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19th Century French Mantel Clock, porcelain dial with Roman numerals, the centre painted with putti in a landscape, above a seascape, the sides with painted Sèvres type panels, decorated with beach scenes, French movement striking on a bell, contained within a gilt metal case, finial of a putto and stylised dolphin, above fluted tapered columns, square base and shell feet, 33cms, (13").
A mixed lot comprising: An electroplated two tier Cake Stand, with removable plates; Together with a two handled circular footed Bowl; Oval lidded Serving Dish and an electroplated Britannia metal Teapot, the hinged lid with removable finial, to a chased body and raised on a spreading circular foot; Together with two various Teapots and a Sugar Basin, (7)
An Edward VII Comport, the circular bowl of hammered construction with cast and applied reeded rim and embossed floral and foliate decoration, raised on three stylised tapering supports, to a domed circular base, centred with a bladed finial, diameter 9”, weight 20 ozs, London 1908, Makers mark P H ?
A mixed lot comprising: A silver mounted cut glass Russian Open Salt, of circular form, the applied band set with turquoise; Together with a pair of late Victorian Salts, each of oval form, with cast and applied rims and raised on four further cast and applied paw feet; A silver gilt Anointing Spoon and Continental silver gilt Spoon, with cast handle and figural finial; A part set of Dress Studs and a small Meakin Pin Dish, (7)
An impressive large Victorian Tea Kettle on stand, the kettle of compressed circular form, with hinged lid and scrolling overhead handle mounts, with ivory handle and finial, with a plain flared base and four peg suspension points to the body, and decorated with classical floral and foliate swags and masks, and with cartouches with contemporary armorial, to a circular stand, raised on four hollow cast and applied scrolling feet, centred with a spirit burner and same engraved decoration, with two hollow cast mounts, height 16”, weight 90 ½ ozs inclusive, London 1847, Makers mark Robert Garrard and further stamped Garrards Panton Street
An early Victorian Teapot, of compressed circular form, the lobed body decorated with embossed floral and foliate panels, to a hinged cover with further cast foliate and floral finial, and raised on a scrolling apron base, length 11 ½”, weight 22 ozs, London 1841, Makers mark Edward John and William Barnard
A late 19th Century oak cased twin scale Barometer, Royal Polytechnic, ‘The Atmoscope’, the drum headed case surmounted by carved foliate detail and surmounted by spherical finial, to a long glazed trunk, with cast brass bezel and heavy bevelled glass, enclosing a 10” silvered paper dial, with scale of 28-31 and flanked either side by Admiral Fitzroy remarks, and brass pointers, over two bone handled adjusting screws and heavy visible tube, and a silvered paper instruction sheet for rising and falling further tube, a glass storm tube and single scale mercurial thermometer, height 45”
An early 19th Century mahogany and boxwood line inlaid Stick Barometer, J Somalvico of London, the mahogany case with hinged and glazed door, surmounted by a carved swan neck pediment, centred with a bone finial, to a silvered scale, with single scale mercurial thermometer, opposed by a scale of 28-31, with sliding vernier, to a waisted trunk with visible tube and ring turned cistern cover, height 38”
An early 19th Century mahogany and brass inlaid Bracket Clock, Viner Royal Exchange London, the plinth shaped case with stepped and panelled pediment, surmounted by a cast brass pineapple finial, over ring side handles and arched brass sound frets, to a panelled mask with cast brass bezel, enclosing a convex 8” painted Roman dial, with black painted moon hands, and corrugated moulding to a plain plinth base, and raised on four lacquered brass ball feet, to a twin fusee movement with shouldered brass plates united by four knopped pillars, and anchor escapement, strike on a bell
A good late 19th/early 20th Century mahogany Bijouterie Table, bevelled glass top and sides, enclosing a plush lined interior, raised on cabriole supports, applied at the knees with brass foliate mounts, terminating in similar feet and joined below by a shaped ‘X’ stretcher, with central urn finial, 25” wide
AN 18-BORE FLINTLOCK DOUBLE-BARRELLED SPORTING GUN SIGNED J. EDMUNDS, circa 1800, with 31 1/4in. twist sighted barrels, patent breeches each inlaid with two gold lines and with gold-lined touch-hole, foliate engraved grooved tang, signed flat bevelled locks each decorated with border engraving, a sunburst and a small scene involving game birds, and rainproof pan and roller, walnut half-stock with chequered grip, raised cheek-piece, engraved iron mounts including signed trigger-guard decorated with game birds and a dog, trigger-plate and rear ramrod-pipe each with plumage finial, oval silver escutcheon and barrel-bolt escutcheons, and brass-tipped ramrod (some discolouration to iron parts), London proof marks.
A BELGIAN 20-BORE FLINTLOCK DOUBLE-BARRELLED SPORTING GUN SIGNED GUILLAUME BERLEUR, circa 1800, with 33 1/8in. rebrowned twist barrels, silver fore-sight, border and foliate engraved tang and signed locks, the latter each with rounded rainproof pan and roller, figured walnut half-stock with raised cheek-piece and carved with a boar's head behind the grip, chequered grip and fore-end heightened with silver pins, engraved iron mounts including shaped trigger-guard decorated with a fox on the bow and trigger-guard with pedestal finial with a swan above and two chained bears below, and brass-tipped ramrod (iron parts with scattered surface pitting), Liege proof.
A FINE PAIR OF 20-BORE FLINTLOCK DUELLING PISTOLS BY JOHN PROBIN, late 18th century, 15in. overall, with rebrowned swamped twist octagonal sighted barrels each signed 'J. PROBIN' and engraved with a band of beadwork at the breech, foliate engraved tangs each incorporating the rear-sight, signed flat bevelled bolted locks each with stepped tail and roller, figured walnut full stocks, chequered grips, engraved iron mounts including trigger-guards each with pineapple finial, and horn-tipped ramrods, private Birmingham proof marks, in a modern lined and fitted case with some accessories.
