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Lot 573
An extensive collection of British and Overseas Military Cap badges, comprising the Windsor Regiment, The Kings Royal Rifle Corps, The Royal Scots Guards, Royal Military Police, Australian Commonwealth Military Forces, ATS, ASC, Royal Artillery, Intelligence corps, The Wiltshire Regiment, The Lancashire Fusiliers, WAAC, Army Education Corps, mixed condition, some with makers name to reverse, AF
Lot 570
A small collection of Cap badges, to include Royal Flying Corps, Army Service Corps, Royal Army Medical Corps, Royal Fusiliers, King's Dragoon Guards, Surrey Cadet Brigade, Hampshire Regiment, Natal & O.F.S 2nd S.African Infantry, and more, on board attached with PVA glue to the reversattached with PVA glue to the revers
Lot 283
Victorinox - Limited and Special Editions, a groups of Victorinox penknives, to include Classic SD Alox Special Edition Midnight Black, Classic Alox 2018 Limited Edition, Swiss Army Knife Collectors 2021 in blue, Cadet Swiss Spirit 2022, and two Black Ice examples, all with fitted retailers boxes, with sleeves (6) Foreword - https://www.specialauctionservices.com/Auction-Calendar/2023/Military-and-Collectables-Auction-(3)
Lot 128
Military Themed Cigarette Card Sets, all stored in plastic sleeves, Wills Britains Defenders, green back 1915 (50), Allied Army Leaders 1917 (50), Ogdens Tab Cigarettes Leading Generals at the War (different) 1901 (25), Major Drapkin Celebrities of the Great War 1936 (36) and Soldiers & Their Uniforms, 1914 Crayol cutouts (24/25), F-VG, (5)
Lot 696
A WWI Royal Army Chaplians Department Victory medal, awarded to Reverend Charles Noel Bernard Beamish, medal stamped 'REV.C.N.B.BEAMISH.', born in London 1887, lived in Bexley, Kent, he was a Clerk in the Holy Orders, educated at Emmanuel College, Cambridge - BA 1902, MA 1916, passing away in 1928, unmarried, medal sold with a good collection of copies of his records (parcel)
Lot 424
An assortment of various items, to include a selection of British medal ribbons, an Army Council Armband, selection of cloth and cap badges to include Glider Pilot Regiment, RAC, On War Service, Home Guard, Army Educational Corps and more, plus a selection of buttons, ARP Whistles and more (parcel)
Lot 667
A collection of WWII medals, comprising two Africa Stars (one with 1st Army clasp), The France and Germany Star, 1939-45 Star, War medal, Two Italy Stars, , together with a selection of non-campaign medals, Royal Engineers Bicentenary, Church Lads' Brigade, Westminster Abbey, Army Temperance Association and more (parcel)
Lot 2181
Dinky 432 Foden Tipping Lorry - white cab, red chassis & interior, yellow back & plastic hubs; 668 Foden Army Truck - green including plastic hubs, black interior & 978 Bedford Refuse Wagon - metallic green, off-white interior, black chassis, grey back, cast hubs with 2 x plastic bins - conditions are generally Near Mint to Mint in generally Good to Excellent window boxes. (3)
Lot 2479
Dinky group to include 111 "Cinderella's" Coach; 226 Ferrari Racing Car; 275 "Brinks" Armoured Truck; 289 London Transport Routemaster Bus "Esso Safety Grip Tyres"; 300 "London Scene" 2-piece Set; 384 Convoy Series Army Truck (wrong issue box) and 407 Ford Transit "Motorway Services" - conditions appear to be generally Near Mint to Mint in generally Fair (torn end flaps) to Good Plus window boxes. (7)
Lot 2532
Dinky "Toy Creations Inc New York NY" a pair of original large Price List sheets (1) covering Passenger Cars, Personnel, Commercial, Army Vehicles, French Dinky, Hornby, Bayko and (2) same as (1) - both come with shop dealer stamps (1) Charles Riedel New York and (2) Jerry Briner Massachusetts - also comes with Jerry Briner business card - conditions are generally Fair to Good (some small tears and marks on bottom edges) - see photo.
