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An English porcelain two handled vase and cover, circa 1820, the pedestal body polychrome enamelled with bouquets of flowers and foliage, within lavender glazed borders with further floral relief moulding, between two scroll handles with gilt seaweed decoration, beaded rims and pineapple finial, gilt painted ‘2010’ (a/f) 34cm high
RARE AND LARGE WEDGWOOD BLACK DIP JASPER "APOTHEOSIS OF HOMER" VASE, COVER AND PEDESTAL, SECOND QUARTER OF THE 19th CENTURY, the domed cover with Pegasus finial above a body sprigged with the Apotheosis of Homer (after Flaxman), opposed by a Classical pavilion and a palm tree, applied with Medusa mask and serpent handles, the circular pedestal sprigged with lion masks suspending swags and ribbon-tied trophies, with impressed "Wedgwood" mark and four small triangular impressed marks. Overall 0.73m
Pierced Silver Bonbon Tazza Birmingham 1907, pair of oval trinket trays embossed with flowers, Birmingham 1901, small pierced trinket tray Birmingham 1907, large silver handled button hook, matching button hook & shoe horn with silver handles, Victorian pierced silver sifter spoon with apostle finial, twisted handle London 1852, pair of plated grape scissors
2 C19th Gilt Spelter Mantle Clocks the first with pink & gilt decorated dial set with Roman numerals, 2 train movement, marked A & M striking on a bell, the case decorated with aesthetic period panels, classical scenes young woman with Cupid, the second Gilt French Time Piece, blue decorated dial set with Chinese Numerals, panel of butterfly on animal paw supports, Arab Head Finial, drum movement (2)
Mid C19th Walnut Cased Vienna Style Wall Clock, spring driven, single train movement, enamelled dial with secondary seconds hand, cross banded case with carved corbels, diamonds shaped mouldings, central domed pediment with winged & turned finials, lower case with a concave waisted base with turned finial approx. 54"H
Fountain Pens: 1 Platignum black body full nib with brushed stainless steel cap, 2 unmarked grey & red beak nibbed with chrome cap, 3 unmarked black cased with beak nib chrome cap, 4 unmarked black cased beak nib with black cap Platignum to clip, 5 black cased Parker 51 beak nib, no cap, blue case full nib with Cotswold marked to nib, green cap, 7 marbled Crosley full nibbed pen with matching cap, 8 Mentmore Imperial with faux snake skin case, full nib, matching cap, 9 black cased Caledonia with full nib & matching cap, 10 Parker 17 Lady, blue case & cap, blue/grey case & cap, unmarked small lever-fill pink cased full nib with Queensway to nib, Platignum Bijou lever fill with full nib, yellow coloured metal cap, Parker Dinky in camouflage case with full nib, lever fill, 14 black cased Conway Stewart London? 479 full nib, 15 unmarked black case, full nib with associated? cap marked Roll Tip, 16 crystal black case, beak nib with Parker cap, yellow metal, 17 unmarked dark speckled blue case with small nib with chrome cap marked Platignum, 18 Coronation propelling Pencil with crown finial, 19 Propelling Pencil souvenir of London, 20 Hexagonal double ended slide action pen & pencil holder, 21 Cornelian Hexagonal handled with yellow metal nib holder, 22 Scripto brushed white metal finished biro
A large gilt metal and cut glass electrolier, the foliate C-scroll decorated finial above four main foliate scroll decorated supports centred by a hexagonal cut baluster main section, overall supporting sixteen foliate decorated scrolling arms, each with shaped foliate decorated sconces, the four main branches with sectioned pagoda type pediments, overall above a foliate decorated base to globular drop (approx. 150 cm drop) (ILLUSTRATED)
A large cut glass electrolier, the bulbous finial with four angled mounts, each with swag drops above main tapering swag decorated column linking to a large circular ten tiered cut tapering main section supporting six scrolling arms, each with shaped circular sconces and cut drop decoration (approx. 140 cm drop) (ILLUSTRATED)
A gilt metal clear and green glass decorated electrolier, the scrolling finial above four main acanthus decorated gilt metal arms supporting tapering clear glass finials above green glass bunches of grapes with clear glass leaves flanked by drops, the four main branches interspersed by four pairs of further gilt metal scrolling arms, each with acanthus decorated circular dished sconces (approx. 120 cm drop)
A WHITE-METAL FOUR DIVISION TOAST RACK, by Mann, Gloucester, circa 1900, the end bars formed as crossed tennis rackets, with loop and ball handle, on ball feet, 6.1/4in. (15.8cm) long; and another white-metal four division toast rack, circa 1900, the bars formed as either nets or tennis rackets, with ball finial, on ball feet, 5.1/4in. (13.3cm) long (2) Provenance: Christie's South Kensington, Tennis Memorabilia, 20 June 1997, Lot 154
A copy of a silver William and Mary ‘Lighthouse’ caster, the cylindrical body with a girdle moulding, the pierced foliage engraved cover with a bayonet fitting, the chased swirl top with an acorn finial, on a pierced foot. 6.25in (16cm). Maker Charles stuart Harris, London 1883. 6.5oz (210gm).
