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An antique early 20th Century Edwardian gilt painted gesso on wood can carved and modelled depicting of a crown on cushion. Ball finial top with faux jewel encrusted crown over a shaped cushion base. Hanging hook to verso. Measures approx; 18cm x 20cm x 13cm.

Attributed to Christopher Dresser - Royal Worcester - A pair of antique 19th Century Victorian Aesthetic movement blue and white tureens having grotesque finial lids with twin elephant handles raised on shaped feet. Complete with matching stands / plates. Each having hand painted cobalt and gilt borders. Stamped to undersides. Measures approx; 23cm wide. Chips to feet of one.

A 19th Century Chinese antique bronze lidded incense burner censer ding prayer bowl provenance. The impressive example having a dragon finial lid with pierced detailing, large twin dragon handles and decorated in relief with zodiac animals. Raised on large tripod feet with matching pierced base. Measures: 37cm x 25cm.  Provenance: Once belonged to Doctor George Lindin In Charge of Health Service Saigon with an attached note.

Two antique late 19th Century French shop display / haberdashery point of sale mannequins by Stockman, Pairs. Each of female form having turned finial tops and fabric covered torso with makers marks present. Both upon ebonised turned columns raised on shaped splayed supports. Tallest measures approx; 168cm x 37cm x 49cm.       

An 20th Century oyster veneer walnut centre table / side occasional table in the manner of William & Mary having a stunning circular panel veneer top with chamfered edge and shaped hidden drawer to the frieze. All raised on typical William and Mary tapering legs with bulbous knops united by 'X' stretcher with finial top and bun feet. Measures approx; 72cm x 61cm x 61cm.

A late 18th Century Georgian mahogany tall double corner bookcase having good astragal glazed cabinet doors with fitted shelved interiors. The arched pediment top with central brass ball finial, All raised on bracket feet. This example is a single piece. Measures approx; 210cm x 72cm x 50cm.

A large and impressive antique early 19th Century Georgian English grand tour silver plated Roman urn vase of classical form. The urn having an embossed cover with pomegranate finial atop and floral band below. Further embossed floral decoration interspersed with urns and oval cartouches with classical figures likey Apollo & Victoria with masks to both sides. Twisted stem with leaf decoration raised on a square plinth base. Marked to base. Measures 46cm x 26cm.      

An antique early 20th Century Chinese carved bamboo birdcage having a brass hanging hood with ivory finial, slatted sides with porcelain bird feeders raised on raved wooden base with central rest / stand. Measures approx; 39cm tall.

A pair of antique 19th Century Victorian glass hobnail decanters having a bulbous spiked glass base with shaped neck, folded handle and lipped pouring spout. Complete with tall faceted pointed finial stoppers. Measures approx; 36cm tall. Condition; No visible cracks or chips - some wear to stopper and inside but overall good.

A pair of antique 19th Century Victorian polished brass rise and fall candlesticks comprising a central baluster finial twist column with adjustable twin sconces raised on tripod bases. Measures approx; 35cm.

Gregory & Co - A set of eight late 19th / early 20th Century embossed leather and studded dining chairs / side chairs in the manner of Tudor / Cromwellian chairs. Each with embossed heraldic scene to the back rest with large studded borders raised on turned legs united by 'x' stretcher topped with finial. Stamped to undersides. Measures approx; Measures approx; 95cm x 44cm x 41cm.

A set of early - mid 20th Century French brass nest of tables comprising a large rectangular glass topped coffee table with a pair of smaller nesting coffee / side occasional tables underneath. Finial tops with column supports and shaped feet. The smaller tables united by 'X' stretchers. No visible damage to the glass. Measures approx; 49cm x 87cm x 45cm.

A vintage 20th Century English George III Regency style eagle adorned convex wall mirror. The circular mirror with ball finial adornments surrounding the central convex mirror glass with further sprig embellishments. Above a gilt wood carved ebonised eagle surmount. Measures approx 65cms x 42cms.

An antique late 19th / early 20th Century Victorian / Edwardian mahogany planter jardiniere stand having a brass inset bucket with slatted sides and ball bead finial chains throughout. Raised on tripod sabre legs united by trefoil lower tier and on brass cup feet. Stamped 24451 in inside. Some missing slats and one chain is loose but present. Measures approx; 102cm x 35cm.

An antique early 20th Century Chinese painted bronze lantern of pagoda form having a finial hanging hook with scrolled hooks with droplets. The central column fret pierced with scrolls and floral medallions raised on an hexagonal base with fence. Raised on shaped bracket feet. Finish in a gilded paint with engraved detailing throughout. Measures approx; 32cm. 

