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1920's silver sugar caster, of wrythen form with removable foliate pierced cover with knop finial, upon a spreading shaped foot, hallmarked Harrison Brothers & Howson, Sheffield 1927, H21cm, approximate weight 9.22 ozt (287 grams)Condition Report:In good overall condition, with general light wear commensurate with age and use, predominantly in the form of surface scratches and nicks.Small slight knock to body.Hallmarks clear and legible.
Early 20th century silver sugar caster, of open work urn form with ribbon swag detail and clear glass liner, the removable pierced cover with flambeau finial, upon a circular spreading foot, hallmarked Haseler Brothers, London 1910, H17.5cm, approximate silver weight 5.56 ozt (173 grams)Condition Report:Good overall condition with some general light wear commensurate with age and use, predominantly in the form of surface scratches and nicks. Glass with some surface scratches and nibbles to rim.Hallmarks legible, however date letter to foot worn.
Pair of mid/late 20th century Royal Worcester vases and covers decorated by Frank Roberts, each of slender ovoid form with twin key and husk handles, and gilt covers, hand painted with a still life of fruit upon a mossy ground, signed F Roberts, upon a gilt circular pedestal foot, with black printed marks beneath including shape number 2713, H20.5cmCondition Report:One finial to cover has been broken and reattached.Otherwise both examples appear to be in generally good overall condition with minor wear, predominantly in the form of some surface scratches and rubbing to gilding.
Pair of 19th century French ormolu and porcelain candlesticks, each with circular stepped foliate cast base with beaded rim and porcelain band, upon three knop feet, leading to a compressed spherical porcelain knop painted with a band of flowers between gros bleu type borders, and tapering stem with flambeau finial, supporting twin scrolling branches leading to sockets above foliate cast drips pans, H24.5cmCondition Report:Generally in good overall condition, with wear commensurate with age and use. One foot slightly knocked to side, however both examples steady on feet.Some wear to gilt detail on porcelain knops.
Pair of 19th century brass candelabra, each with circular spreading marble base leading to a shaped and tapering column with bird finial, flanked by twin curved and foliate detailed branches with sockets above shaped drip pans, H31cmCondition Report:General wear commensurate with age and use, including scratches, nicks and small knocks.One example screw threads loose.Remnants of wax.
French gilt brass rotunda mantle clock under the original glass dome c1890, Parisian 8-day countwheel striking movement raised on six reeded brass pillars with a domed canopy and finial, 9-1/4� base with applied repouss� detail and polished gilt bands, 3-1/2� gilt dial with a decorative embossed centre, impressed circular Arabic numerals on a silvered background, pierced steel hands with an egg and dart chased bezel, striking the hours and half hours on a silvered bell, with the original conforming pendulum.Dimensions: Height: 42cm Depth/Diameter: 21cm
20th century continental gilt metal Lyre mantle clock on a raised plinth with paw feet and variegated green marble base, with two bronzed metal figures of mythological cherubs with animal legs and cloven hooves holding a festooned garland swag, surmounted by a marble urn and finial, eight-day twin barrel Hermle striking movement with a floating lever balance, striking the hours and half-hours on two bells, white enamel dial with roman numerals, minute track and serpentine steel hands, with a cast brass bezel and bevelled convex glass, dial inscribed �Imperial�.Dimensions: Height: 62cm Length/Width: 36cm Depth/Diameter: 21cm
Late 19th century American mantle clock in a light oak case, raised pediment with a recessed balustrade frieze, pierced brass crown and finial, with arched rectangular conforming panels to the sides of the case, four wooden columns with capitals to each corner on a stepped plinth, circular repouss� brass dial with applied blue on white porcelain Roman numerals and Gothic steel hands, brass bezel with an egg and dart slip and flat bevelled glass, spring driven Ansonia eight-day striking movement with a recoil anchor escapement striking the hours and half-hours on a coiled gong, with fine pendulum regulation. With key and pendulum.Dimensions: Height: 46cm Length/Width: 24cm Depth/Diameter: 21cm
