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Click here to subscribeA GEORGE III TEAPOT of canted oblong form with straight faceted spout, fruitwood finial on mildly domed lid, similar loop handle, chased blind cartouche with bands of flowerheads and foliage, the lid with lambrequin banding, 10 3/4" wide, London 1792, marks for George Smith and Thomas Hayter, 16ozs 7dwts
A Guild of Handicrafts silver coffee pot and cover designed by Charles Robert Ashbee, with ivory handle, decorated with applied wire and silver balls, and a pineapple finial stamped marks, London 1906, 20cm. high. Literature: C R Ashbee Modern English Silverwork, plate II for this design illustrated actual size
A Victorian silver wand of office ceremonial tip staff finial, each side formed as the arms of the City of London below a wolf's head surmount, the circlet of the arms detailed 'Guildhall 1863', the tip inscribed 'Lord Mayor & Sheriff Committee Nicholas Morgan Esq', unmarked, height approx 12cm.
A Victorian silver gilt wand of office ceremonial tip staff finial, each side formed as the arms of the City of London below the Royal coat of arms, the circlet of the arms detailed 'Guildhall 1866', all above a scroll edged plaque inscribed 'Presentation of the Freedom to H.R.H. Prince Alfred 7, June 1866', the tip inscribed 'The Rt.Hon.B.S. Phillips Lord Mayor', Birmingham 1865 by T.BW., height approx 14.5cm.
An English porcelain inkstand, early 19th Century, probably Coalport, the serpentine front fitted with three cylindrical vessels and covers, flanked by a rectangular compartment and cover with recumbent cherub finial, the handle modelled as an open mouthed fish, each piece painted with flower sprays on a gilt ground, length approx 20cm (minor restoration).
A Moorcroft pottery and pewter mounted biscuit barrel, the baluster shaped body decorated in colours with "Pomegranate" design on a mottled blue/green ground, the pewter mounts and cover with hammered finish, folding bale handle and turned finial, 7.75ins high (impressed factory mark to base and initialled in blue "W.M." - mounts unmarked - circa 1925)
A late 19th/early 20th Century brass cased lantern style mantel clock by the Goldsmiths Company, 112 Regent Street, London, the 6.5ins chapter ring with Roman numerals and engraved dial centre to the eight day two train movement striking on two bells, contained in case with turned finial and fretted dolphin pattern crestings, turned uprights, 15ins high, and mounted on ebonised pedestal (one urn finial missing to rear and in need of restoration)
A late 19th Century French bronze three piece clock garniture, the clock No. 9834, the 4ins cast gilt dial with enamel Roman numeral cartouches to the eight day two train movement striking on a bell, contained in ornate bronze case with urn finial and columns to front supported by rampant lions, on rectangular base with scroll toes, 22ins high, and a pair of conforming five light candelabra, 25ins high
A 19th Century rosewood cased wall mounted Regulator by Pyke, 19 Cockspur Street, London, the 10ins diameter cream painted metal dial with subsidiary hours and seconds dials to the eight day movement with heavy brass plates and plain turned pillars with maintaining power, and with wooden pendulum rod with heavy brass cylindrical bob, contained in plain arched top case, the shaped base with turned pendant finial, 36ins high
A Victorian walnut card table of shaped outline, the baize lined folding top veneered in figured walnut, the apron fretted and carved with cartouche and scroll work to front, on four bold scroll supports with turned centre finial and quadruple splayed supports with scroll toes and castors, 36ins wide x 28ins high
A Doulton Lambeth stoneware pedestal water filter with liner and finial topped cover, the filter decorated with three panelled figural reserves on a treacle brown glazed ground, the whole with applied stylised leaf and flower decoration, raised on a footed base, impressed rosette mark and dated 1882, height 35.5cm (Illus.)
A late 19th century Vienna walnut droptrunk wall clock, having a triple turned finial and mask pediment above a single door, having half turned pilasters flanking white enamel dial with Roman numerals, subsidiary seconds dial, twin winding holes for an eight day weight driven movement striking on a gong, height 116cm (Illus.)
Good French ormolu musical mantel clock circa 1835, the movement signed Raingo Fes a Paris striking on a remote gong in the base and simulated striking on a bell in the tower, the 3.25" rose window dial within a case modelled as a Gothic tower with outset columns, crocketted finials and surmounted by a cupola containing the bell under a cockerel finial, raised on a stepped birds eye maple base containing the gong and a pull wind musical mechanism signed F. Nicole on the comb and Freres Nicole on the bed plate, playing a selection of airs, the music control to the side of the base with the original glass dome, 24" high
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