. Pre-History of China: An Archaeological Exploration. Exeter: David & Charles, 1972.Watson, William. The Genius of China: An Exhibition of Archaeological Finds of the People's Republic of China. London: Times Newspapers Ltd, 1973.Watt, James C. Y. and Patry Leidy, Denise. Defining Yongle: Imperial Art in Early Fifteenth-Century China. New York: Metropolitan Museum of Art, 2005.Watt, James C. Y. (Ed.). Exhibition of Paintings, Calligraphy and Porcelain of the Ming Period, 1368-1644. Min Chiu Society. Hong Kong: City Hall Museum and Art Gallery, 1966.Watt, James C. Y. The Arts of Ancient China. New York: Metropolitan Museum of Art, 1990.White, Julia M. and Otsuka, Ronald Y. Pathways to the Afterlife: Early Chinese Art from the Sze Hong Collection. Honolulu: University of Hawaii Press, 1993.Whitfield, Susan. The Silk Road: Trade, Travel, War and Faith. London: The British Library Publishing Division, 2004.Yang, Xiaoneng (Ed.). The Golden Age of Chinese Archaeology – Celebrated Discoveries From the Peoples Republic of China. New Haven: Yale University Press, 1999.Zhang, Wenjun (Ed.). Henan Museum. Hong Kong: London Editions, 2009.中華歷史文物. Taipei: The Globe International Corporation, 1977.Zwalf, W. Buddhism: Art and Faith. London: British Museum Publications Ltd, 1985 Provenance:Provenance: Private Scottish collection, Edinburgh Note: Note: Please note this lot will be offered with no reserve. 本拍品不設底價
![[A PRIVATE SCOTTISH COLLECTION, EDINBURGH] COLLECTION OF ART REFERENCE BOOKS ON JAPANESE, KOREAN, AND SOUTHEAST ASIAN ART 日](https://cdn.globalauctionplatform.com/6b62d065-6f1f-4875-8053-b06800d40736/9e4534f5-83a6-4831-9112-b07600ebdf22/468x382.jpg)
Lot 36
[A PRIVATE SCOTTISH COLLECTION, EDINBURGH] COLLECTION OF ART REFERENCE BOOKS ON JAPANESE, KOREAN, AND SOUTHEAST ASIAN ART 日本、韓國及東南亞藝術參考書籍（共二十二本） Including:Brown, Roxanna M. The Ceramics of South-East Asia: their dating and identification. Oxford: Oxford University Press, 1977.Chewon, Kim and Gompertz, G. St. G. M. (Eds.) The Ceramic Art of Korea. London: Faber and Faber Limited, 1961.Classical Style in Japanese Arts. 1978.Fitzwilliam Museum, Cambridge. Korean and Chinese Ceramics. Cambridge: Fitzwilliam Museums, 1975.Fitzwilliam Museum, Cambridge. The Lost Century: Japanese Arita Porcelain 1720 - 1820 in Britain: Selective Catalogue. Cambridge: Fitzwilliam Museum, 1998.Fontein, Jan, Soekmono, R., and Suleiman, Satyawati. Ancient Indonesian Art of the Central and Eastern Javanese Periods. New York: Asia Society Inc., 1974.Frasche, Dean F. Southeast Asian Ceramics: Ninth Through Seventeenth Centuries. New York: Asia Society Inc., 1977.Goepper, Roger and Whitfield, Roderick. Treasures from Korea. London: British Museum Publications Ltd., 1984.Gompertz, G. St. G. M. Korean Celadon and Other Wares of the Koryo Period. London: Faber and Faber Limited, 1963.Gompertz, G. St. G. M. Korean Pottery & Porcelain of the Yi Period. London: Faber and Faber Limited, 1968.Götz, Alexander. The Ancient Art of South East Asia. London: Shirley Day Ltd., 1992.Hayashi, Ryoichi. The Silk Road and the Shoso-in. New York: John Weatherhill Inc., 1975.Heineken, Kiyoko and Heineken, Ty. Tansu: Traditional Japanese Cabinetry. New York: John Weatherhill Inc., 1984.McKillop, Beth. Korean Art and Design. London: Victoria & Albert Museum, 1992.Shoten, Kadokawa (Ed.). A Pictorial Encyclopedia of the Oriental Arts: Korea. New York: Crown Publishers, 1969.Smith, Lawrence and Harris, Victor. Japanese decorative arts from the 17th to the 19th centuries. London: British Museum Publications Ltd., 1982.Stevenson, John, Guy, John, and Cort, Louise Allison. Vietnamese Ceramics: A Separate Tradition. Chicago: Art Media Resources with Avery Press, 1997.Swann, Peter. Art of China, Korea and Japan. London: Thames and Hudson Ltd., 1963.Treasures of the Shosoin. Tokyo: Asahi Shimbun Publishing Company, 1965.Watson, William, Beasley, William Gerand, and Bito, Masahide. The Great Japan Exhibition. Art of the Edo Period 1600-1868. London: Royal Academy of Arts, 1981.Weeder, Erica H. (Ed.). The Rise of a Great Tradition: Japanese Archaeological Ceramics from the Jomon Through Heian Periods, 10,500 B.C.-A.D. 1185. New York: Japan Society, 1990.Yi Silla, Koryo. The Art of the Korean Potter. New York: The Asia Society, 1968. Provenance:Provenance: Private Scottish collection, Edinburgh Note: Note: Please note this lot will be offered with no reserve. 本拍品不設底價
Lot 135
A Chinese porcelain panel, circa 1900, over enamel decoration depicting a mountainous landscape with village below, 25.5cm x 38cm, rosewood frame 43.5cm x 61cm. Condition - visible areas of porcelain appear damage free, however, the edges have not been inspected, later plywood back, minor losses to frame.