An impressive antique 19th Century Classical gilt bronze ormolu fireplace set comprising a curb fender bar with slit, helix and star decoration, highly ornate mesh fire screen with 'C' scroll, swag ribbon and floral detailing and a pair of two tone bronze fire guards with cameo intaglios, finial urn tops and ornate shaped feet. Stamped to verso VR / VB. Screen measures; 73cm x 55cm.

William Pybus of Caistor Lincolnshire (1786-1861) - An antique early 19th Century Georgian George III English 8 day / eight day oak and mahogany cased longcase grandfather clock. Turned finial arched pediment top with glazed door, brass reeded columns and door to trunk with inlaid shell boxwood motif. The painted dial having depiction of fisherman to the arch and buildings to corners and a bold black arabic numeral dial, subsidiary seconds dial, aperture and gilt faceted hands. Complete with both weights and pendulum. Measures; 213cm tall dial 12 inches.

A VERY RARE PAIR OF 'PRONK' VASES AND COVERSCirca 1740Each of square section, the tapering body rising from a stepped foot to a tall waisted neck with an everted rim, each face painted with a white and pink floral bloom borne on a leafy branch extended up to the neck, all reserved on a lilac diaper ground, the domed covers similarly decorated and surmounted by a lotus-bud finial. 33.5cm (13 1/4in) high. (4).Footnotes:約1740年 紫地花卉紋「普隆克式」方蓋瓶一對The present lot is extremely rare as no other vases of this type appear to be recorded with their original covers. A single similar vase, without cover, was sold at Christies New York, from the H. B. Frelinghuysen Jr Collection on 24 January 2012, lot 89.Cornelis Pronk (1691–1759) was a Dutch draughtsman, painter and porcelain designer, known particularly for his numerous drawings of cities, towns and buildings (so-called topographical drawings), as well as for his porcelain designs. In 1734 the Dutch East India Company commissioned Pronk to produce designs for a set of plates. This porcelain was produced in China, then shipped to Europe and sold there at a very high price.See a related five-piece garniture without covers, which was sold at Christies New York, 30 January 1993, lot 72.For further information on this lot please visit Bonhams.com

A GILT-BRONZE FIGURE OF TARA18th century The deity seated in lalitasana on a double-lotus pedestal with her hands in varada and vitarka mudras, dressed in a diaphanous dhoti with a pendent sash draped over the base, the face with downcast eyes surmounted by an elaborate tiara, the hair arranged in a high chignon secured with a finial. 15.5cm (6 1/8in) high.Footnotes:十八世紀 銅鎏金度母像Provenance: a European private collection來源：歐洲私人收藏For further information on this lot please visit Bonhams.com

A RARE FAMILLE ROSE RUBY-RED-GROUND BUDDHIST STUPA18th century The shrine modelled with a shaped niche, finely decorated and gilt with scrolling lotus below monster masks linked by pendent beaded chains, the stupa supported on a square base decorated with alternating bands of lappets and floral scrolls on a ruby-red ground, surmounted by a tiered spire of thirteen graduated Buddhist umbrellas alternating with narrow floral bands, crowned with a later cloisonné enamel canopy and finial decorated with Buddhist symbols, lotus blossoms and musical chimes. 44cm (17 1/2in) high. (3).Footnotes:十八世紀 胭脂紅地粉彩纏枝紋佛塔Symbolic of nirvana, stupas represent the past and the present, and were originally memorial monuments built over the mortal remains of Buddha Shakyamuni and other important figures. The unique architectural form of the present example blends Indian and Tibetan features. The square base, for example, is Tibetan in style and represents Mount Sumeru, while the rounded dome is Indian in origin. The harmika, consisting of a conical spire of thirteen layers, symbolises the thirteen stages of Enlightenment.A related ruby-ground stupa rising from a yellow-ground base, 18th century, in the Qing Court Collection, is illustrated in Dihuang Yu Gongting Ciqi vol.2, Beijing, 2010, p.359.Compare with a related famille rose stupa, Qianlong, which was sold at Christie's London, 10 May 2011, lot 295.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A RARE IMPERIAL PALE GREEN JADE FIGURE OF AMITAYUS17th/18th centuryThe deity finely cast seated in vajrasana, the face with serene expression and downcast eyes, surmounted by pleated hair arranged in a high chignon and topped with a lotus and pointed finial, all around a foliate tiara, the figure wearing a shawl over his shoulder ending in flowing ribbons, bedecked with elaborate jewellery above a thin dhoti loosely gathered over his legs, the stone of even pale green tone flecked with small beige and icy inclusions, hongmu stand. 19cm (7 1/2in) high. (2).Footnotes:十七/十八世紀 御製青白玉雕無量壽佛像Provenance: a distinguished English private collection來源：英國傑出私人收藏Amitayus is one of the most popular meditational deities in Vajravana Buddhism where he is highly revered for his longevity attributes, pure perception and awareness of the emptiness of phenomena. According to the 'Larger Sūtra of Immeasurable Life', compiled during the 1st or 2nd century AD, the infinite merits possessed by the deity resulted from the performance of good deeds in his past lives as a bodhisattva named Dharmakara. Having attained Enlightenment, the deity resided in the wondrous realm of Sukhavati.While there are extant examples of jade carvings of Buddha, figures of Amitayus are much rarer. For related jade figures of Buddha, Qing dynasty, in the Qing Court Collection, see the Compendium of Collections in the Palace Museum: Jade 8 Qing Dynasty, Beijing, 2011, nos.234-238 and 264-265.See two related pale green jade figures of Buddha, dated 18th century and 18th/19th century, which were sold at Bonhams London, 8 November 2012, lot 3, and 14 May 2015, lot 115.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

