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Lot 332
A Victorian porcelain floral painted vase and cover (a.f.), height 44cmCONDITION: English bone china, all 4 handles noticeably re built in a ceramic composition with attempts at repainting and re gilding Hairline cracks inside neck rim. Cover all 4 tips to the finial restored, enamels good throughout.
Lot 463
A pair of 18th century Meissen figures of putti and vases, height 14cmCONDITION: Youth wearing yellow robe both arms lacking; urn has been glue re-attached to base; minor nicks to foliage; cover lacking. Youth wearing blue robe, head glue re-attached; right arm lacking; urn cover finial incomplete.
Lot 441
A GROUP OF VARIOUS PAPERWEIGHTS, SCENT BOTTLES, VASES, ETC, to include a Mdina paperweight, Caithness Vase, a small silver topped pot, height 11.5cm, an etched glass scent bottle, a Gisela Graham Ltd glass covered pot with plated fruit decoration to finial, a dumpy weight with wrythen latticcino inclusions, etc (19)
Lot 468
A MID 19TH CENTURY ORMOLU AND PORCELAIN MANTEL CLOCK, the case surmounted by an urn shaped finial and ribbon, the circular dial painted with bird and flowers and Roman numerals, eight day movement, bell strike, the backplate stamped 'HY MARC PARIS' in an oval, and 54992, another indistinct mark behind the bell, lion mask ring handles to the sides above foliate scrolls, hand painted porcelain inset to the front, height 31.5cm, with pendulum, no key and a pair of gilt metal and porcelain garnitures (3) (Condition:- the garnitures: one has a break on the metal pedestal, the other has a split across the metal finial. Clock feet are loose, ribbon above dial is slightly mishapen. Clock is ticking. All porcelain appears to be in good order.
Lot 507
THREE BOXES AND LOOSE VICTORIAN AND LATER CERAMICS, JUGS including a graduated set of three of Victorian stoneware dodecagan jugs with green and blue foliate decoration, other Victorian stoneware, a blue vase signed Tony Cooper to the base, a Wardle pottery jar and cover, s.d and glued finial, a white glazed Royal Worcester second Freda Doughty figure, etc (three boxes and ceramic cased clock)
Lot 53
A THREE PIECE SILVER TEA SET AND TWO GLASS VINIAGRETTES, the tea service set comprising a tea pot fitted with a black wooden handle and finial, with a decorative rim, a matching milk jug and a double handled sugar bowl, hallmarked Birmingham 1932 'John Taylor & Co', together with a pair of plain polished sugar tongs hallmarked Sheffield 1925, approximate gross weight 1041.3 grams, 33.4ozt, together with two cut glass viniagrettes with silver mounted necks, hallmarked Chester 1923
Lot 759
A GROUP OF ASSORTED 19TH AND 20TH CENTURY CERAMICS, including an Aynsley tea cup and saucer, a pair of Coalport coffee cups and another, a Coalport Tiffany & Co saucer, a reproduction pottery drug jar and cover, a Coalport Indian Tree pattern wavy bowl, a set of three Coalport plates, a Coalport shaped hexagonal trinket box and cover, etc, some damage (quantity) (Condition:- gilding worn on finial, factory mark on base has been rubbed but mark to the inside of the lid is green and visible. Numbered B801 in black to the underside of the base. There are some minor nibbles to the inner rim of the cover. No sign of any other chips, cracks or restoration under UV light)
Lot 776
COPPER AND BRASS etc, comprising two pairs of candlesticks, oil lamp base converted to electric, milk pail vase, trench art table salt, lidded bowl with elephant finial, pair of plated miniature urns, Eccles miners lamp and Josep Bofill bronzed sculpture of a girl and dog, approximate height 30cm
Lot 779
A LATE GEORGIAN PART TEASET PATTERN 7481, comprising teapot, teapot stand, eight cups and seven saucers, covered sugar bowl and slop bowl, together with a Georgian milk jug and three posy vases, teapot has star crack to base, two saucers cracked, sugar bowl cracked, finial reglued, posy vases chipped, missing pieces, reglued in places
Lot 2014
AN ITALIAN SILVER-PLATED TWO-HANDLED ICE BUCKET, by Broggi, the cover with pineapple-form finial, the pale with reeded and ribbon-tied rim and handles. 23cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Light scratches but in otherwise good condition.
