Pilgerflasche (Moonflask) aus blau-weißem Porzellan, China, Tao-Quang-Periode Weißes Porzellan mit feiner Bemalung in Blautönen. Flacher runder Korpus auf ausgestelltem Stand. Schlanker, mittig leicht eingezogener Hals mit zwei seitlichen Henkeln. Beidseitig Kartuschen mit Darstellung von Fledermäusen zwischen Blütenzweigen, umgeben von floraler Ornamentik. Auf dem Boden blaue Tao-Quang-Marke. Höhe 25 cm.Zustand: I -A Chinese porcelain moonflask in blue and white porcelain, Daoquang period White porcelain finely painted in shades of blue. The flat, round body on a spreading stand. The slender neck slightly constricted in the middle with two handles at the sides. Cartouches on both sides with bats amidst flowering branches, surrounded by floral ornaments. A blue Daoquang mark in the base. Height 25 cm.Condition: I -
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Langhalsvase mit blauer Flambé-Glasur, China, 19th century Weißliches Porzellan mit Glasur in verlaufenden Blau-, Schwarz- und Rottönen. Bauchige Form mit schlankem, leicht konischem Hals. Auf dem Boden getilgte Marke. Höhe 19 cm.Zustand: IIA Chinese flambé-glazed porcelain vase, 19th century Weißliches Porzellan mit Glasur in verlaufenden Blau-, Schwarz- und Rottönen. Bauchige Form mit schlankem, leicht konischem Hals. Auf dem Boden getilgte Marke. Höhe 19 cm.Condition: II
Figur eines Chinesen als Flakon für Parfum, Porzellanmanufaktur Miklashevsky, Volokitino, Russland, um 1840-50 Weißes, glasiertes Porzellan, von Hand bemalt. Höhe 14 cm. Am schwarzen Bart gechipt, kleine Ausbesserung am weißem Rand der Schale, im Boden undeutlich bezeichnet. Ohne Marke. Sehr seltene Figur. Vgl. In der Staatlichen Eremitage in St. Petersburg befindet sich die gleiche Figur (Inventarnummer Мз-Ч-2547). Die bei Sammlern beliebte Volokitinsky-Porzellanmanufaktur wurde mit einer Silber- und einer Goldmedaille ausgezeichnet, die Qualität der Produkte war mit Porzellan der Kaiserlichen Manufaktur vergleichbar, doch die Manufaktur bestand nur 20 Jahre. 1861 wurde die Leibeigenschaft abgeschafft und die Fabrik geschlossen.Zustand: II -Condition Report:Russland, russisch, Russian, Russia, Russe, Russie,Petersburg, China, Moskau, Hermitage, MoscowA Russian figure of a Chinese man as a bottle for perfume, Miklashevsky Porcelain Manufactory, Volokitino, circa 1840-50 White glazed porcelain, hand painted. Height 14 cm. Chipped on the black beard, a small repair to the white rim of the bowl, illegibly labelled on the base. No hallmark. Extremely rare figure. Cf. The same figure can be found in the State Hermitage Museum in St. Petersburg (inventory number Мз-Ч-2547). Awarded both a silver and a gold medal, the Miklashevsky Manufactory was popular with collectors. The quality of the products was comparable to that produced by the Imperial Porcelain Factory, however the Manufactory only existed for 20 years. Serfdom was abolished in 1861 and the factory was closed.Condition: II -Condition Report:Russland, russisch, Russian, Russia, Russe, Russie,Petersburg, China, Moskau, Hermitage, Moscow
A Chinese porcelain small bowl and a saucer, mid-late 19th century, red character seals to each, the bowl painted with flowering prunus, the saucer with radiating figures and calligraphic script, the bowl 10.3 cm diam. Condition Report: The bowl with a very short hairline crack to rim, the saucer with short crack to rim, small rim chip with associated glaze crack, some wear to gilt rim. further minute rim chip. Minor wear to enamels.
