There are 116041 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA George II mahogany linen press. the broken triangular pediment with egg and dart, rocaille and key fret mouldings flanking a central pine cone finial above a blind fret carved frieze, the two rosette carved panel doors enclosing hanging space, the lower section with leaf carved edge and two simulated short drawers above two long caddy moulded drawers with brass drop handles, on carved apron and scroll carved bracket feet. 132cm wide, 230cm high, 64cm deep
A rare George III old Sheffield plate small two handled sugar vase and cover, circa 1785, pierced and engraved with bands of strapwork and flower heads, 15 cm high, an Edwardian silver drum mustard, by Townley & Thomas, London 1905, pierced with strapwork, swags and flower heads, the domed cover with pierced shell thumbpiece, crested, 7.25 cm high, and a silver cayenne spoon with devil's head finial, London 1898 with glass bottle & further items (qty)
A modern silver two handled trophy cup and cover, by Mappin & Webb, Sheffield 1960, of vase shape on a pedestal circular foot, the domed cover surmounted by a finial modelled as a working horse, inscribed 'The Talbot Challenge Cup Best Agricultural Pair of Horses', 32 cm high, oz excluding wooden plinth, (in fitted wooden case) (3)
A George III silver tea caddy, makers mark T. C, London, 1784, the oval body with bright cut decoration, and a domed cover with an urn finial, crested, with motto above,centred with a crest of a man holding a club beneath the Latin 'Non Noblis', domed cover with urn finial, 13.5cm high, 11oz
Clarice Cliff-An octagonal bowl circa 1929 hand painted in the Crocus pattern with three large sprays of Crocus flowers within yellow, green and brown banding together with a pair of serving spoons with conforming enamelled finial ends, hand painted green "Crocus" with Bizarre mark, width 18cm.
Fine late 19th Century Neo-Classical satinwood Pembroke table, the oval top with painted medallion depicting classical female figures and amorini seated beneath a tree, the outer edge with a painted border of flowers, the frieze with painted swags fitted a drawer with turned ivory knob. Standing on four slender turned and tapered supports having brass terminals and casters united by an 'X' shaped stretcher with central urn design finial, 106cm x 77cm (open)
A 19TH CENTURY FRENCH GILT METAL AND BLEU CELESTE PORCELAIN MANTEL CLOCK with urn finial, painted dial with figures painting, the case with rams head mask sides and classical mounts, the movement marked Brevete, the case marked P H Mouret on a gilt wooden stand, 19 1/2" high (see illustration)
Pair of modern scallop design menu holders, London 1982, 1.75cm high, a plain Edwardian circular menu holder, Chester 1904, maker Sampson Mordan & Co, 2.75cm high, an Edwardian thistle design menu holder having an amethyst coloured glass finial, Birmingham 1907, makers Adie & Lovekin Ltd, and a modern menu holder having a circular finial and of tapered form, Birmingham 1989, makers Broadway & Co, 5cm high
A fine late 18th Century Chippendale period mahogany bureau bookcase, the bookcase over with swan neck cornice on pierced fret supports, united by a floral swag with reeded vase shaped finial, the frieze with dentil and blind fret carving, fitted adjustable serpentine front shelves enclosed by a pair of eighteen pane astragal glazed bar doors, having a finely fitted interior of drawers, secret drawers and central recess behind a concave archetrave panel all beneath the fall flap with four graduated long drawers under, the plinth carved scrolls and acanthus foliage, on bracket feet, 102.5cm (40.5") wide (Promissory notes found in a secret drawer of this bureau link the piece to the possible ownership by William Chippindale of Farnley, the second cousin to Thomas Chippendale see Christopher Gilbert's- Life of Chippendale pp 2,3 and 16)
A circular muffin dish with cover and liner, 19cm (7.5"), a square cut-glass jam pot with plated cover, a three-piece tea service with shaped border, on four scroll feet, comprising:- teapot with hinged cover, milk jug, sugar basin and an Indian pear shaped coffee pot with scroll handle, the hinged cover with bird finial, 19cm (7.5") high
A John Aynsley, Lane End Staffordshire pearlware baluster coffee pot and cover, transfer-printed and painted in coloured enamels with a round panel depicting Britannia, lion and attributes, above the verse from Handel's Oratoria 'Judas Maccabaeus' Come ever smiling Liberty - And with thee bring thy jocund train - For thee we pant, and sigh for thee, with whom Eternal pleasure reign, the reverse with a round landscape panel signed J. Aynsley Lane End, 26.5cm high, circa 1800 (finial restored) Note: George Frederick Handel's Oratorio Judas Maccabaeus was first performed at Covent Garden on 1st April 1747, the work being produced to commemorate the victory of Prince William Augustus, Duke of Cumberland over the Jacobites of Prince Charles Edward Stuart at the Battle of Culluden 16th April 1746. As Cumberland was representing his father George II against the Stuart threat it is possible the prints are Whiggish in nature and anti-Tory.
Loading...
