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A Mixed Lot comprising: a Victorian presentation inscribed Trophy Cup, of plain goblet form, with knopped stem, spreading circular foot, and all over engraved decoration, to a presentation inscribed cartouche "Clitheroe Agricultural Association 1866", height 5 3/8"; together with an electroplated novelty Pepper Caster, of ovoid form, with screw-down cover, ball finial and three further ball feet, various dates and makers (2)
A George III Lidded Mustard, of oval form, the hinged and domed cover with ball finial, to a plain polished body with banded sections and cast and applied reeded handle, with blue glass insert, height 3", London 1790, Maker`s Mark ?H; together with an electroplated Fiddle Pattern Salt Spoon, various dates and makers (2)
A late 20th Century Aneroid Wheel Barometer, Rapport of London, the broken arch pediment centred with a cast brass finial, to a baluster throat, and rosette inlaid detail, to a silvered twin scale alcohol thermometer and spun brass bezel, with signed 7 ½" silvered dial with scale of 28-31, height 37"
A late 19th Century gilt brass and porcelain set Mantel Clock, the oval body surmounted by a half-round dome, beneath a strapwork frame with central finial, the dome decorated with cobalt blue field, and panels decorated with military trophies, to a moulded circular 3 ½" dial, with Gothic Roman numerals, and further trophy detail, to a pierced base set with statues and figures, to a spreading oval base, and raised on six supports and three further decorated panels, to a circular brass movement, with anchor escapement strike on a bell, height 12 ½"
A late 20th Century faux tortoiseshell and brass inlaid Mantel Clock, the case of waisted form surmounted by a cast and pierced foliate finial, with further applied mounts and scrolling feet to a single shaped and glazed door, enclosing a cast dial with applied Roman lozenges, to a spring-driven movement with strike on a bell, height 22"
A set of twelve 20th Century Metal framed Designer Dining Chairs, the uprights all crested with Brass ball finials, with circular upholstered back pads and seats, raised on Spartan "X" frame supports, with Brass ball feet, (oxidised, one chair missing Brass upright finial, conditions varies), comprising: 12 single Chairs
A late 20th Century Mahogany and Boxwood line inlaid Aneroid Wheel Barometer, Comitti of Holborn, the broken arch pediment centred with a cast brass finial, to a baluster throat set with a silvered hygrometer and twin-scale alcohol thermometer over a spun brass bezel enclosing a 7 ½" silvered dial with scale of 28-31, to an applied level, height 37"
EARLY 19TH CENTURY MAHOGANY WHEEL BAROMETER, marked C Botta, Pool, having broken swan neck pediment with vase shaped finial above dry damp indicator thermometer and convex mirror, the silvered barometer face within a brass bezel, turned adjustment knob and spirit level below. C1810. 44" High. The face 9.5" Diameter.
A 19TH CENTURY MAHOGANY LONGCASE CLOCK, marked J Kern and Company Swansea, having arched hood with brass ball and spike finial`s above arched aperture flanked by twist turned columns, the waist with twist turned columns flanked by plain door on a panel base. Overall decorated with chequered inlaid decoration. Arch brass face with eagle "tempus fugit" to the arch, foliate spandrels Roman numerals and seconds and date dials. Eight day movement striking on one bell The dial 19" x 13". 85" Overall.
