We found 116692 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 116692 item(s)
    /page

Lot 476

A QUANTITY OF UNBOXED AND ASSORTED PLAYWORN DIECAST VEHICLES, to include repainted Crescent Toys Jaguar D type racing car, No.1292, quantity of repainted Dinky Toys Military vehicles, to include Foden 10T Army Truck, No.622 and 2 x Centurion Tank, no.651, Parsley's Morris Oxford Car, No.477, missing figure and windscreen, Matchbox Models of Yesteryear, Bburago and Rami by J.M.K. etc., with a small composition doll holding a baby wax doll, has some damage and wear to clothing

Lot 1119

Twee koperen US army kruithoorns en officierspet Nederlandse kapitein; l. 15,5 - 22,5 cm [3]

Lot 303

A collection of WWII related items comprised of two Regimental Orders relating to the Welch Regiment dated 6th May 1945 and 9th May 1945, and a further document also relating to the Welch Regt., an Italian postcard depicting the 35th Motorised Infantry Regiment Pistoia, (part of the motorised infantry division of the Italian Army established during the Second World War), a Certificate of Discharge for Drv. D G Cullen, and assorted cap badges and other military items comprised of two brass lighters, a small cast iron paperweight in the form of the tail end of a plane with Rd No. 80584, 3.7cm high, a Royal Engineers silver sweetheart butterfly wing brooch and enamelled silver badge, and a US Army silver marksman badge in the shape of a cross, stamped 'Sterling', CONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports.  Please contact us to if you require further information or images. *  Please consider shipping costs before bidding as this may affect your decision to bid *  Please familiarise yourself with our payment methods.  Our preferred method of payment is by bank transfer.  We do not take cash or card payments.

Lot 60

Actor Frank Williams signed 10x8 colour photo in excellent condition. Frank J Williams is an English actor best known for playing vicars and other members of the clergy, most notably Timothy Farthing, the vicar in the BBC comedy Dad's Army. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 913

WWII - Field Marshall Montgomery - Normandy to the Baltic, published for private circulation in the British Army, first edition 1946 (a year before the first edition proper of this book). Red cloth covers, spine a little distressed, but otherwise in good condition throughout, with many folded colour plans and maps. 279pp. Montgomery's famous personal account of the triumphal progress of the allies from D-Day to the end of the war.

Lot 141

Buster and Monster Fun (1978) Complete year in two publisher's bound volumes. With Buster, Clever Dick, X-Ray Specs, Terror TV, Kid Kong, Gums (A Shark worse than its Bite), Faceache and Pete's Pocket Army [vfn/vfn+] (52)

Lot 114

Heros the Spartan original double-page artwork (1965) painted and signed by Frank Bellamy for The Eagle Vol. 16: No 13. 'After a revolt in the gold mines of Libya, Heros was captured by the escaped slaves - led by a Briton called Garthac - and forced to lead them across the desert. Suddenly they are attacked by an army of strange horsemen...' Bright Pelikan inks on board. 28 x 20 ins. The Heros title lettering and rectangular text boxes are laser copy additions to complete the look of the artwork

Lot 139

Buster and Jet (Jul - Dec 1973) 26 issue complete half-year in publisher's bound volume. With Buster, Faceache, Pete's Pocket Army, The Kids of Stalag 41, Zarga - Man of Mystery, Fishboy with Clever Dick and Nellyphant by Leo Baxendale. Bright covers, cream pages [fn/vfn] (26)

Lot 18

Rare Elkington & Co MK7 WWII World War Two (Land Services) Army Bayonet Sword - Militaria Interest - 41cm long

Lot 273a

Boxed Original Victorinox Swiss Army Knife Survival Kit

Lot 17

Metallic WW1 World War One Army Pigsticker Rifle Bayonet Sword - Militaria Interest

Lot 273c

1949 Army Military War Office 'Viking' Exercise Book + a WWI York & Lancaster Regiment History Book

Lot 1100

Sterling silver cased Royal Crown derby coffee set comprising 6 Royal Crown Derby Imari coffee cups & saucers, with each cup in a ornate pierced floral holder hallmarked London 1904, maker: Army & Navy Cooperative Society Ltd, in original fitted box

Lot 103

Swiss army knife. Shipping Group (A).

