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Click here to subscribeA George III silver shaped rectangular tea pot by Robert I and David II Hennell, London 1795, with an ivory oval finial to the domed cover, an ivory loop handle, engraved with linear and dot borders, scroll foliate panels and a foliate cartouche to each side, engraved with an armorial to one, a crest and a monogram `HGEA` to the other, 28.5cm (11 1/4in) long, 569g (18.3 oz) gross. The arms of ATWOOD of Hinton, Brackley, Northants with FLORACK in pretence.
A Chinese silver filigree canted-rectangular box and cover, stamped `97` and a character in one rectangular punch, late 19th century, with an hexagonal spire finial to the domed radial design cover, the sides with flowering scroll foliage, the angles with a flower head trellis, on four pierced ovoid feet, 9.5cm (3 3/4 in) high, 8.3cm (3 1/4in) wide, 168g (5.4 oz)
A matched Continental silver coffee service, the baluster coffee jug and oval cream jug with sponsor`s mark `VA`, Belgian assay and 2nd standard import marks for 1814-1831, the silver coloured oval sugar bowl with post 1942 .835 mark, the coffee jug with an ovoid finial to the domed cover, each jug with a wooden handle, the coffee jug 22cm (8 3/4 in) high, 1109g (35.65 oz) gross
A Scandinavian silver spoon, maker`s mark `SHF` conjoined in a quatrefoil punch? (not traced), probably Norwegian, early 17th century, the almost circular bowl engraved with foliage at the handle, with a twist stem issuing from a moulded base, the lobed ball knop alternately dot punched and plain with a ring finial, 12.5cm (5in) long, 25g (0.8 oz)
A late George III Derbyshire Blue John and ormolu mounted urn on plinth, early 19th century, with possible later adaption, with flambeau cast finial on a waisted socle and foliate cast domed mount, above a lobed cover to the urn beneath, sloping to the shoulder with reeded rim, above further reeding to the body, on a foliate cast and lobed socle, the square section plinth with alabaster top and Blue John sides, on a marmo nero Belgio base, 41cm high
A French patinated bronze urn and cover, last quarter 19th century, the spherical finial of the circular lid cast with a lizard, above spreading leaves, the body of the urn cast in high relief with an encircling serpent amongst foliage, with conforming socle and circular foot, the lid interior inscribed `A Giroux` for the retailer Alphonse Giroux of Paris, 19cm high. Provenance: Property of a Lady of Title.
A collection of treen, 19th century, including a lignum vitae bowl, 9.5cm high, 9cm diameter; an oak casket modelled as an urn, with gilt metal flame finial, the upper section of the urn with two hinged compartments, above turned stem and moulded oval base, plinth and bun feet, 25cm high, 21cm wide, 13cm deep; and a pair of turned fruitwood bowls, circular tops, waisted stems and circular foot, 10cm high, 12cm diameter. Provenance: Apsley Estates, Hampshire.
A pair of Chinese gilt metal mounted turquoise porcelain vases and covers, the mounts 19th century, each turquoise lobed glazed bottle vase with gilt metal mount and domed finial surmounted by leaves and berries, twin stylised bird handles, with gilt metal foliate handles and a pierced scrolling gilt metal base, 32cm high, 14cm wide
A George III mahogany cutlery urn, circa 1800, the husk and guilloche banded lid with an acorn finial, the body with guilloche band above half fluting and leaf carving with patinated metal loop handles, on a beaded socle and square base with ogee bracket feet, 2ft 6in high, 44cm diameter. Provenance: Apsley Estates, Hampshire.Please note : This is possibly 19th century, not as stated in the catalogue.
A COLLECTION OF FOOTBALL PROGRAMMES and football related ephemera, to include a quantity of Headington United progammes ranging from the 1950`s to include January 30th 1954 Cup Tie with Bolton Wanderers in the forth round of a FA Cup among others, together with a quantity of Oxford United Football programmes ranging from 1960 through to 1987 and a quantity of non Oxford related football programmes and ephemera, to include a 1966 World Cup Finial Souvenir programme, approx 150 Headington United programmes and approx 1000 in total
A Continental brass mantle clock with chiming panels, the arched top with finial lacking, with projected beaded cornice and painted dial, flanked by elephant mask handles, over painted oriental scene, acanthus plinth base with dragon mask flanked by further panel raised on pierced ogee feet, striking bell, lacking pendulum, stamped 2417, 18 and 3, 23xm wide x 33cm high x 14cm deep
A Regency repeating mahogany bracket clock with brass pineapple finial above a pagoda top, the convex cream enamel dial within brass framed spandrels, the whole on brass ball feet, the sides with brass frets, the movement signed Henry Sleeman, Penzance, to the back plate. (See Illustration)
A pair of George V silver hatpins, each finial in the form of a treble clef, Chester 1923 by Charles Horner, an Edwardian silver hockey stick hatpin, Chester 1907, a silver tennis racket and ball hatpin, Chester 1909, both by Charles Horner, together with seven other silver hatpins, including two pairs with golf club finials.
An Edwardian silver hatpin, the finial in the form of a Welsh hat, Birmingham 1908 by Crisford & Norris, a George V silver hatpin, the finial in the form of a fylfot within a circle, Birmingham 1910 by P&T, together with three other silver hatpins with bird, double face, and wishbone finials.
Two Art Nouveau silver and enamelled hatpins, each finial with opposing heart shaped motifs in a martelé decorated stylized trident surround, Birmingham 1908 by J.W., and an Art Nouveau silver and enamelled hatpin, the finial in the form of a peacock, Birmingham 1908 by James Fenton & Co. (minor faults).
An Edwardian silver and mauve paste set hatpin, the finial in the form of a thistle within a scroll, Birmingham 1908 by Joseph Cook & Son, a silver, mauve and yellow paste set twin thistle and scroll hatpin, a silver and mauve paste set stylized thistle and scroll hatpin, Chester 1910 by Charles Horner, together with nine other hatpins, including one with a pig finial.
A George V silver and mauve paste set hatpin, the finial in the form of a stylized thistle, Chester 1912 by Charles Horner, a pair of sterling silver and enamelled circular hatpins, each finial decorated with flowers against a black ground, together with two pairs of hatpins and four other hatpins.
A reverse painted intaglio hatpin depicting a swan, a pair of Edwardian silver and blue paste set hatpins, Birmingham 1907, a George V silver and enamelled hatpin, the finial in the form of a butterfly, Birmingham 1918, a sterling silver and enamelled swallow in flight hatpin, a lapis lazuli set hatpin, and with six other hatpins.
A pair of banded agate hatpins with spherical finials, a carved jet hatpin, the finial in the form of a thistle, a moulded black glass hatpin, the finial in the form of an owl`s mask inset with amber glass eyes, together with a collection of other hatpins, including moulded and black glass bead and brass hatpins (35 in total).
A Japanese cloisonné vase and cover by Namikawa Yasuyuki (1845-1927), Meiji period, the ovoid body finely decorated with flowers, trailing stems and floral mon on vari-coloured vertical panels, the cover with kiku bud finial, signed `Kyoto Namikawa` silver plaque to base, height approx 10.5cm (very minor faults).
A Japanese Hirado white glazed porcelain jar and cover, Meiji period, the globular body and cover pierced and moulded in relief with continuous overlapping birds including cockerels, pheasant, ducks and sparrows flanked by a pair of stork handles, beneath a mandarin duck finial, incised three character mark to base, height approx 21cm.
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