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Click here to subscribeQing Dynasty, Ca. 19th Century AD.A Chinese Canton Famille Rose porcelain box and cover in rectangular form. The cover depicts a scene of court ladies, officials, and presumably the emperor. It could be an entertainment scene, as court ladies were not allowed during formal meetings with officials. There are two compartments inside the box.一件长方形的中国广东粉彩瓷盒。盒盖上绘有宫女、官员和皇帝的场景。这可能是一个娱乐场景，因为宫女在与官员正式会面时是不允许出现的。盒内有两个隔层。 Size: 65mm x 193mm; Weight: 1.18kg
Ming to Qing Dynasty, Ca. 17th Century AD.A pair of Chinese Wucai (five-colored) porcelain vases and jars on European mounts. The vase is decorated with several panels depicting flowers, with a ruyi symbol on each corner of the panels, topped with a scrolling floral band right below the neck. The cover has a similar design. The gilded mounts are in the European style, fitted to support the porcelain vase. It was a particularly common practice of French merchants, known as Marchant Merciers, to add European mounts onto Chinese porcelain to fit the tastes of the European market.一对欧式底座的中国五彩罐。花瓶上有几幅描绘花卉图，四角各有一个如意纹，瓶颈下方有一条卷草花纹带。盖子上也有类似的设计。镀金底座为欧式风格，用于支撑瓷瓶。为了迎合欧洲市场的口味，在中国瓷器上加装欧洲风格的托座是法国商人（被称为 "Marchant Merciers"）的惯用手法。 Size: 480mm x 260mm; Weight: 10.4kg
Qing Dynasty, Ca. 18th Century AD.A pair of Chinese Imari-styled chargers. The chargers are decorated with flowers and foliage in the Imari palette of red and blue with gold gilding, encircled by a thin blue ring on the edge. For similar examples, see Franks.376 and Franks.758.+ at the British Museum.Before becoming known as a style, Imari ware was initially a term used describe items that came from the Imari port. It became one of the foreign designs to be copied in Chinese porcelain production. Export porcelain was a large industry for China, and the designs of such items were usually altered to fit the local tastes of each target market. This lot displays a great example of such cultural exchange. While the style is made to imitate Imari ware with the typical color palette of blue, red and gold, the porcelain produced in China would have a whiter appearance than porcelain made in Japan.一对中国伊玛里风格的茶盘。盏托上饰有伊万里风格的花叶，红蓝相间，镀金，边缘有蓝色细环环绕。类似的例子见大英博物馆收藏的 Franks.376 和 Franks.758.+。在成为一种风格之前，伊万里器最初是用来描述来自伊万里港的物品的一个术语。它成为中国瓷器生产中模仿的外国设计之一。外销瓷器是中国的一大产业，此类物品的设计通常会根据每个目标市场的当地口味进行修改。这件拍品就是这种文化交流的一个典范。虽然风格是模仿伊万里（Imari）瓷器的蓝色、红色和金色的典型色调，但中国生产的瓷器比日本生产的瓷器外观上更白。 Size: 60mm x 470mm; Weight: 5.4kg
Qing Dynasty, Kangxi Period Ca. AD 1662-1722 .A pair of Chinese famille rose blue-ground porcelain bowls in the form of teacups. The bodies are decorated with lotus flowers and foliate scrolls, set against a blue-glaze background.一对中国粉彩蓝地大茶碗。碗身以蓝釉为底，饰莲花和卷草叶。 Size: 57-120mm x 185-195mm; Weight: 960g/4.7kg
Ca. 20th century AD.A Chinese Famille Rose bottle vase. The fine eggshell porcelain boasts a delicate, thin walled body decorated with flowers and bamboo shoots. On the other side of the body, there is a poem describing beautiful scenery and fragrant florals.一件中国粉彩瓶。细腻的蛋壳瓷瓶身，薄壁上饰有花卉和竹子。瓶身的另一侧有描绘美丽景色和花香的诗句。 Size: 190mm x 80mm; Weight: 550g
Qianlong period (AD 1735-1796), Qing dynasty.A set of three Chinese mandarin punch bowls. The body is decorated with panel paintings depicting figures in a garden, with gilt bands on the rims. This would be a fine examle of Chinese export porcelain made in a manner accommodating to Western taste and function. 一套三个中国潘趣酒碗。碗身饰有描绘花园中人物的嵌板画，边缘有镀金带。这是中国外销瓷器中的精品，其制作方式符合西方人的品味和功能。 Size: 130mm x 310mm; Weight: 5.1kg
Ca. 17th century AD.A Chinese blue and white bowl. The body shows a scene of "flowers and birds", a longstanding theme in Chinese painting depicted on this porcelain bowl. The scene is situated above a lotus petal band, and topped with a double blue ring below the rim.一件中国青花碗。碗身绘有花鸟图案，这是瓷碗上长期描绘的中国绘画主题。花鸟图案位于莲瓣纹饰之上，碗沿下有一圈青花双环。 Size: 170mm x 360mm; Weight: 3.3kg
