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A pair of 19th Century Copenhagen exhibition quality vases, the main body decorated with portrait study of Prince Frederick and Princess Louisa with crowned floral decorated letters "F" and "L" verso within floral swags, the necks decorated with two pairs of swans holding a floral swag surmounted by two putti, 61 cm high including cover and finial CONDITION REPORTS First vase with Albert - some small losses to the petals and floral encrusted decoration, some wear to the giltwork, some small faint scratches to the body throughout, damage to one of the lower corners, probably repaired. General signs of limited wear and tear throughout. Second vase - some small losses to encrusted decoration, wear to giltwork, damage to some of the corners to the base including one large one which has been reglued, some small light faint scratches to the body throughout. Both vases with small signs of general wear and tear.
An early 18th Century giltwood and gesso wall mirror, the broken arch top with basket of flowers finial over a bevel edged plate, floral and foliate carved base, 57 cm wide x 102 cm high CONDITION REPORTS Dark marks to the mirror. Some chips to the leaves of the flowers at the top - the whole central part is wobbly, various cracks etc. Chipped off gesso to top of the broken arches. Cracks and chips and losses throughout. Left hand arch has possibly been off and repaired as has the bottom right hand piece of moulding. The frame in need of attention throughout and some woodworm holes to the back. Various general signs of wear and tear all over
A box containing a tortoiseshell picture frame, 17.4 cm x 15.6 cm, an ebony paper knife in the form of an Indian sword tamped "Ebony" to side, a miniature Swedish pot with lid, a 19th Century carved ivory obelisk of small proportions, approx 11 cm high, a carved treen love token inscribed "E.G Year 1817", two brass protracters etc. CONDITION REPORTS Tortoiseshell frame - the shell is coming away at the joints, has surface scratching. There is a crack down one of the longer inside sides. Outside of the frame is wood and the back boards are split. There are some chips and cracks to the interior cushion corners. The paper knife point is rounded and the silver collar is loose and the pin is missing. The pot with lid - the lid is jammed on. there are some splits and chips to the base, the obelisk finial has been off and re-glued. there is some brown marks to its' edge. there are a couple of more visible splits to the twisted column and to the feet. the treen love token has some wear to the edges and some cracks to the supports on the side the year is engraved which have been refilled and some glue spots to the inside edge of all four supports. There is also evidence of glue to the inside of the cut-out section to the centre. The pencil is missing its' hook and there is no lead, very tarnished. The snuff box has several chips to the edge, all items have general wear and tear conducive with age and use to include surface scratching etc - see images
A George III silver teapot of squashed bullet form with ebonised handle and finial, bearing armorial to side depicting pheasant on a rocky outcrop and a phoenix rising from a turret (by "WE" in a rectangular lozenge, London, 1824), 12.4 oz inc handle, 10 cm high(Provenance: the property of the Raymond Barker family late of Fairford Park Gloucestershire) CONDITION REPORTS Teapot does rock forward and back very slightly on its' foot. The lid hinge is loose and needs attention. Large dent to the body of the teapot on one side, some minor smaller dents throughout. Foot is bent slightly out of circular. There is a repair to the spout - see images. Some small scratches, general signs of wear and tear throughout
A Victorian silver coffee pot with all-over scrolling foliate decoration, the finial mounted as a bird eating fruit, raised on four acanthus decorated feet, stamped "A.B. Savory & Sons, London" (by William Smily, London, 1860), approx 32.7 oz, 25.5 cm high CONDITION REPORTS Teapot wobbles on its feet. there is a slight wobble from the hinge on the lid, the handle needs attention as it is coming loose and is bent. Various scratches to the body including a deeper scratch beneath the handle - see images. Some minor small dents to the body. There has also possibly been a repair on the body underneath the handle, which we will endeavour to photograph from both sides. General signs of wear and tear throughout due to age and use. There is also damage to the underneath of one foot - see images
A William IV silver and embossed jug with Bacchus face mask spout and pineapple finial (Joseph Angell and John Angell, London, 1835), approx 37.6 oz, 25.8 cm high CONDITION REPORTS A pineapple finial appears to be missing a leaf to one side. the other leaves appear slightly bent. The spout when viewed from one side appears to be slightly bent near the rim. the base is slightly out of circular but OK. all over the body has light scratches and very small minor dinks. Various general signs of wear and tear throughout
A white metal twin-handled pedestal bowl with cover, the finial as a bunch of flowers, the handles of scrolling form with floral sprays, bears indistinct marks to base (poss Morocco/Algeria), 16.9 oz, 16 cm high(Provenance: the property of the Raymond Barker family late of Fairford Park Gloucestershire)
A George III silver teapot of plain oval form with bright cut decoration of swags of flowers and fruit, together with a cartouche initialled "SH", ebonised finial and handle (by Hester Bateman, London, 1784), approx 13.3 oz, 14.8 cm high(Provenance: the property of the Raymond Barker family late of Fairford Park Gloucestershire) CONDITION REPORTS Wooden finial cracked, split, chipped and is loose and does not tighten any more. Lid bent slightly, does not fit snugly, hinge needs attention, handle with repair crudely done - see images. Body with some dents throughout, spout is rough to the touch. Base has possibly been re-soldered and is also bent inwards and slightly out of shape. All over general signs of wear and tear
A Victorian silver teapot of bulbous form with profusely embossed decoration, the spout in the form of a beast's head (by Benjamin Preston, London 1862), approx 15.7 oz, 14 cm high CONDITION REPORTS Teapot lid is wobbly on the hinge, bowl finial is slightly bent. The handle of the cover is very slightly tipping forward. One pin of the handle is coming loose and needs attention but is currently still present. some small dents to the handle, some smaller dents to the body throughout, light scratches throughout. General signs of wear and tear through age and use.