A large mid-20th century hand-decorated pottery (probably German or Swiss) plaque - young girl at a window sill, script lower right and painted mark to underside (36cm square).Together with an 18th century style (modern) Chinese oval porcelain two-handled planter depicting Hongs (34cm wide including handles) (2)
Blauweiß-Vase mit chinesischen Symbolen Porzellan. Balusterförmig mit Qilong-Drachen als Handhaben. Auf der Schauseite, zwischen blühenden Chrysanthemen, Symbole der sog. "Hundert Antiquitäten" und "Acht Kostbarkeiten" in unterglasurblauer Malerei. Umlaufende Bordüren aus stilisierten Prunusblüten, Mäander und Ornamenten. H. 34,5 cm. A Chinese blue and white porcelain vase with symbols of the "Hundred Antiques" and "Eight treasures" painted in underglaze-blue.China. Qing-Dynastie. 19. Jh.
Vier Koppchen mit Chinoiserien aus der Edition "Freunde des Meissener Porzellans"auf Unterschale. Halbkugelige Form. Schauseitig kniende Chinesin bzw. kniender Chinese mit Monogramm BR in Gold sowie Vogelmotive in polychromer Malerei. Schwertermarke. H. 4 cm.Four porcelain tea bowls with chinoiserie from the edition "Friends of Meissen porcelain". Crossed swords mark.Meissen. Um 2006 - 2007.
Doppelhenkelbecher mit seltenem Chinoiseriedekor nach Petrus Schenkbzw. Schokoladenbecher. Leicht gebauchte, konisch ansteigende Form, seitlich Henkel aus gegenläufigen Voluten. Beidseitig der Wandung sowie im vertieften Spiegel zu Pferd sitzender Chinese bzw. laufender Chinese, umgeben von Blüten und Vögeln, die sie teilw. an Schnüren halten. Umlaufende Bordüre aus stilisierten asiatischen Blüten. Polychrome, goldgehöhte Malerei in Seegrün, Emailblau, Eisenrot, Gelb und Schwarz. Unterglasurblaue bzw. eisenrote Ringlinien. Untertasse rest.; Schwertermarke. H. 6, 5 cm. Vgl. Rückert, Kat. Bayer. Nationalmuseum, Nr. 238f.; Pietsch, Triumph der blauen Schwerter, Nr. 129.A porcelain chocolate cup and saucer with rare chinoiserie decor. Saucer restored. Crossed swords mark.Meissen. Um 1735.
Two Chinese porcelain teapots, Republic period (1912-1949), one famille rose, painted with renowned historical figures with inscriptions of their stories alongside, 14.5cm high, and another, qianjiang enamelled, painted with a landscape, the reverse inscribed with the signature of Meicun, 13.5cm high (4) Famille rose - chipped in various locations. Qianjiang - spout chipped and cracked, cover chipped to rim inside, foot rim chipped and cracked, surface scratches.
A collection of seven Chinese porcelain parrots, early 20th century, each of the birds perched on a pierced rock, covered under a blue glaze, 20.5-28cm high, and another white example, 18.5cm high (8)White bird fully restored. All with small chips to base. One damaged to beak. One with small chips to beak, glaze chips to wings and rock.
QINGBAI 'TWIN FISH' BOWL SONG DYNASTY 宋 青白釉刻雙魚紋斗笠碗 of conical form with gently everted rim, the interior carved freely with a lively leaping pair of carps on a neatly combed wave ground, applied overall with an elegant pale blue glaze tinged with green, the flat foot unglazed, the base with remnant of an old label ‘R.F.A. Riesc.. No. 116’(17.9cm diameter)Provenance: Private Scottish collection, from The Riesco Collection, Sotheby's London, 11th December 1984, lot 116 (label) Raymond Francis Alfred Riesco (1877-1964), had a long and distinguished career in the insurance world, starting in 1895 and retiring in December 1954. Besides acquiring Chinese porcelain, he was also an authority on philately and bought watercolours and etchings. He was a Council member of the Oriental Ceramic Society from 1951-1961 and was a generous friend of the Society. He built a superb collection of Ming and Qing porcelains and after selecting a few important pieces for the British Museum, donated his whole collection to the corporation of Croydon.
