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A group of Chinese porcelain, 18th century and later, comprising: a 'famille-rose' beaker, painted with cockerels amongst peony, minor chip; a 'famille-rose' bowl; three 'famille-rose' saucers; a bowl; a teapot and cover in a basket; a blue and white plate and three covers; together with four Japanese teabowls and two saucers (af) (18)
Two Chinese blue and white porcelain moonflasks, Qing dynasty, late 19th century, painted with Buddhistic lions and leafy branches on a chrysanthemum scroll ground, each set with a pair of ruyi handles, four character Kangxi mark in underglaze blue, 16cm high, one handle damaged and repaired (2)
A Canton ivory card case, Qing dynasty, 19th/20th century, of barbed rectangular form, carved in relief with figures amongst trees and pagodas, 9cm long; together with a 20th century porcelain vase painted with the Eight Horses of Muwang; a modern Chinese cylindrical vase; a Japanese black lacquer ewer and cover gilt with chrysanthemum scrolls; and a small turned ivory goblet (5)
A Chinese porcelain oviform vase and domed cover with kylin knop enamelled in a famille rose palette with three bamboo edged panels containing dignitaries, attendants and family groups with six smaller panels of songbirds, buffalo, a fighting cock and a stag reserved on a cell ground, 46cm high, Yongzheng, stapled with loss to neck.
A Chinese porcelain heart-shaped blue and white dish, painted in the style of Frederik van Frytom with two figures standing guard in a harbour, mid 18th century, 12.5cm. Van Frytom (1632-1702) was a Dutch Delft artist whose style was copied by Arita potters in the late 17th century. In turn, these Japanese imitations were copied by the Chinese and by workmen at Bow. Cf. A. Vecht, Frederik van Frytom, p.40 for the original source; also Anton Gabszewicz and Geoffrey Freeman, Bow Porcelain, p.63 for the Chinese and the Bow counterparts. Wares of this type are also discussed by Gordon Lang in The Wrestling Boys catalogue for the Burghley House Collection.
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106012 item(s)/page