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Lot 1083
A CHARLES II OAK SINGLE CHAIRWith double carved arch back over solid seat on bobbin turned supports the front rail stamped IB 49cm wide; 106cm highCondition report: The joints are relatively solid although there is a slight movement to the back when slight force is applied. The solid plank seat with a little shrinkage and a hole to the front left corner and other loss. Please see additional images on www.bellmans.co.uk.Otherwise the inevitable scuffs, rubbed areas, signs of wear, old chips and losses including a small section of split beaded moulding to the upright and the scroll finial of the upright on the left side. Wear to feet. Dirt and dust.
Lot 1228
A CUT GLASS SCENT BOTTLE, STOPPER AND COVER19th centuryOf square cushion form, the sides cut with panels of strawberry diamonds, the openwork screw top cover in the form of a crown with Maltese Cross finial, 12cm high by 10.5cm wide (3)Two shallow chips to corners of the scent bottle. Small chip to edge of cross finial. Minor nicks to edges of the cover
Lot 1291
A MINTON PORCELAIN FLASK AND COVER (3)Circa 1860Of flattened pear form set with mask handles, each side painted with a circular landscape panel inside a border of pink roses against a turquoise ground, green ermine mark, 21cm high; also a Copeland two-light putto candlestick, circa 1875, impressed marks, 32cm highMinton flask and cover- some heavy crazing/haircracks to the body. Chip to one handle. Some wear to the gilding. Finial lacking to the cover,Candlestick- glued repair around the base of one of the sconces. Some wear to the gilding. Some discoluration to the turquoise in each sconceProvenance: Hylda and Lewis Gilbert, Sheldrake Place, London. Lewis Gilbert (d.2018), the celebrated film director, producer and screenwriter, best known for his 007 James Bond movies and Alfie.
Lot 1401
A SILVER FOUR PIECE TEA SETComprising; a teapot, Sheffield 1940, a hot water jug, a twin handled sugar bowl and a milk jug, these three Sheffield 1939, the two larger pieces with black fittings, each piece raised on four spherical feetCondition report: one foot slightly pushed in to the teapot Black finial to lid of hot water jug is worn to the square drilled hole Sugar and milk jug generally good condition. The set otherwise: has a few minor scuff marks and nicks
Lot 1450
A PORTUGUESE TEA URNOf twin handled form, raised on four legs, the shaped square base raised on four bun feet, the detachable cover with a pine cone finial, the front with a tap and with a detachable spirit burner having a turned wooden handle, height 50cm, gross weight 3505 gms Condition Report;; Hinge to lid in good condition, finial probably re-attached underneath, the fitting is very sharp. Wing nuts to base look to be replaced, feet are a little pushed inwards and require straightening. Possibly something missing from the bottom of the tap. Shallow denting by the side of the bottom of one of the handles. Urn is not stable on its feet.. One or two small dents to the body.The burner; wooden handle maybe an old replacement and re-rivetted. The wick adjustment button is not working properly.. Shallow dent to body.This item is probably not working.
Lot 1453
A LATE GEORGE II SILVER CREAM JUGOf baluster form, with embossed floral and scrolling decoration, the cast handle with a dog finial, raised on three pad feet, London 1756, weight 147 gmsCondition Report;; In my opinion, the decoration is probably contemporary with the jug, lead solder to centre of cartouche probably to repair a leak. One leg is replaced, the other two legs showing signs of repair, evidence of lead solder, few dents to body, definition to body is a bit rubbed. Black around the edge of the top of one of the legs would indicate a lead solder repair. Maker's mark not complete to one side
Lot 1465
A GROUP OF SILVER, FOREIGN AND PLATED WARES (QTY)Comprising; a pair of knife rests, probably London 1818, a cigarette case with engine turned decoration, Birmingham 1929, a paperweight, the finial formed as a fox, a pair of sugar tongs, a pair of rat tail pattern sauce ladles, Sheffield 1928, eight further items of flatware, combined gross weight 566 gms, also a set of six German coffee spoons, detailed 800, two plated table lighters and six further items
Lot 1480
A WILLIAM IV SILVER HOT WATER JUGOf fluted baluster form, decorated with floral reserves, raised on four scroll and scalloped feet and with a foliate capped handle, maker William Hewitt, London 1836, gross weight 904 gmsCondition Report There are no obvious signs of an erasure, however, there is evidence of solder repair to the left of the engraved crest near to the border of the cartouche. There are otherwise a few dents to the body, solder repair below and to the right of the handle and other solder repairs, some of which are lead solder to the body. Flaw to metal where the spout meets the side of the teapot. Wind nut is cross threaded, finial to lid is loose and will not tighten. Handle has been re-rivetted in the past.