Lot 2074
A QUEEN ANNE SCOTTISH SILVER SUGAR CASTER, by Walter Scott, Edinburgh 1707, assay mark for James Penman, pear-shaped, the domed cover with acorn-form finial above a pattern pierced and engraved to depict scrolling foliage, the body engraved with the letter 'M', raised on a stepped circular foot. 16cm high, 7 troy ounces Note: An example by this maker exists in the collection of Museum of Fine Arts, Boston, accession number 1987.57a-b.The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Marks clustered to underside of base. Bears Tessiers label. Small dent to cover. Foot ever so slightly misshapen in one area. In generally good condition.
Lot 65
Mid-20th century Japanese porcelain tea set, the cups with a lithophane of a geisha girl in the base, the tea pot, sugar bowl and jug all relief moulded with dragons, with dragon spout and dragon finial, the set comprising 6 cups, saucers, side plates, tea pot, sugar bowl and hot water jug (qty) teapot 20cm high
Lot 124
A Gilt Metal and Cut Glass Chandelier, in 18th century style, with wrythen column, scroll supports and foliate mounted circular rim, hung with cut glass bag shade and flammiform finial, 68cm Provenance: Christie's Interiors 4th August 2009, Lot 170In good condition overall. All elements of the glass bag structure are present.
Lot 152
A George III Silver Mounted Ostrich Egg Cup and Matched Cover, cup by Joseph Biggs, London 1816, cover London 1844, the cover with baluster and plain collar, the cup with gadrooned collar, foliate cast loop handles and circular foot, 21cm high. Part marked on rim and under foot. The cover further marked on rim. The finial is apparently unmarked. The cover has differing silver marks to the body and is slightly ill-fitting. It is likely associated to the cup and not the original cover. The finial is slightly loose on the cover. There are some overall surface scratches and wear to the silver mounts, consistent with age and use. There are cracks to both sides of the body of the shell. One side has two prominent cracks which run from the rim nearly all the way to the foot. The other side has one crack which runs from the rim diagonally towards the foot.
Lot 165
A Victorian Glass Pharmacy Jar and Cover, of baluster form, the domed cover with minaret finial, applied with a paper label inscribed SKIN SPIRIT COCKS & DUNSFORD TW DUNSFORD MPS PROPRIETOR Pharmacists CASTLE CIRCUS, Torquay, 40cm high; and A Metal Mounted Glass ZUBES Display Jar, of cylindrical form, the cover cast ZUBES REGD, 29cm high, containing a quantity of Wills Old Woodbine cigarette boxes (2). Glass and pharmacy jar: Chip to the foot rim, numerous chips to the inner bowl rim, various chips to outer lid rim otherwise in good condition. Zubes display jar: Small chip to the inner rim, alloy lid with various dents and scratches consistent with use
Lot 33
A Victorian Cast Metal Dinner Gong, 3rd quarter 19th century, the moulded frame with egg and dart border and spiral turned supports joined by a Gothic tracery stretcher, the curved supports and circular bun feet suspending a circular hammered metal gong, the striker with wooden handle and turned finial, 53cm by 36cm by 106cm (2). One of the suspensions bosses sprained (bent but firmly attached). Typical surface wear and abrasions throughout
Lot 72
A George V Silver-Mounted Cut-Glass Claret-Jug, by Martin Hall and Co. Ltd., Birmingham, 1918, the body tapering and cut with diamond motifs, with plain loop handle, the plain silver mounts with foliage-cast spout, the hinged coved with ball finial, 26cm high . Fully marked near rim and part marked inside cover. There is some wear to the marks near the rim. Those inside the cover are clear. There is some surface scratching and wear, consistent with age and use. There are some minor chips to the glass.
Lot 234
A group of Knight Grand Cross: fire-gilt copper maltese cross, 77x45 mm, the arms, set with red glass pastes, alternated by gilt Florentine flowers; uppercrown in one-piece with the cross with marine shell-shaped finial (the Order is also known as a Naval Order); ribbon ring with rich, chiselled floral ornament;red, neck ribbon; breast star, 70 mm, also of fire-gilt copper, with applied arms, set with red glasses; bright polished beams with florentine flowers; thereverse with old, engraved inscription “LVDOVICO DA VERRAZZANO 1717”, 4 nuts retaining the obverse’s details; iron pin and two side-hooks.A beautiful set of great rarity, dating to the 18th Century, it is the most illustrious and ancient orderof Tuscany, instituted by Cosimo de Medici, seigneurof Florence and 1st Duke of Tuscany.It was awarded firstly to military of the highest rank for their merits in fighting the moors in defence of Christianity and of the Commerce, besides humanitarianmerits also. It was reinstituted by the Grand Duke Ferdinand III. Its chapel in Pisa is adorned with the flags and coats-of-arms of the ancient knights.Ludovico da Verrazzano was a Tuscan admiral, at the end of 17th to the early 18th Century, commander of the galleys belonging to the Order; anothermember of the family, Giovanni da Verrazzano (Greve in Chianti, Tuscany, 1485 – Guadalupa, 1528), was a famous navigator, whose descriptions of histravels to the New World were the first, thorough reports of the almost newly discovered territories of North America. The bridge on the Narrows in New York, opened to the traffic in 1964, known as “The Verrazano”, honours his memory and discoveries.I RR!