French mantle clock c.1900 with two matching five light candelabra, eight-day timepiece movement housed in a rectangular flat topped Belgium slate case surmounted by a conforming slate and brass finial, contrasting marble inlay to the front with incised decoration, raised on four paw feet, 4� enamel dial, Roman numerals and minute markers, steel moon hands within a cast bezel with a flat bevelled glass. H41 W20 D13 Candelabra H36
William IV early 19th century mercury wheel barometer with an inlaid broken pediment, brass finial and round base, mahogany veneered case with inlaid oval conch shell paterae and satinwood stringing to the edge, with an arched top thermometer box and spirit thermometer measuring degrees Fahrenheit from 15 to 110, eight-inch silvered register reading barometric pressure in inches from 28 to 31, with predictions in Roman upper and lower case and script, dial inscribed �William Smith, Crowland�, with a steel indicating hand, brass recording hand and cast brass bezel..Dimensions: Height: 97cm
Mahogany longcase clock with a swan�s neck pediment, brass patera and central brass finial, stepped break arch hood door flanked by reeded pillars with Corinthian capitals, trunk with a three-quarter length door and concave top, on a broad square plinth with applied shaped skirting, painted break arch dial inscribed �J Watson Kirkbymoorside�, semi-circular date aperture and subsidiary seconds dial, upright Arabic numerals and quarter hour minutes with minute track and matching steel hands, arch painted with a depiction of flowers and conforming spandrels, dial pinned via a steel false plate to an eight-day rack striking movement, striking the hours on a bell. With weights, pendulum and key.Dimensions: Height: 290cm Length/Width: 45cm Depth/Diameter: 24cm
Mahogany longcase clock, dial inscribed �Paul Lacey, Bristol�, with a swan�s neck pediment, gesso patera and central brass ball and spire finial, with silk backed open fretwork, break arch hood door and reeded pillars attached, trunk with conforming full length broken arch door and reeded quarter pillars, rectangular plinth with applied moulding and brickwork corners raised on ogee feet, break arch brass dial with matted centre, date aperture, subsidiary seconds and strike silent dials, silvered chapter ring with Roman numerals, five minute Arabic�s and half hour markers, minute track and steel serpentine hands, dial pinned directly to an eight-day rack striking five pillar movement, striking the hours on a bell. With weights, pendulum and key.Dimensions: Height: 230cm Length/Width: 230cm Depth/Diameter: 25cm
George III mahogany secretaire bookcase, the shaped finial pediment with central figured panel over arcade decorated frieze, two astragal glazed doors enclosing three adjustable shelves, the chest with fall front drawer with baize lining and fitted interior, three graduating drawers, shaped apron on splayed bracket supportsDimensions: Height: 250cm Length/Width: 128cm Depth/Diameter: 58cmCondition Report:General signs of age and use consistent with age. Structurally sound. The baize is a little worn.
Orientteppich. Amerikanischer SARUK/PERSIEN, um 1930-1940, 317x318 cm. Auf zinnoberrotem Fond befindet sich ein zur Mitte hin orientiertes Muster aus Blumensträußen und Blütenrispen mit einer Kreuzblume als Zentralmedaillon. Die dunkelblaue Hauptbordüre ist mit verschiedenen Blumensträußen in wechselnder Folge und Richtung verziert. Amerikanischer Saruk im seltenen, quadratischen Format. Unten ca. 3 cm breite Webkante, oben Kette abgeknotet und synthetische Fransen. Normale Alters- und Gebrauchsspuren. Kaufpreis 1989: 13.000.-€. (Sogenannter amerikanischer Saruk: amerikanische Saruks wurden in der Zeit um etwa 1900 bis zum 2. Weltkrieg für den amerikanischen Markt gefertigt und erst danach aus den USA wieder nach Europa reimportiert)| Oriental carpet. American SAROUK/PERSIA, around 1930-1940, 317x318 cm. A vermilion ground is decorated with a design of floral bouquets and panicles oriented toward the center, with a finial as the central medallion. The dark blue main border is decorated with various bouquets of flowers in alternating sequence and direction. An American Sarouk in rare square format. Bottom about 3 cm wide selvage, top chain knotted off and synthetic fringe. Normal signs of age and wear. Purchase price 1989: 13.000.-€. (So-called American Sarouk: American Sarouks were manufactured for the American market in the time around 1900 until the 2nd World War and only then reimported from the USA back to Europe)
