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A late 18th century Dutch silver gilt miniature or toy baluster coffee or tea urn by Johannes Adrianus van Geffen, Amsterdam 1781, with a turned finial to the lift-off domed cover, a double scroll handle, the spout with a spigot, on three scroll feet, 7.5cm (3in) high Geffen (1728-1798) was active from 1766 to before 1798.
Ω A late George III Scottish silver four piece circular pedestal tea service by Robert Gray & Son of Glasgow, Edinburgh 1816, the tea pot with a bud and calyx finial to the dome centred cover chased with flowering foliage, a gadrooned rim, a leaf-caped loop handle with ivory spacers, a foliate chased spout, the body chased with flowering foliage and scrolls, the circular foot with a conforming band, comprising: a tea pot, a circular stand, a cream jug and a twin handled sugar basin, the tea pot 29cm (11 1/2in) long, 2186g (70.25 oz) grossCites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported. The CITES regulations may be found at www. defra.gov.uk/ahvla-en/imports-exports/cites/
A rare early George II West Country silver miniature or toy bullet shaped tea pot by Micou Melun of Falmouth (partial maker's mark only), circa 1730, with a ovoid knop finial to the lift-off cover with threaded decoration, a broken wooden handle, on a threaded collet foot, 12cm (4 3/4in) long, 73g (2.35 oz) gross See Lawrence's, Crewkerne sale 14th July 2015, for another example by Melun (£880 hammer). See also Harrison, Miles Exeter & West Country Silver 1700-1900 , p. 159, fig. 2 and p. 287, no. 214 for this maker's mark.
An American silver ovoid tea caddy by The Sweetser Co., New York ( 14K & Sterling , S ), early 20th century, with a turned wood finial to the lift-off domed cover, the body with four quatrefoil panels in Japanese taste with flowers or blossom, in 14 carat gold borders, 15.3cm (6in) high, 488g (15.7 oz) gross
Ω A matched Victorian silver four piece baluster tea and coffee service, the tea pot and sugar basin by Henry Holland, London 1872, the coffee pot and milk jug by Edward & John Barnard, London 1856, the tea pot with a beaded compressed finial to the domed cover, a loop handle with ivory warming bands, engraved with mantling and foliate decoration, two oval vacant reserves, on a circular beaded circular foot, 26.5cm (10 1/2in) long, 2111,7g (67.9 oz) grossCites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported. The CITES regulations may be found at www. defra.gov.uk/ahvla-en/imports-exports/cites/
The Victorian rosewood polescreen of Sarah Fricker (Wife of Samuel Taylor Coleridge):, with an adjustable octagonal panel of needlework depicting two pheasants, on a turned stem with turned finial and triangular base with scroll feet.*Notes The glass panel is cracked, reputedly where her maid mistakenly put a broom handle at it.
George V silver four piece tea service, by The Adie Bros. Sheffield 1933, comprising lidded teapot with composite finial and handle, with beaded collar, the body with a single horizontal band and an engraved crest over a multi-faceted lower body and circular foot, height 15.5cm, matching hot water jug, sugar basin and milk jug, gross weight approx. 948g. (30.48 troy ozs)
Tibetan bronze kapala cup and cover, 19th Century, cast as a monkey skull surmounted with a vajra form finial, and with Tibetan or Sanskrit characters covering the top of the skull, raised on three skull form feet, height 13.5cmNB: An almost identical example is illustrated in 'The Art of Tantra' by Philip Rawson, pub. Thames & Hudson
Tibetan bronze ghanta (ritual bell), 18th Century or earlier, the bronze handle cast with the face of the Buddha, wearing a crown and surmounted with a vajra form finial, the bell cast in relief with lotus petals containing a Sanskrit mantra above a band of Buddhist symbols interspersed with masks and beaded swags, the interior of the bell cast in relief with a vertical six character mark, 17.5cm
George III mahogany bureau bookcase, circa 1770, the top with a broken cavetto arched cornice centred with an urn shaped finial over two recessed arched panel doors, opening to pigeonholes and small drawers, raised on a base opening to an interior with a sliding well, stepped drawers and pigeonholes, the front with three upper false drawers, two real short drawers and two long drawers, each with brass swan neck handles, raised on ogee bracket feet, width 102cm, height 224cm, depth 60cm
