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Lot 221
Konvolut von Schriftstücken und Fotos (2. WK), u. a. Fotos, Schriftliches, "ArtillerieSchulschiff Brummer" (Fotoalbum), "Zur Erinnerung an meine Dienstzeit" (Fotoalbum) inkl. 1 Aufnäher Abz. RAD-Lager 5/257, 1x Marine-Zeitung zum Skagerack-Tag 1926, Akten u. Urkunden US-Army-Gefangenschaft 1949, Lloyd Flotten Bilder Deutsche Marine, Fotos ungezählt.
Lot 657
A large collection of assorted 12" singles, various dates and genres to include: Status Quo - In The Army; Gary Moore & Phil Lynott - Out In The Fields; S'Express - Hey Music Lover; REO Speedwagon - Here With Me; Tina Turner - We Don't Need Another Hero; Irene Cara - Flashdance; David Bowie & Mick Jagger - Dancing In The Street; The Bluebells - Young At Heart; Pat Benatar - We Belong; Technotronic - Pump Up The Jam; T'Pau - China In Your Hand; Bill Withers - Lovely Day; Fairground Attraction - Perfect; Eurythmics & Aretha Franklin - Sisters Doing It For Themselves; Spandau Ballet - Through The Barricades; Blancmange - Blind Vision; Living In A Box - Blow The House Down (promo); Bros - I Owe You Nothing (white label prompt); Gibson Brothers - Oh What A Life; Red Box - Lean On Me; Frankie Goes To Hollywood - Relax; Simply Red - If You Don't now Me By Now; Terence Trent D'arby - Sign Your Name; Bruce Hornsby & The Range - The Valley Road; Stevie Wonder - I Just Called To Say I Love You; Daryl Hall & John Oates - Out Of Touch; Fleetwood Mac - Family Man; Paul Hardcastle - 19; Swing Out Sister - Where In The World; Culture Club - Do You Really Want To Hurt Me; Nik Kershaw - Wide Boy; and Big Country - Broken Heart; etc (approx 300)
Lot 675
Punk/Post Punk/New Wave/Pub Rock - a collection of assorted 7" singles and EPs, to include: Accidents - Blood Spattered with Guitars; Various - Battle of the Bands (limited edition yellow sleeve); Associates - Club Country; Attrix - Lost Lenore; Crass - Reality Asylum; Au Pairs - Inconvenience; Automatics - When the Tanks Roll over Poland Again; The Banned - Little Girl; Ed Banger - Kinnel Tommy (limited edition No. 445/1417); The Klein - Touch Me; The Colors Out of Time - Rock Section; The Cosmopolitans - "How to Keep Your" Husband Happy; The Cortinas - Fascist Dictator, and Defiant Pose; Count Bishops - Speed Ball; The Carrs - Shake it up (orange sleeve); The Cravats - The End Spring 1979; The Cowboys International - Thrash; Boots for Dancing - Ooh Bop Sh'bam; The Bodies - Art Nouveau; Black Foot Sue - Sing Don't Speak; Blah Blah Blah - In The Army; Burnt Out Stars - In Vain; Alternative TV - Life, and How Much Longer; The Albion Band - Pain & Paradise (demo, not for resale); Advertising - Stolen Love (demo, not for resale); The Adverts - Television's Over; The Adicks - Chinese Takeaway; !Action Pact! - Suicide Bag EP, Question of Choice; Bet Lynch's Legs - Some Like it Hot (31)
Lot 680
Punk/Post Punk/New Wave/Rock, a collection of assorted 7" singles, to include Subway Sect - Ambition (yellow sleeve); Stumblebunny - The Possibilities are Endless; The Stranglers - Mean to Me (this record has been given free with the first 75,000 copies of Stranglers Black & White album (white label with cards); Trash - N-e-r-v-o-u-s; Urban Dogs - New Barbarians; The Vapors - News at Ten; Theatre of Hate - Jubilee in the West World; UK Decay - Unexpected Guest; Tyla Gang -Suicide Jockey; Two Two - Insufficient Data; TV Smith's Explorers - Tomahawk Cruise; Tuff Darts - Who's Been Sleeping Here?; The Tourists - Don't say I told you So; The Tools - Gotta Make Some Money Somehow; Rachel Sweet - Baby; The Table - Sex Cells; The Stoat - Office Girl; Split Enz - History Never Repeats; Stopouts - Strange Thoughts; Tubeway Army - That's Too Bad/Oh! Didn't I say (gatefold sleeve); The Slits - Animal Space, and Typical Girls; The Smirks - OK UK; The Snipers - Three Peace Suite; Ricky & The Last Days of Earth - Loaded; The Rings - I Wanna be Free; The Secret - The Young Ones; Silex Pistols - Too Much; Reducers - Man with a Gun (orange sticker); Reluctant Stereotypes - She Has Changed (Not You); The Rentals - I Got a Crush On You; Rent Boys - Kick Down the Door; Repetition - They Still Reflex; The Resistance - Survival Kit; Revelons - The Way (You Touch my Hand); The Revillos - Where's The Boy for Me, and Bongo Brain; The Quads - There Must Be Thousands; PVC2 - Put You in the Picture; Punishment of Luxury - Engine of Excess; Rich Kids - Empty Words (41)
