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A pair of 19th century Ridgway ice buckets and covers, mazarine blue ground, richly gilded with floral handpainted reserves, pattern 892 (to match lot 521), the ovoid bowls raised on three gilded dolphin supports on a triform base, the domed cover with a large gilded rose finial, 34.5 cm high (2) Condition Report Both good condition
A VICTORIAN SILVER TEA SERVICE, EDWARD KER REID, LONDON, 1875 comprising: a teapot, sugar bowl and milk jug, of octagonal baluster form, the panels chased with fruit and stylised foliage below shaped foliate rims, raised on four pierced and foliate bracket feet, teapot with detachable flowerhead and leaf finial, ivory fillets, dent to teapot, teapot 18,5cm high, 1508g all inclusive
A DANISH SILVER PART TEA AND COFFEE SERVICE, MODEL 1091, DESIGNED BY HENNING KOPPEL FOR GEORG JENSEN, COPENHAGEN, POST 1945 comprising: a teapot, coffee pot and sugar basin, the teapot of onion form with part-turned wooden handle and short spout, the coffee pot with elongated globular body and short spout, both with detachable conical cover and wood finial, base incuse stamped 'DESSIN/HK/1091', coffee pot 17,5cm high, 1206g all inclusive (3)
A CAPE BRASS KONFOOR, TESSIE AND MUG, 20TH CENTURY the pierced round konfoor applied with loop handles with removable tray, raised on three outswept feet, the cylindrical urn with moulded bands applied with a loop handle and spout, detachable domed cover with ball finial, stamped C. MATHEWS., distress, 38cm high; and A Cape Brass Mug, same maker, cylindrical with rolled rim and applied loop handle, 12cm high (3)
AN ASSEMBLED WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ELECTROPLATE TEA SERVICE, GERMANY, VARIOUS DATES, 20TH CENTURY comprising: a teapot, coffee pot, covered sugar basin, milk jug and hot water kettle-on-stand, each shaped ovoid body applied with a harp-shaped handle, on a flat base with detachable composition and gadrooned finial, kettle-on-stand with a curvilinear stand, distress to finial of kettle-on-stand and lacking burner, kettle-on-stand 30,5cm high (5)
m.v.s{\rtf1\ansi\ansicpg1252\deff0{\fonttbl{\f0\fnil\fcharset0 Arial;}} \viewkind4\uc1\pard\lang2057\b\fs20 A George I style silver coffee pot\b0 , by James Dixon & Sons, Sheffield 1897, straight-sided tapering form, ogee domed lid, ebony finial and side-mounted handle, swan-neck spout, 16oz gross, height 24cm. \par }
A Regency style silver tea pot, by James Deakin & Sons, Sheffield 1917, of swollen oblong form, with a gadrooned collar ebony finial and composition handle, raised on four hoof feet, height 14cm; and a similar hot water jug, by S.W. Smith & Co., Birmingham 1915, gadrooned collar, ebony finial and composition handle, 24cm; 44oz gross, (2).
A Victorian silver pear-shaped coffee pot, by E.J.E.W. Barnard, London 1838, lightly lobed form, ogee lid with fruit finial, scrolled handle with ivory insulators, swan neck spout, raised on scrolled feet, No.856, 28oz, 29cm.This lot is subject to CITES regulations if exporting outside of the EU.
EARLY TWENTIETH CENTURY GOLF RELATED TEASPOON, the oval finial with image of a lady golfer on an enamel ground, Birmingham 1913, TWO OTHERS relating to Edward and Alexander and Salford City, FOUR VARIOUS CONTINENTAL SILVER DITTO AND FOUR PLATED EXAMPLES including boxed gilt metal miniature of the Anointing spoon 1937 Coronation (11 spoons in total) (11)
An 18th cent Indian sword khanda, broad blade 30”, slightly swollen towards rounded tip, reinforce with floral finial to two thirds of back edge into chiselled and panelled reinforce at forte, pierced supports to panelled guard and knucklebow, pierced top to dish pommel, curved panelled spike, plain fabric covered grip. GC, a pleasing example. Plate 7
A late 19th century French cuirassier helmet, brass skull with WM binding to back and front peaks, WM comb embossed with foliage and Medusa head finial, and surmounted by black stand up hair plume, socket holder on left with red feather plume,ear to ear plate embossed with foliage and grenade to centre, brass lion’s head ear bosses (no chinchain), leather headband. GC (skull dented at back, and a few age fatigue cracks). Plate 2
A French fireman’s brass helmet c 1900, brass binding to front and back peaks, studs at back, ear to ear HP embossed with trophy and wreath, grenade on shield, and scrolls “Srs Pompiers Villiers S.O”, panelled sides to comb with curled finial, ear roundels and left side plume holder, maker’s name “A Thiery, Paris” above back peak. GC (lining, plume and chinscales missing). Plate 2
A 19th century mahogany longcase clock, by Peter Sharp of Coldstream, the hood with a swan neck pediment and central acorn finial over a painted dial with Roman numerals and subsidiary dials, flanked by brass capped and reeded pilasters, the trunk with a panelled door, raised on plinth base and bracket feet, 240 x 50cm
A 19th Century Wedgwood black basalt teapot with Sybil finial S/D together with a black basalt cream jug with engine turned decoration a red teacup and saucer with moulded decoration, five pieces of 19th Century Sunderland lustre comprising a mug with banded decoration, a coffee can and saucer with a scene of two deer in a parkland, a tea bowl saucer decorated with birds at a nest and a large shallow dish with a black and white transfer roundel, damages (5)
An Ormolu and Champleve Enamel Striking Mantel Clock, circa 1890, the elaborate case with a central spiral finial, turned baluster columns with winged cherubs, dark and light blue champleve enamel panels, 3-1/2-inch champleve enamel dial with Roman numerals, twin barrel movement stamped Maple & Co Ltd Paris and numbered 22796, 53cm high see illustration 22.02.17, Ormolu surfaces are slightly discoloured in parts, enamel surfaces with some scuff marks and faded areas, enamel slightly lacking in parts, movement is dirty and needs cleaning, both barrel mainsprings are winding smoothly, striking is working correctly.
