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A Chinese ormolu-mounted famille rose ruby-ground vase: of ogee form, painted with fan, scroll, fruit and leaf-shaped cartouches containing cockerels and other birds, butterflies and peony sprays on a ruby ground with scattered aster flowers, the rococo ormolu mounts in Louis XV style, the porcelain Yongzheng/early Qianlong [restored], the mounts 19th century, 48cm high
A mixed lot of Chinese porcelain: comprising a famille rose shaped oval two-handled tureen base painted with pendant floral cartouches, Qianlong, 30cm wide; a famille rose deep dish painted with an official and attendants in a lake landscape and floral sprays within arrowhead and floral borders, Qianlong, 38 x 31cm [damaged]; and a pair of blue and white plates painted with flowering shrubs, bamboo, rockwork and a fence, late Qianlong, 23cm [4].
A mixed lot of Chinese porcelain, Qing Dynasty and later: comprising a small famille verte table screen painted with a mountaineous river landscape, 11 x 19cm wood frame and stand; a famille rose plate painted with a dignitary and attendants on a terrace, 24cm [minor stacking wear]; and a shaped oval dish painted in iron-red with the three auspicious fruits and a Shou and bat medallion, 26cm [two hair cracks] 3.
A pair of Chinese famille rose two-handled pedestal urns and covers: each with entwined branch handles and pomegranate finial, painted with a crest probably for Moss with borders of bamboo, flowers and berries and the initials 'GMB' below a crest and within an oval cartouche suspended from ribbons, late Qianlong, 26cm [one handle damaged].*Notes The Moss family were of Lancashire and the Moss-Edwards Baronetcy of 1868 descended from a John Moss of Hurst House, Lancashire in the eighteenth century*Notes Literature David Sanctuary Howard 'Chinese Armorial Porcelain' vol.II, page 263, N6. With thanks to Angela Howard of Heirloom & Howard Ltd. for her assistance in the cataloguing of this lot.
A pair of Chinese famille rose armorial two-handled double-lipped sauceboats: of quatrefoil silver form with fox-head loop handles, each painted with a crest and the arms of Hoadley within an ornate foliate cartouche, Yongzheng/early Qianlong, 22 x 19cm [damages].* Notes The arms are those of Hoadley with, in pretence, Argent, a chevron between three garbs sable-possibly for Blake of Wiltshire and Somerset. The service is likely to have been made for Captain Henry Hoadley of the Royal Guardian at Canton.*Notes Literature: David Santuary Howard 'Chinese Armorial Porcelain' vol. 1, page 244, E6. With thanks to Angela Howard of Heirloom & Howard Ltd. for her assistance in the cataloguing of this lot.
Pair of Georgian glass rummers, 18th century Chinese Export porcelain famille rose plate, pair of Victorian 'end of day' glass vases and a brass Brighton bun candlestickCondition report: One of the rummers has a chip to the foot. The Chinese dish has a couple of nibbles to the rim, and the vases have a coupe of nibbles too.
