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Four Boxed plastic model kits. Lot includes - Zvezda R-12 German Motorcycle with sidecar and crew scale 1:35 ; Roden Fwd Model B 3- ton US army ammunition truck scale 1:72 ; HobbyBoss German Panzer 1Ausf A Sd.Kfz.101 scale 1:35 and Riich Hf.11 German horse drawn large field kitchen with figures scale 1:35. All kits appear to have parts in factory sealed plastic bags with instructions and decals. All kits are presented in Excellent boxes with some minor storage wear. (4)
Master Box - Two boxed 1:35 scale plastic WW2 German Army Car model kits by Master Box. Lot includes MB35112 'Where are the damned roads?'; and MB3531 SdKfz.2 German Military Radio Car. Both kits appear to have parts in factory sealed plastic bags with instructions and decals and are presented in Poor - Fair boxes with some crushing and storage wear. (2)
λ Edward Seago (British 1910-1974)A panoramic view of Sorrento, ItalyOil on board Indistinctly signed with initial and dated 45 (lower right)20.5 x 25.5cm (8 x 10 in.)Provenance:Marlborough Fine Art, London Purchased from the above and thence by descent to the present owner After five years' war service as a camouflage artist the heart condition Seago had suffered with since childhood was discovered by the army medical corps and he was discharged. Complaining to his commanding officer and fellow painting companion, General Alexander, he was invited to join Alexander in Italy to paint what he liked and in doing so became an unofficial war artist with his own jeep and driver. With limited materials many of the works he produce were sepia wash works on paper, but, as in the present work, he also painted in oil. Edward Seago (1910-1974) Edward Seago was one of the most popular English landscape painters of the 20th Century. He was born and lived in Norfolk throughout his life and the influence of the greatest artists of East Anglia, from the 17th Century Dutch-inspired Norwich School, to John Constable and Sir Alfred Munnings can be seen in his work. His light-filled landscapes, many with vast skies and billowing clouds are imbued with what one critic has described as `an understated emotional language'. The ten works included in our sale span the breadth of his long and very successful career and show his evolution as an artist from rural equestrian scenes to his travels further afield across Europe and Hong Kong, which went on to become some of his most celebrated and popular subjects. Seago was largely self-taught and was influenced and mentored by leading landscape painters of the day such as Alfred East and Bertram Priestman who advised him not `to be unduly governed by what you see in art, but by what you see in nature' . His work gained wide popular appeal and his sell out exhibitions had queues around the block on opening day, but generally art critics saw him `merely recording his visual impressions' and struggled to place his work in the context of modernism and the growing interest in abstraction. He never became an Academician at the Royal Academy, but nonetheless he was a firm favourite with three generations of the Royal Family and in 1956 he was invited by Prince Philip to join him on a trip to the Antarctic aboard The Royal Yacht Britannia. Seago was also a prolific writer and published eleven books, including several with poems and prose by the Poet Laurette John Masefield. Seago was equally at home in the company of the aristocracy or country folk and his work enjoys broad popularity to this day with numerous collectors around the world.Condition Report: There is some minor surface dirt, otherwise in good original condition. No evidence of retouching visible under ultraviolet light. Framed under glass.Condition Report Disclaimer
λ David Saunders (British b. 1936)Untitled, 1989Mixed media and collage Signed and dated 6/89 (verso)21.5 x 15.5cm (8¼ x 6 in.)Unframed David Saunders turns our attention to the function of colour in painting and how this can influence the interior or space around it. A piece of work is created through a process of events but once situated in the interior there is no before or after all the elements are simultaneously present and we as the viewer accept the visual rhythm and harmonious colour palette as the final piece of work. David Saunders was born in Essex in 1936. Before being conscripted for military service Saunders worked in the advertising industry and attended evening classes at St. Martin's School of Art. Whilst Saunders was stationed on Salisbury plain he took the opportunity to pursue his passion for painting. Inspired by the work of Paul Nash the local chalk downs scattered with isolated clumps of woodland would serve as his subject matter through these years. On release from the army Saunders studied under Frederick Gore at St. Martin's School of Art from 1959 to 1962 and continued his studies at the Royal Academy Schools. Saunders was supported by the Arts Council and went on to exhibit across the UK. Between the years 1980-1999 Saunders carried out intense research into the function of colour in paint and he went on to organise jointly with Richard Bell the exhibition 'Colour Presentations' at the Arts Council in 1986. Curators' Comment I Don't be afraid to be bold. These works by David Saunders can be hung both portrait and landscape; which direction creates the most pleasing visual rhythm and harmony for you? Condition Report: A few specks of surface dirt and scratches. Otherwise in good original condition.Condition Report Disclaimer