An impressive and finely inlaid iron vase and cover with historical scenesBy the Komai Company of Kyoto, Meiji era (1868-1912), late 19th/early 20th centuryDecorated with gold nunome damascene overlay and silver details, the flattened-spherical body with a tall foot resting on a stand with four lobed feet, silvered elephant-head handles to either side each with a pendant chain including lobed floral ornaments and a bell-like finial, the hemispherical cover surmounted by a shishi (Chinese mythological lion dog), each side of the body with a silver-rimmed lobed panel, on one side a night scene of a seated Buddhist monk/samurai with his armour chest and tachi behind him, writing brush in hand, facing a helmet-less samurai also holding writing materials, behind them a nomaku (field curtain) emblazoned with three Uesugi-sasa mon (Bamboo-and-sparrow crests, see below) and an overhanging pine tree, the scene illuminated by two kagari (braziers), on the other side a related scene, in a different location, of two samurai in mortal combat, scattered sakazuki (sake cups) at their feet, one holding a long yari which the other parries with his left hand while brandishing a tachi in his right, the surrounding surfaces with typical Komai dense ground decoration including ho-o birds, peony scrolls, key fret, floral medallions, birds and creepers, vine leaves and scrolls, chrysanthemum mon (crests), katabami mon (woodsorrel crests), butterflies and other motifs, signed underneath in gold in seal form Nihonkoku Kyoto no ju Komai sei (Manufactured by Komai of Kyoto in Japan). 17.5cm x 12cm x 29cm (6 7/8in x 4¾in x 11 7/16in). (2).Footnotes:The decoration on large-scale Komai work often incorporates detailed, complex narrative scenes based on recent or contemporary woodblock-printed sources. Although the precise source has yet to be identified, this is likely the case with the present lot, whose lobed panels depict two, probably linked, scenes from the civil wars that ravaged Japan in the second half of the sixteenth century. The large mon (crest) with two confronted sparrows and leaves of bamboo grass, shown three times on the nomaku (field curtain) behind the senior figure in the more peaceful scene, is that of Uesugi Kenshin (1530-1578), one of the most powerful warlords of the day; he was renowned for his Buddhist piety and devotion to Bishamon, the Buddhist God of War, which may explain his appearance here in the garb of a monk. The most likely episode is perhaps the inconclusive fourth battle of Kawanakajima (1561), whose most famous episode is a one-on-one combat between Uesugi and Takeda Shingen (1521-1573).For further information on this lot please visit Bonhams.com

A pair of miniature squat cloisonné-enamel jars with en-suite coversAttributed to Namikawa Yasuyuki (1845-1927) of Kyoto, Meiji era (1868-1912), 1880sFinely worked in silver and gilt wire, each decorated with a matching design of two ho-o birds in flight among meandering sprays of different coloured chrysanthemums on a lightly mottled yellow ground, the shoulder with a circular tightly clustered lobed band enclosing repeated stylised foliate motifs, the domed cover embellished with similar sprays of chrysanthemums and surmounted by a chrysanthemum finial, applied with a gilt brass rim and foot; both unsigned. Each jar: 6cm (2 3/8in) high. (4).Footnotes:Provenance:An English private collection acquired mainly during the 1960s and 1970s.For further information on this lot please visit Bonhams.com