Lot 317
COLLECTOR'S ITEMS, boxed Victorinox Swiss Army Knives x 4 - Rambler, Rally and Spartan x 2, with other pen knives, burr wood cased wine connoisseurs set, framed collage of a car made from watch parts, vintage insulated thermometer in cardboard tube, Silva compass, boxed Thommen altimeter / barometer and other items
Lot 1226
World War Two group of four medals to Lieutenant W.E. Christensen, of the 2nd Punjab regiment, includes 1939-45 Star, Burma Star, Defence Medal and War Medal with MID oak leaf, with photographs, citation, Army Service Book, also includes battledress jacket and trousers, slouch hat, Burma Star Association green beret. Sam Brown belt.
Lot 339
Dinky Toys - A group of five boxed military Dinky Toys. Lot consists of Dinky Toys #643 Army Water Tanker; #670 Armoured Car (x2); #676 Armoured Personnel Carrier; plus #693 7.2 Howitzer. Items show age and some light play wear, generally appearing Good - Very Good. Overall boxes appear Poor - Fair with missing flaps and storage imperfections. (This does not constitute a guarantee) (K)
Lot 317
DInky Toys - An unboxed collection of playworn diecast model vehicles and accessories from Dinky Toys. Lot includes Dinky Toys Foden (2nd type) Flatbed; #641 Army 1 ton cargo truck; #470 Austin Van 'Shell' and similar. Models have varying degrees of age and play wear, generally appearing Fair - Fair Plus, some with missing / broken parts. All items are unchecked for completeness. (This does not constitute a guarantee) (K)
Lot 319
DInky Toys - An unboxed collection of playworn diecast model vehicles and accessories from Dinky Toys. Lot includes Dinky Toys 531 Leyland Comet Stake Lorry; #40J Austin Somerset; #623 Army Wagon and similar. Models have varying degrees of age and play wear, generally appearing one Poor - mainly Fair - Fair Plus, some with missing / broken parts. All items are unchecked for completeness. (This does not constitute a guarantee) (K)
Lot 222
Atlas Editions - 16 x boxed models including Blackpool Balloon tram x 2, Army trucks x 2, Classic Coach Collection x 3, Eddie Stobart trucks x 2, RMS Titanic, Red Rum and others. 15 x are still factory shrink wrapped, the opened bus has a damaged box, they appear otherwise Mint. (This does not constitute a guarantee) [ba]
Lot 343
Triang - Wells Brimtoy - Minic - Tudor Rose - Others - An eclectic mix of unboxed vintage tinplate and plastic model vehicles and toys. Lot includes a Minic Luton 'Minic Transport' van; Wells Brimtoy Road Roller; Tudor Rose plastic army truck and similar. Items all have age and play wear appearing to range Poor - Good. All items are unchecked for completeness. (This does not constitute a guarantee) (K)
Lot 338
Dinky Toys - A group of five boxed military Dinky Toys. Lot consists of Dinky Toys #673 Scout Car; #626 Military Ambulance; #677 Armoured Command Car; #621 3 Ton Army Wagon; and #692 5.5 Medium Gun. Items show age and some light play wear, generally appearing Fair Plus - Very Good. Overall boxes appear Poor - Fair with missing flaps and storage imperfections. (This does not constitute a guarantee) (K)
Lot 333
Dinky Toys - Two boxed military Dinky Toys. Lot consists of Dinky Toys #622 10 Ton Army Truck; with #651 Centurion Tank. Both models have slight age wear and some light marks but both appear Very Good - Excellent. Models sit within Good - Very Good blue and white striped lift off lid boxes - tank comes with inner packaging piece. (This does not constitute a guarantee) (K)
Lot 320
Dinky Toys - A trio of boxed Dinky Toys accessories. Lot consists of Dinky Toys #781 Petrol Pump Station 'Esso' - appears Very Good housed in Fair Plus box; #603 Army Personnel - Private (Seated) - contains 12 figures which appear Very Good - Excellent in a Fair box with scuffing and missing internal packaging piece; and an incomplete #053 Passenger set - containing two figures only in Fair box. (This does not constitute a guarantee) (K)
Lot 43
Matchbox - A group of models including Leyland Royal Tiger Long Distance Coach # 40, Bedford Duple Luxury Coach # 21, Army Tank Transporter # M-3, 10 Ton Pressure Refueller and others. They show signs of age and use and appear mostly in Good condition, the boxes are mostly Poor. Also includes one empty box. (This does not constitute a guarantee) [ba]
Lot 368
A silver topped globular hobnail cut scent bottle, together with a similar silver collared example. Silver topped example assayed for London, 1893 by Army & Navy Cooperative Society Ltd (Frederick Bradford Macrea). Silver collared example assayed for Chester, 1897 by Hilliard & Thomason. Tallest 13cm.
