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A CONTINENTAL METALWARE-MOUNTED ETCHED GLASS CLARET JUG IN THE ART NOUVEAU STYLE MAKER'S MARK OF FM OVER T IN A SHIELD, STAMPED "0.925" AND WITH FRENCH CONTROL MARK, 20TH CENTURY The mounts chased with iris on a matt ground, foliate stem handle and iris bud finial, the glass similarly decorated 11 in. (27.9 cm.) high View on Christie's.com
A NORTH EUROPEAN CARVED GILTWOOD, COMPOSITION AND ETCHED PIER MIRROR OF NEO-CLASSICAL STYLE, EARLY 19TH CENTURY The scrolling acanthus cresting surmounted by a rams' head applied urn and athemion finial above an etched mirrored glass medallion and a cavetto fluted frame, the lower scrolling acanthus apron centred by a carved lions mask and swags 62½ in. (159 cm.) high; 21½ in. (54.5 cm.) wide View on Christie's.com
A GERMAN SILVER-MOUNTED ETCHED GLASS DECANTER MARK OF NERESHEIMER OF HANAU, BEARING IMPORT MARKS FOR BERTHOLD MÜLLER, CHESTER, 1900 The mounts chased with courting couples, neck mount with double spouts, each with hinged cover, figural finial; and an Edwardian silver rose bowl, London, 1903, sides chased with rococo scrolls and flowers centred by two vacant cartouches Respectively, 11 1/8 in. (28.3 cm) and 5½ in. (14 cm.) high The bowl, 13.5 oz. (419 gr.) (2) View on Christie's.com
A 19th Century longcase clock, painted arch dial with shepherdess and sheep in landscape, seconds and date aperture, eight day movement striking on a bell, indistinctly inscribed Phillip Tredegar, enclosed by a glazed hood surmounted with a finial and broken swan neck pediment, over a short inlaid trunk door, canted bracket plinth, 208cm high
A George III three piece teaset, with elaborately embossed shell, flower and scroll decoration, each piece with foliate scroll handles surmounted by a satyr head and raised on shell, mask and scroll feet, the teapot with finial in the form of a seated figure, comprising teapot, twin-handled sugar basin and milk jug, maker`s mark of Samuel Whitford, London 1816, approx. weight 63 troy oz (all-in)
A Victorian matched three piece melon-shaped tea set, each piece on spreading circular foot and chased with a crest and floral sprays, the teapot with flower finial and presentation inscription, comprising teapot, twin-handled sugar basin and milk jug, maker`s marks of William Cooper (teapot and sugar basin), London 1847 & 1849, and Joseph and John Angell (milk jug), London 1839, total approx. weight 45 1/2 troy oz (3)
A late Victorian silver mounted glass claret jug, of tapered oval section, the domed hinged lid surmounted by a conical finial, the collar chased with a crest and the motto `Non sibi`, maker`s mark of Roberts & Belk, Sheffield 1899, height 26 cm (9 3/4 in.). The crest is that of Aillen or Cullen
A French Marble and Gilt Metal Striking Portico Mantel Clock with Garniture, circa 1890, the case surmounted with an urn finial, four columns above a D-shaped base and upon turned feet, enamel dial with Arabic numerals, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped Japy Freres and numbered 21092, 42cm high, together with matching garniture 28cm high see illustration
A Rosewood and Brass Inlaid Bracket Timepiece, 19th century, the gadroon top with turned finial, side ring carrying handles, brass inlaid front depicting deer, birds and floral decoration, 8-inch painted dial with Roman numerals, single fusee movement with anchor escapement, 52cm high, together with associated wall bracket See illustration
A Regency Mahogany Striking Table Clock, Nicoll, Gt Portland St, London, the good coloured case with chamfered top and single pineapple finial, fish scale pierced side sound frets and later ringed carrying handles, pull repeat cord, rectangular base upon brass ball feet, 8-inch white painted dial with Roman numerals, twin fusee movement with anchor escapement, striking on a bell, movement secured by brackets, 51cm high see illustration
A Regency Rosewood Striking Table Clock, the chamfer top case with single pineapple finial, side ring carrying handles and fish scale sound frets, rectangular base raised upon ball shaped feet, 8-inch painted dial with Roman numerals, strike/not strike lever positioned above 12, twin fusee movement with anchor escapement and striking on a bell, the movement secured by brackets, movement backplate engraved to the borders, pendulum bob with matching engraving, 52cm high see illustration
An Ebonised and Brass Inlaid Chiming Table Clock with Calendars, signed James McCabe, No.2826, circa 1830, the arched case with brass stringing and surmounted by a pineapple finial, inlaid canted corners flanked by carrying handles and pierced sound frets to the sides, rectangular plinth upon brass turned feet, 8-inch white painted arched dial with Roman numerals, strike/silent above 12, the arch with two dials for day of the week and date, twin fusee movement with anchor escapement, eight hammers striking the quarters onto a nest of eight bells and a further hammer striking the hours on a large bell, movement backplate signed and numbered, movement secured by brackets, 63cm high see illustrations James McCabe superseded McCabe & Strahan in 1825/26, operating from the Royal Exchange at 97 Cornhill until it burnt down in 1838, and then moved to 32 Cornhill.