Lot 251

Two mid-19th century Life Guards hand-coloured engravings: 1. After Joseph Nash  'The Quadrangle, Looking East. (Moonlight)' (Windsor Castle) signed in pencil (l.r.) 35 x 49.5 cm (ebonised frame 60 x 74 cm) 2.After Alfred de Dreux 1st Life Guards (Plate 14 from Rudolph Ackermann's 'Costumes of the British Army') 35 x 26 cm (ebonised frame 55.5 x 46 cm)

Lot 307

United States Army thick green shirt.

Lot 410

WWII British Military Army issue nickel cased pocket watch, off white dial signed Leonidas with luminous Arabic numerals, minute track and subsidiary second hand, the case with issue markings '^ G.S.T.P. 085716', 52mm. Also included is a period protective outer case. Together with a WWI commemorative Toffee Tin by Callard & Bowser's. Winds, runs and ticks down.

Lot 350

A 9ct gold bar brooch / sweethearts brooch marked 9ct for the Royal Army Service Corps. Weight (3.4g) together with a white metal similar enamelled brooch Royal Artillery Regiment. (2) Width 5cm. In good original condition. Enamel in good order on both badges. No loss.

Lot 334

Two military British Army issue pocket knives. One Wade & Butcher, Sheffield dated 1945 together with another Warriss, Sheffield dated 1953. Also included is a period lanyard. (3) In good condition.

Lot 506

A military ammunition box / tool kit in wood with rope handles. WWII era marked in original paint with C.O, R.S.G, Royal Army Ordnance Corps (R.A.O.C.) 'ELSON' SALOP. Original paint finish with reenforced metal braces. 96x36x19cm. In good original condition.

Lot 1611

A 19th century British Indian army irregular horse trooper’s sword, by Henry Wilkinson, the 89cm curved blade etched with panels of scrolling foliage and royal cypher, No.8049, no scabbard.  Ensuite with the previous lot. 

Lot 1610

A Victorian 1895 pattern British army officer's sword and leather scabbard, by Wilkinson, the 83cm blade etched with panels of foliage and royal cypher, No.29128. Ensuite with the previous lot. 

Lot 46

British Army Jack Knife (Venture) dated 1943, and another unnamed (2)

Lot 248

Four helmets and helmet liners to include an Italian Army steel example, another possibly French in black hard plastic and 2 others

Lot 56

WWI Imperial Germany Army Butcher bayonet in original steel scabbard with webbing frog, Demag Duisburg, blade L37cm

Lot 13

Set of WWII Medals (Recipient Unknown), The 1939-45 Star, The Africa Star with 8th Army clasp, The Italy Star, The War Medal 1939-45 with Oak Leaf for Gallantry, Mention in Despatches, matching miniatures

Lot 45

British Army Jack Knife by M.Slater, dated 1951, and another, unnamed dated 1940, (2)

Lot 5

Set of WWII medals (Recipient unknown) The Africa Star with 8th Army clasp (23/10/42-23/5/43). The Italy Star. The 1939-49 Star. The War Medal 1939-45. The Defence Medal, Medal ribbon bar, Royal Artillery shoulder flashes, Anti Aircraft Command patch, cloth pips, medal ribbons etc. (qty)

Lot 43

WWII British Royal Navy Jack Knife by Harris of Sheffield, a 1939 British Army Jack knife by Hale Brothers of Sheffield, (2)

Lot 250

Vintage British Army paratroopers steel helmet with chin strap

Lot 44

British Royal Navy Jack knife (Vulcan) by T. Ellin of Sheffield, British Army Jack Knife by Richards of Sheffield Dated 1944, (2)

Lot 19

Large collection of photographs of military and civilian subjects, Christmas cards from the Sykes family at Sledmere, Military picture of army personnel and areas of Ceylon, Kandy, Singapore. Defence Medal 1939-45, War Medal 1939-45 Awarded to G. Owston of Malton, Soldiers pay book to 14533233 L/c R.Collinson and dog tags etc (qty)

Lot 607

Fourteen various Swatch Watches- some loose and some with boxes. Together with various other watches and Swiss army knives.