A Nanking Cargo tea bowl and saucer (a.f.), later Chinese blue and white porcelain, and a pair of Georgian silver sugar tongs (one tray). Vase with firing flaws, otherwise ok. Bowls in good condition. T bowl with fleabite chips to the rim. Saucer with one chip to the rim. Two small vases in good condition. Sugar tongs in good order, engraved with the monogram JJ
A quantity of 18th century Chinese blue and white 'shipwreck' porcelain, including: two covered bowls together with three hardwood stands, and an 18th century Chinese blue and white tea bowl and saucer painted with panels containing figures and a similar small saucer (one tray). T bowl with some glazed imperfections to the rim, octagonal box and cover with numerous firing flaws of varying degrees, one issuing a hairline crack, circular box and cover with large chip to the inside rim, firing flaws throughout, bowl one with chip to the foot, hairline crack from the rim, approximately 4cm. Bowl two with firing flaws, hairline crack and surface scratches. Bowl three is heavily crazed to the point where hairline have appeared and with small chip to the rim
A 19th century Wedgwood blue and white footed dish decorated with gentlemen fishing, two blue and white serving platters, a tureen and dish, a 19th century Chinese blue and white porcelain vase painted with figures (a.f.), and a similar bowl (7). Chinese bowl with some firing flaws, one small chip to the rim, paint scratches. Chinese vase has been broken and glued poorly throughout with two noticeable losses to the glaze on one of the warriors. Wedgewood dish with hairline cracks around the foot and crazing. Tureen with firing flaw on one handle and paint scratches. Shaped dish with two hairlines and heavy crazing, both platter as found
Ruth Waldron Rice Bowl and Peony, 2021 Acrylic and Ink on Paper Collage plus Wax Seal Signed with a wax seal on front and verso 15 x 10cm (5¾ x 3¾ in.) Ruth Waldron is an Irish artist living near Albi, Tarn France. After university she pursued her creative inclinations with a career in Interior Design for 17 years, working in both Ireland and the United Kingdom. In 2009 she moved to Shanghai, China. She spent two years with a Chinese tutor, working in particular on traditional ink and watercolour painting techniques. This disciplined and formal style of painting enriched her art with an exciting new perspective. She has a fascination for the colours and motifs in traditional Chinese and Japanese watercolours. Further to her experience in China she has completed the Creative Visionary Program (2018) with artist Nicholas Wilton. This course enabled Ruth to take her work and practice to a higher level. She now works in a more inquiring and intuitive manner. Ruth has a full time painting practice based at her studio in the south of France. She works on paper, wood board and canvas, using acrylic, watercolour, oil pastels and ink. Education 1987-1992, Bachelors degree in Classics and Spanish Literature Trinity College Dublin 2009-2011 Private tutor in Chinese painting in Shanghai 2018 Completed The Creative Visionary Program with Nicholas Wilton (California) Exhibitions 2019 art3f Toulouse, 2019 Art Salon Balma, Toulouse, 2020 Art Exhibition Albi, France. About the postcard artworks These postcard paintings are a small, but true representation of my current series which explores my fascination for Asian porcelain and also the use of space and a sense of calm in the traditional painting compositions of Chinese art. I use ink on paper collage elements in my work to add a layered and multi-textured finish to my work, which is as important to me as the subject matter or composition. I am influenced by Asian calligraphy and line which is evident in the collage elements. I try to use complex and multilayered methods to produce work that looks simple, spacious, unfussy and calm.
Ruth Waldron Chinese Vase, 2021 Acrylic and Ink on Paper Collage plus Wax Seal Signed with a wax seal on front and verso 15 x 10cm (5¾ x 3¾ in.) Ruth Waldron is an Irish artist living near Albi, Tarn France. After university she pursued her creative inclinations with a career in Interior Design for 17 years, working in both Ireland and the United Kingdom. In 2009 she moved to Shanghai, China. She spent two years with a Chinese tutor, working in particular on traditional ink and watercolour painting techniques. This disciplined and formal style of painting enriched her art with an exciting new perspective. She has a fascination for the colours and motifs in traditional Chinese and Japanese watercolours. Further to her experience in China she has completed the Creative Visionary Program (2018) with artist Nicholas Wilton. This course enabled Ruth to take her work and practice to a higher level. She now works in a more inquiring and intuitive manner. Ruth has a full time painting practice based at her studio in the south of France. She works on paper, wood board and canvas, using acrylic, watercolour, oil pastels and ink. Education 1987-1992, Bachelors degree in Classics and Spanish Literature Trinity College Dublin 2009-2011 Private tutor in Chinese painting in Shanghai 2018 Completed The Creative Visionary Program with Nicholas Wilton (California) Exhibitions 2019 art3f Toulouse, 2019 Art Salon Balma, Toulouse, 2020 Art Exhibition Albi, France. About the postcard artworks These postcard paintings are a small, but true representation of my current series which explores my fascination for Asian porcelain and also the use of space and a sense of calm in the traditional painting compositions of Chinese art. I use ink on paper collage elements in my work to add a layered and multi-textured finish to my work, which is as important to me as the subject matter or composition. I am influenced by Asian calligraphy and line which is evident in the collage elements. I try to use complex and multilayered methods to produce work that looks simple, spacious, unfussy and calm.