A pair of Imari baluster vases and coversEdo period (1615-1868), early 18th centuryEach decorated in typical palette of underglaze blue, iron-red and gilt enamels with an identical design, the body with four large elaborately shaped panels enclosing a ho-o bird in flight alternating with a leaping carp, on a ground of flowering peony and karakusa ('Chinese grasses'), the shoulder with four smaller shield shaped panels depicting an exotic long-tailed bird alternating with a prancing kirin; the short neck with semi-circular floral motifs, the decoration on the en-suite domed covers echoing that of the shoulder and surmounted by a finial in the form of a shishi (Chinese mythological lion dog) on a rock. Each vase: 64cm (25¼in) high. (4).For further information on this lot please visit Bonhams.com

A VERY RARE ARCHAIC BRONZE RITUAL WINE VESSEL AND COVER, YOUEarly Western Zhou Dynasty, 10th century BCThe vessel of oval section fitted with a pair of loops attached to the arched handle ending with animal-mask terminals, cast in shallow relief on each side with a pair of kui dragons confronting an animal mask, all reserved on a leiwen band between two rows of circles, the cover similarly decorated beneath a segmented finial, both the inner body and cover cast with an eight-character inscription reading Menge Shou zuo fuyi zunyi, the surface with light malachite and cuprite encrustations. 30cm (11 6/8in) high. (2).Footnotes:西周早期，公元前10世紀 青銅夔龍紋獸首提梁卣The inscription Douge Shou zuo fuyi zunyi 鬥戈 守作父乙尊彝 may be translated as 'Dou made this precious ritual vessel as a sacrifice for ancestor Father Yi'.Provenance: Major-General Sir Neill Malcolm (1869-1953), KCB, DSOCaptain Dugald Malcolm (1917-2000), CMG, CVO, TD Sotheby's London, The Malcolm Collection: Ancient Bronzes, 29 March 1977, lot 17Hartman Rare Art, New YorkChristie's London, 10 December 1990, lot 2Christie's New York, 18 September 1997, lot 324 An important European private collectionExhibited: Dartington Hall, Exhibition of Chinese Art, 9 July- 14 August 1949, Catalogue, no.1Oriental Ceramic Society, Exhibition of Early Chinese Bronzes, 1951, Catalogue, no.70Published: Dartington Hall, Chinese Art, 1949, Catalogue, no.1Oriental Ceramic Society, Exhibition of Early Chinese Bronzes, 1951, Catalogue, no.70Y. Liu and Y. Lu, Jinchu yinzhou jinwen jilu (Corpus of Recently Discovered Inscriptions from the Yin & Zhou Dynasties), vol.3, Beijing, 2002, pl.597, p.57T. Wang and Y. Liu, A selection of early Chinese bronzes with inscriptions from Sotheby's and Christie's sales, Shanghai, 2007, pl.146Z. F. Wu, Shangzhou qingtongqi mingwen ji tuxiang jicheng (Corpus of Inscriptions and Images of Bronzes from the Shang & Zhou Dynasties), Shanghai, 2016, vol.24, p.131, pl.13217The Malcolm Collection of Chinese early bronzes, ceramics and works of art was one of the most important private collections of its type formed in England during the 1920s-1940s. As described by Captain Dugald Malcolm in the foreword to the 1977 Sotheby's catalogue, his father Sir Neill Malcolm first went to China in 1896. Starting from Leh in Kashmir, the journey to Beijing took seven months. His first purchases were made in Berlin in 1919 and then later when he served in Singapore (1921-1924). Between the First and Second World Wars he visited Beijing a number of times and made a few purchases, although the bulk of the collecting took place in London. Sir Neill Malcolm was a member of the Executive Committee of the 1935-1936 Exhibition at the Royal Academy and lent 16 pieces himself. Since 1953 and prior to being sold in 1977, the collection was on loan to London University, first to the Courtauld Institute and then at the Percival David Foundation, which made the collection available for study to scholars.來源：爵級司令勳章及傑出服務勳章获勋人Neill Malcolm少將（1869-1953年）舊藏聖米迦勒及聖喬治勳章三等勳爵士Dugald Malcolm上尉（1917-2000年）舊藏倫敦蘇富比，「Malcolm收藏中國青銅禮器」專場拍賣，1977年3月29日，拍品編號17紐約古董商Hartman Rare Art倫敦佳士得，1990年12月10日，拍品編號2紐約佳士得，1997年9月18日，拍品編號324歐洲重要私人收藏展覽記錄：Dartington Hall，「Exhibition of Chinese Art（中國藝術展）」，1949年7月9日-8月14日，《圖錄》，編號1倫敦東方陶瓷學會，「Exhibition of Early Chinese Bronzes（早期中國青銅器展）」，1951年，《圖錄》，編號70出版著錄：Dartington Hall，《中國藝術圖錄》，1949年，編號1倫敦東方陶瓷學會，《早期中國青銅器展圖錄》，1951年，，編號70劉雨，盧岩，《近出殷周金文集錄》，卷三，北京，2002年，頁57，圖版597汪濤，劉雨，《流散歐美殷周有銘青銅器集錄》，上海，2007年，圖版146吳鎮烽，《商周青銅器銘文暨圖像集成》，上海，2016年，卷24，頁131，圖版13217Malcolm氏的高古青銅器和陶瓷等中國藝術品收藏，乃是上世紀二十至四十年代英國最為重要的中國藝術私人鉅藏之一。如Dugald Malcolm上尉在1977年蘇富比專拍圖錄前言中所述，Neill Malcolm少將於1896年首次進入中國，但直至1919年才在柏林購入第一件藏品。其於1921至1924年在新加坡履職，一戰及二戰期間也曾多次造訪北京，購買古董，但其大部分收藏還是購自倫敦。1935至1936年，中國藝術國際博覽會於倫敦皇家藝術學院舉辦，Malcolm少將任執行委員會委員之一，並借展了所藏16件藏品。1953年Malcolm少將逝世後，其藏品先後出借於倫敦大學下屬的考陶爾德學院與大維德中國藝術基金會，供學者們研究學&... For further information on this lot please visit Bonhams.com