Lot 333
Erik Nitsche (Swiss, 1908 - 1998) "Dove Carrying Letter" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. On May 15, 1918, U.S. Army pilots, flying Curtiss JN4Hs -- biplanes affectionately known as "Jennies" -- made postal history by flying the first U.S. air-mail route. Lt. Torrey Webb took off from a makeshift airfield at New York's Belmont Park racetrack bound for Philadelphia. Meanwhile, at Potomac Park in Washington, D.C., President and Mrs. Woodrow Wilson were among the spectators eagerly awaiting the takeoff of another Jenny. For more than 20 minutes, Pilot George L. Boyle futilely attempted to start the plane's engine. Just as the president was about to leave, a voice from the crowd cried "gasoline!" The crew quickly realized they had neglected to fill the aircraft's gas tanks. Once the situation was rectified, Boyle was finally airborne. Unfortunately, misfortune struck again. The misguided pilot lost his bearings and, in an effort to seek help, wrecked the Jenny by attempting to land on a country road. However, another flyer completed Boyle's mission and the first day of airmail service was considered a success. Over the next few years, planes became better adapted to their tasks. Before airfields and aircraft were equipped with adequate illumination, mail had been forwarded by rail during the evening hours. The advent of night flying in 1923 made airmail delivery even more efficient. Image Size: 14 x 12 in. Overall Size: 20 x 15 in. Unframed. (B10377)
Lot 343
Steve Ferguson (American, B. 1946) "North American B-45 Tornado Airplane" Signed lower left. Original Acrylic painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood Commemorative Cover with the U.S. 29c Flag stamp issued March 17, 1992. In 1944 American military planners realized that control of the skies truly lay with jet power -- for bombers as well as fighters. A year later Douglas, Boeing, Consolidated, Martin and North American submitted proposals for jet bombers to the Army Air Force. North American's XB-45 prototype made its first flight in 1947, and the aircraft was such a hit that the Air Force initially ordered 96 "A" models, christened Tornados. The Tornado was the U.S. armed forces' first four-engined jet bomber. During the first tension-filled years after World War II, B-45s of the 47th Bomb Wing based at Sculthorpe, England, served as NATO's primary European based nuclear deterrent strike force. But the Tornado never fired a shot in anger, and the formidable aircraft passed into aviation history by the end of the 1950s. Image Size: 16.5 x 14 in. Overall Size: 20 x 15 in. Unframed. (B13547)
Lot 307
Brian Sanders (British, B. 1937) "Hugh Trenchard and DH9A" Original Watercolor on paper painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the Great Britain 29p Lord Trenchard/DH9A stamp issued September 16, 1986. Hugh Trenchard was commissioned in the British Army in 1891 and served with distinction in Great Britain's colonial forces. Realizing the potential of military aviation, Trenchard resolved to learn to fly in 1912. Within a week, he soloed and earned his military pilot rating. At the outbreak of World War I, Trenchard was installed as 3 Commandant of the Military Wing, Royal Flying Corps and commanded the first Royal Flying Corps (RFC) wing in France. Knighted in 1918, Trenchard insisted on the highest training standards, on finding the best men and machines and setting up schools to meet his exacting criteria. One plane which Hugh Trenchard held in high esteem was the DH9A. The plane was produced in 1918 as a replacement for the DH4 and DH8 bombers and was designed around its four-hundred horsepower Liberty engine. Some DH9A 's reached France before the Armistice of November 1918 and were used by Royal Air Force squadrons and the First United States Marine Aviation Force to wreak havoc with the enemy. After World War I, the DH9A was used by RAF squadrons at home, in India, Egypt and Iraq. After long service as a hard-working general purpose aircraft, the DH9A was withdrawn in 1931. Image Size: 11.75 x 14 in. Overall Size: 14.25 x 18.5 in. Unframed. (B10537)
Lot 341