Lot 10

Bat Man collection includes two vintage 1966 and 1967 comics titled DC Comic Bat Man what a war the Penguin and his Weapon Umbrella Army against Batman and Robin and Bat Man Double Double Comics No.3. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

Lot 454

WW2 Medal group and silver royal army reserve badge inc the burma star & 1939-45 star

Lot 1338

WWII Interest: A heavily carved boardroom armchair with studded leather upholstery, the deep cresting rail carved with a stylised eagle and acanthus scroll, raised on twist supports with an H stretcher, 137cm high Provenance: Requisitioned circa WWII from the German Army by British Army cavalry officers, 9th -12th Lancers mess as war memorabilia in Germany

Lot 354

Early 20th century oak and gilt metal desk stand with cut glass ink bottle, the fitted drawer with 'Army & Navy CSL Markers' plaque, 32cm wide, together with an ink blotter, cased Parker Sonnet fountain pen, Waterman fountain pen, Quink ink bottles, etc

Lot 460

Second World War leather army jerkin, 77cm high, together with a canvas rucksack, 33cm x 41cm (2)

Lot 57

A SILVER MODEL OF A 21ST LANCER ON HORSEBACK GOLDSMITHS & SILVERSMITHS CO. LTD., LONDON 1910 25cm (9 3/4in) long Loaded With a silver plaque engraved 'Royal Naval & Military Tournament 1910. Navy & Army Championships, 1st Prize, Sword V. Lance & 1st Prize, Sword V. Sword won by Lieutenant H. Boyd-Rochfort, 21st (Empress of India's) Lancers.'

Lot 741

KANO DOSHUN FUKUNOBU (D.1723) VIEW OF LAKE BIWA EDO PERIOD, 18TH CENTURY A Japanese six-fold miniature byobu screen, in ink, colour and gold leaf on paper, decorated with an extensive view of Lake Biwa in the Omi Province, with many figures engaged in daily pursuits, some riding horses and others on small boats; with a temple on stilts on the right, and Mount Fuji towering in the distance; signed lower right corner Doshun hitsu (Painted by Doshun) and with a gourd-shaped red seal mark reading Shosei; mounted with a silk frame; the reverse with a paper label reading 'Loan 293', 49cm x 119.5cm; together with a purpose-built cardboard box from the Museum of Applied Arts and Science to house the screen. (2) Provenance: from the collection of Lt Col. William Albert Harrison (1867-1947), and thence by descent. On loan from 1923-2023 to the Museum of Applied Arts and Science, Sydney, Australia. Harrison was born in Calcutta, India, and attended the Royal Military Academy in Woolwich. He served in the Chin-Lushai Expeditionary Force (1889-1890), the China Expeditionary Force (1900, Boxer Rebellion) and World War I (1914-1918). He retired from the army as a Lieutenant Colonel in 1919, emigrating to Australia in 1923 and settling in the Sydney suburb of Chatswood where he died on the 8 October 1948. The screen was acquired by Harrison whilst serving in China in 1900 and was loaned to the Sydney Technological Museum (later the Museum of Applied Arts and Sciences) very soon after his arrival in Australia in 1923. In 2023, on the expiry date of the full loan, the museum traced Harrison’s surviving descendant in the UK and the screen was subsequently returned to the family. Doshun (also known as Shuseisai) studied under master Kano Masunobu (Toun, 1625-94). Together with other artists including Kano Tsunenobu (1636–1713), he painted inner walls of the old Imperial Palace in Kyoto. He is also known to have produced screens with other painters such as Kano Chikanobu (1636-1713), as tributes to the Korean King of the Joseon Dynasty.

Lot 732

Two Second World War period German training stick grenades with remains of red painted finish - sold with a German civilian gas mask, a British army gas mask (no filter) and a green canvas gas mask pouch

Lot 713

Pte. W. Gurney M2-079283 Army Service Corp: his Mons Star (partial ribbon) and Victory medal (no ribbon) - sold with two other British First World War medals and Mercantile Marine similar with ribbon, a 1914-1918 Austrian War Merit medal (noncombatant), a 1911 Coronation medal, 1914 Iron Cross with brooch back (nonmagnetic) and 1914 Iron Cross with part ribbon (magnetic)

Lot 168

Collection of Airfix soldiers, Dinky and other Diecast and army vehicles etc

Lot 293

A World War One pair of medals awarded to 41771 pte A.W. Clements Hants Regt with death plaque and Army Form B.104-82 stating that he was with the 2/4th battalion British Expeditionary Force France, killed in action on 13th September 1918.