A Slice Cut Glass Pedestal Whiskey Dispenser "McConnell`s Special Irish, Belfast", circa 1880, the conical and slice cut cover with pointed finial, the ovoid body acid etched McConnell`s Special Irish Cromac Distillery Belfast, and with crown and harp trade mark, cylindrical spigot nozzle, on a hollow compressed knopped short stem and circular foot, 70cm high See illustration
A Turquoise Opaque Glass Two-Handled Pedestal Baluster Vase, France or Bohemia, circa 1870, the cover with pointed finial, the front of the vase with an oval reserve painted with the bust length portrait of a young woman wearing a headdress, circular foot, 24cm high; A Ruby Flash Glass Pedestal Circular Bowl, Bohemia, circa 1870, engraved with four panels depicting stags, a hound and a fox, against a gothic strapwork gilded ground, 20cm high; and A Blue Cameo Glass Beaker, 20th century, painted with an oval plaque depicting a couple dancing, 15.4cm high (3)
A French Ormolu and Cut Glass Mounted Pedestal Jar and Cover, perhaps Baccarat, circa 1830-40, the spherical vessel with rose bloom finial with anthemion rim collar, the body deeply slice cut with repeat anthemion motifs, on a petalled wirework collar from three scroll legs with ram mask feet, on an anthemion slice cut cylindrical base with engine turned square plinth, 36cm high See illustration
A Wedgwood Porcelain Rose Painted Two-Handled Vase and Cover, circa 1910, with a compressed oval body, the domed and trellis pierced cover with acanthus sheathed vase finial, the body painted with bands of pink roses within cartouches, signed G Bond, amongst gilt scroll cartouches and with solid gilded scrolling shoulder handles, on a scrolled edged swept foot, brown printed Portland Vase mark and Wedgwood England, 22cm high
A Royal Worcester Porcelain Highland Cattle Painted Small Pot Pourri Vase and Cover, Harry Stinton, 1924, of compressed quatrelobed form, the shallow domed and scroll pierced cover with fluted pointed finial, frontally painted with three cattle near a thatched bothy in a Highland river landscape, the reverse with crag and boulder vignette, signed, with olive green and gilt strapwork shoulder moulding, and with serration to the swept circular foot, puce printed crown and wheel mark, year mark, and shape no.278H, 13cm high See illlustration
A Royal Worcester Porcelain Highland Cattle Painted Two-Handled Pot Pourri Vase and Cover, John Stinton, 1921, the bud finial issuing from knurled leaves from a domed and gadrooned cover edged with raised leaf tip band, on a low concave sided neck with two foliate and dolphin pierced panels applied with ribbon-tied swags of laurels, with acanthus enriched arched side handles, frontally painted with three highland cattle grazing amongst boulder-strewn heather against a misty mountainside, the reverse with a misty lochside vignette, a rocaille moulded low pedestal solid gilded foot, puce printed crown and wheel mark, year cypher and shape no 1428, 33.5cm See illustration
A Royal Worcester Porcelain Blush Ivory Pot Pourri Vase and Cover, 1893, of compressed ovoid shape, moulded in relief with faux basketry, the domed and pierced cover with fluted and pointed finial (inner cover lacking), printed and painted with chrysanthemums and other rambling flowers, enriched in gilt throughout, puce printed crown and wheel mark, year mark and shape no 1286, also impressed 16, 29.5cm high
A Measham Type Pottery Tobacco Jar, Inner Liner and Cover, J Marsh 1884, the domed cover with acorn finial over three applied florets and an arched kidney shape reserve impressed J March 1884 picked out in blue, the cylindrical base with everted tong and dart rim applied with further florets and floral vertical bandings, a frontal applied plaque inscribed May Friendship Reign and Discord Cease and All Oddfellows Live in Peace, the inner flat liner applied with three multi-coloured florets, 18.8cm high See illustration
An English Blue and White Transfer Printed Two-Handled Pedestal Tureen and Cover, "Slingsby Castle, Yorkshire", early 19th century, of rounded rectangular form, the upswept cover with fluted and undulating floret finial, 36.5cm wide; and A Two-Handled Tureen Stand, "Valle Crucis Abbey, Wales", 39.8cm wide (2) See illustration
