AN EARLY 19TH CENTURY OAK, ROSEWOOD AND MAHOGANY BANDED AND INLAID LONGCASE CLOCK, broken swan neck pediment with central triangular finial, the painted arched 31cm dial with lunar phase mechanism and spandrels emblematic of the four Continents, Roman numerals, subsidiary seconds and date dials, 8 day movement, named Jas. Smith, Coventry, the trunk door with triple arched detail, the base on bracket feet, with pendulum and weights, height of clock 231cm
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A Royal Doulton porcelain cup and cover Commemorating the 100th Championship Season of the Football League,the baluster body with printed football match scene, twin scrolled handles, raised upon a circular base, the cover with gilt printed inscription and gilt decoration finial, bears green factory marks to base, height: 2.5 cm.; sold together with a Football Association boxed centenary (1863-1963) set containing a pair of Royal Crown Derby ashtrays a pair of lapel badges and a compliments slip (2)
An official programme for the first European Cup Finial, Real Madrid v Reims, on the 13th June 1956 at Parc des Princes,the 27 page programme with coloured cover, with centre page of the team sheets of Real Madrid (Spain) and Reims (France).The European Cup now known as the UEFA Champions League, was played at the Parc des Princes in Paris in front of 38,000 people on the 13th June 1956, resulting in Real Madrid beating Reims 4 - 3.
An Aynsley china Arizona World Pro-Am 1996 Tournament Winners Cup with cover, circa 1996the cover with jeweled painted gilt coronet finial surrounded by a green and gilt painted border, the acanthus scroll twin handles attached to the baluster formed body with cartouche of golfers playing and another inscribed 'Arizona World Pro-Am 1996 Tournament Winners, with green and gilt painted surround, raised upon a stepped circular foot ring, bears factory marks, height: 20 cm.
A silver Lord Lonsdale Boxing Trophy by Mappin & Webb, Sheffield, 1951, the lid inscribed Lord Lonsdale Trophy, with BBB of C finial, the trophy inscribed British Empire Championship, Flyweight Championship of British Empire, (15 Rounds) Jackie Paterson (Gt. Britain) v. Kid Tanner (British Guiana) at Belle Vue, Manchester, 11th March 1940, Won by Jackie Paterson (on points), the other side of trophy inscribed Bantamweight Championship of British Empire (15 Rounds) Jim Brady (Gt Britain) v. Jackie Paterson (Gt. Britain) at Hampden Park, Glasgow, 12th September 1945, Won by Jackie Paterson (on points) on black socle base with white-metal plaque inscribed Presented to G.R. Johnstone by A.L. Ellsworth M.B.E., for services to Scottish Amateur Boxing, 13th June 1958, trophy 29cm with base 36cm, 20oz. Jackie Paterson was a Scottish boxer who was world flyweight boxing champion. He was also British champion at flyweight and bantamweight Paterson's first fight was in May 1938 in Greenock, and he beat Joe Kiely on points over ten rounds. With the outbreak of World War II, Paterson joined the RAF, but continued to box regularly throughout the war years. In March 1940, he added the vacant Commonwealth title to his British one, when he won on points against Richie Kid Tanner in Manchester. In February 1941, he defended both titles against Paddy Ryan in Nottingham, winning on a technical knockout in the eighth. In August 1941, he had a shot at the Commonwealth bantamweight title, when he fought holder Jim Brady in Glasgow. However, he lost on points over fifteen rounds. In June 1943, Paterson fought former flyweight champion Peter Kane from Golborne in Lancashire for the vacant World flyweight championship. The world title fight, held at Hampden Park in Glasgow, lasted only a minute, as Paterson caught Kane early in the first round putting him down twice, before he was counted out the second time. Paterson was the first southpaw to be world flyweight champion. By successfully defending his British flyweight title twice he had also won a Lonsdale Belt outright. In September 1945, Paterson had a re-match with Jim Brady for his Commonwealth bantamweight title, beating him on points in Glasgow, to take the title. In March 1946, he fought the Frenchman, Theo Medina, for the vacant European bantamweight title. He won the fight, in London on a disqualification in the eighth. Paterson was now World, British and Commonwealth flyweight champion, as well as Commonwealth and European bantamweight champion.