Steve Ferguson (American, B. 1946) "Martin MB Series Airplane" Signed lower right. Original Acrylic painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood Commemorative Cover with the U.S. 29c Flag stamp issued August 15, 1994. The MB-1 was designed in 1918 as a multipurpose bomber with long-range observation capabilities. Yet it was so versatile that the post office purchased several for use in its fledgling airmail service. An evolution of the MB-1, the MB-2 was the only production bomber ever specifically designated as a night bomber by the U.S. Army. The MB-2s were similar to the MB-1 but featured larger wings and other modifications to permit carrying heavier bomb loads. The MB-2 was America's primary bomber following World War I, a period that saw no combat operations. They nevertheless proved the effectiveness of bombers against warships when General Billy Mitchell used them to destroy the decommissioned World War I German battleship Ostfriesland in a demonstration raid off the coast of Virginia in 1921. Image Size: 16.5 x 14 in. Overall Size: 20 x 15 in. Unframed. (B13374)
Lot 5
Edward Steichen was an influential American photographer, painter, and curator. He was born on March 27, 1879, in Luxembourg and immigrated to the United States with his family at the age of two. Steichen is best known for his pioneering work in fashion photography, celebrity portraiture, and war photography. Steichen began his career as a painter and was associated with the Pictorialist movement, which sought to elevate photography to the level of fine art. He gained recognition for his atmospheric and soft-focus images that often emulated the aesthetics of paintings. However, he eventually shifted his focus to photography and embraced the emerging modernist movement. In the early 20th century, Steichen became one of the leading figures in fashion photography, working for renowned publications such as Vogue and Vanity Fair. He revolutionized the field by introducing innovative lighting techniques, dynamic compositions, and dramatic poses, which significantly influenced the way fashion was presented in the media. During World War I, Steichen served as a photographer in the U.S. Army, documenting the activities of soldiers and the devastation of war. His images were widely published and helped shape public perception of the war. After the war, Steichen continued his successful career, eventually becoming the chief photographer for Condé Nast publications. In addition to fashion and war photography, he also produced a wide range of artistic and documentary images, including landscapes, still lifes, and portraits of prominent individuals. Steichen's contributions to the art of photography extended beyond his own work. He played a significant role in the establishment of photography as a legitimate art form and served as the director of the photography department at the Museum of Modern Art (MoMA) in New York City from 1947 to 1962. Through his exhibitions and curation, he helped elevate photography's status within the art world. Edward Steichen's impact on photography and his innovative approach to capturing images continue to inspire photographers and artists to this day. He died on March 25, 1973, leaving behind a rich legacy in the world of photography and visual arts. Measures 7.25 x 9.26 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Lot 454
Edward Steichen was an influential American photographer, painter, and curator. He was born on March 27, 1879, in Luxembourg and immigrated to the United States with his family at the age of two. Steichen is best known for his pioneering work in fashion photography, celebrity portraiture, and war photography. Steichen began his career as a painter and was associated with the Pictorialist movement, which sought to elevate photography to the level of fine art. He gained recognition for his atmospheric and soft-focus images that often emulated the aesthetics of paintings. However, he eventually shifted his focus to photography and embraced the emerging modernist movement. In the early 20th century, Steichen became one of the leading figures in fashion photography, working for renowned publications such as Vogue and Vanity Fair. He revolutionized the field by introducing innovative lighting techniques, dynamic compositions, and dramatic poses, which significantly influenced the way fashion was presented in the media. During World War I, Steichen served as a photographer in the U.S. Army, documenting the activities of soldiers and the devastation of war. His images were widely