French gilt spelter and porcelain clock garniture, circa 1890, the clock with urn finial and two ram's masks flanking a Sevres style 'bleu celeste' dial with Roman numerals and floral trail centre, with similar porcelain panel beneath, the movement striking on a bell, the whole flanked by acanthus brackets and raised on a gilt painted wooden stand, flanked by two porcelain urns decorated with figural panels against a 'bleu celeste' ground and supported at the base with twin cherubs, mounted over gilt coloured wooden stands, the clock 42cmPlease note our special conditions of sale regarding clocks and watches
Yue ware teapot and cover, probably Korean or Chinese Northern Dynasties, of rounded form carved at the neck with a band of formalised leaves, the leaves continuing on to the cover, surmounted with a mythical animalier finial, with reeded strap handle and decorated in an allover buff glaze, unglazed base and foot rim, height 24cm
Benjamin Farrer, Pontefract, mahogany and oak eight day longcase clock, early 19th Century, swan neck pediment centred with a brass ball finial over turned columns flanking a painted 13'' arched dial with Arabic numerals, subsidiary seconds, signed and with a hunting scene to the arch, the movement striking on a bell, over a trunk with canted corners flanking a shaped oak door, crossbanded with mahogany over a box base with an oak panel crossbanded with mahogany, height 236cmPlease note our special conditions of sale regarding clocks and watches
Coalport fruit decorated lidded pedestal vase, by F H Chivers, circa 1920-26, shape no. 130, pattern no. V7540, having a pine cone finial on the domed cover, the base of urn shape with rams mask handles, richly decorated with a still life vignette of grapes and peaches, signed, within tooled gilt borders against a rich cobalt blue ground, the reverse also richly gilded, raised on a short waisted stem with canted square foot, printed and painted marks, height 42cm
George VI silver four piece tea service in the Art Deco style, Sheffield 1941, comprising lidded teapot, hot water jug, sugar basin and milk jug, all of canted rectangular section, the teapot and hot water jug with composite finial and handle, each piece engraved with a 'C', the hot water jug 19.5cm, gross weight approx. 1.768kg (56.84 troy ozs)
George III silver teapot, maker's mark indistinct, London 1814, bombe form with hinged cover, silver finial and handle, engraved with a band of intertwining leaves centred with a bird, engraved with initials 'J A N' and further inscribed on the handle 'Mary Nottingham', raised on ball feet, height 16.5cm, weight approx. 681g (21.89 troy ozs)
A GOOD MAHOGANY BRASS INLAID CHIMING LONGCASE CLOCK. Swan neck pediment andcentral urn finial above an arched brass and silverised dial with roman and arabic numerals.Stamped, Joe Howell and Company Limited Cardiff, with strike silent to the arch. Flanked toeither side with fluted and half-reeded pilasters above an arched trunk door. Flanked withrounded reeded corners on a moulded box base with bracket feet. 89" (226cm) high. (1)
A GEORGE III SCOTTISH SILVER CASTER, Edinburgh. 1916. By Hamilton and Inches.Octagonal baluster shaped body, with pierced dome cover and urn finial. On stem base.9" (23cm) high. 246g. Together with a cut glass and silver mounted ink stand, with two hingedcompartments. Birmingham. c.1905. (2)
A GOOD LOUIS XVI STYLE FIVE-PIECE GILT SUITE OF SEAT FURNITURE. c.1900.Comprising a three-seater settee, with guilloche and bead-moulded back. Flanked to each sidewith fluted columns. Each with a leaf finial and a tapestry covered back. And a seat with colourfulflowers, raised on conforming fluted legs. Together with a pair of matching armchairs and sidechairs. (5)
NINETEENTH CENTURY FRENCH GILT METAL AND PORCELAIN MANTEL CLOCKGARNITURE. Movement by Jape Frere Paris, with outside count wheel, striking on a steel bell.Circular floral decorated porcelain dial with roman numerals, surmounted with a porcelain and giltmetal urn finial, flanked to either side with two cherubs. On a conforming base with gilt plinth.Together with a pair of matching urns with fixed covers and ornate gilt metal mounts, in the formof female mask and floral swags. On a conforming base. The clock, 14.5”37cm) high x13.5”34cm) wide. The urns, 13.5”34cm) high. (3)
A 19th century Russian parcel gilt sugar sifter Moscow 1847, trefoil terminal to an oval silver gilt bowl with pierced design; together with a twin handled tazza, R.S., London 1909, with scrolling handles, tapered stem with an unassociated glass liner, a sugar caster, J.R. Birmingham, of baluster form, acorn finial, a cream jug and twin handled sugar basin, D&B, Birmingham and a shaped plated oval tray (7) Length: 18.7cm, weighable silver: 26oz