A Victorian silver three piece Tea Set, by Roberts & Belk, hallmarked Sheffield, 1892, of ovoid form with demi fluted decoration, the teapot with ebonised wooden handle and finial, the two handled sugar bowl and cream jug with reeded handles, all crested, approx total weight 25ozt, together with a corresponding silver plated spirit kettle (4)
A George II silver Coffee Pot, makers mark worn but probably Gabriel Sleath, hallmarked London, 1748, of tapering form with tucked in base on a circular foot, fruitwood scrolling handle, the body with scrolling foliate decoration, ogee domed cover with pineapple finial, the lid unmarked, 9¼in (23.5cm) high, approx total weight 22.8cm.
An early 19thC Dutch silver Birth Spoon, of traditional form with the finial moulded as a pair of lovers, the reverse of the bowl named and dated 1806, together with another example similar with the finial in the form of a galleon, dated 1815, and two other Edwardian silver gilt cast spoons, hallmarked London, 1902, one damaged (4)
A George V silver Teapot, by Walker & Hall, hallmarked Sheffield, 1934, of circular form, decorated in the Art Deco style with an undulating stepped band of decoration, corresponding wooden handle and stepped circular wooden finial, the underside given measurement '1½pints', 5¼in (13cm) high, approx total weight 18.4ozt.
Imperial Germany; Barden, Order of Berthold I, Grand Cross sash badge, in gold and enamel, the Maltese cross with hinged Ducal Crown suspended above, with suspension ring through crown finial, 4¾in (12cm) from top of suspension loop to each of the lower ball finials. Provenance; Unattributed, from a collection all believed to have been awarded to members of a German Noble Family, acquired in Germany in the aftermath of World War II by a member of the British Armed Forces. Relevant Lot Numbers 231 - 239
A Stickpin, the finial formed of a rock crystal ball set with a horseshoe set with seven small rubies, all mounted in unmarked yellow metal, in a case marked 'William Puterson, Edinburgh'. Provenance: from The Pamela Schneider Collection; Mrs. Schneider was a well known jewellery dealer in the Bath Antiques Market from 1960s to 1990s, this is from her personal collection.
A stickpin, the finial formed of a running pheasant, the body set with small diamonds, and with green and red enamelled head, in a 'London and Ryder' fitted case. Provenance: from The Pamela Schneider Collection; Mrs. Schneider was a well known jewellery dealer in the Bath Antiques Market from 1960s to 1990s, this is from her personal collection.
A collection of Stickpins, including one with rose diamonds and three diamond shaped rubies across the centre in a 'Goldsmiths & Silversmiths' fitted case, one with horseshoe shaped finial set seed pearls and pale coral, another set agate and small diamond, another crescent set small diamonds, one set cabochon lapis marked 14k, one with Masonic finial, marked 9ct, together with a gold and red enamel pin in fitted case. Provenance: from The Pamela Schneider Collection; Mrs. Schneider was a well known jewellery dealer in the Bath Antiques Market from 1960s to 1990s, this is from her personal collection.
Manchester Dog Show interest: A pair of Edwardian silver Prize Spoons, from 'Manchester Dog Show', by John Round & Son Ltd., hallmarked Sheffield 1907 / 1910, together with a pair of Edwardian silver spoons, hallmarked Sheffield 1906, the bowls engraved 'Manchester 1907', a silver teaspoon with enamelled crested finial for 'H St L & S. Canine Society', four silver 'L.K.A.' (Lancashire Kennel Association) medals, silver replica anointing spoon etc., approx total weight 12.7ozt, and a velvet lined domed presentation case (a lot)
A late Victorian Bar Brooch, the centre set with a diamond set scroll and with a circular cut sapphire on each finial, together with a pendant/brooch, of shield shape, set with diamonds, the centre and drop beneath with replacement blue pastes, suspension loop above, the reverse with detachable brooch fitting (2)
A six point diamond set Star Brooch, each ray set with three graduated diamonds and two small diamonds, with six knife edge rays between each with a finial set with a small diamond, each c.2.7mm, the centre set with a single diamond, c.4.8mm diameter (approx 0.4ct) and with six smaller diamonds around, the reverse with U shaped pin and all mounted in white and yellow metal, the whole approx 45mm, circa 1940's.