published and helped shape public perception of the war. After the war, Steichen continued his successful career, eventually becoming the chief photographer for Condé Nast publications. In addition to fashion and war photography, he also produced a wide range of artistic and documentary images, including landscapes, still lifes, and portraits of prominent individuals. Steichen's contributions to the art of photography extended beyond his own work. He played a significant role in the establishment of photography as a legitimate art form and served as the director of the photography department at the Museum of Modern Art (MoMA) in New York City from 1947 to 1962. Through his exhibitions and curation, he helped elevate photography's status within the art world. Edward Steichen's impact on photography and his innovative approach to capturing images continue to inspire photographers and artists to this day. He died on March 25, 1973, leaving behind a rich legacy in the world of photography and visual arts. Measures 9 x 11.25 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Lot 701
"Hart's War" is a war drama film released in 2002, directed by Gregory Hoblit. The movie is based on the novel of the same name by John Katzenbach. It stars Bruce Willis, Colin Farrell, and Terrence Howard in lead roles.Set during World War II, the film follows Lieutenant Thomas Hart (played by Colin Farrell), a young and idealistic Army officer captured by the Germans and taken to a prisoner-of-war camp. The camp is run by Colonel William McNamara (played by Bruce Willis), who is determined to maintain discipline and uphold military honor among the prisoners.When a murder occurs within the camp, Lieutenant Hart finds himself appointed as defense counsel for the accused, an African-American pilot named Lieutenant Lincoln Scott (played by Terrence Howard). As Hart investigates the case, he discovers a web of intrigue, racism, and conspiracy that challenges his principles and forces him to confront the realities of war."Hart's War" explores themes of honor, loyalty, and justice within the context of a prisoner-of-war setting. It delves into the complexities of wartime morality and the sacrifices made by individuals in the face of adversity. The film combines elements of a courtroom drama with war action sequences to create a tense and thought-provoking narrative.While "Hart's War" received mixed reviews from critics upon its release, it remains an intriguing war film that offers a unique perspective on the complexities of war and the human spirit.Measures 27 x 40.
Lot 754
"Pearl Harbor" is a historical war film released in 2001, directed by Michael Bay. The movie depicts the events surrounding the Japanese attack on the U.S. naval base at Pearl Harbor in Hawaii on December 7, 1941, which led to the United States' entry into World War II.The film follows the lives of three young friends: Rafe McCawley (played by Ben Affleck), Danny Walker (played by Josh Hartnett), and Evelyn Johnson (played by Kate Beckinsale). Rafe and Danny are childhood friends and aspiring pilots who join the U.S. Army Air Corps. Evelyn is a nurse who becomes romantically involved with both Rafe and Danny. The events leading up to and following the attack on Pearl Harbor shape their lives and relationships.The attack on Pearl Harbor is a significant event in the film, with intense action sequences depicting the surprise Japanese aerial assault on the naval base. The film also explores the personal and emotional consequences of the attack on the characters, including their experiences in the subsequent battles of World War II."Pearl Harbor" combines historical events with a fictionalized love triangle storyline to create a mix of romance, drama, and war action. The film highlights the heroism, sacrifice, and resilience of the individuals involved in the Pearl Harbor attack and the subsequent war effort.Upon its release, "Pearl Harbor" received mixed reviews from critics, with praise for its visual effects and action sequences but criticism for its melodramatic plot. However, it was a commercial success, grossing over $450 million worldwide.Overall, "Pearl Harbor" aims to pay tribute to the historical significance of the attack and the people affected by it, while also delivering an entertaining and emotional cinematic experience.Measures 27 x 40.