AN ARCHAIC BRONZE RITUAL FOOD VESSEL AND COVER, DOUEastern Zhou DynastyThe bowl raised on a high stem, the body cast with stylised dragons beneath two bands of densely arranged S-scrolls, the sides set with a pair of loop handles, the same design repeated on the cover surrounding the everted finial decorated with interlacing designs, the pale green patina with scattered malachite encrustations. 20cm (8in) high.Footnotes:東周 青銅蟠虺紋豆Provenance: an important European private collection來源：歐洲重要私人收藏Crisply cast in low relief with interlacing designs of repeated minuscule units, each composed of a diagonal braid with C-designs in its upper left and right corners, the present vessel is a fine example of grain receptacles used in ritual performances to worship the ancestors during the Eastern Zhou Period (771-256 BC).The origin of the dou can be traced back to the shallow pottery tazza of the Longshan culture during the late Neolithic Period. The form continued to be in common use throughout the Shang and Zhou dynasties. It was in the Western Zhou period that attempts were made to embellish the simple pottery form by fashioning it from lacquer over a wood core, or casting it in bronze.Bronze versions of the dou vessel, such as the present example, the standard shape being shallow bowls with straight vertical sides rising from tall pedestal feet, are likely to have developed during the Western Zhou period (1047-772 BC). Archaeological excavations suggest that the further refinement of the domed lid and the lug handles were added to the vessel at the beginning of the Eastern Zhou period. During the Eastern Zhou dynasty, dou vessels gradually replaced their gui counterpart to become the most essential grain containers in a ritual vessel set; see J.So, Eastern Zhou Ritual Bronzes in the Arthur M. Sackler Collections, London, 1996, pp.179-180.Compare the shape and fine decoration and its arrangement on the present vessel with a related bronze dou, late Spring and Autumn period, 6th century BC, illustrated by J.So, Eastern Zhou Ritual Bronzes in the Arthur M. Sackler Collections, London, 1996, no.24.A similar bronze ritual food vessel and cover, dou, 6th century BC, was sold at Christie's New York, 19 September 2013, lot 1108.豆為食器，新石器時代晚期的龍山文化即有黑陶陶豆出土，商周時期，青銅豆得以大量使用。青銅豆延續了陶豆類高足盤的形制，約於西周時期逐漸演化出上為淺碗形盤、中呈柱形柄、柄下圈足的標準器型；東周時期更常見穹頂形蓋及環耳。東周以後，豆逐漸取代簋的地位，成為祭祀儀式中盛放黍稷等穀物的重要禮器。見蘇芳淑著，《Eastern Zhou Ritual Bronzes in the Arthur M. Sackler Collections》，倫敦，1996年，頁179-180。本例主體飾蟠虺紋，細緻繁密，交錯往復，應為模印壓製而成，是東周青銅紋飾的典型風格。形制及紋飾相關的他例可參考一件春秋晚期，公元前六世紀青銅豆，見蘇芳淑著，《Eastern Zhou Ritual Bronzes in the Arthur M. Sackler Collections》，倫敦，1996年，編號24。另可比較一例相似的春秋晚期，公元前六世紀青銅豆，售於紐約佳士得，2013年9月19日，拍品編號1108。For further information on this lot please visit Bonhams.com