An English Porcelain Boat Shape Teapot, circa 1810, of flattened oval cushion form, upswept frontal flange to the submerged fluted cover, navette form finial, the main body with a continuous frieze of repeat yellow octagons enclosing speedwell florets, alternating with pink roses in enamels and gilt, and semi-gadrooned, C shape handle, 28.5cm long, 11.5cm high (a/f)
A Creamware Teapot, probably Yorkshire, circa 1770, cylindrical, the domed cover with trumpet flower finial, entwined strapwork reeded handles with foliate terminals, decorated in vivid enamel colours with stylised chinoiserie figures amongst furniture on a veranda, moulded bead strings to the rims, 14cm high See illustration
A Worcester Blue and White Transfer Printed Butter Dish and Associated Cover, circa 1775, of piggin form, with everted "paper scroll" tab handles, the cover painted with a fence pattern and with blossoming rose finial, the base with blue crescent mark, 10.5cm diameter (the cover perhaps Lowestoft); and A Caughley Blue and White Transfer Printed Tureen and Cover, circa 1780, oval section, with blossoming branch handle to the lid and basal side handles, printed with flowers and butterflies, C mark in blue, 15cm wide (2)
A Carl Thieme Encrusted Porcelain Pot Pourri Vase and Cover, circa 1870, the pierced and gently domed cover with an elaborate finial as a spray of flowers, on inswept fan pierced shoulders, veiled maiden mask side handles over encrusted fruits and flowers, the front and reverse painted with couples in 18th century costume dallying, on angular tripod legs linked by laurel swags and on a tri-concave flat plinth, blue painted crossed swords mark and T, 37.5cm See illustration
A Garniture of Three Frankenthal Porcelain Pedestal Vases and Covers, circa 1760, the central large ogee vase with domed cover painted with a panel of three figures and with fruit finial, the main body with a scroll edged frontal reserve depicting eight figures in a fte champetre after Antoine Watteau, the reverse with three further figures, against a background of swags of flowers, scattered sprigs to the swept circular foot, 27.5cm high, the baluster flanking vases also with figurative scenes to the covers and bodies, 22cm high, each with underglaze blue painted standing lion mark (severe damage) See illustration
A Japanese Imari Porcelain Large Fluted Vase and Cover, Meiji Period (1868-1912), the domed cover with compressed ovoid finial, decorated all over with panels of vases containing sprays of chrysanthemums, veranda landscapes, and fruiting vines, against a complex blue background enclosing mon roundels, diaper patterns and other natural elements, 71cm high (cover a/f) See illustration
A Silver Teapot, probably Rome, 19th century, of compressed oval section, with bud finial to the gently domed cover, the spout with bird head terminal, C scroll wood handle, crossed keys and mitre mark within a shield, and PS1 within a lozenge, 10cm high; A French Provincial Double Lipped and Two-Handled Sauceboat, circa 1798-1809, with acanthus sheathed S scroll handles and grooved rims to the shallow vessel, mark indistinct, 13.6cm long; and An Augsburg Silver Gilt Fiddle and Thread Pattern Dessert Spoon, 1763/65, 18cm long, 14oz gross (3)
A Cup and Cover in Renaissance Style, CT (Carl Tegelsten?), the domed cover with fluted finial within a circle of eight cabochon minerals, including jade and carnelian, the lobed and deeply waisted body decorated with raised strapwork and a basal string of further mineral cabochons, on a knopped stem and gadroon circular foot, 29.5cm high See illustration, Ex Collection: Brian Ledbrooke
A Pair of Edward VII Adam Style Two-Branch Three-Light Table Candelabra, maker`s mark HE Ltd, Sheffield 1904, with square section candlestick stems with husk draped paterae embossed weighted bases, supporting a campana nozzle with removable swept cap with vase finial, flanked by whiplashed S reeded branches slightly upraised, numbered 10828, 40cm high See illustration
A Victorian Three Piece Teaset, W W Harrison & Co, Sheffield 1866, the baluster body profusely engraved with Greek Revival anthemion and palmette bands around a central figural panel of a chariot and warriors, the domed cover with a cast Greek helmet finial, 23cm high, 59oz 11dwt all in See illustration

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116061 item(s)/page