Lot 1484
AN EARLY GEORGE III SILVER TEAPOTThe body with floral and foliate decoration and with a bud finial to the lid, London 1765, maker Thomas Whipham & Charles Wright, gross weight 581 gmsCondition Report; Slight weakness to marks underneath, dents to body and thinning, at least four lead solder repairs to the body presumably to rectify leaking. Handle repaired and strengthened by rivets, insulation to handle with horn? replacements. Repairs and dents to handle. Hinge to lid repaired with replacement semi-circular fitting and also old repair within. When held to the light, there are two piercings where the silver has worn through. Overall rather tired.Finial possibly replacedDecoration; in our opinion the decoration is contemporary.
Lot 1520
A GROUP OF FOREIGN WARES (5)Comprising; a cream jug decorated with beaded rims, raised on a circular foot, a rectangular hinge lidded box, with engine turned decoration, a napkin ring and a small lidded mustard pot, with a spoon, having a cheetah finialCondition report:Box: 13.6cm x 8.2cm x 2.2cm. Hinge good condition. Some wear to the exterior, particularly to the underside. Split to corner of lid on right by the hinge. Weight: 156gmsJug weight 151gms. The jug has a dent to the foot rim and a shallow dent to the body. Repair to top of handle where it meets the rim of the jug. Otherwise good condition. Napkin ring weight: 20gms. Napkin ring is engraved ‘Herman’. Mustard pot and spoon weight: 32gms. Back leg of pot finial not soldered to the top of the lid. The spoon is in good condition.
Lot 1560
A VICTORIAN SILVER-GILT MOUNTED FACETED RED GLASS CLARET JUGThe faceted red glass body with an applied mount designed as fruiting vine, the hinged lid with a grape form finial, mark of Elkington & Co., Birmingham, 1859, height 29.5cmMounted with a fruiting vine cover and engraved sprung handle, with further fruiting vines over the cut glass body, hallmarked, 30cm high Condition report: The squeezed handle opens the hinged cover. Rubbed and tarnished as to be expected with use an age. A few small chips and rubbed areas to the glass as to be expected.
Lot 1565
A GEORGE IV SILVER TEAPOTThe body with partly fluted decoration below a foliate band, the hinged lid with a flower finial, with a wooden handle, London 1825, gross weight 706 gmsCondition Report; A few shallow dents to the body and to the front of the spout, handle possibly replaced, pins are sticking out of top and bottom. The handle is a bit dented by the finial when the lid has been opened.
Lot 1571
A SILVER PEPPERETTEOf urn shaped form, with partly fluted decoration, raised on a circular foot, the screw-off top with a bud finial, possibly York 1801 or Colonial, height 9 cm, weight 105 gmsCondition report: the detachable lid. The finial is pushed in and the piercings are of varying sizes and rather crudely arranged. Repair where foot meets stem of body. Slight rubbing to body. Thread connecting top to base no longer really runs as it should, it just sort of pushes closed.
Lot 1576
A COLLECTION OF SILVER AND FOREIGN SPOONS (47)Including a George IV fiddle pattern caddy spoon, London 1828, a preserve spoon with floral decoration, Sheffield 1904, a horn spoon, further English spoons, the foreign spoons including a set of six salt spoons, the handles formed as cobras, a pair of salt spoons and a spoon with a peacock finial
Lot 121
A pair of Victorian cut glass sweetmeat pedestal dishes and covers, possibly Irish, each with a hollow blown faceted finial above a shaped roll rim, printie cut body and faceted stem and foot, 32cm high, together with a glass rummer, c.1830, with a slice cut bowl, 15.5cm high (3)Condition report: One with a chip to the base of the finial. One with a chip to the foot. Marks to the cutting throughout. Rummer in good order.
