An early 20thC Chinese Yixing pottery Teapot, decorated overglaze in colourful enamels with four character mark to base, H 13cm, together with another, this one of Pumpkin/Melon form, with recumbent foo dog finial, incised with script, character mark to base H 9cm, and three other similar, H 12cm, a pair of Vases and another similar (8)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
We found 106012 price guide item(s) matching your search
There are 106012 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
106012 item(s)/page
A quantity of Asian cloisonne Wares, to comprise a pair of shouldered foliate Vases, H 15cm, together with a larger pair of baluster Vases, H 22cm, a pair of slender Vases, with birds flying amongst flora, H 14.5cm, together with some other pieces, including Ashtray, Bowl, Plate etc. (13)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A pair of 18thC Chinese export porcelain Plates, decorated in a Japanese style with iron red and green enamels, D 23.5cm, together with a Chinese famille verte Vase, H 12.5cm together with associated hardwood stand, and a rose Imari Cup and Saucer, decorated with colourful enamels, D 14.4cm and a verte Imari Saucer, damaged and restuck, D 13.4cm (6)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Japanese Imari palette porcelain Bowl, with lobed rim, D x H, together with an Imari Plate, another Bowl, this one verte-imari, cracked with staple repair, two further, each with staple repairs, an Imari Saucer, also with a 20thC Satsuma Pot-pourri Urn and Vase of similar palette (8)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A good quality 18thC Chinese verte imari porcelain Charger, with underglaze blue panels interspersed with red flora and fauna, central well decorated with floral basket, further decoration verso, D 25cm, together with two 19thC famille rose Plates, decorated with colourful depictions of objects and creatures, restored, D 25cm, the other with bands of flora, D 25cm, broken and restuck, also with a small finely painted Saucer, D 15.5cm (4)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese famille noir porcelain Vase, black ground with colourful enamels of prunus and chrysanthemum, of shouldered form and flared rim, damaged and repaired, with concentric circle mark to base, H 46cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A Chinese bronze Han dynasty style Vase, of bulbous square form, flanked by loose rings, damaged, H 32cm, together with a square Chinese bronze Vase, H 23cm, a bronze navette shaped Censer, H 25cm, a metal Box with relief work scenes, a brass lidded Pot, Candlestick, etc. (9) Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese porcelain monochrome Vase, of bottle shape, with bulbous base and slender neck, turquoise in colour, H 23.5cm, large chip to neck, together with another similar, also chipped to neck, H 24cm, and a monochrome turqouise blue Bowl, D 20cm (3)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An unusual antique Chinese carved hardwood tile top side Table / Plant Stand, square top inset with Chinese tile depicting butterflies, beaded edges above carved and pierced foliate frieze, raised on four carved cabriole legs with masked figures to tops upon claw ball feet, note, split to tile, see images, W 41 cm x H 43 cm x D 41 cm. Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A Chinese nest of three hardwood Tables, probably huanghuali, circa 1900, rectangular tops above moulded scroll friezes, (larges) W 44.5 cm x H 61 cm x D 31 cm, (smallest) W 32 cm x H 40 cm x D 22 cm(3)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A matched pair of 19thC Chinese celadon Chargers, typical colouration with central depiction of ornate yellow flower basket, character mark verso, one with staple repair, the other with hairline, D 25.8cm, together with another similar, cracked, D 26cm, and a small celadon Bowl, also with a late 19thC famille rose and powder blue Charger, crazed and cracked, D 37cm, a late 19thC famille Verte Plate, D 21.5cm, a Republic Period Plate, D 24.5cm, and another Republic Period Plate, D 20.5cm (7)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A Cantonese porcelain famille rose-palette vase, 25cm high, to/w two near-matched Japanese pottery cache-pots, an Iznic onion-shaped vase with red and blue floral-painted decoration, a Gustalsberg Jasper-type beaker and cover, a trinket box with Chinese mother of pearl counter inset in the lid and a 19th Century rosewood tea caddy (7)
TWO 18TH CENTURY CHINESE BLUE & WHITE EXPORT PORCELAIN TUREENS QIANLONG PERIOD (1736 - 1795) each of footed oblong form with twin hare head handles, decorated with landscape scenes, with domed cover, the first with pomegranate, the second with scroll finial 34cm wide Tureen with scroll finial has historic rivet repair to the body, and chip to foot. Tureen with pomegranate finial has hairlinerunning through cover. Further to that, both subject to manufacturing flaws. Additional images now available.