Lot 585
Status Quo - a collection of LPs, to include: 12 Gold Bars Vol. 2, Rock Til You Drop, Aint Complaining, In The Army Now, Back To Back, From The Makers Of (box set), 1982, Never Too Late, Just Supposin' (x2), Whatever You Want, 12 Gold Bars (x3), If You Can't Stand The Heat, self-titled, Rockin' All Over The World, On The Level, Down The Dustpipe (x2), Quo (x2), Golden Hour Of Status Quo, Picturesque Matchstickable Messages From The Status Quo, and Piledriver (x2); (26)
Lot 14
Georges Ascher (Polish 1884-1943): 'Two Washer Women', oil on canvas signed, titled and signed verso 40cm x 50cmNotes: Ascher was a cousin of the painter Roman Kramsztyk. He studied architecture at the Warsaw University of Technology and then continued his studies in Germany. During the war, which set Poland against the Red Army (1919-1921), he joined the Polish army alongside Marshal Piłsudski, and was wounded during the battle of Lwow. After the Polish authorities decorated him, Ascher moved to Lwow and then to Warsaw. He married and became an architect. Moving to Paris in 1925 he devoted himself to art. In 1937, he left his apartment in Paris with his wife and daughter for La Ciotat, where he painted many landscapes. In 1943, Georges and his wife were arrested and sent to the Gurs internment camp. They were deported on convoy number 60 and were died in Auschwitz. Much of Ascher’s work was destroyed in his studio while he was arrested. Jewish Artists of the School of Paris 1905-1939 - From 1905 to 1939, Paris attracted artists from all over the globe as the capital of the art world. This period of artistic proliferation became known as the School of Paris, and includes a great diversity of artistic expression. Within the teeming art world centred on Montparnasse, one group set itself apart: Jewish artists from Russia, Poland, and Central Europe. Although their styles were diverse, they shared the common fate of fleeing anti-Semitic persecutions in their home countries. Some became famous in the 1920s, such as Soutine, Lipchitz, and Chagall, while others did not have the time or the luck to gain renown. Nearly half of these artists died in Nazi concentration camps.Condition Report: Very good untouched original condition
Lot 15
Georges Ascher (Polish 1884-1943): 'Time of Decision', oil on canvas signed 24cm x 36.5cmNotes: Ascher was a cousin of the painter Roman Kramsztyk. He studied architecture at the Warsaw University of Technology and then continued his studies in Germany. During the war, which set Poland against the Red Army (1919-1921), he joined the Polish army alongside Marshal Piłsudski, and was wounded during the battle of Lwow. After the Polish authorities decorated him, Ascher moved to Lwow and then to Warsaw. He married and became an architect. Moving to Paris in 1925 he devoted himself to art. In 1937, he left his apartment in Paris with his wife and daughter for La Ciotat, where he painted many landscapes. In 1943, Georges and his wife were arrested and sent to the Gurs internment camp. They were deported on convoy number 60 and were died in Auschwitz. Much of Ascher’s work was destroyed in his studio while he was arrested. Jewish Artists of the School of Paris 1905-1939 - From 1905 to 1939, Paris attracted artists from all over the globe as the capital of the art world. This period of artistic proliferation became known as the School of Paris, and includes a great diversity of artistic expression. Within the teeming art world centred on Montparnasse, one group set itself apart: Jewish artists from Russia, Poland, and Central Europe. Although their styles were diverse, they shared the common fate of fleeing anti-Semitic persecutions in their home countries. Some became famous in the 1920s, such as Soutine, Lipchitz, and Chagall, while others did not have the time or the luck to gain renown. Nearly half of these artists died in Nazi concentration camps.Condition Report: Very good condition