Lot 404
Edward Steichen was an influential American photographer, painter, and curator. He was born on March 27, 1879, in Luxembourg and immigrated to the United States with his family at the age of two. Steichen is best known for his pioneering work in fashion photography, celebrity portraiture, and war photography. Steichen began his career as a painter and was associated with the Pictorialist movement, which sought to elevate photography to the level of fine art. He gained recognition for his atmospheric and soft-focus images that often emulated the aesthetics of paintings. However, he eventually shifted his focus to photography and embraced the emerging modernist movement. In the early 20th century, Steichen became one of the leading figures in fashion photography, working for renowned publications such as Vogue and Vanity Fair. He revolutionized the field by introducing innovative lighting techniques, dynamic compositions, and dramatic poses, which significantly influenced the way fashion was presented in the media. During World War I, Steichen served as a photographer in the U.S. Army, documenting the activities of soldiers and the devastation of war. His images were widely published and helped shape public perception of the war. After the war, Steichen continued his successful career, eventually becoming the chief photographer for Condé Nast publications. In addition to fashion and war photography, he also produced a wide range of artistic and documentary images, including landscapes, still lifes, and portraits of prominent individuals. Steichen's contributions to the art of photography extended beyond his own work. He played a significant role in the establishment of photography as a legitimate art form and served as the director of the photography department at the Museum of Modern Art (MoMA) in New York City from 1947 to 1962. Through his exhibitions and curation, he helped elevate photography's status within the art world. Edward Steichen's impact on photography and his innovative approach to capturing images continue to inspire photographers and artists to this day. He died on March 25, 1973, leaving behind a rich legacy in the world of photography and visual arts. Measures 7 x 8.49 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Lot 304
Edward Steichen was an influential American photographer, painter, and curator. He was born on March 27, 1879, in Luxembourg and immigrated to the United States with his family at the age of two. Steichen is best known for his pioneering work in fashion photography, celebrity portraiture, and war photography. Steichen began his career as a painter and was associated with the Pictorialist movement, which sought to elevate photography to the level of fine art. He gained recognition for his atmospheric and soft-focus images that often emulated the aesthetics of paintings. However, he eventually shifted his focus to photography and embraced the emerging modernist movement. In the early 20th century, Steichen became one of the leading figures in fashion photography, working for renowned publications such as Vogue and Vanity Fair. He revolutionized the field by introducing innovative lighting techniques, dynamic compositions, and dramatic poses, which significantly influenced the way fashion was presented in the media. During World War I, Steichen served as a photographer in the U.S. Army, documenting the activities of soldiers and the devastation of war. His images were widely published and helped shape public perception of the war. After the war, Steichen continued his successful career, eventually becoming the chief photographer for Condé Nast publications. In addition to fashion and war photography, he also produced a wide range of artistic and documentary images, including landscapes, still lifes, and portraits of prominent individuals. Steichen's contributions to the art of photography extended beyond his own work. He played a significant role in the establishment of photography as a legitimate art form and served as the director of the photography department at the Museum of Modern Art (MoMA) in New York City from 1947 to 1962. Through his exhibitions and curation, he helped elevate photography's status within the art world. Edward Steichen's impact on photography and his innovative approach to capturing images continue to inspire photographers and artists to this day. He died on March 25, 1973, leaving behind a rich legacy in the world of photography and visual arts. Measures 8.76 x 11.5 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Lot 1105