Lot 119
A Chinese porcelain figure of a seating smiling Buddha in a yellow ground famille rose gown bearing impressed seal mark to base 26 cm high together with an associated silkwork smoker's hat with tassel top and birds amongst foliage decoration to fit the Buddha on a bespoke wooden plinth base together with the pine box bearing paper labels to sides "Capt. L. Sawyer, the Leicestershire Regiment" CONDITION REPORTS The Buddha - in need of a clean, dirty especially to various crevices. Otherwise general wear and tear, some minor surface scratches, losses to the decoration, firing faults etc. The silk cap is very worn, appears to be older than the Buddha itself, has fraying to the edges, very badly discoloured, losses to the stitching throughout. The wooden stand has wear to some of the edges and surface scratches etc. The carry case/box is very rough in construction, has splits to the pine, the paper labels are torn and missing in various places, wear and tear conducive with age and use, has clearly protected the item itself - see images for more details on all pieces in lot
Lot 133
A late 18th Century Chinese porcelain baluster shaped vase, the main body polychrome decorated with birds and butterflies amongst blossoming foliage raised on a circular foot 16 cm high together with a prunus blossom decorated ginger jar (no lid) 12.5 cm high, an Imari scallop edged bowl decorated with various fish, crayfish etc 18.5 cm diameter and a willow pattern transfer decorated leaf shaped pickle dish 13 cm x 10.5 cm CONDITION REPORTS The polychrome vase has some losses to the decoration, chips to the glaze at the bottom edge and the top rim. General surface scratches, firing faults etc. The pickle dish is heavily crazed. All items have general wear and tear to include some surface scratches etc. All in need of a very good clean, filthy. See images for more details
Lot 183
A Chinese famille rose porcelain landscape plaqueRepublicanpainted with a mountainous river landscape with pavillions, tress and figures, hardwood frame, mounted in a modern gilt frame, bears label Julkus G. Haas Fine Arts New Yorkplaque 24.5 x 46cm., overall 33.5 x 53.5cm.Condition: Good condition
Lot 185
A late 18th century Chinese export famille rose 'double peacock' porcelain tureen and coverof octagonal tapering form with twin rabbit mask handles, the domed cover with pomegranate finial, decorated with a peacock and hen, rockwork and peony blossom and flowering branches, foliate bordershandle to handle 35cm., height 21.5cm.Condition: small loss to ears of one rabbit handle. Small small flake chips to pomegranate finial and leaf wrapping round it. Some rubbing to enamel on lid and body principally rock work more so on one side
Lot 189
A late 18th century Chinese export famille rose porcelain plate painted with five goldfish swimming amongst weed, the rim with four floral sprays, bears label verso 'Diane Knight Fine Porcelains Locust Valley, N.Y'.diameter 22.8cm.Condition: Good condition, free from chips damage or hairlines.
Lot 190
A late 18th century Chinese Export Armorial porcelain coffee cup and saucercrested with a rampant lion supporting an arrow in pale downwards over the initials CE, bears label 'The Art Exchange, New York City', on standsaucer diameter 13.8cm. Condition: Good condition Some minor rubbing to gilt
Lot 192
Four Chinese blue and white porcelain vases and a ginger jar19th centuryof shouldered baluster form, all with four character Kangxi marks, the first with figures in a landscape with two buildings and a bridge, the second with a pair dragons chasing the flaming pearl, the third with prunus, chrysthanemums and birds, the fourth with two figures holding a vase and the last a small ginger jar, (5)Condition: The first has small chips and a more noticeable one, see image. The second has 2 small chips to its rim, one more noticeable than the other. Imperfections and some spotting to the glaze. The third with noticeable wear and chips to half way round its base edge. The fourth with a tiny nick to its rim, tiny chip to base edge. The last, the ginger jar with a tiny nick to its foot.