Lot 102
A collection of albums by Rush, Samson, Wishbone Ash, Tubeway Army, all in very good condition Click on the link below to view full details https://1drv.ms/b/s!AjB5XGmUIZnY0l4JATzlNba8Iahs?e=OUhZ42 If you are unable to view this document please email info@chardauctions.co.uk and we will send you a copy
Lot 1391
Victorian D.S.O Group of four medals, awarded to Major H.D Carleton, West India Regiment. Comprising of, Distinguished Service Order with VR cypher, East and West Africa medal with 1891-2 and 1897-98 clasps, (named with rank of Lieutent 2/WIR) Ashanti Medal (1901) with Kumassi clasp, Africa General Service medal with Aro 1901-1902 clasp, complete with associated miniature medals. CARLETON, HUGH DUDLEY, Major, was born 24 December 1865, son of General Henry Alexander Carleton, CB. He joined the Army, as a Second Lieutenant, in the West India Regiment, 6 March 1889; was Garrison Adjutant, Sierra Leone, 10 April to 12 August 1890; promoted Lieutenant 1 November 1890; was again Garrison Adjutant, Sierra Leone, 26 August 1891 to 3 January 1892. He served in the Gambia Expedition in 1891-92, against the native chief, Fodey Kabba, receiving the Medal and clasp. From 18 September 1893 to 17 January 1894, he was ADC to the Governor and Commander-in-Chief, Jamaica, and he became Garrison Adjutant, Jamaica, 7 February 1895; was promoted Captain 29 July 1896. He again saw active service, 1897-98, in Lagos, where he was employed in the Hinterland, and was mentioned in Despatches. He was promoted Major in 1901; served in 1902 in Ashanti (Provost-Marshal, Despatches; Medal with clasp for Relief of Kumasi). He received the DSO for his services during the Aro Expedition in Southern Nigeria, where he served as Chief of the Staff; was mentioned in Despatches, and received the Medal and clasp. His Companionship of the Distinguished Service Order was gazetted 12 September 1902: "Hugh Dudley Carleton, Major, West India Regiment. In recognition of services during the Aro Expedition". He was invested by the King 24 October 1902. He died 9 August 1906. Major Carleton married, in 1904, Lady Jane Edith Seymour, youngest daughter of the 6th Marquess of Hertford.' Source: DSO recipients (VC and DSO Book)
Lot 105
1985 Armstrong MT500Being sold without reserveRegistration number C406 CRUFrame number 000842Engine number 223044From a Southampton deceased estateEx-army machine Purchased in 2001Will need re-commissioningAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith purchase invoice With V5C, old V5C and V5This lot must be collected by 12.30pm on Friday 15th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice
Lot 181
George V pattern 1897 Infantry officers sword, nickel hilt with GRI cypher (Indian Army) and floral scrolls, wire bound fish skin grip, straight blade 82cm by 'Wilkinson Sword, London' and numbered 64140 (for 1933) on the back, the blade etched with foliage and GRI cypher, complete with wooden, leather-covered scabbard and dress knot, 100cm long overall
Lot 194
British First World Medal group awarded to Serjeant Alfred Lockett of the Royal Fusiliers comprising; War Medal, Victory Medal, 1914-15 Star (L-16702 PTE. A. LOCKETT. R. FUS.) and Regular Army Long Service and Good Conduct Medal (6446079 SJT. A. LOCKETT. R. FUS.), together with a First World War medal pair awarded to Private H. Lockett of the North Staffordshire Regiment (1745 PTE. H. LOCKETT. N. STAFF. R.)
Lot 389
An album containing a collection of GB Victorian stamps including numerous over-prints "IR Official", "Government Parcels", "Army Official" together with a comprehensive collection of inland revenue stamps including Victorian penny and sixpence stamps, £1 telegraph stamp, pair of four-pence stamps, Foreign bill stamps, sixpence revenue stamp on letter, various receipts and others etc.