The AH-64 Apache is a versatile attack helicopter primarily used by the United States Army. Manufactured by Boeing, the Apache is known for its advanced weapons systems, agility, and lethality. Here are some key features and characteristics of the AH-64 Apache:1. Attack Capabilities: The Apache is specifically designed for combat missions and is equipped with a wide range of weapons systems. It typically carries a combination of AGM-114 Hellfire anti-tank missiles, Hydra 70 rockets, and a 30mm M230 chain gun. This firepower allows it to engage armored vehicles, ground targets, and even low-flying aircraft.2. Advanced Avionics and Sensors: The Apache features advanced avionics and sensor systems to provide superior situational awareness. It includes a Target Acquisition and Designation System (TADS) and a Pilot Night Vision Sensor (PNVS), which enable day and night targeting, reconnaissance, and surveillance capabilities.3. Survivability: The Apache incorporates advanced measures to enhance its survivability on the battlefield. It has a low radar cross-section, infrared suppression systems, and armor protection for the crew and critical components. Additionally, it can carry countermeasures systems to defend against threats such as surface-to-air missiles.4. Long-Range Operations: The Apache has a considerable operational range, allowing it to conduct missions over extended distances. It can be refueled in-flight to further extend its reach. This makes the Apache suitable for a variety of missions, including close air support, reconnaissance, and deep strike operations.5. Network-Centric Operations: The Apache is designed to operate in network-centric environments, allowing for real-time data exchange and coordination with other friendly forces. It can share information with ground forces and other aircraft, enhancing situational awareness and mission effectiveness.6. Agile Maneuverability: The Apache is highly maneuverable, capable of flying at low altitudes and in challenging terrain. Its agility enables it to conduct close air support missions in complex environments, including urban areas, where precise targeting and rapid response are crucial.7. Crew and Cockpit Configuration: The Apache has a two-person crew, consisting of a pilot and a co-pilot/gunner. The crew sits in a tandem cockpit configuration, providing excellent visibility for both crew members. The pilot controls the aircraft, while the co-pilot/gunner operates the weapons systems.The AH-64 Apache has been widely deployed by the U.S. Army and has also been exported to various countries around the world. Its combat-proven capabilities, versatility, and adaptability make it a formidable asset in modern warfare, capable of engaging a wide range of threats and supporting ground forces with precision firepower.Measures 10 x 9 x 21.
Lot 104
Edward Steichen was an influential American photographer, painter, and curator. He was born on March 27, 1879, in Luxembourg and immigrated to the United States with his family at the age of two. Steichen is best known for his pioneering work in fashion photography, celebrity portraiture, and war photography. Steichen began his career as a painter and was associated with the Pictorialist movement, which sought to elevate photography to the level of fine art. He gained recognition for his atmospheric and soft-focus images that often emulated the aesthetics of paintings. However, he eventually shifted his focus to photography and embraced the emerging modernist movement. In the early 20th century, Steichen became one of the leading figures in fashion photography, working for renowned publications such as Vogue and Vanity Fair. He revolutionized the field by introducing innovative lighting techniques, dynamic compositions, and dramatic poses, which significantly influenced the way fashion was presented in the media. During World War I, Steichen served as a photographer in the U.S. Army, documenting the activities of soldiers and the devastation of war. His images were widely published and helped shape public perception of the war. After the war, Steichen continued his successful career, eventually becoming the chief photographer for Condé Nast publications. In addition to fashion and war photography, he also produced a wide range of artistic and documentary images, including landscapes, still lifes, and portraits of prominent individuals. Steichen's contributions to the art of photography extended beyond his own work. He played a significant role in the establishment of photography as a legitimate art form and served as the director of the photography department at the Museum of Modern Art (MoMA) in New York City from 1947 to 1962. Through his exhibitions and curation, he helped elevate photography's status within the art world. Edward Steichen's impact on photography and his innovative approach to capturing images continue to inspire photographers and artists to this day. He died on March 25, 1973, leaving behind a rich legacy in the world of photography and visual arts. Measures 6 x 9.4 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Lot 254
