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Lot 660
A collection of silver plate and pewter cutlery and table wear to include a good selection of mixed flatware, a glass bottomed pewter tankard having an engraved Chinese dragon, a pewter lidded jug with a rams head finial, a footed bowl of reeded design, and a footed ice bucket with garland engraving.
Lot 245
A First Period Worcester porcelain teapot and cover, painted in polychrome enamels with the 'Chinese family' pattern, the domed cover decorated with a floral finial, 14 cm highSome firing cracks inside teapot rim, one which is visible externally Small chip under spout and to base otherwise good clean condition
Lot 19
Raised and incised flower decor; signed and stamped to bottom.Unique piece featuring art nouveau flowers on a dark stoneware ground, with incised marks by artist Edith Lupton and decorator Eliza Simmance. Dated 1886 and stamped with Doulton Lambeth rosette, which has been curiously 'struck through' with a line while clay was still wet- may indicate a special production note or design not intended for sale. A silver plated stopper topped with an imperial German iron cross finial is fitted to the top. Artist: Edith Lupton Issued: 1886 Dimensions: 9.75"H x 4"D Manufacturer: Doulton Lambeth Country of Origin: England Condition: Overall good
Lot 495
A 19th century Meissen porcelain white glazed figure of a gentleman, modelled standing and supported by a lyre plinth grasping a flower basket and rosebud, 36.6cm high and a further continental white glazed figure of an Elizabethan lady, 39cm high (2) CONDITION REPORT: The male figure shows no visible evidence of repair or restoration, but various small losses to foliage details throughout. Hairline crack (possibly a glazing fault) to the back right hand edge of the lyre form. Minor wear and surface marking throughout. The female figure is missing the finial from the back of the plinth. Both figures will benefit from cleaning.
Lot 1
A late 18th century Chinese export cider jug and cover, enamel decorated with insects and roses, with further blue floral decoration, heightened in gilt and having applied strapwork handle, height 25cmCondition report: Loss to finial. Large crack running through top of cover with several large chips to outside. Signs of old rivet repairs. The body has been broken in two pieces from the rim all the way through the body base to the opposing side with old rivet repairs. Chip to spout.
Lot 50
A pair of large late 19th century continental porcelain floral encrusted twin handled vases and covers, each central panel decorated with a cottage landscape, height 43cm, together with one other pair of early 20th century continental porcelain twin handled vasesCondition report: Pair of large twin handled vases one with flower knopped finial missing to cover, various losses to floral encrusted decoration, pair of smaller vases one handle missing, large crack to rim of other vase
Lot 5
A Chinese Kangxi Style Blue and White Pottery Vase, Having a reticulated hardwood cover, Decorated with allover floral and leaf panels, single character mark (great) within two concentric bands to underside, 27cm high Condition reportLot 5 - Finial to cover is missing, cover is affixed. The vase has factory crazing marks and very minor chips to glaze. Cant tell if there are any hairline cracks as cant see interior. Also stains to vase. We have taken additional images so that you can satisfy yourself with condition.
Lot 1264
A mid-Victorian figured walnut kidney shaped writing table, having a fret carved raised superstructure over rexine inset surface, to twin frieze drawers; together with a mid-Victorian circular dressing stool (2). Table dimensions – h.97cm, w.121cm, d.59cm.Fretwork damaged at back.Very dusty and dirty.Some losses to leather.One finial broken.Stands well but top is slightly loose and wobbly.
Lot 1232
Rare Indian hand made sterling silver tea set including teapot, milk jug, and sugar bowl, decorated with hand beaten Indian scenes, teapot with figure of a lion to finial. (NOTE: Vendor's family operated a silver manufacturing business in India during the 1940s, and this three piece set was made by the Company silversmiths as a tribute to the Family upon their departure from India). (Weight 1,100grams approx, total). Tests as 925.
Lot 1915
THE JIMMY JOHNSTONE FABERGE EGG BY SARAH FABERGE, number 18 of a limited edition of 19. The lion is presented as a finial in sterling silver and 24 carat gold-symbol of Celtic`s triumph in winning the European Cup in Lisbon in 1967. The lion presides over the badges of Celtic`s winners medals-the European Cup medal to the front; to the reverse the Scottish League Championship medal; and flanking them, to the left the Scottish Football Association Cup and to the right the Scottish Football League Cup Medals. Struck in the original dies, gilded and hand-enamelled, the sterling medals intersperse a reminder of Jimmy Johnstone`s origins with the coal pithead-four winding-shaft supports, fashioned in silver and black gold. The top of the Egg itself is hand engine-turned on sterling silver and precious rhodium. The lower half of the creation is adorned with Celtic Football Club`s badge proclaiming its 1888 origin and produced here with specific authority from the Club. The badge is counterbalanced by the motif from `The Lord of the Wing` motion picture, which celebrates Jimmy Johnstone`s career and achievement. To the sides, seven magic Celtic rings, also in hand-enamelled silver. The bezel is an echo of the `Jungle`, whose corrugated roof it commemorates. Open the Egg and view the surprise. On a field of gold and hallmarked silver, Jimmy Johnstone himself, poised aslant as he presses forward: Celtic`s legendary player, triumphantly modelled in silver and fine gold, at his feet a sterling silver and black gold diamond-studded football. Jimmy`s signature authenticates the creation. Sarah Faberge places her Jimmy Johnstone Egg on a foot with seven steps in final witness of Jinky`s number and of the `Jungle` terraces from which he would have happily stood watching his heroes had it not been for his own amazing God-given talents. Sarah adds her signature beneath, engraved and attesting the edition issue. Limited edition 19 for the World Market. This is number 18, 17.5cm high, contained in a leather display case
Lot 3
LARGE GREEN 'FITZHUGH' PATTERN BOWL, QING DYNASTY, EARLY 19TH CENTURY, 37cm diam; together with a MATCHING OVAL PLATTER, EARLY 19TH CENTURY, 36cm wide, PAIR OF FINE EXPORT PORCELAIN FAMILLE ROSE PLATES, QING DYNASTY, 18TH CENTURY, each centrally painted with a lotus against a gilt enriched white ground, 22.5cm diam, and an EXPORT TUREEN AND COVER, QING DYNASTY, 19TH CENTURY, the sides painted in green with lotus and bats, surmounted by a knop-finial and with twin boars head handles, 33cm wide (5)
Lot 872
MID 19TH CENTURY OBLONG VINAIGRETTE, maker Edward Smith, Birmingham 1842, the hinged lid with engraved foliate decoration and central cartouche bearing inscribed initials 'J.H.', 31mm high including bale, along with a Victorian silver finial in the form of a resting cow, 67mm long, 22.7g gross (2)
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116041 item(s)/page