A Mughal pale green jade ewer and coverIndia, 18th centuryThe pear-shaped body rising from a short foot, carved in low relief with sprays of blossoming flowers surrounded by meandering leaf stems beneath a band of pendent leaves, with similar designs repeated on the domed cover surrounding a lotus-bud-shaped finial, the body with an integral straight spout. 15cm (6in) long.Footnotes:十八世紀 青白玉雕痕都斯坦式蓋壺Provenance: an important European private collection來源：歐洲重要私人收藏This elegant jade wine ewer is of a rare but known form. The Mughal Empire in India (1526-1857) left a legacy of high-quality worked jades. The Qianlong emperor greatly admired the so-called 'Hindustan' jades, and in 1768, he wrote the Tianzhu wuyindu kaoe, a scholarly text on the geography of Hindustan and the derivation of its name. The area he identified was in what is today India, with the city of Agra at its centre. During the eighteenth century, this area was part of the Mughal Empire and thus the jades from this region are today often referred to as 'Mughal' jades. The decoration of the present vessel may have been inspired by Emperor Jahangir's visit to the beautiful flower-filled valleys of Kashmir in 1620, which prompted the introduction of a new style of drawing on botanical designs.Compare with a related jade ewer, 17th/18th century, in the collection of the National Palace Museum, Taipei, illustrated in Exquisite Beauty - Islamic Jades, Taipei, 2007, pl.96. A related white jade wine flask, India, 18th century, was sold at Christie's London, 8 October 2015, lot 143.痕都斯坦即指蒙兀兒帝國（1526-1857）；1768年，乾隆皇帝親自撰《天竺五印度考訛》一文，考證發音，定名「痕都斯坦」。在蒙兀兒帝國治下，伊斯蘭玉器逐漸形成獨特的裝飾風格，並於十八世紀後期經新疆源源不斷貢入清廷，令乾隆皇帝讚歎不已。早期的伊斯蘭玉器造形多受金屬器、瓷器影響，本例細流纖長筆挺的造型或源於金屬器。器身的淺浮雕花葉紋，據說是受蒙兀兒帝國皇帝賈漢吉1620年造訪鮮花盛開的克什米爾峽谷後之啟發；以冷硬的玉料讚頌自然界蓬勃的生機，是為痕玉之獨特風格。台北國立故宮博物院一例清宮舊藏十七至十八世紀蒙兀兒帝國玉單柄壺，紋飾相仿，見鄧淑蘋著，《國色天香：伊斯蘭玉器》，台北，2007年，圖版96。 另對比一例印度十八世紀玉無柄壺，售於倫敦佳士得，2015年10月8日，拍品編號143。For further information on this lot please visit Bonhams.com

A pair of Dresden mauve urn shaped two handled vases and covers, painted with lovers in landscapes. The shoulders and bases with gilt scrolls, 29cms high; and another similar but with yellow ground (3) Provenance: Berwick House, Shropshire Condition Report: Damages including loss of ribbon finial to one of first pair, screw base to one has had plaster infill, base to the second is loose. Yellow vase with chip to neck All have some rubbing and wear and will greatly benefit from a clean Condition Report Disclaimer

A Minton pale turquoise ground part dinner and dessert service, painted with flower sprays within gilt feuille de choux cartouches and gilt moulded scroll borders, comprising: two large tureens and covers, 28cms high, four vegetable dishes and covers, one with internal divider, two handled shallow tureen, four sauce tureens with covers and three stands, two muffin dishes, six soup plates, thirty four dinner plates, 26cms diameter, three small cups and saucers, six larger saucers and fourteen dessert plates, five graduated oval serving dishes, rounded rectangular dish and a stand and spare plate, some later replacements (quantity) Provenance: Berwick House, Shropshire Condition Report: Will benefit from a clean. Both large tureens with cracked bodies, one vegetable dish with cracked body and damaged foot, one with divider has stapled repairs and cracked lid and restored finial. Heat crazing and discolouration to shallow tureen; one sauce tureen with cracked foot one with bad repaired body, another with hairline crack to base; two stands cracked; muffin dishes no lids, bad heat crazing; soup plates all with heat crazing, four cracked; twenty four dinner plates are cracked and damaged; one saucer damaged; three desert plates damaged; largest graduated oval serving dish with rim cracks, one of smallest with chips and body crack; rounded rectangular dish cracked; spare plate chipped. Condition Report Disclaimer