A late Victorian silver three piece Bachelor's Tea Set, by Holland, Aldwinckle & Slater, hallmarked London, 1897 / 1898, of small circular form, with moulded decoration and reeded edge, the teapot with wooden handle and finial, the sugar bowl and cream jug with circular ring handle, teapot 4¾in (12cm) high.
A Salviati Murano glass vase and cover, the globular bowl supported by three mythological fish on a domed circular foot, the cover with corresponding finial, the whole enriched with 'gold lace' decoration, signed on underside of foot "Salviati" and "28J/5", circa late 19th century, cover finial damaged, 14½in (37.5cm) high, together with a 1981 black and white studio photograph of the vase inscribed verso 'Venetian Glass and Gold Lace Vase by 'Salviate' Paris Exposition 1889'.
A George V silver Caddy Spoon, by George Unite, hallmarked Birmingham, 1925, with shell finial, together with a George IV silver spoon, by Edward Farrell, hallmarked London, 1823, two silver pierced pin trays, hallmarked Birmingham 1899, an unusual pair of silver plated asparagus tongs, and a small quantity of other silver flatware, circular dish, etc. weighable silver 5ozt (a lot)
A pair of late 19th century Dresden porcelain vases and covers, each panel decorated with alternating reserves of courtship scenes and floral sprays, against a turquoise ground, all framed within gilt borders, with crossed sword marks verso (one badly cracked and the other with restoration round rim and finial), h.51cm
An 18th century French silver cruet stand, hallmarked Paris 1787, maker's mark of Claude Francois VonarmsThe engraved domed base issuing twin baskets, each holding a facet cut glass ewer, flanking the central column with urn finial and twin attached lids. 27 cm wide. CONDITION REPORTS: Some minor denting/misshaping, some minor fritting to bases of ewers, general wear. Approximately 29.5 troy ounces of weighable silver.
A Chinese famille rose porcelain box and coverOf circular section, worked with figures in a continuous landscape, the domed cover with peach finial. 11 cm high. Provenance: From The Late Harry Lakin Collection of Lakin & Poole. CONDITION REPORTS: Generally good condition, expected wear, some slight rubbing.
A 19th century Indian marquetry inlaid campaign shaving/washstandThe oval bevelled plate with exotic bird finial, supported on hinged scrolling uprights above an integral shelf with detachable wings, standing on hinged splayed legs with scroll feet. 144 cm high. CONDITION REPORTS: Generally good, with expected wear, some slight losses/possibly old repairs.
A 19TH CENTURY LONGCASE CLOCK by George Kiddle of Sherborne, a mahogany crossbanded oak case, the hood with swan neck pediment and central brass finial, column mounted, the painted arch dial with river landscape decoration, flowers to the spandrels, Roman numerals, secondary dial and date aperture, inscribed "G.Kiddle Sherborne", (George Kiddle was apprenticed in Sherborne 1823-1830, he set up business there until 1855 when he moved to Chelmsford, Essex, he died in Shoreditch in 1871) fitted 8-d ay striking movement.
An Allan Adler mid 20th Century American sterling silver spoon in the Art Deco manner initialled "AEL" together with a silver spoon in the Arts and Crafts taste initialled "EWL" and stamped "925" to back and an American spoon with foliate and figural decoration to finial stamped "RW" and "S Sterling" to back. Total weight 3.8 oz
TWENTIETH CENTURY CONTINENTAL PORCELAIN LIDDED DISH ON FIGURAL STAND, the shallow dish with seated putto finial to the domed and pierced cover, set above a leaf moulded waisted column, and raised on a trefoil base surmounted by three figures of children, painted in colours and gilt with floral cartouches and meandering fruiting branches, within blue and gilt borders, 12? (30.5cm) high, spurious crossed swords mark

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