A Chinese Blue and White Porcelain Teapot, Kangxi Period, with Dutch Silver Mounts, painted with river landscape within shaped panel, vase with peacock feathers and censers, the mounts engraved with fruiting vines, 5ins (12.7cm) high, six character mark to baseNo comment about condition of the porcelain hidden by the silver mounts can be made. There is a small area of 'fritting' to the upper edge of the spout, together with some very light scattered scratching to the surface, but otherwise this piece appears to be in good condition with no obvious damage/loss/restoration.
A Small Collection of Chinese Export Porcelain, 18th/19th Century, including - tea bowl and saucer pencilled in black with figures in a landscape of houses and pagoda, pleat moulded bowl, painted with monochrome enamels and gilt, 5.67ins (14.2cm) diameter x 2.75ins (7cm) high, and three moulded dishes with indented rims, enamelled in colours with figures outside a building, with red painted four-character mark (16 pieces)The small slop bowl decorated with running blue line over flowers - hairline crack from rim and small flat chip to outer rim. Saucer with polychrome landscape - small chip to rim with associated hairline crack and further small hairline crack from rim. Saucer with polychrome decoration of standing figure and horse - hairline crack to centre. Teabowl and saucer with pencilled decoration - section of saucer rim broken away and restuck. Cup polychrome decorated with cell borders and floral spray - chip to interior of rim. Teabowl with floral sprays - chipping to rim and two stained hairline cracks. Moulded slop bowl with monochrome and gilt decoration - hairline crack from rim to foot. Generally there is some typical minor scattered wear both to gilt and painted decoration.
A Small Reference Collection of Chinese Porcelain, 18th/19th Century, including blue and white octagonal dish painted with a riverine landscape with pagodas and islands 17.5ins (44.5cm), a Famille Verte beaker painted with flowering branches within shaped cartouche, Kangxi, and a moulded blue and white saucer with flower and leaf bouquets and sacred objects (32 pieces)Octagonal dish - stained hairline crack to well at approximately 8 o'clock. Famille Vert - with stained hairline crack from rim to foot ring. Four tea bowls with very small single hairline crack and one saucer with rim chip. Otherwise all other pieces appear to be in reasonable condition with no obvious damage/loss/restoration, save some very light typical wear to enamels/gilt and some light scattered scratching
A Chinese Porcelain Two-Handled Circular Tureen and Cover, Quianlong 18th Century, the body painted in colours and gilt with European landscapes in reserves, the cover similarly decorated with European landscapes depicting figures, boat and buildings, within a shaped cartouche, 10.5ins (26,7cm) diameter x 8ins (20.3cm) highTureen - some minor glaze loss to the edge of both handles. Much of this looks like fritting. Small circa 8mm fine crack to underside of base. Some 'spitting' to the interior base. Cover - scattered 'spitting' to the interior. Small flat chip to the edge of the cover. Generally this tureen and cover appears to be in good condition. There is some minor scattered wear to the gilding but the enamels appear to be intact.
A Chinese Blue and White Porcelain Teapot and Cover, painted with a mountainous river landscape, 4.75ins (12.1cm) highA later metal strainer has been fixed to the internal pouring spout. Two metal rivets fixed from the outside attach this strainer to the body. Some minor glazed loss to the top of the pouring spout. A small shallow flat chip to the edge of the foot ring. Cover - a hairline crack runs to one side of the knop.
A Chinese Porcelain Blue and White Baluster-Shaped Vase and Cover, 18th Century, painted with dragons chasing the sacred pearl, and precious objects, later 'clobbered' with overglazed coloured enamels and gilt, 24ins (61cm) highThe vase has been broken into at least seven pieces and restuck. The cover similarly has been broken into at least ten pieces and restuck. The enamels are in reasonably good condition. There is some scattered wear to the gilt detail.
A Chinese famille rose enamelled porcelain octagonal footed dish, mark of Tongzhi and possibly of the period, the rim moulded and gilt with the eight trigrams framing a concentric band of the Buddhistic symbols and central taijitu emblem, the underside with eight further Buddhistic symbols, the foot with band of waves, iron red enamelled seal mark to turquoise glazed base, height 5.7cm, width 22cm.
A Chinese blue and white porcelain jostick holder/candlestick, 18th century, the column painted with a dragon above a central drip pan and flared foot, height 15.6cm (chip to rim), and a Chinese provincial blue and white bowl, late Ming dynasty, painted with a dragon to interior, the exterior with a scene of figures and horse, underglaze blue seal mark to base, diameter 20.5cm (hairline to rim), together with three pieces of Tek Sing Cargo blue and white porcelain, circa 1820, comprising a small lotus pattern bowl, diameter 12.4cm, a small Aster pattern dish, diameter 11.8cm, and a teabowl, height 4.3cm, each bearing Nagel Auctions sticker and two accompanied by certificate of authenticity.