Ruth Waldron Spring Buds, 2021 Acrylic and Ink on Paper Collage plus Wax Seal Signed with a wax seal on front and verso 15 x 10cm (5¾ x 3¾ in.) Ruth Waldron is an Irish artist living near Albi, Tarn France. After university she pursued her creative inclinations with a career in Interior Design for 17 years, working in both Ireland and the United Kingdom. In 2009 she moved to Shanghai, China. She spent two years with a Chinese tutor, working in particular on traditional ink and watercolour painting techniques. This disciplined and formal style of painting enriched her art with an exciting new perspective. She has a fascination for the colours and motifs in traditional Chinese and Japanese watercolours. Further to her experience in China she has completed the Creative Visionary Program (2018) with artist Nicholas Wilton. This course enabled Ruth to take her work and practice to a higher level. She now works in a more inquiring and intuitive manner. Ruth has a full time painting practice based at her studio in the south of France. She works on paper, wood board and canvas, using acrylic, watercolour, oil pastels and ink. Education 1987-1992, Bachelors degree in Classics and Spanish Literature Trinity College Dublin 2009-2011 Private tutor in Chinese painting in Shanghai 2018 Completed The Creative Visionary Program with Nicholas Wilton (California) Exhibitions 2019 art3f Toulouse, 2019 Art Salon Balma, Toulouse, 2020 Art Exhibition Albi, France. About the postcard artworks These postcard paintings are a small, but true representation of my current series which explores my fascination for Asian porcelain and also the use of space and a sense of calm in the traditional painting compositions of Chinese art. I use ink on paper collage elements in my work to add a layered and multi-textured finish to my work, which is as important to me as the subject matter or composition. I am influenced by Asian calligraphy and line which is evident in the collage elements. I try to use complex and multilayered methods to produce work that looks simple, spacious, unfussy and calm.
Ruth Waldron Ginger Pot, 2021 Acrylic and Ink on Paper Collage plus Wax Seal Signed with a wax seal on front and verso 15 x 10cm (5¾ x 3¾ in.) Ruth Waldron is an Irish artist living near Albi, Tarn France. After university she pursued her creative inclinations with a career in Interior Design for 17 years, working in both Ireland and the United Kingdom. In 2009 she moved to Shanghai, China. She spent two years with a Chinese tutor, working in particular on traditional ink and watercolour painting techniques. This disciplined and formal style of painting enriched her art with an exciting new perspective. She has a fascination for the colours and motifs in traditional Chinese and Japanese watercolours. Further to her experience in China she has completed the Creative Visionary Program (2018) with artist Nicholas Wilton. This course enabled Ruth to take her work and practice to a higher level. She now works in a more inquiring and intuitive manner. Ruth has a full time painting practice based at her studio in the south of France. She works on paper, wood board and canvas, using acrylic, watercolour, oil pastels and ink. Education 1987-1992, Bachelors degree in Classics and Spanish Literature Trinity College Dublin 2009-2011 Private tutor in Chinese painting in Shanghai 2018 Completed The Creative Visionary Program with Nicholas Wilton (California) Exhibitions 2019 art3f Toulouse, 2019 Art Salon Balma, Toulouse, 2020 Art Exhibition Albi, France. About the postcard artworks These postcard paintings are a small, but true representation of my current series which explores my fascination for Asian porcelain and also the use of space and a sense of calm in the traditional painting compositions of Chinese art. I use ink on paper collage elements in my work to add a layered and multi-textured finish to my work, which is as important to me as the subject matter or composition. I am influenced by Asian calligraphy and line which is evident in the collage elements. I try to use complex and multilayered methods to produce work that looks simple, spacious, unfussy and calm.
Unusual 18th/19th Century French Soft Paste Porcelain Ormolu Mounted Desk Seal Container, the lidded top with a fitted matching seal, decorated in the Chinese manner with a floral famille rose pattern and with small carrying handles to the sides; incised cross type mark to base, probably Chantilly; 3.5 inches (8.75cms) high x 3 inches (7.5cms) in diameter
Four 18th century faience plates, possibly by Veuve Perrin and Gaspard Robert Manufactory, Marseille, and a Mason's Cambrian Argil plate and two dishes, together with a Masons Ironstone China tureen and cover, decorated in the Chinese style with scenes of figures in gardens, 25cm high, a Masons porcelain dessert dish, with hand painted design of a grey wagtail, and a similar dessert plate with green woodpecker design (a/f)
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105996 item(s)/page