A 16-BORE FLINTLOCK PISTOL BY KETLAND & CO., LONDON, late 18th century, 15in. overall, with two-stage swamped barrel signed 'LONDON' on the octagonal breech section, engraved tang and signed flat bevelled lock (cock an old replacement), walnut full stock (butt repaired) inlaid with a shell and scrollwork in silver wire behind the barrel tang, engraved brass mounts including spurred pommel, pierced ribbon side-plate and trigger-guard with acorn finial, and later horn-tipped ramrod (engraving worn on iron parts, some pitting), London proof marks.
A PAIR OF IRISH 18-BORE PAKTONG-MOUNTED FLINTLOCK PISTOLS BY TRULOCK, last quarter of the 18th century, 13 1/2in. overall, with swamped octagonal barrels (fore-sights missing) each engraved with a band of beadwork (engraving worn) at the breech, foliate engraved tangs, foliate engraved signed flat bevelled bolted locks with stepped tail and roller (both cocks and one steel-spring old replacements), walnut three-quarter stocks (some cracks) with swelling flat-sided butts, engraved mounts including trigger-guards at with acorn finial, and later horn-tipped ramrods, each barrel marked with Irish registration number for County Antrim.
A Royal Worcester pedestal vase and cover, the ivory ground globular body printed, painted and gilt with roses and other flowers beneath a moulded stylised border, moulded lemon and matt gilt spool neck, on a spreading circular base, 29cm high, printed marks in puce, shape 1851, date code for 1907 (finial broken and glued)
A Wedgwood green jasperware two-handled pedestal vase and cover, the ovoid body sprigged with the 'Dancing Hours' within borders of stiff leaves and acanthus, Bacchus head upturned handles, the domed cover with ball finial, on spreading circular pedestal and square base, 23.5cm high, impressed mark, late 18th century (chips to pedestal)
A pair of Mason's Ironstone 'Table and Flower Pot' pattern dessert tureens and covers, of fluted circular form with blue painted leaf moulded handles and raised on twin feet, on oval bases, the domed covers with floret finial, 19cm high, impressed mark Masons Patent Ironstone China, circa 1813-25. See Geoffrey Godden, Goddens Guide to Mason's China and the Ironstone Wares p134, plate 176
A 19th century Meissen tankard, the cobalt blue ground elaborately gilt with scrolling acanthus reserved with a quatrefoil shaped panel painted with a boar hunt, Saxon Switzerland within a gilt acanthus frame, the hinged cover with a strawberry and leaf finial and a small panel with a view of The Albert Bridge, Dresden from the river Elbe, the underside with a view of the Schloss Moritzburg, the acanthus moulded scroll handle with gilt metal mounted shell cast thumbpiece, 18cm high, crossed swords mark in underglaze blue, circa 1880
A GEORGE V TEAPOT of compressed circular form, with a reeded girdle, the flush hinged cover with a circular wooden knop finial and wooden scroll handle, by the Goldsmith's and Silversmith's Company Ltd, London 1929, and a matching sugar bowl with scroll handle and a gilt interior, London 1927, (c. 36oz).
A large George III oval silver mustard pot, with scrolling foliage engraved band and dotted lines, engraved a crest with an oval wrigglework cartouche, the domed hinged cover with an urn finial, the interior gilded with a blue glass liner, having a bracket handle. Maker John Death. London, 1807. 5oz. (154g.).
A large silver cream jug, the baluster body with a fret edge and capped scroll handle, on scroll legs with trifid feet. Maker Walker and Hall. Sheffield, 1910. 6oz. (194g.). Together with a Continental bowl and cover, the finial of a wreath supported by doves, two foliage scroll handles and a beaded knopped spreading foot, with patterned borders. 5.5in. (14cm.) high. (2).
A George III oval silver teapot, the body with repousse scrolling foliage and a gadroon flange, a scroll spout, the hinged cover with repousse scrolling foliage with hoop and arrows and acanthus links, an oval finial, a beast head oblique hollow scroll handle, a reeded rim, on ball feet. Maker Thomas Holland. London, 1805. 23oz. (726g.) (all in).
A late Victorian silver bullet shape teapot in early George II style, the body engraved a crest of a phoenix arising from fire with motto, the cast spout with moulded teardrop, the hinged cover with turned wood finial and scroll wood handle, on a moulded foot. Maker Charles Stuart Harris. London, 1899. 18oz. (558g.) (all in).
A pair of cast three light silver candelabra in George Ist style, the campana shape candleholders with girdle moulding, having hexagonal drip pans and scroll branches, a baluster central finial and knopped baluster stem on welled hexagonal bases. 10.75in. (27.5cm.) high. Makers Garrard and Co Ltd. London, 1969. 76oz. (2370g.). (2).
The Mackeson Gold Cup, in silver gilt and of Neo-Classical style, engraved with a steeple chaser and inscribed the date of the race, above chased and repousse stiff leaves and pomegranates, the border with oats, barley and hops, having two cast foliage decorated loop handles, on a knopped fan fluted decorated spreading circular foot and a conforming cover with a cast acanthus finial. 14in. (35.5cm.) high. Makers Mappin and Webb. Sheffield, 1971. 53oz. (1650g.). With a mahogany plinth and fitted storage box. Together with five gilt medallions, one with yellow enamel decoration and framed with a certificate of authenticity, one framed for 20the running of the race in 1979, with three more boxed. (6).

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116003 item(s)/page