Lot 727
* Cut-out Figures. Two framed painted cut-out full-length portraits of 18th century ladies, including Augusta Smith, wife of Richard Smith, Surgeon, circa 1785, the first with full-length scissor cuts of 4 ladies in profile, the details of features and dress painted in watercolour and gouache, some toning and staining, three annotated to hem of skirts in contemporary brown ink: 'Miss Archer 1785'; 'Mrs. Augusta - wife of Mr. Richard Smith, Surgeon AD 1785'; and 'Mrs Bertha Catcott', the fourth figure that of Mrs Smith's maid, largest figure 30.5 x 17.5 cm (12 x 7 ins), mounted on gold satin, framed and glazed (42.5 x 84 cm), the second with a repeat of three of the figures (without Miss Archer), a little light toning and foxing, mounted on red velvet, framed and glazed (42.5 x 63.5 ins), annotated with figures' names on backboard QTY: (2)NOTE:Provenance: By descent from Augusta and Richard Smith to the great great granddaughter of their son Henry Smith, the current owner. Augusta, daughter of the Reverend Alexander Stopford Catcott, married Richard Smith of Bristol on September 23rd, 1771. Richard Smith was a master at the Free Grammer School in Bristol, and on December 6th, 1774, he was elected Surgeon to the Infirmary there. In 1783 the couple were known to be living in Queen Charlotte Street, Queen Square, Bristol, but in December, 1785, the Smiths left Queen Square and took a house by College Green, opposite the Church of St. Augustine the Less, near to Bristol Cathedral. Augusta and Richard had two sons, Richard and Henry, both of whom are remembered for their involvement in an unfortunate death. Henry Smith (1774-1840), a Bristol attorney-at-law and amateur artist, was forced to flee the country in 1809 after fighting a duel in which his opponent later died from loss of blood, having been shot in the leg. His subsequent travels around Scotland, and later Spain and Portugal during the Peninsula War, where he served in the army under Wellington, were recorded in a diary (1809-1810) which is now kept at the University of Kansas. He subsequently returned to England for trial, but was exonerated. Richard Smith (1772-1843) was, like his father, a surgeon at Bristol Infirmary. Amongst other things, he is known for his anatomisation of executed criminals, and in particular his association with John Horwood, aged 18, who was publicly hanged for the murder of Eliza Balsum, an older girl with whom he was infatuated. When Eliza rejected his advances, he threw a stone at her, striking her on the head as she crossed a stream. She died a month later, after Richard Smith had performed the risky operation of trepanning on her (drilling a hole in her skull to relieve pressure). At that time anatomisation was part of the punishment for murder, and the convict's body was given over to Smith at the Bristol Infirmary for his anatomy class. Gruesomely, the surgeon had Horwood’s skin preserved and tanned, and then used it to bind into a volume the notes he had collected on the trial, including sketches of Horwood.
Lot 747
* Lace. A Brussels lace collar, thought to have been worn at Waterloo Ball, 1815, hand-made cream lace collar, finely worked with flower baskets and floral garlands, foxed, stitched to a piece of tissue paper, with old manuscript label attached 'Old Brussels Lace accepted as worn at the Ball given for the Waterloo Victory', and accompanied by a later note of provenance pertaining to its more recent history, width of lace 13.5 cm (5.25 ins), overall size of collar 56 x 46 cm (22 x 18 ins)QTY: (1)NOTE:Presumably the Waterloo Ball referred to is the famous gathering hosted by Charlotte, Duchess of Richmond, in Brussels on 15th June 1815, the night before the Battle of Quatre Bras, which itself took place two days before the Battle of Waterloo. The ball was a brilliant affair at which most of the senior officers in Wellington's army were present. The proceedings were interrupted soon after the arrival of the Duke of Wellington himself, when he was notified of Napoleon's unexpected advance. The evening gradually unravelled, the dancing, music and romance giving way to tearful farewells. Some of the officers rushed away without even changing their clothes, going off to fight in knee-breeches and dancing pumps, and a number of them died in the ensuing battles.
Lot 672
* Military Buttons. A large collection of military buttons, approximately 450, late Victorian and early 20th century, including Supply Transport Corps, Royal Army Ordnance Corps, West Lincolnshire Volunteers, Royal Scots Greys, Rifle Brigade, Royal Marines, Queen's Own Cameron Highlanders, Nova Scotia Highlanders, Indian Staff Corps, Australian Commonwealth, King's African Rifles and many more, presented on 16 card boards for display, not all completeQTY: (approx. 450 )NOTE:Provenance: The Dr Alison Smith Lean Button Collection.