Lot 131
A 'Staunton' pattern ivory chess set by Jaques of London, c.1850-1860, the white king inscribed with the maker's mark beneath and several pieces with an impressed crown mark, the kings 9cm high, in a Gothic-style carton-pierre casket designed by Joseph L. Williams, bearing a red paper label beneath, 22cm wide, 15.5cm deep, 10.5cm highCondition report: The casket lid badly damaged to one corner. Knocks and losses to turrets. Velvet lining worn and coming away in places. Cracks and wear to casket throughout. Some wear to paper label. Red stained pieces: Some small chips to the crown of the queen. Some tiny chips to rooks. Further miniscule chips to other pieces. White pieces: King lacking finial. One pawn broken and re-glued. One pawn with a large chip. Small knocks to other pieces. General surface wear, scratches and knocks to all pieces commensurate with age and use.Please see additional images.
Lot 5
A George III silver mustard pot, possibly by Thomas Shepherd, London 1791, of oval form with high domed hinged cover and applied with a ball finial, the sides pierced and engraved with pointed leaf motif borders, oval cartouches linked by floral garlands and a blue glass liner, 9cm high, together with a George III silver cream jug, maker's mark overstruck ((?) G), London 1800, of oval bellied form, bright-cut engraved with bands of stiff leaves and fine wriggle work, the cartouche now engraved 'Kay', and a George III silver sauce ladle, by John Lambe, London 1876, old English pattern with bright-cut engraving, total 8.7ozt (3)Provenance: The Peter and Pat Crofts Collection.Condition report: Mustard pot - repair to thumb-piece, wear to engraving.Cream jug - very bright in colour and top of handle has an old repair.Sauce ladle - engraving worn and erased.General condition of hallmarks on all, however, colour is bright on all pieces.
Lot 51
An Art Deco Charles Boyton silver cup and cover, London 1936, the circular base leading to a tapered stem cast with foliate bands, the twin-handled bowl set with lions, the shallow cover surmounted by a crown finial, 24cm high, 16.7ozt.Condition report: Surface scratches evidents, a few small dentsSurface scratches throughout, particularly to the base. Some scattered marks to the cover.Please see additional images.
Lot 63
An Indian silver tea service, late 19th to early 20th century, comprising a teapot with elephant finial, 13.5cm high, milk jug and sugar bowl, with repoussé flowers and animals, the handles modelled as cobras, total 17.5ozt (3)Condition report: Scratches and surface marks throughout. There are dents to the base of the teapot and sugar bowl. The spout has been knocked into the body of the milk jug.
Lot 82
A Royal Worcester ‘Fruit Study’ porcelain vase and cover, 20th century, shape 2701, painted with peaches, blackberries and grapes, signed ‘M Morris’, printed marks, 21cm highCondition report: Chip to the top of the vase which has been glued. Lid finial glue repaird. Some scratches to the gilded foot. Wear to the gilding.
Lot 147
AN EARLY GEORGE III CIRCULAR COVERED BOWL in the form of an urn decorated with wrythen fluting and chased floral garlands, resting on a gadrooned circular foot, the cover with a flower finial, by Abraham Portal*, London 1762; 4.2" (10.5 cms) diameter; 11.4 oz *Abraham Portal was apprenticed to Paul De Lamerie 1740-1749.
Lot 323
AN EARLY GEORGE III TEA POT the inverted baluster body with chased and repousse-work flowers around the upper body, and a wrythen finial, by Simeon Coley*, London 1763; 6.3" (16 cms) high; 19.9 oz *An interesting maker about whom not a great deal is known, but he is said to have lived at some time in North America and Jamaica. Born c.1725, Freeman of the Glover's Company in 1773 and first mark entered as a small worker in 1761 and second mark as buckle maker in 1763. His son Simeon (born 1752) married Frances Grigg and died January 1810, leaving £25,000 and both father & son were members of the Moravian Church. Hannah, daughter of Simeon senior married Thomas Northcote (Spoonmaker) and when Thomas died, Hannah entered her mark in continuance of the business. (Grimwade AG: London Goldsmiths & their Marks).
