A Victorian three piece silver tea service, Daniel & Charles Houle, London 1858, each piece of rounded form with engraved panel decoration and vacant cartouche, comprising; a teapot with bud finial and ebonised handle, 15cm high, a two handled sugar bowl with silver gilt interior, 10.5cm high and a cream jug, 13.5cm high, each raised on circular collet foot, together with a pair of silver sugar tongs, Peter & William Bateman, London 1811, total weight 40.7oz (4)
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An Adams style Victorian silver coffee pot, Walter & John Barnard, London 1879, the body of urn form with engraved floral bands and crest, the domed cover with beaded rim and decorative cast finial, the scroll handle with two ivory dividers, all raised on circular pedestal base, 25.5cm high, weight 27oz
A matched three piece silver tea service, George Unite & Sons, Birmingham 1899 & 1900, each piece of half reeded compressed circular form with gadrooned and shell cast rim, comprising; a teapot with ebonised handle and finial, 10cm high, a two handled sugar bowl, 7.5cm high and a cream jug, 7.5cm high, all raised on circular collet foot, total weight 27oz (3)
A Victorian three piece silver tea service, Barker Brothers, Birmingham 1891, each piece of circular form with engraved floral decoration, comprising; a teapot, with ivory finial, scroll handle and engraved to the body 'Presented to Mrs Rees Davies Dolwar Hall Llanfihangel by her Friends and Well Wishers September 1877', 16cm high, a two handled sugar bowl, 11cm high and a baluster cream jug with scroll handle, 15cm high, all raised on spreading circular feet, total weight 36.1oz (3)
A three piece silver tea service, William Hutton & Sons Ltd, Sheffield 1909-1915, each piece of circular form with cusped rim, comprising; a teapot with turned wood handle and finial, 11.5cm high, a sugar bowl, 5cm high and a cream jug, 9.5cm high, all raised on three out swept feet, total weight 19.5oz (3)
A CHINESE FAMILLE ROSE VASE AND COVER, octagonal baluster shape enamelled with panels of figures in walled gardens and among clouds, alternating with peony and prunus plants, diaper panelled borders on a rose pink ground, four character Qianlong mark and period, (replacement ormolu finial, the base drilled)
A 19th Century boulle work mantel timepiece: with an eight-day timepiece movement with lever escapement, the embossed gilt-metal dial with blue Roman numerals to the applied porcelain plaques and blued steel hands, the waisted tortoiseshell case with inlaid brass decoration and an applied ormolu mount to the front depicting a mother & child, the pagoda top surmounted by an ormolu pineapple finial, height: 35cm.
Benjamin Jonas, Plymouth, a William IV mahogany bracket clock:, the eight-day duration, double fusee, five-pillar movement striking the hours on a bell, with border engraving to the backplate and pendulum bob, the painted eight-inch round convex dial with black Roman numerals, decorative blued steel hands and signed B. Jonas, Plymouth, the mahogany case with gadrooned pediment top surmounted by a wood and brass ball finial, with further ribbed moulding to the top, bottom and corners of the case, with cast brass floral and ring handles to the sides and brass fishscale frets, standing on gadrooned ball feet, height: 48cm. * Biography Benjamin Jonas is recorded as working in James Street, Plymouth Dock from circa 1812 and married Ann Ezekiel, sister of the Exeter engraver E.A. Ezekiel of whom he was named as a trustee of his will in September 1806. Interestingly a Philip Ezekiel is known to be working in Plymouth Dock in the same period.
John Bower, Blerefedon, an oak longcase clock:, the eight-day duration movement striking the hours on a bell, the eleven-inch arched brass dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings, the silvered dial centre engraved with c-scroll decoration, with a subsidiary seconds dial, date aperture and alarm disc and decorative blued steel hands, the arch with a silvered boss engraved with the maker`s name John Bower, Blerefedon with cast brass c-scroll spandrels to the four corners and arch, the oak case with a break-arch door to the trunk, a swan neck pediment to the hood with inset fretwork, brass eagle centre finial and ball & spire side finials, the three-quarter columns to the hood with brass capitals, height: 202 cms
A Regency brass inlaid ebonised bracket clock, Wyatt, London, early 19th century, the five pillar twin fusee movement with anchor escapement, shouldered plates and striking the hour on a bell mounted on the backplate, the 5.75 inch square single sheet silvered brass Roman numeral dial signed WYATT, South Audley Street, London to centre, with fine heart pierced blued steel hands and foliate scroll engraved decoration to spandrels, the case with brass basket of flowers cast finial to the shallow gadroon carved cushion caddy resting on shallow stepped upstand above front with silvered brass angled fillet to glazed front door flanked by brass strip inset canted angles over apron now inlaid with foliate scroll motif, the sides with cast lions mask ring handles above rectangular brass sound frets, on moulded skirt base with compressed bun feet, 38cm (15ins) high. Henry Wyatt is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in London in 1839, other records indicate that he was 55 years old in 1841 and shared the premises in South Audley Street with his family including his successor, John aged 19 years.
A French Louis XV style gilt brass mounted “vernis martin” decorated mantel clock, unsigned, late 19th century, the eight-day bell striking movement with circular cream enamel Roman numeral dial, the waisted case with scroll finial to the ogee outline surmount applied with foliate mounts to angles above floral garland painted decoration over dial and Watteauesque scene of a lady and gallant in eighteenth century dress beneath, flanked by conforming scroll chased mounts to angles and painted with floral sprays to sides, on integral cast feet with conforming mount to apron between, 38cm (15ins) high.
A set of three George IV steel fire irons, circa 1825, comprising shovel, poker and tongs, all with faceted pommel finial above a knopped grip, with further knops to the shafts, 75cm long; and a pair of associated but conforming steel andirons, late 19th century, with faceted finials, 39cm high
A pair of faceted glass table lustre candelabra in Regency style, 19th century, the faceted dome base beneath an inverted baluster section supporting twin candle branches suspending prism drops, each surmounted with a star finial, above scones suspending drops and supported on obelisk stems, 60cm high, 30cm wide
A large Mason`s Ironstone enamelled hall vase and cover, c.1815-20, of hexagonal baluster form, finely enamelled with butterflies and moths amid flowers on a mazarine blue ground, with gilt borders and a pair of gilt sea-dragon handles, the slightly domed cover with gilt dragon finial, unmarked, 31.25in.

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