Lot 197
A pair of large Chinese porcelain Imari style chargers18th centurythe central roundels enclosed by chrysanthemums, scrolling foliage and stylised flowerheads, undersides with floral sprays to each side and central marks within blue double rings, (2)39cm diam.Condition: One example in good condition with minor nibbles to some edges. Some rubbing to gilt and other areas of red. The other example with an 8cm hairline crack and a 3cm crack with chip at its onset. There is also a large old repair 20cm long and 7cm deep into the charger. Some nibbles to edges in places.
Lot 42
Chinese export porcelain hexagonal straight sided vase, decorated with butterflies, Lotus flowers and foliage, all on a black enamel ground. Hand drawn four character Kangxi mark to the base in iron red enamel. Probably late Qing. 28cm high approx. (B.P. 21% + VAT) Very good with no obvious damage.
Lot 44
Chinese porcelain Nyonya Straits porcelain style polychrome ginger jar, brightly decorated with Famille Rose enamels and depicting a Phoenix standing by rocks, surrounded with flowers and foliage, with Ruye heads to the shoulder and a petal Diaper above the foot. Late Qing. 13cm high approx. (B.P. 21% + VAT) The lid is missing and there is some minor wear to the enamels below the neck. Short hairline crack to base and one chip to the body.
Lot 103
A CHINESE BLUE-GROUND PORCELAIN STEM DISH, BEARS KANGXI MARK the diminutive dish decorated with incised foliage around the underside of the bowl, and the circular foot is similarly decorated, bears a four-character Kangxi mark within a ring of underglaze blue. 4cm high, 6cm diameterExtremely fine hairline crack to the bowl, which is barely visible. No chips or restoration.
Lot 108
A CHINESE BLUE AND WHITE PORCELAIN PLATE, CHENGHUA MARK BUT KANGXI circular, underglaze blue painted with two figures at the centre medallion, surrounded by four pomegranate bundles over diaper ground, the exterior decorated with two horizontal landscapes and two fishermen in boats, six-character mark within triple rings. 26cm diameterNo chips, cracks or restoration. In very good condition.
Lot 111
A CHINESE BLUE AND WHITE PORCELAIN DISH, KANGXI MARK AND PERIOD circular, underglaze blue painted with three figures in a garden scene at the centre medallion, surrounded by four pomegranate bundles over diaper ground, the exterior decorated with two horizontal landscapes, six-character mark within double rings. 27cm diameterNo chips, cracks or restoration. In very good condition.
Lot 74
A CHINESE ARMORIAL PORCELAIN DISH, KANGXI, CIRCA 1720 circular, painted in an Imari palette with a European leaf scroll on the rim. 27.5cm diameter P.B. Cooke CollectionThe collection was started in the 1920s by Phil’s father – who bought at that time from Sir Algernon Tudor-Craig, the eminent London dealer and first author of a book on armorial wares, from his gallery ‘The Century House’ in Knightsbridge, which closed around 1929. Phil continued collecting, buying much from the collector/dealer Cecil Bullivant, and by the 1960s, his collection had become the largest in the world. My late husband first met him in the late ’50s, and his first volume of Chinese Armorial Porcelain illustrates 220 examples from the Cooke Collection.Angela HowardThanks to Angela Howard of Heirloom & Howard Ltd. for her assistance in cataloguing this lot. The coat is of Chester of Royston and Cockenheath in Hertfordshire, Ermine on a chief sable a griffin passant or. The Chester family came originally from Derbyshire, but the ancestor of this branch came to prominence when Sir Robert Chester was a gentleman of the Privy Chamber to King Henry VIII. Made for Robert Chester, an East India Company director, and also a director and promoter of the South Sea Company. Three similar services were made in the Chinese Imari palette for three SS Co. associates. No cracks or restoration. A tiny nick to the rim, which appears to take glaze rather than body. In generally good condition.
Lot 75
TWO CHINESE BLUE AND WHITE PORCELAIN BOTTLE VASES, KANGXI PERIOD each vase of pear-form and raised on a tall, spreading foot. decorated on the body with vertical panels alternately enclosing 'antiques' or fan-shaped designs, and on the neck with leaf tip borders, which also decorate the foot. (2) 25cm highOne with chips to the foot rim. The other with 5cm hairline crack issuing from the rim of the neck. The same vase with a rim chip to the neck rim.
Lot 83
EIGHT CHINESE BLUE AND WHITE PORCELAIN PLATES, CHENGHUA MARKS BUT KANGXI circular, each painted with figures at the centre medallion, three surrounded by flower sprays and five by pomegranate bundles, over diaper ground, each with six-character mark within rings. (8) Largest 23cm diameterNo restoration. Four plates with cracks.
Lot 84
A SMALL CHINESE BOX WITH COVER, MING DYNASTY, CHENGHUA PERIOD (1464-1487) a rare and tiny porcelain scholar’s item from the Jingdezhen kilns, the cover having an underglaze blue painted scholar sitting on a rock in a landscape under stylised clouds, the sides with underglaze blue continuous lotus flower decoration and an unglazed base. 5.5cm diameter
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