Lot 332

A collection of black and white potlids, some with bases, to include two Army & Navy Co-operative society lids, anchovy paste, tooth paste and cold creams, also ointment pots etc. (qty)

Lot 147

GROUP OF MILITARY UNIFORMS, including a British Army uniform, a British Police uniform jacket, a British Royal Navy uniform jacket and other military jacketsQty: 10

Lot 18

Kadhim Hayder (Iraq, 1932-1985)The Martyr oil on wood panel, framedsigned 'Kadhim Hayder' and dated '69' (lower left), executed in 196991.5 x 63.3 cm (36 x 24 15/16in).Footnotes:Provenance:Property from the Artist's EstateExhibited: Kadhim Haidar, Solo Exhibition, Baghdad Museum of Modern Art, 18-28 Dec 1969 Published: Dia Azzawi, Makou Journal, Kadhim Hayder, 2022, illustrated p.235Shayma Khudhair, The Problem of Illusion in Painting: Kadhim Hayder as an Example, College of Fine Arts, Baghdad, 2005Entesar Munad Ali, The Psycho-Epistemological Variables in Works of Kadhim Hayder, College of Fine Arts, University of Baghdad, 2022 A Rare and Magnificent Painting by Kadhim Hayder'The horse represents the knight, keeping with the popular belief that the horse carries the spirit of the knight after his martyrdom'- Kadhim Hayder'The exhibition of The Epic of the Martyr took place in circumstances that were politically and culturally complicated; it turned the idea of martyrdom into a modern symbol that cried out in tragedy apart from any religious interpretation.'- Dia al-AzzawiThis extraordinary painting by Kadhim Hayder, from the artists inimitable Martyrs series, is a powerful depiction of the aftermath of the cycle, it is an emotionally charged work that showcases the artist's masterful use of religious allegory and cultural mythology. The painting carries an impressive provenance, coming from the estate of the artist, and is being offered on the market for the first time. What makes this painting particularly special is that it was not originally part of the Martyrs Epic series, but was painted 4 years after the exhibition. It shows the artist's fondness for this particular moment in the epic cycles, and his desire to explore it further. The scene itself is rich with symbolism: the foreground is dominated by a large, rectangular white sheet, most likely the Islamic 'kafan' or burial shroud of Hussein himself, the white expanse on which rests Hussein's sword, becomes almost an abstract symbol of the Martyr expressed through colour and form alone. Above the white expanse, horses and soldiers mourn the death of their beloved commander while on the right, a maternal figure with arms upraised is depicted with a child suspended in her womb, most likely an allusion to the death of the infant Ali Asghar, Husseins youngest son, during the Battle. Below the scene a prostrate red figure is unmistakably Shimr, the prime antagonist of the Battle of Karbala and the soldier responsible for Hussiens death, always depicted in red or clothed in red during passion plays to contrast him from the pure white and green of the martyred Hussein and his soldiers.This remarkable painting is a testament to Kadhim Hayder's importance in the history of Iraqi art, and his enduring legacy as an artist who captured the essence of one of the most important events in Islamic history.Saleem Al Bahloly: The Epic of the Martyr'Haidar began working on the series in 1963 shortly after returning from London where he had studied printmaking and stage-design at the Royal College of Art. On the one hand, the paintings were a continuation of the interests of artists in the 1950s: in the inspiration Haidar found in popular culture and in his adoption of certain pictorial devices from ancient Assyrian sculpture to modern art (associated with the Baghdad Group for Modern Art) as well as in his concern with political struggles for justice (associated with the Pioneers art group). On the other hand, however, Haidar opened a new horizon for the practice of art by structuring the paintings around an act of symbolism.The paintings are composed of horses and warriors, wielding spears and swords and bearing banners and shields, that are positioned on a flat, mythical landscape. This imagery was drawn from the annual taʿziya celebrations that mourn the martyrdom of al-Husayn and other members of the Prophet's family in a stand-off with the Umayyad army in 680 AD; in particular, the imagery is taken from the processions in which a pageant of costumed figures representing characters from the battle fought on the 'plain' west of the Euphrates parade through the street accompanying poets who narrate in a vernacular tradition of verse the injustice suffered by the Prophet's family.In the paintings, this imagery has been reconstructed according to a variety of devices inspired by a range of sources: the bodies of the horses and figures are turned toward the viewer, as if they are appearing on a stage or in an ancient frieze depicting a historic battle; a sense of performance is carried into the image by the intense expressivity of their gestures which seem to dissolve anatomical features and the outline of shapes in a fervour of emotion; the limbs of human and animal bodies alike are often multiplied (an influence of Assyrian sculptural reliefs that Haider almost certainly saw at the British Museum in London) and tapered (a form of modelling inspired by the sculpture of Henry Moore).The reconstructed imagery is arranged in the paintings not to narrate a historical event but to elaborate a concept of the martyr that emerged out of that event—a hero who by his death in a struggle for truth paradoxically triumphs. Haidar developed this concept of the martyr in painting by focusing on the symbolic relation between the fallen martyr and his horse. As he explained to the newspaper al-Jumhuriyya in 1965: 'the horse represents the knight, keeping with the popular belief that the horse carries the spirit of the knight after his martyrdom.' That symbolism is present in the mourning processions where al-Husayn is represented by a riderless white horse; but it has its roots in a legend that, when al-Husayn's horse saw his beheaded corpse, it circled around his body, rubbed its head in his blood, let out a ferocious whine and killed forty men.The paintings in The Epic of the Martyr were different sizes [they] reflect, as Dia al-ʿAzzawi has written, Haidar's desire to collapse the distinction between gallery and street, and between art and ritual, by reproducing the atmosphere of the folk celebration inside the museum. To that end, for the exhibition in 1965, Haidar composed a poem in which each line corresponded to a painting in the series, in this way reproducing the coupling of pageant and poetry in the mourning processions.This attempt to go beyond the conventional materials of painting, in order to use the artwork to stage an experience that is not only visual but also emotive, makes The Epic of the Martyr one of the earliest pieces of contemporary art in the Middle East.'Saleem Al-Bahloly received a PhD from the University of California, Berkeley, and has held fellowships at Johns Hopkins and the University of California, Santa Barbara. He is writing a book about an intellectual shift that occurred in Iraq during the 1960s in response to disillusionment with left-wing politics. The above text has been abridgedThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 19