LARGE BLUE AND WHITE FLASK, BIANHU 20TH CENTURY 二十世紀 青花花卉紋大扁壺 sturdily potted with a flattened spherical body with a domed side, painted with a band of floral scroll within a band of crashing and swirling waves, the centre further raised with a domed boss decorated with an Islamic eight-pointed star, set with a short cylindrical mouth on the top and flanked by two ring handles, the base unglazed with a countersunk central recess(50cm high)Note: It is rare to find a flask of this form, possibly after a metal shape. The large, flat expanses and sharp angles natural to a metal shape are difficult to translate into porcelain clay, which tends to warp and crack during firing. A number of Chinese porcelains were made of this form during the Ming dynasty that show the influence of Islamic artefacts, probably inspired by Islamic metalwork. There is a slightly larger Syrian brass canteen, dating to the early-15th century, in the collection of the Freer Gallery, Washington, accession number F1941.10. This porcelain form of vessel may have been made for a Chinese clientele fascinated by Islamic metalware forms. Some comparable blue and white flasks dated to the Ming dynasty: one of 41.8cm wide is in the collection of Freer Gallery of Art, accession number F1958.2; a slightly smaller one of 36.5cm width with different decoration on the central boss is in the collection of National Palace Museum Taipei, no. 故瓷11643; a further example sold at Christie's London on 6 Nov 2007, lot 156
FAMILLE ROSE PEACH-FORM 'PHEASANT AND BAMBOO' CADOGAN POT QING DYNASTY, QIANLONG PERIOD 清乾隆 粉彩雉雞竹林花卉紋壽桃型倒流壺 moulded in peach form standing on an everted foot, painted on one side with a pheasant in a bamboo grove, the other side adorned with various flowers, branches of moulded leafy stems encircling the top of the body, set with a hollow loop-handle with an opening at the bottom and an upward-pointing spout, the base with a very thin coating of glaze and a perforation in the centre(19.5cm wide)Provenance: Private English collection, acquired in 2017; Formerly in an English private collection, Suffolk.Note: a comparable famille rose peach-shaped cadogan pot with applied floral design, dated to the Qianlong period, was sold at Rob Michiels Auctions, Belgium on 13th March 2021, lot 105. These peach form pots were a Chinese novelty meant to be a puzzling curiosity to a gathering of people who were sharing the wine. It appears there is no way to fill the ewer as there is no aperture on top, it seems impossible to fill it from the hole beneath as it would run straight out. The liquid is filled through a funnel in the base that extends vertically inside the pot to a height that prevents the liquid from escaping when the pot is turned right side up after filling. The later name, Cadogan, refers to teapots made in Europe, as well as the original Chinese form. It is said that William Cadogan, 1st Earl Cadogan (1675 – 1726), was the first person to own a Chinese wine pot of this shape, hence the name. In England, the Cadogan teapot was particularly popular in the second quarter of the 19th century. A Meissen copy of such Chinese form and decorated in European style, dated ca. 1725, is in the collection of the Metropolitan Museum of Art, accession number: 1974.356.488. It was modelled after a Chinese porcelain wine pot from the Kangxi period (1662–1722).
