There are 116099 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeOak eight day longcase clock, the 12" square brass dial signed James Staples, Odiham on the foliate engraved dial plate with subsidiary seconds dial and calendar aperture, enclosed by a silvered chapter ring, the case with short door inlaid with a central conch shell and the hood surmounted by a swan neck pediment and brass ball and spike finial, 80" high (pendulum and two weights)
Mahogany and oak eight day longcase clock, the 14" painted arched dial signed W. Helliwell, Leeds to the centre with subsidiary seconds and calendar dials, the case with short inlaid shaped door and the hood surmounted by a moulded swan neck pediment and brass ball and spike finial, 93" high (two weights)
Small brass two train lantern clock, signed Courleon, Lontone to the foliate engraved centre, the carriage clock type movement with platform escapement and striking on a gong, surmounted by pierced foliate frets, strapwork bell and finial, upon a later fixed square stepped mahogany stand, 11" high (key)
Good English rosewood Gothic double fusee bracket clock, the foliate engraved shaped movement back plate signed Forsyth & Malter, London, the 8" convex cream dial also signed Forsyth & Malter, London, within a Gothic pointed arched panelled case with cluster columns, surmounted by a square stepped gadrooned carved caddy top and finial, 24" high (with locking pendulum and keys)
A pair of Chinese all bronze two handled ting and covers 19th Century a rounded body decorated with bands of dragons on key pattern ground, the loop handle cast as dragons, cover shallow dome moulded with palmette style ornament on scroll work ground with kylin finial, stand with similar open work motifs, 18cm high
A Chinese pale green jade two handled ting and cover 18th Century the squat rounded body carved in low relief with stylized bats and chi-lin dragon, the finely carved and pierced peony flowers and foliage handles supporting loose rings, the cover with archaic style raised flanges framing taotie masks, the finial with rounded foot, style final supported by chi-chi dragon style feet, 17cm across x 11cm high Provenance: Bought in the first half of last century by the present owner's grandparents
A pair of Chinese famille rose 'tobacco-leaf' oval tureen and covers Qianlong (1736-1795) with undulating rims, flanked on either side by lotus bud handles, the cover surmounted by fruit finial with leafy stem, decorated in the famille rose palette with serrated leaves, hibiscus and peony flowers, 37cm long x 27cm across and similar smaller pair of tureens, 28cm long x 21cm across (4) Provenance: from a Gloucestershire estate
A single Chinese famille rose 'tobacco-leaf' tureen Qianlong (1736-1795) with undulating rim, flanked on either side by lotus bud handles, the cover surmounted by fruit finial with leafy stem, decorated in the famille rose palette with serrated leaves, hibiscus and peony flowers, 19cm x 13.5cm
A 19th Century French two handled ice pail, painted with gilt oval cartouches of courting couples in period dress, on a bleu celeste ground, gilt borders, 20.5cm high, c.1890; a similar two handled sucrier and cover, painted with flowers and foliage with a gilt leafy cartouche on a bleu celeste ground, slightly domed cover, lobed bud finial, scroll handles, 13cm high, pseudo Serves marks (2)
Early 20th century Paragon umbrella by S. Fox & Co. Ltd, with black cotton canopy and horn handle with silver mounts, dated 1918, 91cm long, another with horn handle and gilt metal mounts, ladies black satin parasol with ebonised handle and a parasol with cane handle and painted porcelain finial (lacking canopy) (4)
Two Chinese Yixing stone ware teapots and covers, comprising: flattened circular form with zoomorphic shaped spout, 'loose' ring finial, on three geometric shaped feet, length 14cm; bound bamboo section with angular spout and handle, 'loose' ring finial, length 13cm, impressed seal marks to bases. (2)
GEORGE III TORTOISESHELL PAGODA TOPPED RECTANGULAR TEA CADDY, the hinged lid with metal urn finial, enclosing a single compartment with tortoiseshell clad lid with ivory ball finial, the four sides each having a well carved ossier panel flanked by concave corners, on metal ball feet, 4 1/4" wide, 3 3/8" deep, 5 1/4" high (11 x 8.5 x 13.5cm)
A PAIR OF PATINATED AND COLD PAINTED COPPER ALLOY MOORISH FIGURES holding two water lily flowers as candle holders on circular plinth base signed F. Bergamann 1882, one further raised on a veined black marble base (as absent), one with detached flower, 9" (23 cm) high, together with a 19th Century heavy copper alloy box with partitioned interior, on all sides cast in relief in Renaissance Revival taste with amorini, Medusa heads, maidens borne up centaurs, cornucopiae, laurel festoons an autherion borders, 9 1/4"(23.5 cm) long, also a turned wooden pedestal urn with domed cover ending in a cast brass pine-cone finial 14"(35.5 cm) high (4)
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, signed Scales, Kendal, the 14" painted Roman dial with subsidiary dial, river landscape spandrels and exotic bird to the centre, powered by a thirty hour movement, striking on a bell, housed in case with swan neck pediment, central finial and free standing fore columns, over a short trunk door and flame cut oblong panels, flanked by a reeded fore corners and raised on a plain base, 82 1/2" (209.5cm) high, (lacks feet and bell later)
LOUIS XVI STYLE MAHOGANY AND GILT METAL MOUNTED CONSOLE TABLE, the oblong grey veined marble top above a frieze decorated with eighteen floral painted porcelain oval plaques in gilt frames, flanking a central circular embossed gilt metal plaque depicting two winged cherubs, raised part fluted, tapering legs tied by a shaped 'X' stretcher with two handled urn and cover finial 32 1/2" (82.6cm) high, 42" x 17" (106.7cm x 43.2cm), 41 1/2" (105.4cm) wide, 58 3/4" (149.2cm) long extended
MODERN CHIPPENDALE STYLE MAHOGANY STAINED TRAY TOP OCCASIONAL TABLE, of serpentine outline, the removable tray top with pierced gallery border and cut-out handles, above a conforming freeze with moulded border and raised on square, moulded legs tied by a flat pierced 'X' stretcher with flame finial, 28 1/4" (71.8cm) high, 24" x 16 1/2" (61cm x 42cm)
A collection of fifteen silver hat pins, comprising: one modelled as a fox's head, by Allday and Lovekin, Birmingham 1908, one modelled as a Welsh hat, Chester 1910, one with green / blue enamel decoration, one enamelled with flowers, one with a blue hardstone cube finial, one with an Indian peace sign, plus various others. (15)
λA George IV silver teapot, by Thomas Death, London 1820, oblong bellied form, part-fluted decoration, leaf capped scroll handle, foliate borders, the flush hinged cover with a foliate finial, engraved with a crest, on four foliate bracket feet, length handle to spout 28.5cm, approx. weight 20oz. The crest is that for Archer of Liverpool, Reynolds and Steward.
A George IV old Sheffield plated urn, unmarked, circa 1828, baluster form, with oak-leaf mounted side handles, vine and grape borders, the pull-off cover with a cauliflower finial, the tap with a shell handle and mythical beast spout, on a raised shaped square foot on four shell bracket feet, engraved with a crest and dated '1825', height 46cm. The crest is that of Rattray of Scotland.
Loading...