The Perry of Mambeg 'Amen' glass: a highly important engraved Jacobite wine glass, circa 1747The drawn trumpet bowl inscribed in diamond-point with the cipher monogram 'JR' and the number '8' beneath a crown, flanked by the first three verses from the Jacobite version of the national anthem in script and inscribed 'Amen' within a scrollwork border below, an elaborate calligraphic scrollwork border to the rim, raised on a plain stem containing an elongated tear, over a conical foot, 15.9cm highFootnotes:ProvenanceBy repute owned by General StuartBy repute thence by descent to his cousin, Mr Ferrier, a Writer to the Signet in EdinburghBy repute thence by descent to his wife, Mrs Ferrier, née Miss Gordon (or Gardon) of Croy, KillearnBy repute presented by her to Sir Robert PerryThence by descent to his son Dr Robert PerryThence by descent to his wife May Perry of The Lodge, Mambeg, Garelochhead, Sotheby's 27 June 1924, lot 36, where bought by Arthur ChurchillGeorge Henderson Collection, Knight, Frank and Rutley, 2 October 1952, lot 60J D Fox Collection, Sotheby's, 16 October 1972, lot 194With Cecil Davis LtdSotheby's, 10 February 1986, lot 22With Asprey, 1986Durrington CollectionLiteratureRees Price, 'Notes on Jacobite Drinking glasses', Transactions of the Glasgow Archaeological Society, Vol.5, No.2 (1906), pp.24-5 and pl.1, fig.2Percy Bate, English Table Glass (1913), p.99, pl.LII, no.200John Shuckburgh Risley, 'Jacobite Wine Glasses: Some Rare Examples', The Burlington Magazine XXXVI (June 1920), p.281R J Charleston and Geoffrey Seddon, ''Amen' Glasses', The Glass Circle Journal, No.5 (1986), p.9Geoffrey B Seddon, The Jacobites and their Drinking Glasses (1995), p.189, pl.137e and pp.218-9, no.29, pl.155Peter Dodsworth, The Durrington Collection (2006), no.17ExhibitedGlasgow Archaeological Society, 17 November 1905The Scottish Exhibition of National History, Art and Industry, Glasgow, 'Palace of History', 1911, catalogue p.739, cases 25 and 26, no.1Glasgow Museums and Art Galleries, 1990sBroadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.2The two verses on the bowl read:God Save The King I pray/ God Bliss The King I prayGod Save/ The KingSend him Victori=ous/ Happy and GloriousSoon to Reign/ Over Us,God Save/ The King.God Bliss the Prince of WalesThe True born Prince of WalesSent us by Thee:Grant us one favour moreThe King for to RestoreAs Thou hast done beforeThe Familie.Together with Lot 25 in this sale, the Perry of Mambeg 'Amen' glass belongs to a celebrated group of thirty-seven Jacobite 'Amen' glasses dating to the mid-18th century. All are inscribed in diamond-point with the monogram 'JR' interwoven with the number '8' for James VIII, known as the 'Old Pretender', who was considered by many to be the legitimate King of Scotland. All are inscribed with one or more verses from the Jacobite version of the national anthem 'God Save the King', promoting the good health and restoration of King James VIII and Prince Charles, and occasionally Prince Henry, Cardinal Duke of York. Most of these inscriptions end with the word 'Amen'. Five of the glasses bear dates between 1743 and 1749, the earliest of which is recorded on the so-called Steuart 'Amen' glass, see Seddon (1995), pp.220-2, no.32. The present lot is one of twenty-four 'Amen' glasses with plain drawn stems, most of which contain a large elongated tear, see Seddon (1995), pp.185-229.All are considered to be the work of a single engraver generally thought to have been working in Scotland who engraved glasses available to him over a relatively