An Ormolu and Porcelain Mounted Striking Mantel Clock, circa 1880, urn finial, figural, floral and cherub decorated pink porcelain panels, acanthus leaf and swag mounts, pink enamel dial with Roman numerals, twin barrel movement striking on a bell, 36cm high, raised on a gilt wooden base and ebonised plinth, beneath a glass dome09.12.16, Ormolu is slightly faded, surfaces with signs of bubbling in parts, porcelain panels are clean, dial with one minor hairline crack on the 5 o'clock numeral cartouche, movement needs cleaning, gilt wooden base is faded and with chips to the edges, ebonised plinth with scratches and small dents, glass dome with small scratches in parts but is complete.
An Oak Chiming Table Clock, signed Russells, Maker To The Queen, Liverpool, circa 1890, caddied top with carved swag recessed panels, carved Corinthian columns, pierced side frets, 7-inch brass dial elaborately engraved with flower heads throughout, silvered Roman numeral chapter ring, silvered plaque signed below 12, three dials for chime/silent, fast/slow and Whittington/Westminster chime selections, triple chain fusee movement with an anchor escapement, quarter chiming with eight hammers striking a nest of eight bells or four hammers striking four gongs and striking a larger gong for the hours, movement secured in with brackets, 64cm high, with a later rosewood wall bracket, 52cm high see illustration 23.02.17, Case is faded in parts, top urn finial with chips and dent marks, side frets with some pieces lacking, some small cracks and chips, Corinthian capitals with chips, small cracks to both sides, base with small dents to the edges in parts, silvered dials are slightly discoloured in parts, movement is complete, chime is working, later wall bracket.
A Brass Four Glass Striking Mantel Clock, circa 1890, urn shaped finial, bevelled glass panels, scroll and floral corner mounts, hoof shaped feet, 3-3/4-inch enamel dial with Roman and Arabic numeral chapter ring, recessed centre with a visible Brocot escapement, twin barrel movement with striking on a gong, twin tube mercury pendulum, 43cm high see illustration 22.02.17, Brass surfaces a discoloured throughout, back door glass panel with one small chip to the bottom corner, dial with a chip and has been restored next to the strike side winding hole, movement is dirty and needs cleaning, both spring barrels are fully wound, strike is working correctly, pendulum is discoloured and the mercury tubes are discoloured.
A Mahogany Striking Table Clock, signed W.Blanchard, Hull, circa 1820, pineapple finial, side carrying handles, sound frets and a pull repeat cord, front with recessed panels, brass ball feet, 8-inch convex painted dial with Roman numerals, strike/silent selection lever above 12, twin fusee movement with an anchor escapement and striking on a bell, movement secured in with brackets, 51cm high see illustration 23.02.17, Case surfaces are faded due to sunlight damage, case front with cracks and some veneer is slightly lifting, both sides of the case with scuff marks and veneer lifting, brass is discoloured, dial has been totally re-painted, dial with minor paint flaking around the winding holes, later hands, movement backplate with scratches, both barrel mainsprings are winding smoothly, strike and repeat are working.
Tuscan China, an English porcelain early to mid 20th century tea service, beautifully enamelled in the "Bird of Paradise" pattern, the teapot in particular is nicely made with a nut finial, each piece with fine gilding and in superb condition, the teapot measuring 8.5". All pieces in the collection are photographed. CONDITION REPORT: In fine condition.
A Victorian silver four piece tea service by Joseph Angell I and Joseph Angell II, London 1839 and 1841, of squat circular form, the body engraved with a pagoda amid palm trees each side above a blank cartouche and with foliate engraving, the looping handle with acanthus thumbpiece, the hinged cover with flowerhead finial, on fringed pedestal base, 74oz
A Group of Five Silver Mustard Pots comprising: a drum shaped pot with engraved sides and cover, Thomas Smily, London 1866; another chased with flowers and foliage with a domed cover, Charles Thomas Fox, London 1829; a baluster shaped pot with floral finial, Benjamin Stephens, London 1835; a drum shaped pot with pierced sides, Samuel Hayne & Dudley Cater, London 1839; another similar, Levi & Salaman, Birmingham 1897 (5) See illustrationAll in good overall condition, smallest example has a loose hinge, the tallest is 9cm high
A German White Metal Mounted Coconut Cup and Cover, in 17th century style, the slightly domed cover with figural finial over a plain collar and arcaded band enclosing coconut carved with a bust portrait and biblical scenes, on a vase column and domed base engraved with strapwork, 28.5cm high
A George III Silver Hot Water Jug, Henry Chawner, London 1791, plain circular with a tapering body and reeded border, the hinged cover with an urn finial and raised on a circular pedestal foot, engraved with a coat of arms, 31cm high, 22oz 4dwt See illustration The arms are those of Maunsell quartering BarnetGood clean condition, clear marks,.

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116099 item(s)/page