An 18th century eight day, chinoiserie lacquered, long case clock, the brass dial signed William Morgan, Southwark to the matted centre where there is also a calendar niche and a subsidiary seconds dial, the arch has a rocking Father Time figure to an aperture inscribed Tempus Fugit, beneath this a silent/strike control, the chinoiserie lacquered case with dark blue ground, maximum height including eagle finial 234cm. Condition Report: Minute hand bent. Split to trunk above the door. Wear to decoration on the door. Wear throughout.
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A Victorian folding parasol by Debenham, Son & Freebody with purple and striped silk canopy, the painted stick with ivory finial, and a parchment painted parasol. Condition Report: There are some very small holes and fading to the top canopy. The lining is perished around the metal collar. Some foxing and discolouration.
A Chinese bronze censor with fo dog finial, the sides with eight daoist symbols raised on triple scroll feet, height 25cm and a smaller censor with seated Quan Yin finial, the handles mounted as two child acolytes and raised on triple feet, height 15cm. Condition Report: Smaller censor has a cast four character seal mark. Wear to the patina. Both have minor surface scratches and dents.
An Australian, gilt silver coloured metal mounted, emu egg box with emu finial and palm tree pedestal, the lobed oval base with foliage, a frog and a lizard, bird mounted handles, height 22cm (upper half of the egg damaged). Note: Christies sold an egg which was very similar, Lot 5, 1st December 2004 "Selected Silver and Plate", South Kensington, their's was dated 1885 but otherwise, like ours, apparently unmarked.
Four Minton vases two with twin handles and covers painted with roses, one signed J. E. Dean (lacking cover) and one other decorated in with raised gilt on a yellow ground, (6) the tallest vase measures 22cm high Condition report: The Dean vase has no cover, the blue ground vase has a hairline crack, the white ground vase has a hairline, the cover has the finial restuck and a minor rim nick. There are no damages to the yellow vase.
Spode tea service circa 1820 bat printed with landscapes, to include a teapot and stand, two cream boats, slop bowl, and saucer dish, two lidded sucriers, thirteen cups and saucers and one other similar teacup and saucer, (39) Condition report: wear to the gilt and occasional scratches to print on many pieces. One cup has a crack to the handle, one saucer with body crack. One sucrier has a restuck finial, the base is stained. the other sucrier cover has stains. The teapot has a star crack to the body. One cream boat has firing cracks.
Pearlware teapot and coffee pot probably Leeds circa 1790 with entwined handles and floral finials, painted in underglaze blue, the teapot has red overglaze clobbering, (4) The coffee pot measures 25cm high Condition report: Coffee pot: two 2cm x 0.5cm rim chip to cover, flat chip to flower finial. The body has a 4cm crack, restored section of the rim, restored handle, and a chip to the lower handle. There are also several small nicks to the spout. Teapot: yellowing restored crack to base, restored chips to spout, overall crazing which has stained on the interior.
Two pearlware coffee pots circa 1800 one possibly Liverpool painted in underglaze blue with `L` to the base, the second with transfer print decoration, (4) 25cm high Condition report: Painted coffee pot: old yellowing restoration to the finial and the spout. Minor glaze nicks and crazing. Printed coffee pot: flat chip to the spout and to the base. Overall crazing.
Four Staffordshire teapots three printed in brown transfer with polychrome enamelling, the forth printed in underglaze blue with swan finial, early 19th century (8) The tallest teapot measures 16cm high Condition report from left to right, top to bottom of main image: 1: Restoration to the base, spout, chips on the rim. Hairline to cover. 2: Restoration to the cover, spout and a rim chip. Short hairline to rim. 3: Two chips to the spout, one to the inner rim and one to the inner rim. Short hairline to rim. 4: Hairlines to bass, to the spout, chip to the rim and to the face of the cover. Crazing to all.