Ming Dynasty, Wanli Period, Ca. AD 1572-1620.A pair of blue and white Kraak plates. The center of one depicts birds and plants, while the center of the other depicts insects and plants. Both plates have a band of cartouches with rotating motifs of plants and flowers. For a similar piece, see the British Museum: Franks.191. Kraak porcelain is the earliest form of export porcelain that appeared during the end of the Ming dynasty. It was made for the West and the term "Kraak" relates to it representing porcelain made for different European markets throughout the centuries, influencing the development of Chinese export porcelain.一对蓝白相间克拉克盘子。一个盘子的中心描绘了花鸟图，另一个盘子的中心描绘了虫草图。两个盘子上都有一圈旋转的花草图案。类似作品见大英博物馆： Franks.191。克拉克瓷器是明朝末年出现的最早的外销瓷器。它是为西方制造的，"Kraak "一词代表了几个世纪以来为不同欧洲市场制造的瓷器，见证着中国外销瓷的发展。 Size: 73mm x 370mm; Weight: 5.7kg
Five Chinese porcelain purple glazed rice spoons with five matching smaller spoons, all with seal marks to bases (some crazed), and a North African style blanket with zig-zag and striped design, embroidered " Mrs V Derham, Merry X-Mas N Happy New Year", in shades of red, blue, green and yellow, 55" x 33" approx
A CHINESE BLUE AND WHITE PORCELAIN VASE 19TH CENTURY AND LATER FITTED FOR ELECTRICITY Of shouldered ovoid form, decorated with bird amongst flowering shrubs, and on later carved wood stand 18cm high, together with shade, 62cm high overall Condition Report: Chip to footDrilledCondition Report Disclaimer
A large Chinese porcelain Canton centre bowl, late 19th century, the bowl of large proportions extensively decorated in the famille rose palette with panels of figures, flora and fauna, stamped 'China' to the underside, 38cm diameter, with carved wood stand CONDITION REPORT:The bowl shows surface wear commensurate with use and age, including surface scratches, fading to certain areas of decoration, rubbing to gilt banding and highlights. No other obvious signs of damage nor restoration.
A pair of Chinese export porcelain blue and white sauce tureens and covers, Qianlong (1736-1795), each of canted rectangular form and decorated with a traditional landscape depicting pagodas, pine trees, and rocky outcrops, the covers with gourd finial, 20cm wide including handles (4) CONDITION REPORT: Each tureen and cover shows wear commensurate with use and age, including surface scratches, minor frits and pits, and one minor split to a handle (please see photo). No other obvious signs of damage nor restoration.
A Chinese export porcelain blue and white part dinner service, Qianlong (1736-1795), comprising; eleven dinner plates, each of octagonal form and centrally decorated with a traditional landscape depicting pagodas, pine trees, and rocky outcrops, 24cm wide, four matching soup bowls, 24.5cm wide, a pair of deep bowls 24.5cm wide, three smaller side bowls, 15.5cm wide, and a pair of saucer plates, 15cm wide (22) (at fault)CONDITION REPORT: All pieces show surface wear commensurate with age and use, including surface scratches. Most pieces show hairline cracks (as seen in photos), along with minor chips and nibbles to the edges.
A Chinese porcelain Canton vase, 19th century, of baluster form and extensively decorated against a gilt ground in famille rose palettes depicting court figures and attendants, floral, and fauna, moulded with 'Chilong' and Dog of Fo lugs, 32.5cm high, with a famille rose Canton baluster vase, 25.5cm high, a famille rose celadon ground plate, 19.5cm diameter, and a Yongzheng style famille verte and Imari highlighted plate, 24.5cm diameter (4) (at fault)Condition reportLarge vase has a 1cm hole extending to a crack that runs 360 degrees around the vase. A further 12cm restored crack around the neck, minor rubbing to the gilt details on the dog of fo handles.Second vase has extensive rubbing to the gilt and minor chips to the base rim.The Celadon plate has 1cm chip to the rim, further minor nibbles and chips, a full width hairline crack, rubbing and crazing.The second plate general light wear, no chips, cracks or faults.
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