Y Assorted works of art to include two 19th century bone apple corers, larger 14cms long; late 19th century ivory spinning top, possibly whale ivory, numbered 1-8, 8cms long; two miser's purses, Dresden painted porcelain scent bottle, 6cms high and another unmarked porcelain scent bottle; assorted polished stone and other items (quantity) Provenance: Berwick House, Shropshire Condition Report: All will benefit from a clean typical wear from handling, corers with discolouration and shrinkage cracks, spinning top- finial with loss- hole bored to stem, second scent bottle rubbed, miser purses with rusting to metalwork Condition Report Disclaimer

An early 19th century mahogany wheel barometer, case with broken pediment cornice and inlaid marquetry shells and sunbursts, 20cm silvered dial signed J. Frigerio, London no. 281 with thermometer above, 98cm high Condition Report: Cleaned and restored throughout- probably 30-40 years ago. Later finial Condition Report Disclaimer

Royal Crown Derby porcelain including a blue ground oviform two handled vase, painted with two panels of flowers within gilt scroll cartouches, the cover and foot with gilt foliage, 1901, 25.5cms high; a pair of shield shaped vases, gilt with birds and scattered flower sprays on blue ground, 1902, 16cms high; and a pair of oviform vases, painted with a panel of flowers on a blue ground, 9.5cms high (5) Provenance: Berwick House, Shropshire Condition Report: Pair of shield shape vases have had lids glued to bodies. UV is showing signs of glue or other material just visible beneath the lids but as they are fixed we cannot advise on whether there may be damage/restoration. Pair shield vases one with visible hairline to upper left corner of gilded panel. UV showing no other signs of restoration. Some rubbing to raised gilding notably to finial of lid of large vase. All will benefit from a clean as they are very dusty.   Condition Report Disclaimer

Later 20th Century Coalport covered pedestal vase, gilded and painted with fruit; together with a similar twin-handled pot pourri vase, 21cm high and smaller Condition: Restoration to finial of cover on tall vase, and glued repair to cover of pot pourri vase. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

20th Century Asian soapstone incense burner, 27cm high Condition: Apparent loss to tip of finial, chip to rim of burner. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

Chinese porcelain bowl with red four character mark, together with a small quantity of Continental ceramics, etc Condition: Hairline crack and chips to rim of Chinese cover of lidded vase restored with replacement finial, wear to gilding on dishes. **Ceramics & Glass/Oriental - We endeavour to mention any post-production damage we can see, either with the naked eye or a magnifying glass. Where requested, we will place the item under UV light to check for professional restoration. We do not automatically mention such standard occurrences as fine glaze crazing or kiln dust which are by-products of manufacture as opposed to signs of damage. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

Large Vienna style wall clock, having Roman dial with brass unicorn finial to top, 15cm high approx Condition: Movement and mechanical function not guaranteed or tested, sold as seen. The wooden case having some scratches and chips, small chip to the centre of the dial, and some staining, would benefit from a clean, Please check extra images provided prior to bidding. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

Single brass carriage lamp, having eagle finial to top, 74cm long Condition: Signs of oxidisation in places and damage to the overall decoration, with light scratches and chips, the glass panels appear to be free of any major cracks, would benefit from a clean. **Due to current lockdown conditions this is an online-only sale and bidders are only able to view lots by appointment. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

Terracotta capping stone/finial in the form of a seated dragon, 30cm high Condition: Some minor nibbles to the edges, please see images - **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

A SUPERB FRENCH 19TH CENTURY CLOCK GARNITURE by RAINGO FRES., PARIS, the clock striking on a single bell with urn finial and superb painted panels, 16ins high, complete with a pair of four branch candelabra, 16ins high.

A group of Royal Crown Derby Imari (Osmaston Road mark 1921-1964) to include: octagonal shaped bowl, pattern no: 1128, shape no: 1740, 16.2cm wide; a shaped oval bon bon dish, pattern no: 1128, 14cm long  and an early 20th Century cobalt blue small urn and cover, the body painted with floral vignette and gilt floral heightening, the cover with urn shaped finial, Osmaston Road mark 1891-1921), approx 12.5 cm high overall  - chip and loss to rim of urn (3)  

An early 19th Century giltwood circular wall mirror, scrolled acanthus and reeded decoration, finial to top, 80cm high, 47cm wide

A George III silver sugar caster, beaded rims with engraved cross decoration to sifter and acorn finial, height approx 15cm, London 1783, maker James Walters, weight apporox 2.7oztCondition report: Good marks crisp, no visible sign of damage or repair minor wear only 

A pair of large Chinese baluster vases, the lids with dog of Fo finial, 60cm high

A Harrods silver plated four piece tea set, (a/f - missing finial) together with a silver plated coffee pot with engraved design