Lot 641
Wohl FRANKREICH Tafelaufsatz, 19. Jh. Weißporzellan mit reichem Golddekor, spitzovale durchbrochen gearbeitete Schale mit Lorbeergirlanden auf Rechteckstand mit reliefiertem Akanthus- und Kreuzblumendekor auf blauem Fond, ungemarkt, H. ca. 20cm, L. ca. 30,5. Berieben, Alters- und Gebrauchsspuren. | Probably FRANCE centrepiece, 19th century. White porcelain with rich gold decoration, ogival openwork bowl with laurel garlands on a rectangular stand with acanthus and finial decoration in relief on a blue fond, unmarked, h. approx. 20cm, l. approx. 30.5. Rubbed, signs of age and use.
Lot 508
Early 19th century and later long case clock, the 20th century Chippendale style case with brass ball finial and swan neck pediment over pierced fret work and arched hood doors, leaf capped and fluted pilasters enclosing full length trunk door, raised on ogee bracket supports, brass dial signed 'Paul Lacey, Bristol, with Roman and Arabic chapter ring, subsidiary seconds ring, date aperture and with silent strike function, eight day five pillar movement striking the hours hammer on bell - Condition Report
Lot 12
COALPORT; a pair of gilt heightend blue and white twin handled vases and covers, the fronts painted with twin exotic birds, the reverse painted with insects and floral sprays, printed marks to base and also gilt mark 7647 S/S.270, height 26cm.Additional InformationBoth with very minor rubbing to the gilding, a couple of tiny surface scratches, one finial has been broken and reglued, general surface wear.
Lot 2033
Large 19th century porcelain urn with cover in a chinoiserie style, ornately decorated with polychrome dragons and flowers on a gilt ground, on square footed pedestal base, with gilt metal mount and twin mask handles, the cover with gilt metal eagle finial, faux oriental mark to base, h45cm
Lot 2270
19th century French gilt metal clock garniture, the clock with painted dial with Roman numerals and riverside scene to centre, urn finial and two columns and with scrolling foliate design and floral swags, on scrolling base with painted panel, flanked by two matching gilt metal and porcelain urns on stepped square bases eight day drum movement, with pendulum and key, H47 x W38cmCondition Report: Central clock - the urn finial sitting slightly loose on gilt metal base. Two floral mounts to cornice slightly loose.Columns slightly loose. Chip to one of the columns.Wear and scratching to metal case. Scratching to reverse.Scratches to dial. Minor scratches to two other panels.Currently working but we cannot guarantee the working order. Garniture - minor scratching and rubbing to panels. Minor scratches to gilt metal. Both urns slightly loose - need tightening.
Lot 1196
PAAR CASSOLETTESLouis XVI, Paris um 1770/80.Crèmefarbener Marmor und ziselierte sowie vergoldete Bronze. Eiförmiges Gefäss mit abnehmbarem Deckel, montiert auf drei leicht geschwungenen Beinen, oben eingerollt mit Blattabschluss, unten in Bocksfüssen endend. Zentraler Schaft, das Gefäss unten in Blütenform umfassend und mit Blattdekor. Auf Rundfuss und Marmorrundsockel mit Quetschfüssen. Der Deckel mit Pinienknauf, drehbar und auf der anderen Seite mit zylindrischer Kerzentülle.H 23 cm.Fein gearbeitete Cassolettes mit schöner Matt- und Glanzvergoldung in gutem Erhaltungszustand. PAIR OF CASSOLETTESLouis XVI, Paris ca. 1770/80.Cream-colored marble, and chiseled and gilt bronze. On a round foot and marble plinth. The rotatable lid, with a pine finial, the other side with a cylindrical candle nozzle.H 23 cm.Finely worked cassolettes with attractive matte and polished gilt bronze, in good condition.