short period of time in the 1740s, probably between 1743 and 1750. In recent years Ian McKenzie has provided compelling circumstantial evidence to suggest that the 'Amen' glasses may be the work of the renowned Scottish artist and line-engraver, Sir Robert Strange (1721-1792), see Geoffrey B Seddon, The Jacobites and their Drinking Glasses (2015), pp.188-92. In around 1743-44, around the time that the first 'Amen' glasses were engraved, Strange first met his future wife Isabella Lumisden who, together with her brother Andrew, was a dedicated Jacobite supporter. As a condition of their betrothal, she stipulated that Strange should join the Prince's Army to support the 'cause'. Strange, who was also a dedicated Jacobite supporter, subsequently joined the Life Guards and served in the army throughout the rebellion before going into hiding after the Battle of Culloden, eventually marrying Isabella in 1747.Seddon notes that the engraving on four of the known 'Amen' glasses is of relatively poor quality compared to the others; this includes the Steuart 'Amen' glass with the early date 1743. He notes a further six glasses with slightly better engraving, including the present lot and the so-called Dunvegan 'Amen' glass which bears the date 1747, all of which are thought to have been engraved around this date. He suggests that in the years between 1743 and 1747 there is likely to have been a period of two or more years when no 'Amen' glasses were produced, coinciding with Strange's service in the Prince's Army and his subsequent period in hiding. The majority of the remaining extant 'Amen' glasses have engraving considered by Seddon to be of much better quality and are therefore thought to have been engraved in or after 1747, after which Strange had emerged from hiding and married his wife.The present glass obtains its name from its ownership by the Perry family, who were a distinguished family in the city of Glasgow. Sir Robert Perry (1783-1848) was a prominent physician who was President of the Faculty of Physicians and Surgeons of Glasgow from 1843 until 1845. His son, Dr Robert Perry (1826-1918), married May Perry, née Jane Mary Robertina Sim (1851-1931), in 1872. They lived all of their married lives in a large house at 11 Queen's Terrace (later 67 West Princes Street), close to the Arlington Baths Club with which they were connected. May's mother Jane lived at The Lodge at Rosneath (near Mambeg) on the Gare Loch until her death in 1906, and the house is mentioned in Robert's will in 1918 as having been part of his estate. May was still living at their home in Glasgow after her husband's death, but moved to Swanage in Dorset shortly afterwards and it is likely that the present lot was sold at Sotheby's at around the time she moved.It is not possible to be certain of the identity of the Mr Ferrier from whom the glass reputedly descended, but several members of the Society of Writers to the Signet by the name of Ferrier are recorded in A History of the Society of Writers to Her Majesty's Signet (1890), all of whom were related. James Ferrier (1744-1829) became a Writer in 1770 and his sons Archibald, John and Walter followed him as Writers. Archibald Campbell Ferrier (1773-1814) became a Writer in 1796 and married Catherine 'Kate' Garden in 1800 in Greenock, who was the daughter of Francis Garden, a merchant in Greenock. Although she was not from Croy, they seem to be the only feasible candidates for Mr and Mrs Ferrier (née Gordon or Gardon) at this time.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 163