Orientteppich. Amerikanischer SARUK/PERSIEN, um 1920-1930, 358x264 cm. Blumensträuße und Blütenrispen streben zur Mitte auf bordeauxrotem Fond. Die Mitte bildet eine Kreuzblume. Die dunkelblaue Hauptbordüre zieren Blütenranken und Palmetten, die in die Nebenborten greifen. Ca. 200.000 Knoten pro qm. Die Längskanten sind umstochen und auch die Querkanten (ca. 2 cm) und der Fransenbehang sind nicht original sondern nachträglich angenäht. Alters- und Gebrauchsspuren, wie z.B. Kantenschäden und fleckig im Bereich der Fransen. Kaufpreis 1989: 15.000.-€. (Sogenannter amerikanischer Saruk: amerikanische Saruks wurden in der Zeit um etwa 1900 bis zum 2. Weltkrieg für den amerikanischen Markt gefertigt und erst danach aus den USA wieder nach Europa reimportiert)| Oriental carpet. American SAROUK/PERSIA, circa 1920-1930, 358x264 cm. Bouquets and panicles of flowers strive toward the center on a burgundy ground. The center is formed by a finial. The dark blue main border is adorned with floral tendrils and palmettes that reach into the secondary borders. Approx. 200,000 knots per sqm. The long edges are stitched around and also the cross edges (approx. 2 cm) and the fringes are not original but sewn on afterwards. Signs of age and use, such as edge damage and stained in the area of the fringes. Purchase price 1989: 15.000.-€.(So-called American Sarouk: American Sarouks were manufactured for the American market in the time around 1900 until the 2nd World War and only then reimported from the USA back to Europe)
A FRENCH 950 STANDARD LOUIS XV STYLE SILVER SUCRIER stamped on the rim of the body, probably Paris late 19th/early 20th century, of oval form, the lobed domed cover with flower head finial and foliate embossing, the cast body with twin split scrolling handles,pierced foliate decoration on four scrolling feet and blank twin cartouche with blue glass liner 21 cm across the handles16 cm high 381 grams Condition Report:Available upon request
Victorian mahogany eight day longcase clock, the hood with swan neck pediment and brass finial with turned supports over a painted dial the arch depicting a figure crossing a waterfall, with subsidiary seconds and date dials, inscribed Peter Hermann, the shaped trunk door over a panelled plinth base, the twin train movement striking on a bell, dial 35.5 cm wide, case 245 cm high, pendulum and two weights
A Three-Piece George V Silver Tea-Service, by Nathan and Hayes, Chester, 1914 and 1915, in the George III style, each piece engraved with foliage on a matted ground, comprising: a teapot with wood handle and finial; a cream-jug and a sugar-bowl, the teapot 21cm wide, total gross weight 16oz 9dwt, 511gr (3)
A Four-Piece George V Silver Tea and Coffee-Service, by J. B. Chatterley and Sons Ltd., Birmingham, 1912 and 1913, each piece faceted tapering, comprising: a coffee-pot; a teapot, each with ebonised handle and finial; a cream-jug and a sugar-bowl, the coffee-pot 21.5cm high, 54oz 8dwt, 1,683gr (4)
An Elizabeth II Silver Cream-Jug and Sugar-Caster, the Cream-Jug by Elkington and Co., the Sugar-Caster by Adie Brothers, Both Birmingham, 1964, each baluster and on spreading foot, with Celtic style border, the detachable cover on the sugar-caster with baluster finial, the sugar-caster 17.5cm high, 10oz 9dwt, 352gr (2)
A Three-Piece Victorian Silver Tea-Service, by Horace Woodward & Co Ltd., London, 1898, each piece compressed circular and on four scroll cast feet, comprising: a teapot with ivory-insulated handle and finial, a cream-jug and a sugar-bowl, the teapot 24.8cm wide over handle, total gross weight 24oz 1dwt, 748gr (3)
Bella Figura - A contemporary high end designer gilt metal chandelier of bell shaped form having ten slender arms with each having light fitting to the end with drip trays below. Labels present for Bella Figura Lighting. Light fixture atop with all terminating to a ball finial. Measures approx; 110cm x 94cm diameter.
George III silver pear shaped coffee pot, with a fruitwood handle and hinged cover and a spiral fluted finial, acanthus leaf capped spout upon a circular stepped foot rim, the body engraved with a family crest initialled 'G.C.P', maker possibly James Baker or John Broughton ...*B (partially rubbed marks), London 1765, 10.5" high, 28.2oz t

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116061 item(s)/page