Lot 719
* Clothing. A bodice and deconstructed skirt of silk damask, probably Spitalfields, circa 1745-50, boned and fitted bodice of blue silk damask with large pattern of flowers and leaves, of later construction, stitched by hand and machine, probably intended for fancy dress, with elbow length sleeves trimmed with wide lace flounces, matching lace to neck and front, v-shape to waist front and back, and eyelets with lacing to back, sleeves coming unstitched slightly in a couple of places, bust 64 cm (25 ins), waist 48 cm (19 ins), sleeves 40.5 cm (16 ins), length 45 cm (17.75 ins), matching skirt with ungathered waist and hand-stitched hem, some light discolouration to bodice and skirt in places, width between pink-striped selvedges 56 cm (22 ins), length 98 cm (38.5 ins), entire width of hem (i.e. if side seam was unstitched) 188 cm (74 ins)QTY: (2)NOTE:Provenance: The Haslett family, Shakespear House, Adelaide Park, Belfast, Northern Ireland.Shakespear House was built in 1891 by Joseph Frederick Warden, who commissioned the construction of the Grand Opera House in Belfast in 1895. In 1918 Shakespear House was sold to John Haslett, a surgeon in the Royal Army Medical Corps, passing down three generations of the Haslett family until its sale in 2022, when the contents – an impressive array of antiques and historical pieces - were sold.
Lot 305
SELECTION OF MEDALSand decorations comprising two Royal Marines beret badges, Freemasonry Royal Order of Scotland, The 1939-1945 Star, 1914 Star named to 3579 Private J. Thomson, Great War Medal, 1914-1919 Victory Medal, 1939-1945 George VI medal, Jerusalem Cross, George VI Territorial Army Efficient Service medal and a Warrant Officers Badge
Lot 85
WW2 German Army Officers Sword Model Nr 1734 Zieten Pattern by Carl Eickhorn, Solingen, good untouched example of a panther head sword with ruby eyes, flat knuckle guard and langet with down winged eagle. Stamped ‘D.R.P’ to the underside of the cross guard. Housed in the original blacked scabbard. Polished slightly curved blade with the makers trademark to the base. The blade measures 82 ½ cms, overall 97cms. Some plating wear to the blade, exterior nice untouched dark patina.
Lot 65
WW2 German Army Officers Dagger with Hanging Straps by Carl Eickhorn, Solingen, fine example with orange celluloid grip, top pommel with oakleaves relief, ferrule with oakleaves and cross guard in the form of army eagle. Housed in its original scabbard with an original set of brocade hanging straps attached with the original fittings having oakleaves relief. Good condition double edged blade with makers trademark to the base of the reverse. Much of the cross graining remains to the blade. Nice patina to the exterior fittings. Blade 25cms, overall 39 ½ cms.
Lot 87
WW2 German Army Officers Sword by Puma, excellent example of a dove head pattern officers sword which retains nearly all of the gilt wash finish to the hilt. Black celluloid grip with wire binding intact. Underside of the cross guard is stamped ‘GES GESCH’. Housed in its blackened scabbard. Polished slightly curved blade which is stamped ‘No3’ to obverse under the cross guard and reverse has the makers trademark. Blade 83 ½ cms, overall 102cms.
Lot 64
WW2 German Army Officers Dress Dagger by Alcoso, Solingen, interesting example which has been fitted with a black celluloid grip, only normally associated with the maker Robert Klaas, pommel top and high lift aluminium cross guard. Attached to the grip is officers bullion portepee / knot. Housed in its original scabbard with two hanging rings. Double edged blade with the makers trademark to the reverse. The blade measures 25cms, overall 40cms. Some wear but generally a good example.
Lot 88
WW2 German Army / Waffen-SS Officers Prinz Eugen Pattern Dress Sword by Carl Eickhorn, Solingen, good early example with gilt brass mounts, wire to the black celluloid grip, SS style eagle to the cross guard and down winged army pattern eagle to the top. Officers dress knot / portepee attached to the grip. Housed in its original blackened scabbard with single leather hanging strap dated 1937. Slightly curved blade with fuller to the back edge. Makers trademark to the base. The blade measures 82 ½ cms, overall 99 ½ cms. Fine untouched example. This Eickhorn Nr 1765 pattern of sword known as the ‘Prinz Eugen’ was carried by both German Army officers and also Waffen-SS officers serving in the Prinz Eugen division, sometimes these are found with original SS officers portepee’s attached.