William Philip James Lodder (British, active 1783-1805)Portrait of Sir Walter Stirling Bart, full length wearing officer's uniform of the Somerset Place Volunteers, before a landscapesigned and dated 'W P J Lodder 1800', bears inscription 'Sir Walter/Stirling, Bart 1800.' (upper right) oil on canvas 53 x 44cm (20 7/8 x 17 5/16in).Footnotes:Major Commandant Sir Walter Stirling, Bart (1784-?) in the uniform of the Somerset Place Volunteers, 1800. The unit was part of the numerous London Volunteer regiments and companies raised during the French Revolutionary War. It was disbanded in 1801.Somerset Place, no longer in existence, was previously a row of 23 houses on the north side of the present Euston Road situated between the British Library and Euston Station.With thanks to Dr Andrew Cormack, Hon. Editor of the Journal of the Society for Army Historical Research.For further information on this lot please visit Bonhams.com

Lot 144

Birgmingham, boîte rectangulaire à décor émaillé d'un portrait de l'Impératrice Elizabeth Petrovna de Russie, 1760-75A Birmingham enamel box with a portrait of Empress Elizabeth Petrovna of Russia, 1760-75Of rectangular shape, the lid painted with a scene of the Battle of Kunersdorf, the Russian cavalry chasing the retreating Prussians in clouds of smoke, a ribbon above inscribed in cyrillic 'Kunersdorf Saltykov Victory', the interior painted with an oval portrait medallion of the Empress Elizabeth Petrovna framed by trophies and war and a ribbon inscribed in cyrillic 'God save Elizaveta I the Empress of all Russia', the sides of the box painted with military trophies, mounted with a gilt metal hinged mount, 8.2cm wide Footnotes:Provenance: With Winifred Williams, London (paper label to the interior)The box commemorates the Battle of Kunersdorf which took place three years into the Seven Years War on 12 August 1759. The Russian and Austrian allied force led by Count Pyotr Saltykov gained a triumphant victory over the Prussian army under the command of Friedrich Wilhelm von Seydlitz. The Prussians suffered over 25,000 casualties and Frederick the Great himself barely escaped capture, and was wounded by gunfire. A similar English enamel box was sold at Sotheby's on 27th May 2004, lot 39. Another was in the Rous Lench Collection, 7 July 1986, lot 848. An example is illustrated (as Russian) by Anne Odom, Russian Enamels- Kievan Rus to Faberge (1996), p. 90. The portrait of the Empress Elizabeth is based on a print by Georg Friedrich Schmidt after Louis TocquéFor further information on this lot please visit Bonhams.com

Lot 154

Plat à dessert en porcelaine de Meissen du service « Schwerin », circa 1762-63A Meissen dessert plate from the 'Schwerin' service, circa 1762-63Moulded with a basketwork ground radiating from a central gilt-edged cartouche painted with fruit and flowers, the rim with four pierced panels of flowers enclosed by gilt-edged rocailles against pierced trelliswork with moulded puce flower-heads, the edge of the rim pierced within a formal gilt border, 24cm diam., crossed swords mark in underglaze-blue (very light wear)Footnotes:Provenance:According to family tradition, presented to General Field Marshall Kurt Christoph Graf von Schwerin (1684-1757) by Frederick the GreatKurt Christoph Graf von Schwerin (1684-1757) began his military career in the army of the Netherlands States-General. He also served in Mecklenburg and Imperial service, and, from 1720, in Prussian service as a Major-General. Frederick the Great promoted him in 1740 to General Field Marshall and raised him to the rank of Graf (Count). He was appointed commander of the 3rd army corps in 1756, and fell outside Prague on 6th May 1757, holding a regimental banner in his hand in an heroic attempt to rally his troops. See Samuel Wittwer, Friedrich der Große und das Meißener Porzellan, in Keramos 208 (2010), p. 62, for a short discussion of the service.Another dessert plate from the service was sold in these rooms as part of the Hoffmeister Collection Part 1, 25 November 2009, lot 100, another in the Britzke Collection Part II, 22 June 2017, lot 123, another 5 July 2018, lot 116 and a fourth 6 December 2018, lot 70.For further information on this lot please visit Bonhams.com

Lot 228

A late Victorian 18ct gold half hunter pocket watch, the white enamel dial with Roman numerals and subsidiary seconds dial, to a keyless wind movement signed Army & Navy Cooperative Society Ld, 117 Victoria Str., London, S.W., the case with blue enamel chapter ring, hallmarked for London 1887, with interior long service presentation inscription for the Metropolitan Police dated 1891, the dial, movement and case numbered 4259, accompanied by a belcher-link chain with clasp stamped '9C', suspending a T-bar and 9ct gold mounted bloodstone and carnelian swivel fob, initialled, watch case diameter 4.9cm, chain length 31cm (2)Watch only: surface wear, scuffs and nicks/chips to dial. Dings to base of case. between hinges. General surface wear, scuffs, scratches and chips/nicks to case, slight gapping to sides when cover/back are closed. Tool marks to case sides and back. Heavy wear to marks on top loop, thinning to top loop, remaining hallmarks are clearly struck. Patchy wear to case numbers. The movement currently runs when wound but is untested for working order, which cannot be guaranteed. Gross weight approximately 108.5gm.Gross weight of chain, t-bar and swivel fob combined approximately 20.2gm.