A George II silver teapot of inverted pear form with engraved scrolling and foliate decoration to the shoulders, ebonised finial and wooden handle, above a stepped circular base (London 1749 by David Hennell I) approx 12.2 oz, 13 cm high (Provenance: the property of the Raymond Barker family late of Fairford Park Gloucestershire) CONDITION REPORTS Wooden finial with various splits, hinge is slightly wobbly on the cover. Teapot wooden handle is also very loose and has been broken and repaired in the past in two distinct places. Pins holding the handle in needs attention as they are coming loose. Some minor dents to the body. Base has possibly been re-soldered. General light scratches throughout. General signs of wear and tear throughout
Two similar Tibetan white metal mounted offering cups on stands, one with a yellow ground porcelain cup, the other with a pale jade cup, approx 8.6 oz total weighable silver, approx 17.5 cm high CONDITION REPORTS The china bowl with the offering cup has various chips to the edge of the rim throughout. One resulting in a large crack. Some chips to the base where to the paintwork its' white metal cover is bent out of circular. Finial is no longer quite vertical, various small dents and scratches, the white metal base has various dents and is no longer circular. Scratched and a very large dent to the foot. The pale jade cup, the rim is rough to the touch, one split emanating from the rim. The cover is again bent out of circular, the finial does not sit vertically. A split to the base of the cover and the foot again bent and dented out of circular. Various scratches, some holes to he base. all general signs of wear and tear through age and use throughout
An Edwardian silver teapot of rectangular bellied form with half reeded / fluted decoration, raised on four ball feet, with ebonised finial and handle (by Walker & Hall, Chester, 1906), approx 21.5 oz, 16 cm high (Provenance: the property of the Raymond Barker family late of Fairford Park Gloucestershire)
A Tibetan bronze and brass vajra handled bell and a white metal brass and copper mounted seal with all-over embossed scrolling foliate and Greek Key type decoration CONDITION REPORTS The bell finial has been crudely attached to the base - unknown if this is a repair or original. The seal has significant damage to both sides of the finial. the casing is eroded and the interior/filling showing. the copper neck is crudely mounted, again unknown if this has been restored or original to the piece and there is some misshapeness and dents to the copper petals holding the seal. The seal itself has discolouration, some rusting, signs of corrosion, a small split to the base, various knocks etc. both items have general wear to include surface scratches, dirt, some pitting etc all conducive with age and use - see images for further details.The seal - large split from what looks like a puncture mark to the handle. Handle is bent out of shape, various scratches as is the base which is bent out of circular. Various scratches and pock marks etc throughout. some damage to the copper ware throughout. More splits coming in the handle to both sides. The bell is bent out of circular slightly. The handle is also bent out of the vertical. The whole with various scratches, both items with general signs of wear and tear through age and use throughout.
A 19th Century brass tripod wine table with dished top, the rim in a petal design raised on a single turned column to tripod base, 41.5 cm wide CONDITION REPORTS Surface scratching and some pitting and small dents to the top and some of the petal design rim are bent through knocks etc. There are several splits to the petals and one has been repaired. The top also appears to be slightly pushed in around the support. The top has been re-attached to the pedestal which has larger knocks, corrosion, patination and verdigris marks on it. There is a screw thread at the base running through to the separate feet although this is worn and there is no nut or finial holding them together. More pitting verdigris, knocks and surface scratches to the base. The pedestal is hollow with a pole running through it and the legs are also hollow. See images for further details. Has general wear and tear conducive with age and use.
An 18th Century hallmarked silver conical shaped Chocolate Pot hand chased and engraved with flower heads. 'C' scrolls and other stylised foliate ornament etc., the cartouche with inscription To William Benson by his Uncle 1838 (assayed probably London 1826, carved brown wooden handle, 19.5cm (to tip of finial), approx. 677g
A good 19th Century hallmarked silver Inkwell and Stand, the Inkwell modelled as a Roman oil lamp and with the handle terminating in an eagle head finial, the scallop shaped stand having scrolling handle, with etched glass liner, makers mark J.C.F., both pieces assayed London 1860, the stand 23.75cm wide, total combined weight approx. 579g
A late 19th Century Chinese porcelain model of a young boy seated upon the back of a recumbent ox and a 19th Century rectangular Chinese porcelain reticulated Cover (now minus base) the gilded Karashishi finial with brocade ball in typical style surmounting the yellow ground domed lid hand decorated in enamels with various flowers and floral sprigs etc., (2)
A large and heavy late 17th Century style hallmarked silver lidded Tankard produced to mark the occasion of the Coronation of King George VI and Queen Elizabeth 12th May 1937, given with the compliments of the Master, Wardens and Court of Assistance of The Clothworkers' Company, engraved with a coat of arms and the inscription "The Guilt of Francis and Mary Burton, 1684" presentation inscription also to underside and dated 1937, makers mark of Goldsmiths and Silversmiths Company, London, assayed London 1837, approx. 20cm high (to tip of animal finial), approx. 1,125g, together with original card detailing the gift CONDITION REPORT: Apart from tarnishing as a result of the piece languishing in a cupboard for many years it appears to be in good original overall condition with no major problems apparent, comes together with original paperwork.There are no splits, repairs or significant damage to this item.
