There are 116099 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA GEORGE V FOUR PIECE TEA SERVICE IN GEORGE III STYLE comprising teapot, teapot stand, milk jug and sugar basin, of rounded rectangular shape, with milled rims, on bun feet, the teapot (13.5cm.) with wood handle and finial, by The Goldsmiths and Silversmiths Co. Ltd, 1913-1914, the teapot stand Sheffield 1914, 56oz (4)
A GEORGE V COFFEE POT IN GEORGE I STYLE the tapering octagonal body with domed cover and turned finial, wood handle, by C. S. Harris and Sons Ltd, 1913, 18cm.; 13oz; with an Edwardian tea caddy of drum shape with raised pull-off cover, by William Naylor, Chester 1905, 9cm.; 4oz; and a cased set of twelve bright cut Old English pattern teaspoons and tongs, by Aldwinckle and Slater, 1883, 4oz (3)
A silver box and cover Ramsden and Carr London 1906 shaped circular with a band of scrolling ivy the domed cover with five blue/green enamel cabochons openwork crown finial below bead knop and a bowl Ramsden & Carr London 1913 compressed circular with a border of stylised lillies and inscribed: I was wrought for Betty Irene Buttery by command of her godmother Gertrude Sutton MCMXVI the interior with fleur de lys aginst red enamel ground the base inscribed: Omar Ramsden et Alwyn Carr me fecerunt 12cm high (2)
A George III figured mahogany eight day longcase clock late 18th century the four pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and formerly signed ‘Thos. Bullock Bath’ to centre with polychrome and gilt floral painted spandrels and strike/silent dial to arch the case with break-arch blind fret fronted pediment and reeded Corinthian pilasters to hood above shaped top trunk door flanked by reeded canted angles on raised panel fronted plinth base 219cm high excluding finial. Thomas Bullock is recorded in Moore A J ‘The Clockmakers of Bristol 1650-1900’ as working in Bath 1764-73.
A French Louis XV style gilt metal mounted boulle mantel clock late 19th century with eight day bell striking movement stamped ‘Potonie 14161 Paris 126’ and similarily signed blue on white enamel Roman numeral dial in a waisted brass inlaid simulated red shell case with foliate cast finial and female mask crest above glazed pendulum aperture on scroll cast feet with shaped apron between 30cm high.
A French brass eight day mantel clock late 19th century the gong striking movement with white Arabic numeral chapter ring and gilt pierced dial centre in a rectangular dome top case with turned finial foliate cast panels and lion mask side handles on moulded base with winged cherub head applied apron and on paw feet 35cm high.
An early Victorian Gothic revival pollard oak miniature bracket clock circa 1845 the five pillar twin chain fusee movement with anchor escapement and hour strike on a coiled gong the backplate signed ‘French Royal Exchange. London’ the 4in gilt brass Roman numeral pointed-arch dial with finely engraved foliate scroll decoration the case with foliate finial issuing leafy trails to the gabled pediment above cluster column decorated angles and foliate cast brass side frets on moulded base with compressed bun feet 31cm high.. William French is recorded in Britten F J ‘Old Clocks and Watches and their Makers’ as working from 9 Royal Exchange circa 1850.
An early 19th Century mahogany and boxwood line inlaid Wheel Barometer, A Gobbi, Swaffham, the swan neck pediment centred with a turned brass finial to a silvered hygrometer to a detachable mercurial thermometer, convex mirror, to a spun brass bezel with convex glass enclosing an 8” silvered dial with scale of 28 to 31, over a signed level, height 38”
A large George V two handled and lidded Trophy Cup, the pull off cover with urn shaped finial over a plain baluster body with presentation inscription for the ‘City of Ely Sports Association Challenge Cup’ with hollow cast lion mask and scrolling handles to a knopped stem and spreading circular base, weight 72ozs; Together with a large ebonised plinth base set with further shield shaped and inscribed plaques, total height 21”
A late 19th/early 20th century Meissen style schneeballen baluster shaped vase and cover, decorated allover with white and blue flowers, the cover with a finial of two songbirds with applied flowers, the body with twin rope twist handles, applied floral pom-poms, polychrome flowers and birds, blue painted mark 44cm high.
A Chinese Canton famille rose vase and cover, 19th century, the cover with gilt ball finial and opposed cartouche panels, one with figures, the other with birds and flowers, the baluster shaped body with twin gilt handles in the form of dragons, and alternating panels of figures, and exotic birds on foliage 38cm high.
An 18th century Furstenberg bachelor's teapot, circa 1770-75. the finial in the form of a rose, above cover and body with border of gilt scrolling foliage and geometric design on a pink ground, the body with opposed flower sprays and smaller flower sprigs, blue painted 'F' and 3. Provenance: Colstoun, Haddington, East Lothian, sold Sotheby's 22nd May 1990, lot 441. Property of The Drambuie Liqueur Company.
A large late19th/early 20th century Potschappel tureen and cover, the cover with finial in the form of a boy and girl surrounded by moulded grapes and vine leaves, above opposed panels of 18th century figures drinking at table, interspersed with floral sprays, with basket moulded border above gilt rim, the body with similar rim and border, with similar decoration, the figures in a state of inebriation, blue painted mark 29cm diameter. Provenance; Property of The Drambuie Liqueur Company.
A pair of 18th century Meissen oval lobed bowls and covers, circa 1745, with unusual Deutscheblumen decoration, each with a finial in the form of a lemon with foliage, above a cover and body painted with flower sprays and insects, the rims gilt, crossed sword mark in underglaze blue (damages) (2) 18cm wide. Provenance; Property of The Drambuie Liqueur Company.
A LOUIS XVI WHITE MARBLE AND ORMOLU ARCHITECTURAL MANTEL CLOCK the movement contained within a cylindrical case, striking on the hour and half hour and with white enamel dial, signed Barancourt ˆ Paris, urn finial, laurel leaf surround and on oval plinth supported by six tapering columns, Sun King pendulum and cherub mounts ( Pierre Michel Barancourt is recorded as working in Paris circa 1783-1789), 20 1/2" overall
A frosted glass decanter, of squat form with elongated neck, the body with plated gothic strapwork tracery to the shoulder, collar and mounts and lappeted scroll handle, the finial detached, 10.5" high, along with another glass decanter of spherical form and short neck with scrolling foliate plated strapwork to the body and stopper with plain loop handle, 9" high (2)
Loading...