Lot 166

A vintage Royal Armoured corps uniform, 35" waist x 40" chest together with a trenching spade in holder, 2 army belts and 2 officer's leather belts. Location:Rail

Lot 34

A collection of Recent Issue White Stripes and Related LPs and 7" to include (1) The White Stripes - Seven Nation Army [The Glitch Mob Remix (TMR-725, LE Coloured Vinyl); (2) The White Stripes - Elephant (TMR200, LE Coloured Vinyl); (3) The Raconteurs - Help Us Stranger (TMR600); (4) ADULT. - Live At Third Man Records (TMR-486); As well as other titles; All conditions presumed Mint Still Factory Sealed. (9)

Lot 336

A WW1-period archive of material pertaining to 291254 Pte. James Robertson of the Scottish Rifles, who was disabled in the conflict, comprising Honourable Discharge certificate dated 1919, Derby Scheme armband stamped internally "Issued Under Authority of Army Council, A, 95621" and his brother A40038 Pte. John Robertson of the 5th Battalion Canadians, who was killed in action on 15th/16th August 1916 aged 28, comprising death plaque, dog tags, memorial penny, sterling silver Memorial Cross or Cross for Mothers, Memorial Scroll, pre-War correspondence to include a postcard of S.S. Wandilla with accompanying programme of hymns for Sunday December 15th 1912, a "draughts board" handkerchief, assorted ephemera etc. Condition Report:Available upon request

Lot 351

4 x Various German Orientated Military Booksconsisting History Of The German Steel Helmet 1916-1945 by L Baer ... SS-Steel Parade And Combat Helmets Of Germany's Third Reich Elite by K Hicks ... The Iron Cross.  A History 1813-1957 By G Williamson ... German Army Uniforms And Insignia 1933-1945 by B Davis.  4 items. PAYMENT BY BANK TRANSFER ONLY

Lot 438

Deactivated Webley Patent "W.S. Army Model" WW1 Revolver.455, 6 inch, blackened, hinge open barrel.  Front blade sight.  Barrel marked "Army & Navy CSL" and "WS Army Model".  Six shot, fluted cylinder.  Blackened body marked "Webley Patents" with bullet trade mark.  Blackened trigger guard, grip frame and lower lanyard ring.  Black composite checkered slab grips with "WS" logo.  Some damage to lower grip corners.  Together with brown leather, Sam Browne holster ... Spare pair of MK6 Webley grips.  Complete with current deactivation cert.   PAYMENT BY BANK TRANSFER ONLY

Lot 71

87 x Canadian And Australian Embroidery Shoulder Titlesincluding North Nova Scotia Highlanders Canada ... Fort Garry Horse Canada ... Canada ... Royal Canadian Army Service Corps ... RCASC ... RCEME Canada ... Royal Canadian Engineers ... Illawarra Regiment ... Central Queensland Regiment.  87 items. PAYMENT BY BANK TRANSFER ONLY

Lot 32

50 x Anodised Corps Cap Badgesincluding QC Royal Military Police ... QC REME ... QC Intelligence Corps ... QC Army Catering Corps ... QC Royal Corps Of Transport ... QC Royal Corps Of Signals (2 part) ... QC blackened RAMC ... QC RA ... QC Royal Military Academy Sandhurst ... QC RAOC ... QC RAPC ... QC WRAC ... QC Royal Horse Artillery.  50 items. PAYMENT BY BANK TRANSFER ONLY

Lot 112

100+ Anodised Corps Cap Badgesincluding QC Royal Military Police ... QC RAMC ... QC RAPC ... QC Army Catering Corps ... QC Royal Corps Of Transport ... QC WRAC ... QC Royal Engineers ... QC Royal Artillery ... QC Royal Military Academy Sandhurst ... QC Royal Signals.  100 + items. PAYMENT BY BANK TRANSFER ONLY

Loading...Loading...
  • 116692 item(s)
    /page

Recently Viewed Lots