A stylish eight day Swiss Mantel Clock, the gilded ball finial above further gilded floral sprays set against a mottled green lacquer style ground, the 16cm cream enamel dial with Roman numerals and signed T. Otto Scherer, A Berne, the gilded movement signed "Jex" Zurich, individually numbered 14520 and striking on two bells, the hour glass shaped case terminating in four gilded scrolling feet, 46cm high (with pendulum and key)
A Chinese porcelain two handled tripod Censer and Cover, the finial as a Karashishi with brocade ball, together with one further smaller tripod example decorated with scrolling lotus (on conforming hardwood stand) and two blue and white Tea Bowls each intricately decorated with half lotus and leaves etc., the two Bowls each with six character marks to underside (4)
English hook and spike brass lantern clock, signed George Harris of Frittwell to the foliate engraved dial centre with single iron hand, enclosed by a brass chapter ring, surmounted by pierced dolphin and foliate frets, strapwork bell and finial, 15.5" high (with later oak bracket, two weights, chain and pulleys)
Fine impressive English ebonised triple fusee massive bracket clock, the 11" silvered chapter ring signed J.C. Jennens, London enclosing a matted centre over an arched panel applied in relief with the figure of Father Time seated over a silvered plaque inscribed Tempus Fugit, the substantial movement with pull repeat and playing on a nest of eight bells, with hourly strike on a gong, the stylised foliate engraved back plate also signed J.C. Jennens, London, with locking pendulum and sunburst engraved bob, within an impressive ormolu mounted stepped case with moulded arched square caddy top surmounted by a pineapple finial, 38" high (pendulum, winding and door keys) *This clock is in superb condition after a recent complete professional overhaul. This clock is illustrated in Britten's - Old Clocks & Watches, ninth edition, page 500, where it is listed as 'Jennens, J.C., c1790, London, chiming bracket clock (The Hague)'
Good English ebonised double fusee bracket clock, the pull repeat movement striking on a bell signed James Reynolds, London to the backplate, the 6" silvered arched dial also signed James Reynolds, London within a stepped ebonised case inlaid with brass lines and with pierced fish scale fret side panels, brass carrying handle and surmounted by an architectural stepped top with brass urn finial, 16" high (pendulum and keys)
French brass two train mantel clock garniture, the movement with outside countwheel striking on a bell, the 3.75" ornate chapter ring inscribed Comptoir General, 9 Bd Poissenniere, Paris, Matson H. Riondet on an enamel plaque to the centre, with Roman cartouche enamel numerals, within a stepped case with applied decorative mounts and surmounted by a an ornate foliate finial, 17" high; also with a pair of associated five light candelabra, 21" high (pendulum and key)
French Vernis Martin style painted two train balloon mantel clock, the Vincenti movement striking on a gong, the 5" cream dial within a decorative case painted with a courting couple in a rural landscape and sprays of flowers, with gilt metal mounts and surmounted by an ornate finial, 18" high (pendulum and key)
English mahogany double fusee bracket clock, the pull repeat movement signed John Walker, London, no. 4090 striking on a large bell, the 8" circular dial signed John Walker, 68 Cornhill & 230 Regent Street, London, no. 4090, within a brass inlaid stepped case surmounted by a stepped gadrooned caddy top and brass acorn finial, 20.5" high (pendulum)
Scottish mahogany eight day longcase clock, the 13" cream painted dial signed William Dobbie, Falkirk with subsidiary seconds and calendar dials, the case with medium length door inlaid with boxwood lines over an oval inlaid conch shell, the hood with a rounded arched moulded pediment also inlaid with oval panels depicting birds amidst foliage, surmounted by a stylised foliate carved pedestal finial, 83" high (pendulum, two weights and door key)
Good Scottish burr walnut eight day longcase clock, the 13" circular cream dial signed James Forrest, Glasgow, with subsidiary seconds dial, the tapered stepped case raised upon a bombé base, the rounded arched glazed long door with canted corners and applied foliate carved brackets, also with pierced foliate carved hood surmounted by a turned finial, 87" high (pendulum, weights and door key)
French ormolu and marble two train drumhead mantel clock, the movement with outside countwheel striking on a bell (missing), the 3.75" white chapter ring enclosing a gilded centre and within a drumhead casing supported by twin pillars to the rectangular base, with gilt metal foliate mounts, surmounted by a basket of sunflowers finial, 18.5" high (pendulum)

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116003 item(s)/page