λ David Saunders (British b. 1936)Untitled, 1991Mixed media and collage Signed and dated 2/91 (verso)21.5 x 15.5cm (8¼ x 6 in.)Unframed David Saunders turns our attention to the function of colour in painting and how this can influence the interior or space around it. A piece of work is created through a process of events but once situated in the interior there is no before or after all the elements are simultaneously present and we as the viewer accept the visual rhythm and harmonious colour palette as the final piece of work. David Saunders was born in Essex in 1936. Before being conscripted for military service Saunders worked in the advertising industry and attended evening classes at St. Martin's School of Art. Whilst Saunders was stationed on Salisbury plain he took the opportunity to pursue his passion for painting. Inspired by the work of Paul Nash the local chalk downs scattered with isolated clumps of woodland would serve as his subject matter through these years. On release from the army Saunders studied under Frederick Gore at St. Martin's School of Art from 1959 to 1962 and continued his studies at the Royal Academy Schools. Saunders was supported by the Arts Council and went on to exhibit across the UK. Between the years 1980-1999 Saunders carried out intense research into the function of colour in paint and he went on to organise jointly with Richard Bell the exhibition 'Colour Presentations' at the Arts Council in 1986. Curators' Comment I Don't be afraid to be bold. These works by David Saunders can be hung both portrait and landscape; which direction creates the most pleasing visual rhythm and harmony for you? Condition Report: Overall in good original condition.Condition Report Disclaimer
Vintage Smiths Empire 7-jewel gentleman's wristwatch with subsidiary dial, together with Services 5-jewel shockproof wristwatch and Services Army pocket watch Condition: Both wristwatches showing signs of wear, the dials on both having scratches and some small signs of damage present, the pocket watch with plastic cover loose, movements not tested. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.**Clocks, Watches, Musical boxes and other mechanical items (ie anything with moving parts) - Whilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.
US Army Air Corps aircraft octant in wooden case Condition: Loss to rim of eye-piece overall wear and losses, rubber components perished and missing in places, overall evidence of missing components, screws, etc - **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
A mixed group of collectors’ items including a Pratt-ware ‘Bears at School’ pot lid, diameter 8.4cm (af), Midland Bank money box, two Swiss Army knives, two brass matchbox covers, Boots First Aid Case tin with contents, Grundig microphone, etc.Additional InformationPot lid has a crudely repaired chip and hairline crack; further general wear throughout.
A rare original uneaten WWI First World War Imperial German army food canteen containing an original uneaten small loaf of bread. The aluminium canteen bearing maker's marks for Sudd MetallW FBR, Mussbach '. The uneaten piece of bread appearing to have been toasted (likely why it has survived so long). A rare survivor.
An original WWII Second World War British Army BEF steel Brodie helmet. The helmet of usual form with green paintwork, black leather liner and chin strap. A regimental flash to the side of a red cross on black background, believed Black Watch the Scottish Infantry Regiment. Helmet and liner undated.
An original WWII Second World War British Army Civil Defence brodie type helmet and accompanying MKIII respirator gas mask. The helmet retaining a black liner, part of the webbing chin strap and dated 1939 with makers mark for J.S.S Joseph Sankey & Sons Ltd. The respirator mask of usual form, with red tin filter to end of rubber hose, dated 1940 to the front filter. Good collection
An original WWI First World War Imperial German army SG 98/05 ' Butcher ' rifle bayonet. The blade marked for Carl Eickhorn of Solingen and dated 1918 (date slightly illegible). Hooked steel pommel with press release button, ribbed wooden grips and a forward back facing quillon. Within a period leather and steel scabbard, with original leather frog. Measures approx; 52cm long in total.