A Regency style silver five piece tea service, the rectangular bodies with moulded bands and gadroon borders, the teapot with swan neck spout, the hot water jug with a scroll spout, the hinged cover with ebony finials and ebony bracket handles, the milk jug and sugar basin gilded inside, with eagle head appliqué reeded scroll handles, the tea caddy with ebony finial to the hinged cover, all on ribbed appliqué paw and pad feet. Maker George Howson, Sheffield 1918. 75oz (2391gm) (all in).
A silver three piece cabaret coffee service in George 1st style, the tapering coffee pot with a swan neck spout, the domed hinged cover with a baluster finial, a composite scroll handle, a pear shape cream jug with sparrow beak spout, and a sugar bowl, on a collet foot. Makers Adie Brothers, Birmingham 1926. 15.25oz (500gm) (all in).
A late 19th Century Walnut cased Vienna style Wall Clock, the architectural pediment with half columns, centred with a female mask over further half ring turned columns, with cushion base and inverted finial, with composite Roman dial and outside minute track with gilt brass centre and blue steel hands, to a twin spring driven movement with anchor escapement and strike on a coiled gong, height 38”
An early 20th Century gilt Brass and Champleve enamelled four glass Mantel Clock, Maple & Co Ltd, Paris, the oval case surmounted by a classical flaming urn, and flanked by freestanding columns with bladed ball finial, enclosing four bevelled glass panels, and further enamelled interior, to a plinth base, with bracket feet, to a gilt and enamel bezel enclosing a 3 ½” Arabic enamel dial, chapter ring with further floral enamelled central boss and blued steel fleur de lys hands, to a signed circular Brass movement, with simulated mercury twin pot pendulum, and anchor escapement, strike on a bell, height 15 ½”
A late 19th Century variegated and gilt metal mounted Mantel Clock, the arched case (lacking original finial) to a plinth based and raised on applied scrolling feet, to a cast bezel with 3 ½” Arabic enamel dial, decorated with floral swags, to a circular brass movement with back mounted count and anchor escapement, strike on a bell, height 8”
A late 19th Century electroplated Tea Urn, of inverted baluster form, the pull-off bell-shaped cover with acorn finial, with flared rim and reeded body with heavy cast and applied side handles, to a waisted column and tap, on a spreading circular base, and raised on four cast and applied feet, and fitted to the interior with liner and pig-iron insert, height 20”
A fine George V Tea Canister of panelled square form, the circular domed and pull-off cover with tri-form finial, to a body heavily embossed and chased with floral and foliate decoration, to a stepped base, height 6 ¾”, weight 13 ½ ozs, London 1910, Makers Mark CH JW T, with further retailers stamp for Thomas, 153 New Bond Street
A good Victorian Coffee Pot, the hinged and domed cover set with a floral cast finial, to a flared “C” scroll rim and an Acanthus leaf capped “C” scroll handle, to a lobbed and waisted baluster body and spout with contemporary armorial and raised on a further scrolling and case apron base, height 10 ½”, weight 32 ozs, London 1850, Makers Mark Joseph Angell
A George III mahogany cutlery urn, inlaid feather stringing and tulipwood banding, the rising stepped cover revealing a graduated interior, the tapering faceted body and foot to an hexagonal base with bracket feet, with an associated 19th century pedestal cupboard, the door with one recessed panel above a pull-out drawer to the plinth base, the urn: 25in (63.5cm) h, the pedestal: 36.25in (92.6cm) h, 18in (45.6cm) w. Urn lacking finial, pedestal with later octagonal panel.
A 19th century turned and carved ivory circular box and cover, with a band in relief of rural figures and an urn finial, 2.25in (5.5cm) h, a papier mache pin tray, an inlaid oval pewter box and cover, a pocket aneroid barometer, 1.5in (4cm) dia., a silver coloured metal box containing miniature playing cards, a late Victorian Boxing medallion, two porcelain boxes, an oval metal box, a print block of a pointing finger and two reproduction medallions.

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116061 item(s)/page