Six early 19th century teapots painted and printed with various designs in underglaze colours (12) The tallest teapot measures 13.5cm high Condition report from left to right, top to bottom of main image: 1: Two small chips to spout, and to underside of cover. 2: Two chips to the edge of cover, one to the rim, one to the spout, short hairline to rim. 3: The lid, handle, restuck with filling, filled chip to the spout. 4: Handle restuck, several cracks to body. Chip to the spout edge, restoration to the cover. 5: Three rim chips, spout chip, short base hairline. Rim restoration to the cover and finial. 6: Three chips to spout, multiple chips to edge of cover. Chip to base. Crazing and some staining to most pieces.
Seth Pennington Liverpool teapot and a trio circa 1790 with moulded bodies and underglaze blue printed borders, (5) The teapot measures 18cm high Condition report Teapot: minor chips to underside of lid rim, spout and finial. Minor peppering. Trio: the cup has a minor nick, the saucer has a glazed over rim chip.
Two Liverpool teapots circa 1770 -1780 both with similar moulded bodies, the first with green translucency indicating a soap rock formula and therefore probably by Philip Christians factory, painted with polychrome flora and details, the second with yellow translucency indicating a bone ash formula and therefore probably Christian`s successor Seth Pennington painted in underglaze blue (4) The first teapot measures 18cm high Condition report: Polychrome: restored chip to teapot lid, small chips to spout, cracks and associated chip to handle joins at body. Blue and white: firing crack and hole to body, flat chips to spout, finial missing.
An early 19th century and later rosewood brass inlaid pagoda topped bracket clock, the 8 inch convex brass dial with ring of Roman numerals and twin winding holes, the case with turned finial over a reeded top above scrolling leaf brass inlays between side ring handles, on four reeded compressed turned feet, the later eight day spring driven movment striking on two coiled gongs, 29.5cm wide, 50cm high, 18.5cm deep
A silver commemorative Prince of Wales and Lady Diana Spencer Royal Wedding mantle clock with eight day movement, the urn shaped case with gilt urn finial above a chapter ring with black Roman numerals, the body applied with gilt crests, lion masks and chain festoons, on a circular foot with gilt ropetwist border, London 1981 by Mappin & Webb, height approx 27cm, with case and certificate.
A late 19th Century French ormolu and champlevé enamel clock garniture, the clock with eight day movement, detailed `Japy Frères` striking on a bell, the gilt dial with Roman numerals, the arched case with spire finial above a seated cherub and four turned finials, the front and sides with polychrome enamelled strapwork decoration, flanked by four turned columns, the front pair accompanied by cherubs, on an inverted breakfront base and turned feet, together with a pair of matching five light candelabra, height of clock approx 42cm (lacking pendulum).
A late 19th Century oak cased mantel clock with eight day movement striking on a gong, the square brass dial with silvered chapter ring and black Roman numerals framing a matt centre, cornered with pierced floral gilt metal spandrels, the backplate stamped `W & H Sch` (Winterhalder & Hofmeier), the carved case with arched surmount flanked by turned spire finials above turned columns, on a plinth base and bracket feet, height approx 41cm, together with pendulum (missing a finial).
Regency silver mustard with gadrooned rims and acanthus capped handle to back, the hinged lid with a domed finial, complete with blue glass liner, Glasgow 1827, 10cm wide, together with a pair of Regency style oval open salts with pierced and bright cut bodies raised on four hairy paw feet, complete with original blue glass liners, (3)
A Chinese Qing Dynasty silver and jade magnifying glass, the handle of silver on one side with engraved lotus flowers, the other side of pale jade with bat amongst peaches finial, with bats to shoulder and cast prunus blossom and peach tree branches surrounding the glass, with carved inset jade and pink stones carved as bats and fruit on both sides, stamped silver to base of handle, approx. 22cm long
A parcel lot of metalware to include a Victorian English flynut corkscrew, marked `The Victor` at the top of the frame, neo Renaissance style sugar tongs with grotesque winged beast finial and claw ends, snuff box with Greek key pattern to sides, Eiffel tower vesta case, nutcrackers and small twist handled spoon marked 830, possibly Scandinavian silver, 6 items

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116061 item(s)/page