An original WWII Second World War Third Reich Nazi German Army dagger / sword with Portepee. The dagger having a steel oak leaf pommel and twisted ivorine grip. The crossguard depicts the Nazi eagle ( Reichsadler ) atop the Swastika emblem. The double edged stiletto blade is stamped with maker's marks ' Eickhorn - Solingen ' to the ricasso (Carl Eickhorn). Housed in its original textured steel scabbard with oakleaf furniture, with two suspension rings and original porpetee knot. Total length approx; 40cm.
Two post-WWII Second World War British Army steel Brodie type helmets. One having a metallic green repaint with a relic condition inside and a webbed chin strap. The other a usual green example with brown leather line and canvas chin strap. Marked on the black lining ' ABL 51 SARTEL '. Interesting collection
A Victorian 19th century 1848 Military General Service Medal awarded to one William Rain of the 1st Life Guards, with Touloose and Vittoria clasps. With ribbon. The medal with a young bust of Queen Victoria to one side and ' To The British Army 1793-1814 ' to the other. Supplied with a comprehensive archive of research and copied documents detailing Rain's military career and service, including; Service Records, an interesting document from Royal Hospital Chelsea querying the matter of 'obtaining credit for Service to which you are not considered...', several medical certificates, discharge certificate and other such items.
An original WWII Second World War British Army field morse signalling lamp set. The set comprising of the original morse lamp attached to a long cable. To the underside of the lid is a morse key and operating instructions. All housed within its original canvas-topped field tin. Rare piece of kit.
A rare collection of WWI First World War local interest real photographic postcards of Chipping Sodbury, near Bristol. Includes; x2 different views of the ASC MT Co. (Army Service Corps Mechanical Transport Company) military vehicles lined up along the high street, and a similar view with soldiers in front of the vehicles titled ' 494 Still Carrying On At C. Sodbury ', a different view titled ' The Pride Of The Company - 169 No.1 Section M.T.Co 494 ASC ', an aerial view of the ASC Camp (with traction engine at the entrance), and postcard of the regimental band. Two postally used, the others unused. Rare local interest cards.
A pre WWII Second World War / Spanish Civil War period German Condor Legion wound badge. The badge being a black third class example depicting a German imperial helmet with Swastika emblem.The Condor Legion was a unit composed of military personnel from the air force and army of Nazi Germany, which served with the Nationalists during the Spanish Civil War. The medal awarded to wounded German soldiers.
An interesting pairing of original WWII Second World War period British Army Bomb Disposal items, to include; an original 1940s ' Antimagnetic ' wrist watch by Eredi, and an unusual boxed ' Indicator For Detecting Unexploded Bombs ' - an appliance consisting of a metal bracket (with Crown markings), string and a small tube. Housed in its original box, with handwritten notation to top. Unusual items.
A large collection of assorted WWII Second World War and later British Army officers uniform cap badges and tunic buttons from various regiments to include Royal Army Medical Corps, Tank Corps, Royal Engineers, Army Veterinary Corps, Royal Welsh Fusiliers, Royal Warwickshire Regiment, Artists Rifles, Surrey Constabulary Police buttons and others. Interesting assortment.
A collection of post WWII Second World War related British Army Royal Corps of Signals Officers uniforms items comprising a tunic with two medal ribbons, a greatcoat, peaked cap with badge to front and a Sam Brown belt with frog. Belt and clothes hanger named ' Cooper '. Interesting collection.
An original Imperial Russian Army 8th Astrakhan Dragoon regiment of the Great Duke Nikolai Nikolayevich officers uniform badge. The badge depicting a black armour breast plate with gold accessories and the anniversary dates 1798-1898 below with an Imperial crown to the top. Russian makers marks to the back. Interesting item.
A rare original WWI First World War Imperial German Army Austrian made trench warfare knuckleduster / knuckle duster. c1915 construction. Cast iron construction, with raised makers marks for N. Steinbruck, Graz. Spiked knuckle section, the grip of curved form with four symmetrical holes for fingers. A rare and somewhat gruesome piece of trench weaponry. Measures approx; 10cm long.

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116692 item(s)/page