Lot 35
Third Reich NSKK Dress Dagger Attributed to SS-Obergruppenführer Hermann Höfle, Who Played a Vital Role in Suppressing the Slovak National Uprising, Later Being Trialled and Sentenced to Death for War Crimes, this dagger being an enlisted mans type with a light brown wood grip, having nickel plated eagle and enamel SA device. Both the upper and lower cross guard mounts have been beautifully hand chassed with an leaf pattern. The dagger is housed in its original scabbard, where once again the mounts have been hand chased. The reverse of the top scabbard mount is engraved in gothic lettering, ‘Hermann Höfle nskk-mün. 17.aug.1934’. Standard blade with motto ‘Alles fur Deutschland’ and the reverse with the makers trademark for J P Sauer & Sohn, Sühl. The blade shows some wear with staining and oil marks. The blade 21 ¾ cms, overall 38cms. Hermann Höfle was born on 12th September 1898. The son of a postal official, he enlisted in the Bavarian army in 1916, serving with Infantry regiment Nr8. He transferred to the Imperial German Air Service later in the war, where he served as an Observer. After WW1, Höfle served in the Freikorps and later with Ernst Rohm, was present at the Beer Hall Putsch. He officially joined the SA (Sturmabteilung) in the 1930’s. From 1934-1937, he was part of the NSKK in Munich, rising through the ranks of the NSKK through to 1943. At the request of Heinrich Himmler, Höfle left the NSKK and joined the SS (Schutzstaffel) where he became a SS-Obergruppenführer in an administration role. He was serving in Slovakia and was a pivotal player in the suppression of the Slovak National Uprising in 1944. He was arrested by the Czechoslovakian authorities after the war and was put on trial along with Hanns Ludin and both were sentenced to death and executed on 9th December 1947, it is believed however that he may have died in custody earlier than this date.
Lot 58
Third Reich SS (Schutzstaffel) Lion Head Officers Sword by Alcoso, Solingen, good lion head pattern officers sword with jewelled ruby eyes, silver plated mounts (possibly originally gilded and worn off), black celluloid grip with wire binding. Bullion sword portepee with black fleck, type associated with the SS. Housed in the blackened scabbard with single hanging ring. Plain curved blade with fuller to three quarters of the back edge. Makers trademark to the base under the langet. Blade measures 85 ½ cms, overall 107cms. Some wear to the scabbard and blade but still a desirable sword. Before the introduction of the standard SS sword degen, many German army swords were worn by SS officers, many either being silver plated or having the gilt finish removed, some examples have green jewelled eyes or the red like this example. See Swords of Germany 1900-1945 by Angolia for more information on these swords.
Lot 67
WW2 German Army Officers Dagger with Knot, good untouched example of a German army officers dress dagger having a deep orange celluloid grip, pommel with oakleaves relief and a polished aluminium cross guard in form of German army eagle. Attached to the grip is a worn officers dress knot / portepee. Housed in the original scabbard with the two hanging rings. Double edged polished blade without a makers trademark visible. The blade measures 25cms, overall 40cms.
Lot 84
WW2 German Army Officers Sword Model Nr 1714 Freiherr von Stein by Carl Eickhorn, Solingen, good untouched example of the dove head pattern German army officers sword with down winged army eagle to the langet with rays behind, chased oakleaves to the knuckle guard, pommel and back strap. Stamped ‘GES GESCH’ to the underside of the cross guard. Housed in the original blackened scabbard. Slightly curved polished blade with makers trademark to the base under the langet. Blade measures 84 ½ cms, overall 99 ½ cms. Good untouched example.
Lot 73
Unusual Late War German Army Officers Dress Dagger by Carl Eickhorn with Etched Dedication, very interesting late war produced / assembled army officers dress dagger with a very unusual flat top pommel. White / cream celluloid grip and army eagle cross guard. Housed in the original scabbard with two hanging rings. Fine double edged blade which is etched ‘für ehr und pflicht bis herz und klinge bricht’ (for honor and duty until heart and blade break). Reverse of the blade with Carl Eickhorn, Solingen makers trademark. Blade 25cms, overall 38 ½ cms. An interesting example.
Lot 82
WW2 German Army Officers Sword with Damascus Blade, fine example of a German army officers dress sword with gilded metal engraved fittings, langet with down winged eagle, oakleaves to the knuckle guard and oakleaves to pommel and back strap. Wire binding to the black celluloid grip. Attached to the grip is the original officers dress portepee / knot. Housed in its original blackened scabbard. Fine slightly curved piped back blade which has wavy Damascus pattern. Un-maker marked to the blade. The blade measures 78 ¾ cms, overall 98cms. Possibly produced by Carl Eickhorn or Alcoso.
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