Lot 1202
TEEKESSEL MIT RECHAUDSt. Petersburg, Beschaumeistermarke Alexander Ilitsch Jaschinkow 1795–1825.Ovale kanne, Unterbauch godronniert. Schulter mit umlaufendem Zierband. Deckel gewölbt, godronniert mit Holzknauf. Beweglicher Bügelhenkel. hahnenförmiger Ausguss. Rechaud auf vier geschwungenen hohen Füssen. Ohne Brenner.H 32 cm. 2050 g.Provenienz:Schweizer Privatbesitz. TEA KETTLE AND RECHAUDSt. Petersburg, assay master's mark Alexander Ilitsch Jaschinkow 1795–1825.Oval kettle, with convex lid and wooden finial. Movable bow handle. Rechaud on four tall curved feet. No burner.H 32 cm. 2,050 g.Provenance:Swiss private collection.
Lot 1053
SELTENE FLASCHEDu Paquier, um 1730-35.Quadratischer Grundriss mit abgerundeten Schultern und profilierter, runder Ausgussmündung, auf acht vierkantförmigen Standflächen appliziert auf die glasierte Unterseite. An den Seiten Reliefauflagen von Hunden, je mit einem Kelch bzw. einem Papagei mit blühendem Zweig über dem Kopf, einmal nach links und einmal nach rechts gedreht. Stöpsel aus Korken mit Metallabschluss. Ohne Marke.H 17,8 cm.Provenienz:- Sammlung Dr. Siegfried Ducret, Zürich.- durch Erbfolge an Rosmarie Schmidt-Ducret, Binningen, Nachlass.Diese Flasche gehört zu einer Reihe von Stücken aus der Wiener Manufaktur, die vermutlich entweder in einer Apotheke standen oder zur Aufbewahrung von Wein oder Likör dienten.Tiere wurden zahlreich als plastisches Element in diversen Du Paquier Formen integriert. Es sind oft ostasiatisch inspirierte Drachen, Löwen, Panther, Salamander oder Adler sowie andere Vögel, die den Knauf und Henkel formen oder wie bei vorliegendem Modell als Reliefschmuck verwendet wurden.Vergleichsstücke: M. Chilton-C. Lehner-Jobst, Fired by Passion. Barockes Wiener Porzellan der Manufaktur Claudius Innocentius Du Paquier, 2009, Bd. 3, Kat. Nr. 122-130; Teedose mit vergleichbaren Vierkantfüssen und Mündung (ehemals Sammlung Ducret, seit 1998 im Metropolitan Museum New York (Inv.Nr.1998.528); Uhrgehäuse mit aufgesetzten sitzenden Löwen bei Hayward, Victoria & Albert Museum, 1952, Taf 11; Teekanne mit Reliefauflagen bei Bednarcyk 1994 Abb 1. RARE BOTTLEDu Paquier, ca. 1730-35.Rare bottle, extensively decorated. Cork stoppers with a metal mount. No mark.H 17.8 cm.Provenance:- Collection Dr. Siegfried Ducret, Zurich.- By succession to Rosmarie Schmidt-Ducret, Binningen, estate.This bottle is one of a series of items from the Viennese Manufactory that probably either stood in a pharmacy or served for storing wine or liqueur.Animals were integrated in large numbers as sculptural elements in various Du Paquier forms. They are often East Asian-inspired dragons, lions, panthers, salamanders, or eagles, as well as other birds that form the finial and handle or were used as relief decoration like in the model on offer.Comparative pieces: M. Chilton-C. Lehner-Jobst, Fired by Passion. Barockes Wiener Porzellan der Manufaktur Claudius Innocentius Du Paquier, 2009, Vol. 3, Cat. Nos. 122-130; tea caddy with comparable square feet and opening (formerly Ducret Collection, in the Metropolitan Museum New York since 1998 (Inventory No. 1998.528); clock case with applied seated lions at Hayward, Victoria & Albert Museum, 1952, Table 11; teapot with relief overlays at Bednarcyk, 1994, Ill. 1.
Lot 113
19th century Malacca walking cane, the white metal finial modelled as a Anthropomorphic Fox dressed as a Monk complete Cowl and rosary, signed W. Wolff. F. possibly after Wolff, Friedrich Wilhelm (German 1816-1887), the Malacca shaft with pierced with hole for wrist loop, white metal collar and ivory mounts, L88.5cm - Condition Report
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