Edward Steichen was an influential American photographer, painter, and curator. He was born on March 27, 1879, in Luxembourg and immigrated to the United States with his family at the age of two. Steichen is best known for his pioneering work in fashion photography, celebrity portraiture, and war photography. Steichen began his career as a painter and was associated with the Pictorialist movement, which sought to elevate photography to the level of fine art. He gained recognition for his atmospheric and soft-focus images that often emulated the aesthetics of paintings. However, he eventually shifted his focus to photography and embraced the emerging modernist movement. In the early 20th century, Steichen became one of the leading figures in fashion photography, working for renowned publications such as Vogue and Vanity Fair. He revolutionized the field by introducing innovative lighting techniques, dynamic compositions, and dramatic poses, which significantly influenced the way fashion was presented in the media. During World War I, Steichen served as a photographer in the U.S. Army, documenting the activities of soldiers and the devastation of war. His images were widely published and helped shape public perception of the war. After the war, Steichen continued his successful career, eventually becoming the chief photographer for Condé Nast publications. In addition to fashion and war photography, he also produced a wide range of artistic and documentary images, including landscapes, still lifes, and portraits of prominent individuals. Steichen's contributions to the art of photography extended beyond his own work. He played a significant role in the establishment of photography as a legitimate art form and served as the director of the photography department at the Museum of Modern Art (MoMA) in New York City from 1947 to 1962. Through his exhibitions and curation, he helped elevate photography's status within the art world. Edward Steichen's impact on photography and his innovative approach to capturing images continue to inspire photographers and artists to this day. He died on March 25, 1973, leaving behind a rich legacy in the world of photography and visual arts. Measures 8.76 x 11.5 Printed circa 2000sVerso is blank.Mounted to archival quality paper.
Lot 676
The Star Wars Battle Droids are fictional robotic soldiers that appear in the Star Wars universe. They are primarily associated with the Trade Federation and later the Confederacy of Independent Systems (CIS) during the Clone Wars era.Battle Droids were mass-produced combat units designed for various purposes, including infantry assault, security, and support roles. They were often deployed in large numbers to overwhelm enemy forces and control strategic locations.There were different types of Battle Droids, each serving a specific function on the battlefield. The most commonly seen type is the B1 Battle Droid, which is characterized by its lanky build and white and tan color scheme. B1 Battle Droids are the basic infantry units and form the backbone of the Separatist army.The Battle Droids were programmed to follow orders without question and lacked independent thinking or creativity. They were controlled by a central command system, and their effectiveness in combat varied depending on the quality of their programming and leadership.In terms of weaponry, Battle Droids were typically armed with blaster rifles or other energy-based weapons. They were not particularly skilled or accurate in combat, but their sheer numbers allowed them to pose a threat to their opponents.Despite their shortcomings, Battle Droids played a significant role in the Clone Wars, serving as the foot soldiers of the CIS. They were involved in various battles and operations against the Grand Army of the Republic, which consisted of clone troopers.The Battle Droids' design and presence in the Star Wars saga have made them iconic symbols of the Clone Wars era. Their distinctive appearance and mechanical voices have become instantly recognizable to fans of the franchise.Overall, the Battle Droids represent the mechanized forces of the Trade Federation and CIS, showcasing the widespread use of robotic soldiers in the Star Wars universe and the challenges they posed to the Republic forces during the Clone Wars.Requires assembly. Sanding, painting, and connecting bolts/glue.
Lot 125
DC SILVER AGE WAR LOT (26 in Lot) - Includes ALL AMERICAN MEN OF WAR #99, 107, 108, 116 + CAPT. STORM #2, 5, 6, 10 + OUR FIGHTING FORCES #86, 87, 89, 90, 91, 100, 101 + G.I. COMBAT #109, 115, 116, 118 + OUR ARMY AT WAR #149, 152, 165, 167, 168, 211 + STAR SPANGLED WAR STORIES #124 - Flat/Unfolded
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116692 item(s)/page