A Chinese Qianlong blue and white plate, a similar pair of Chinese blue and white bowls, a quantity of 19th century Cantonese porcelain and a Japanese bowl decorated in underglaze blueQianlong plate is free from chips and cracks, minor rim fritting, a pair of bowls with light fritting only, Cantonese items; spill vase with a large rim chip, cup chipped to the rim, one plate with a large section reglued to the rim, another with heavy rim chipping, two plates heavily fritted, one saucer with three section reglued to the rim, one saucer chipped with associated crack, two saucers with light fritting only, Japanese bowl in good condition
Japan, blauw-wit porseleinen Arita schotel, Edo periode, ca. 1700, gedecoreerd in Chinese stijl met elegante dames in een bloementuin, de rand met musicerende dames, met apocrief Chenghua merk Provenance: Particuliere collectie Chinees en Japans porselein uit het bezit van een Nederlands verzamelaarsechtpaar [1] diam. 34,3 cm Japan, blue and white porcelain Arita dish, Edo period, ca. 1700, decorated in Chinese style with elegant ladies in a flower garden, the rim with ladies playing musical instruments, with apocryphal Chenghua mark, provenance: Dutch private collection
A small group of antique china and glassware, 18th century and later, to include a Chinese porcelain famille rose tankard, 12cm high; a Chinese porcelain famille rose bowl, 14.5cm diameter; two Derby bread and butter plates; two vases; a small cut glass decanter; an 18th century blue and white sauce boat etcAll items with damage particularly the ceramics, mainly old breaks and repairs; the cut glass decanter in good condition other than minor chips to the stopper; the ale flute with some marks to the glass, otherwise no chips
Twenty two Christie's and Sotheby's Chinese and Oriental sale catalogues mostly circa 2000, to include The Falk Collection I & II; Important Chinese Ceramics and Works of Art from an American Private Collection, September 1995; The Benjamin F Edwards III Collection of Chinese Export Porcelain I & II; Important Chinese Works of Art from the Arthur M Sackler Collections; The Doctor S Y Yip Collection of Fine and Important Classical Chinese Furniture, New York September 2002; One Man's Vision Important Chinese Art from the Manno Art Museum, October 2002 etcThe catalogue with some marks and minor scuffs due to use, some with stickers to the front
A mixed group to include nine 19th century Chinese porcelain plates decorated with butterflies, each 19cm diameter; a Royal Worcester hand painted dish, 9cm diameter; a North African tri-metal teapot, 27cm wide; a papier-mache box and a giltwood frameFrame with chip and piece missing, some of the plates with chips around the edges, dents to teapot
A PORCELAIN DECAGONAL DEEP BOWLKakiemon ware, Edo period (1615-1868), early 18th centuryDecorated in typical Kakiemon palette of iron-red, blue, green, and yellow enamels, the interior well with a dragon roundel surrounded by ho-o bird roundels alternating with stalks of seasonal flowers beneath the brown-edged rim with a band of repeated chrysanthemums interwoven among karakusa ('Chinese grasses'); the exterior with birds in flight among shrubs, chrysanthemums, and arching peony growing from rocks. 9.2cm x 20.7cm (3 5/8in x 8 1/8in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
TWO CHINESE PORCELAIN TEAPOTS, MID 20TH CENTURY. One with bird and floral scene with inscription. The other with figures in landscape scene with inscription. Both with two-character maker's marks to base. Approx. 16.5cm length. (2)Red enamel teapot in good overall condition, without damages or repairs. The black enamel teapot with small chip to rim with no other damages or repairs.
A CHINESE PORCELAIN DISH WITH BOX AND COVER, 20TH CENTURY. The dish decorated with two immortals in famille rose enamels with inscription, four-character mark of Qianlong to base. Together with a circular porcelain box and cover decorated with laughing Buddha and children with inscription, with four-character mark of Qianlong in blue enamel. Dish 26cm diam. (2)Dish in good condition - Two pierced holes to foot rim for hanging. The box and cover in good overall condition.
FOUR CHINESE BLUE AND WHITE PORCELAIN ITEMS, 18/19TH CENTURY. To include two deep dishes with floral pattern designs, a bowl with Kangxi lozenge mark in double ring and a blue and white pot with handle. Largest dish 25cm diam. (4)Larger dish in good overall condition. Other dish small chip to rim, with no cracks. Bowl with slight chips to foot rim, no cracks. Jug in good overall condition. All with no signs of repairs.
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