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Early Victorian four-piece Teaset, the teapot and water jug each with hinged lid with a bird and fruit finial, acanthus scrolled handle and shaped spout with bird terminal and mask base, matching two-handled sugar bowl and cream jug, each with gilt interior and all engraved and embossed with scrolls, flowers and shells, on open scrolled feet, by Roberts & Hall.
A large late 19th century Chinese blue and white figure of a warrior, well modelled, wearing benign expression, with fish scale cast arm plates, dragon masks at all main joints of armour, impaling a dragon's head, on shaped waved plinth, the back with mock mark and Dog of Fo finial, 122cm high
A George III tea caddy of oval form, the hinged lid with pineapple finial, all-over bright cut decoration of flowerheads, garlands and tied ribbons, crested and monogrammed, the base inscribed 'Made at the Silver Lyon, Foster Lane, London', 13.5cm. long, maker T D possibly Thomas Daniell, London 1785, 323gm., 10.89oz.
An Anglo-Indian Vizagapatam ivory and sandalwood sarcophagus-form workbox, circa 1830, the two-tier canted lid with gadroon capped ivory finial knop over black foliate line engraved borders, enclosing lift-out tray fitted with lidded compartments, pin cushions and other reveals for sewing, the front, sides and back with conforming ivory borders, on four gadrooned bun feet, 31cm wide.
A creamware Masonic decorated teapot, circa 1775, of globular form, possibly Yorkshire, the lid with flower finial, the double ropetwist handle terminating in floral sprays, with beaded rim and acanthus moulded spout, enamelled in black and ironstone red with Masonic iconography and feather sprays bearing inscription 'Love the Brother-hood', chips and cracks, 13cm high.
A French gilt brass mounted oak eight-day mantel clock, the gong-striking movement with white Arabic numeral chapter ring and gilt centre to dial, in rectangular cupola-topped case with finial surmount and scroll pierced gallery mount, the sides applied with pierced rosettes, on ogee moulded base with cherub head decorated apron and paw feet, 33cm high.
A Continental enamel set silver coloured metal small boudoir portico timepiece, the Swiss made five-bar gilt cylinder watch movement with gilt Roman numeral dial set into elaborate enamel bezel and foliate engraved drum with faceted ruby glass finial, the base with twin column uprights and lacquered enamel rosette decorated circular platform, with pierced gallery apron and on scroll feet, 15.5cm high.
A George III brass-mounted mahogany eight-day bracket clock, circa 1815, the five-pillar twin fusee rack and bell striking movement with anchor escapement and geometric engraved border to the shouldered backplate, with 8 inch cream painted convex Roman numeral circular dial signed 'Saunders, Knightsbridge', the single brass-edged pad-top break-arch case with central brass ball finial over brass stop-fluted quarter pilasters and oval ebony line inlaid panel decoration beneath dial to front, the sides with arched brass fishscale frets beneath lion mask ring handles, on moulded base with brass ball feet, 53cm high.
Thos Ellis, Plymouth. A 19th century French alabaster and gilt metal mounted mantel clock, surmounted by an urn finial, flanked by putti holding trumpets, with applied musical trophy decoration, the 9cm. dial with gilt Arabic numerals, signed 'Thos Ellis, Plymouth', the circular twin drum movement striking to a bell, raised on a giltwood base, contained under a glass dome, 48cm. high.
A Chinese blue and white jar and cover painted with figures, domed cover with dog of finial, Kang shi type mark, 12" high, S/D; a prunus decorated gourd vase, Qianlong marks, 7.5"high, A/F; a Kutani ovoid pot and cover raised on scroll base, 5" high; an export ware armorial tea bowl, restored. (4).
A 19th Century French Serves style large gilt clock garniture, the eight day strike clock with painted panels and enamelled floral decorated dial flanked by twin acanthus capped pillars and two applied cherubs below pagoda top terminating in painted flaming urn finial flanked by two further cherubs, with a pair of conforming urns each painted with a solitary figure in a landscape setting to a pink ground. Each individual piece set to ebonised turned base and under a glass dome. S/D.
A late Victorian burr walnut centre table. The oval top detailed with a thumb mould edge and raised to four turned pillars falling to a central block with finial and four cabriole legs. The whole detailed with box wood stringing and foliate inlay and carved motifs to the base, measures 37" by 21"
Victorian military plated trophy, with Highlander figural finial to lid over cup shaped vessel and with military figures in relief and floral decoration, engraved to one side '10TH L.R.V. Glasgow Highlanders. DRILL AND EFFICIENCY COMPETITION 1880. SECOND PRIZE Presented by Major Williamson. GAINED BY B. Coy. Captain Easton Lieut. G.R. Stewart COMMANDING.', on a triple crossed rifle support and circular base, 13 1/2in (34.3cm) high (Please see lot 225B for image)
A George III Oak Longcase Clock, the broken pediment with brass finial above an arched glazed hood flanked by turned pilasters above a panel door and conforming plinth base, the painted dial with Roman numerals and seconds dial and painted with a shipping scene with moving galleon, the corners decorated with ruins by Thomas Lister, Lancaster
William IV rosewood cased bracket clock having a turned finial and fluted pediment, inlaid brass fillets to the canted corners, brass ring drop side handles and pierced brass side panels, the silvered dial signed James Howden & Co, Edinburgh, the twin fusee movement striking on a bell, the back plate signed James Howden & Co, Edinburgh, 49cm high

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116061 item(s)/page