A 1980s hair pin Eric Smith, Edinburgh, of open basket weave design with textured pin; together with a sugar caster, Edward Barnard & Sons Ltd, London 1976, of baluster form, pierced pull off domed lid with finial, a pair of Dutch fancy style spoons, HW, Sheffield 1904, a shell butter dish, Edward Barnard & Sons Ltd, 1975, of traditional form, raised on two conch feet, a sweetmeat basket with swing handle and a plated wine taster modelled as an apple (7) Weight (all in): 19oz
A Scottish George III three piece tea service Robert Gray & Son, Edinburgh 1816, comprising a teapot, twin handled sugar bowl and milk jug, all of squat circular form, fluted borders to rim and base, open leaf capped C scroll handles, ball finial Height: 16cm, weight: 62.34oz Provenance: Descent of the Lord Provost of Glasgow
A collection of Scottish silver to include; a Scottish provincial pickle ladle and fork Inverness, Fraser, Ferguson & MacBean, marked to ladle bowl FF&M, camel, INVSS, each with twisted baleen handle and pointed finial; together with a dessert spoon by William Simpson of Banff, marked WS, e, thistle, B of Fiddle pattern; a teaspoon by W Hannay of Paisley, marked WH, anchor, WH, of Celtic Point pattern; a dessert spoon by J Heron of Greenock with part Edinburgh marks, single struck of King's pattern and two Edinburgh toddy ladles, fiddle pattern, numbered and initials (7)
A William IV tureen and cover Henry Wilkinson & Co, Sheffield 1836, of oval outline, armorial to front, cast shell and foliate handles, the pull off cover of domed form with gadrooned border, cast pheasant and serpent finial, all raised on four boldly cast claw and foliate feet Width: 36cm, weight: 88oz approx The armorials are those of the family of Walker impaling Parker. These armorial bearings denote the marshalling of a marital coat showing on the dexter (the heraldic right on the left as you view the piece) the arms of the husband and on the sinister (the heraldic left on the right as you view it) the arms of the wife. These armorial bearings may be blazoned as follows: Arms: (on the dexter) Argent on a chevron gules between two anvils in chief and an anchor in base sable a bee of the first between two crescents or (for Walker) (on the sinister) Gules a chevron between three leopards’ faces or (for Parker) Crest: On a mount within a wreathed serpent dove statant all proper (as shown upon lid of the tureen below) These arms undoubtedly commemorate the marriage of Joseph Need Walker (born 30th September 1790 died 15th March 1865) and Catherine Parker (born 9th June 1880 baptised 3rd July 1800 died 7th December 1859). Joseph and Catherine were married on 9th November 1818 at the Parish Church of Christ Church, Tynemouth in the County of Northumberland. Joseph was the eldest son of Joseph Walker, of Eastwood House, near Rotherham in the County of Yorkshire and of Aston in the County of Derbyshire and his wife, Elizabeth Need; whilst Catherine was the daughter of Samuel Walker Parker, of Scott’s House, near Newcastle-upon-Tyne in the County of Northumberland. Given that one of Catherine’s father’s given names was ‘Walker’ it is presently not thought that there is any cousinship or other familial connection between the two families. The Walkers were a wealthy family of industrialists who founded iron and steel businesses in Rotherham during the early to mid-18th Century. During Great Britain’s conflict with France during the Napoleonic Wars, amongst the products the family’s iron and steel manufactories produced were cannon for the Royal Navy which undoubtedly profitably filled the coffers of their various enterprises. Many of these cannons were found aboard Nelson’s flagship HMS Victory at the Battle of Trafalgar in 1805. Some years after their marriage Joseph and Catherine acquired as their marital home, Calderstone Hall (today known as Calderstones House), Childwall, near Allerton not far from Liverpool in the County of Lancashire in 1828. The Walker family retained Calderstone Hall and its surrounding estate until 1875. By the time, Joseph was resident there he was described as a lead shot manufacturer through which means he further consolidated his fortune. As a family, the Walkers prospered greatly through what we now know today as the first industrial revolution in the world. Another extant example of the impaled arms of Walker and Parker is depicted upon Joseph’s funeral hatchment which was erected in the Parish Church of All Saints, Childwall after his death in 1865
A Dutch early 18th century spoon Possibly Bolsward, circa 1690/1720, with cast finial of St Peter holding a Key standing on a stepped plinth above a two stage part twist and flat section stem with deep round bowl, engraved to reverse TI / WP with later prick engraved date and initials Length: 17cm, weight: 39.8g

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116061 item(s)/page