Lot 1447
A 'Vienna' regulator wall clock: the eight-day duration weight-driven movement striking the hours and half-hours on gong with adjustable pallets to the dead-beat escapement, maintaining power allowing for the going to continue whilst winding without time-loss, and stamped to the backplate with the serial number 175356, with a brass bob to the wood-rod pendulum, the two-piece round enamel dial with black Roman numerals, red half-hour markings, a subsidiary seconds dial and blued steel decorative hands, the walnut case with glazed front door, fluted and tapered pillars, an arched pediment with turned centre finial and moulded base with a further applied finial, height 154cm inc. finial.
Lot 1448
A 'Vienna' regulator wall clock: the eight-day duration weight-driven timepiece movement having a dead-beat escapment and maintaining power with the backplate stamped with the trademark Remember O.V.R.M. Co., being for the maker Resch Brothers, and with a brass bob to the wood rod pendulum, the two-piece round enamel dial having black Roman numerals, a subsidiary seconds dial and blued steel spade hands, the walnut and ebonised case having a glazed front door, decorative pediment, canted corners with fluted stops and lower finial to the base, height 118cm.* Biography Resch were founded in Vienna in 1861 before moving to larger workshops in Ebensee in circa 1871 and then sold to Junghans in 1901.
Lot 1449
Gustav Becker, a 'Vienna' regulator wall clock: the eight-day duration weight-driven movement striking the hours and half-hours on gong with adjustable pallets to the dead-beat escapement, maintaining power allowing for the going to continue whilst winding without time-loss, and stamped to the backplate with the anchor trademark and serial number for the German maker Gustav Becker, Freiburg in SchL.1314262, with a brass bob to the wood-rod pendulum, the two-piece round enamel dial stamped G.B. for Becker and with black Roman numerals, red half-hour markings, a subsidiary seconds dial and blued steel decorative hands, the walnut case with glazed front door, fluted and tapered pillars with turned capitals, an architectural pediment with turned centre finial and gadrooned base with a further applied finial, height 129cm inc. finial.
Lot 1458
Robert Bullock, Halesworth, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the fourteen-inch arched brass dial, possibly a later addition, having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute markings and fleur-de-lys half-hour markings, the dial centre engraved with floral scroll decoration, a subsidiary seconds dial, date aperture and maker's name Rob. Bullock, Halesworth, with cast-brass cherub-head spandrels to the four corners and decorative brass hands, the arch having a round silvered boss engraved with an eagle, with cast-brass dolphin spandrels to either side, the rear of the dial having a falseplate embossed with the name of the dialmaker Wilson of Birmingham, the mahogany case with satinwood stringing and inlay to the trunk, base and hood, with a gothic-shaped moulding to the door and inlaid floral and vase decoration to the lower trunk, the hood with a high swan-neck pediment with further satinwood stringing and surmounted by three brass eagle-and-ball finials, the base with canted corners and further inlaid decoration, all standing on bracket feet, height 250cm inc. finial.* Biography Robert Bullock is recorded as working in Halesworth, Suffolk in 1823 and may well be the same maker then recorded as working in Lower Olland Street, Bungay from circa 1830 until circa 1855.
Lot 223
A Victorian cut glass and silver mounted claret jug, maker Mappin Brothers, London, 1897: the hinged domed lid with beaded urn finial, the collar with embossed scroll, floral and shell decoration with loop carrying handle, the glass body of ovoid form with hobnail decoration, raised on a circular foot with starburst decoration, 29cm high.
Lot 272
A George IV silver teapot, maker Joseph Craddok and William Reid, London, 1821: crested, of squat circular outline, the hinged lid with ivory and floral decorated finial with gadrooned rim, banded flower head girdle and acanthus capped spout raised on four swept legs terminating in claw feet, 29cm wide, 807gms, 25.94ozs
Lot 273
A Georgian silver teapot, all marks rubbed and worn, maker possibly William Reynolds ? Cork, circa 1780: monogrammed, of melon-shaped outline, with melon finial and moulded leaf hinged lid, foliate decorated spout and raised on three swept feet, 407gms, 13.09ozs.* Provenance Originally from Ffynone House, Pembroke
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