A Chinese famille verte export porcelain saucer dish, Kangxi period, the centre painted with chrysanthemum within a rim of further flowerheads, diameter 21.6cm (minor glaze fritting to rim and plugged hole to centre). Provenance: from the private collection of David Armitage, former conservator to the Department of Eastern Art at the Ashmolean Museum, Oxford, between 1970 and 1999.
A Chinese blue and white porcelain vase, late 19th/early 20th century, of slender baluster form, painted with blossoming prunus branches, height 22.5cm (rim restoration), together with a famille rose porcelain box (lacking cover), and a Continental famille rose style porcelain jar and cover (repaired finial).
Two Chinese blue and white export porcelain square tiles, Kangxi period, each painted with lotus within scrolling tendril borders, 20.2cm x 20.2cm and 20.5cm x 20.5cm (both chipped). Provenance: from the private collection of David Armitage, former conservator to the Department of Eastern Art at the Ashmolean Museum, Oxford, between 1970 and 1999.
A Chinese blue and white export porcelain square tile, Kangxi period, painted with scattered flowerheads within flower basket and scrolling leafy tendril borders, 18.2cm x 18.2cm, together with another similar tile painted with lotus and scrolling tendril border, 18.7cm x 18.7cm (minor faults). Provenance: from the private collection of David Armitage, former conservator to the Department of Eastern Art at the Ashmolean Museum, Oxford, between 1970 and 1999.
A group of five Chinese famille verte powder blue ground porcelain plates, Kangxi period, each central octalobed panel filled with either a bird or butterflies beside blossoming branches, surrounded by smaller flower-filled vignettes to rim, all reserved against a powder blue ground with gilt decoration, diameters 21.9cm to 22.2cm (faults).
A Chinese white-glazed porcelain beaker vase, Qing dynasty, probably 18th century, of tall slender cylindrical form with flared rim, carved in relief with a ruyi-head band above a dense design of scrolling leafy branches and scattered fruit and flowers, moulded four-character mark to base, height 60cm (some restoration).
A pair of Chinese famille rose export porcelain octagonal plates, Yongzheng period, each painted and gilt with a goose amidst peony within a pomegranate panel and trellis border, width 21.8cm (one cracked, the other repaired), together with a pair of Chinese famille rose export porcelain circular plates, Qianlong period, each with scattered flowers, diameter 23.3cm (one with hairline to rim).
A Chinese blue and white export porcelain circular dish, Qianlong period, painted with a fenced peony garden within a rim of lotus sprays, diameter 37.8cm (restoration to rim), together with a blue and white porcelain plate, Kangxi period, painted with flowers, diameter 22cm (faults). Provenance: from the private collection of David Armitage, former conservator to the Department of Eastern Art at the Ashmolean Museum, Oxford, between 1970 and 1999.
A Chinese wucai dragon and phoenix porcelain circular bowl, mark of Guangxu and possibly of the period, of circular form with slightly flared rim, the exterior painted in underglaze blue and enamelled with two dragons chasing flaming pearls, divided by a pair of phoenixes, all amidst flowers and foliage, the interior with dragon roundel, underglaze blue six-character mark to base, height 6.8cm, diameter 15.8cm
A large Chinese Canton famille rose porcelain vase, mid to late 19th century, the swollen cylindrical body painted with a continuous fenced garden scene of birds and butterflies amidst peony, prunus, bamboo, willow and magnolia above fenghuang, other birds and rocks, between black tasselled borders, the similarly decorated flared neck with applied gilt chilong to shoulders, flanked by Buddhistic lion and cub handles, height 92.5cm (extensive restoration and faults).
A Chinese famille verte archaistic gu-form porcelain vase, Kangxi period, the panelled square mid-section painted with precious vessels, objects and Buddhistic lion, the flared upper and lower neck and base sections filled with birds, rocks and flowers, height 43cm (repaired neck, chips and converted to a table lamp).
A Chinese famille rose enamelled porcelain four-tier stacking box and cover, late Qing dynasty, of cylindrical form with slightly domed circular cover, each section enamelled with a formal design of scrolling lotus and tendrils, bats and gilt shou characters on differently coloured grounds of blue, yellow and pink, flanked by twisted metal drop handles, the cover with similarly decorated famille rose design on a turquoise ground, printed iron red seal mark to bases, total height 30cm.
Loading...-
106012 item(s)/page