An Elkington & Co silver plated teapot, with naturalistic handle and finial, together with a two bottle cut glass cruet set in silver plated stand of pierced cherubic form design, two three piece silver plated tea sets, and a circular galleried tea tray with two shell handles

A set of six Continental silver gilt and enamel coffee spoons, stamped 925, a pair of German 800 silver coffee spoons, with cross finial, together with other silver and white metal spoons (some a/f) 4.9oz gross

A gilt spelter cased two-train mantel clock with porcelain dial panel and finial, the 3in dial painted with a landscape and with black Roman Numerals over a panel showing a couple in a garden with sheep, the movement by John Bennett, London striking on a bell, the case cast with leaf swags and the corners with putti, height 41cm

A mahogany cased timepiece with 4.5in white enamel dial with black Roman Numerals and signed Comitty of London, the arched case with ebony line inlay with a brass acorn finial, side lion ring handles and on brass bracket feet, height 28cm

Victorian burr walnut veneered and solid walnut octagonal centre table, the burr veneered, feather and cross banded top with leaf carved edge over a leaf carved frieze and raised on eight barley twist supports and stretchers with central turned circular boss with carved finial, width 89cm.

A vintage silver inkwell with golf ball finial and filled base. Lid hinge needs attention. Hallmarked Birmingham, 1928. On a grey marble plinth stand. Engraved "Spring Meeting 1939". Total weight including golf ball and filled base approx. 216.4g.

A large Chinese red soapstone seal with carved dragon shaped finial. Approx. 15.5cm tall.

A bone topped walking cane with screw in finial in the form of a woman. Approx. 93cm long.

A small collection of assorted misc. vintage items. To include: Brown School Series Original Patriotic Songs book, Dunhill cigar box, brass & faux tortoiseshell inkwell with acorn finial and a Library List book.

Art Deco silver sugar caster, the plain baluster body with pull off pierced lid and urn finial, on a stepped spreading foot, 18cm tall, London 1936, maker's mark J B Chatterley & Sons Ltd, 265gms

Art Nouveau silver tea caddy, the hammered body embellished with scrolling organic decoration and interlacing leaves etc, the pull off lid with a similar design with a cast applied bud finial supported by three feet, London 1904, maker's mark Holland, Aldwinckle & Slater, 12cm tall, 330gms

Andrew Postinikov Russian silver and hardstone torah pointer, maker's mark BC (over 1878) (84) Moscow, a crowned terminal end with lion rampant finial, applied with red hardstone centre, pointing finger with red hardstone ring to proximal finger, (marked twice), 31cm long

Late 19th century Continental white metal model of a torch, with fish scale tapering cylindrical handle and onion shaped finial to a flared top with fabric lining (apparently unmarked), length 33cm

Reproduction mahogany cased grandmother clock, the arched dial inscribed "Thos. Page, Norwich" and the centre of the dial engraved with entwined dolphins, dial diam 21.5cm, the striking 8-day movement on two weights, small losses to the woodwork, one side pilaster detached, lacking central finial, 193cm tall, max width 34cm

A set of four electro-plated circular chambersticks by Elkington & Co., with circular sconces, beaded borders, foliate loop handles, engraved with a crest and with conforming tapering snuffers 14.5cm (5 3/4in) long; an electro-plated circular chamberstick by Matthew Boulton, with gadrooned borders, an oval thumb piece to the scroll handle with a loop handle to the tapering snuffer 16cm (6 1/4in) long; and another electro-plated chamberstick, with a chased foliate swag border, a shell thumb piece to the scroll handle, with a ball finial to the tapering snuffer, 18cm (17in) longProvenance: Berwick House, Shropshire

A gilt brass carriage clock, R & Co, Paris, circa 1900, with eight-day strike/repeat gong striking movement and platform lever escapement, the white enamel chapter ring with Arabic numerals applied to a pierced gilt mask, the case with Solomonic columns to the angles, 17cm high, in the original leatherette and velvet lined carry case, 20cm highProvenance: Berwick House, ShropshireCondition Report: The movement is not ticking at time of report, the platform and lever escapement appear to be original - the clock has a key and we have wound it lightly but there is no sustained movement. The push button release. A screw is not attached to secure the handle to the top plate and the case - this is all therefore loose. The screw is jammed in the side of the mechanism and will require releasing and re-siting. There is also a missing finial to the handleThere is dirt and discolouration to the git areas and also pitting. The case is worn, and with flaking to the surface, there is woodworm and there is wear to the interior velvetPlease refer to additional images for visual reference to conditionCondition Report Disclaimer