A Mahogany Eight Day Longcase Clock, circa 1820, the nicely figured case with swan neck pediment, gilt painted glazed images of lions and central Prince of Wales feathers, fluted square shaped columns, arched trunk door with acorn finial, flanked by fluted pilasters and inlaid ebony stringing, rectangular plinth with boxwood inlaid stringing and canted corners, 14-inch painted arched dial with Arabic chapter, Prince of Wales feather spandrels, two subsidiary dials for seconds and date, arch with rolling moon, four pillar movement with attached falseplate stamped Owen, anchor escapement and rack striking on a bell, 234cm high see illustration
A Mahogany Eight Day Longcase Clock, case with swan neck pediment, later inlay throughout with boxwood stringing and shell inlay, wavy shaped trunk door with acorn finial, inlaid rectangular plinth upon bracket feet, 14-inch arched brass dial with Arabic chapter ring, dial centre bearing inscription Jaques, Wakefield, arch with Tempus Fugit disc, four pillar movement with anchor escapement and rack striking on a bell, 237cm high (dial associated to movement and both are associated to the case) See illustration
A Scottish Mahogany Eight Day Longcase Clock, signed A Cockburn, Haddington, circa 1820, the case with drum shaped pediment with a single eagle finial, rectangular trunk door, recessed moulded plinth raised upon bracket feet, 13-inch circular silvered dial with Roman numerals, two subsidiary dials for seconds and date (no date drive at present), dial centre signed, four pillar movement with anchor escapement and rack striking on a bell, 228cm high see illustration
A Rosewood Ship`s Stick Barometer with Combined Sympiesometer, signed Musker & Co, South Castle Street, Liverpool, circa 1850, the case with a large turned finial, concealed mercury tube with twin ivory vernier dial signed, brass gimbal wall bracket, sympiesometer box and carved decoration below, cylindrical brass cistern cover, 107cm high see illustration
A George III Mahogany Bureau Bookcase, 3rd quarter 18th century, the broken pediment centred by an urn shaped finial, the dentil and leaf carved frieze above two cupboard doors enclosing three adjustable shelves, the fall enclosing an interior of pigeon holes and six small drawers, the lower section with two short above three long graduated cockbeaded drawers fitted brass swan neck drop handles, raised on bracket feet, 117cm by 60cm by 256cm See illustration
A Carlton Ware "Moonlight Cameo Bubbles" Baluster Jar and Cover, pattern No.2946, decorated with medallions with nude figures playing with bubbles silhouetted in the moonlight, on an orange lustre ground, the cover with gilt lion finial, printed factory mark, painted 2946 and A/2061, 63cm (restored hairline to rim of jar) See illustration
A Chinese Carved Coconut and Pewter Bowl and Cover, 18th century, the lid and sides carved with Shou motifs picked out in gilt between pairs of Buddhistic precious objects, 12cm diameter; A Mutton Fat Jade Carved and Pierced Plaque, 19th century, depicting Li Tiegui holding an elixir gourd, within a hardwood frame, 18cm by 13cm; and A Dutch Gilt Brass Tea Kettle, in chinoiserie style, probably early 18th century, of octagonal panelled form, with leaf and twig finial to the pull-off domed cover, scroll hinged handle, and with dragon head spout, engraved with panels of Oriental flowers and textile patterns, 19cm high (3)
A Victorian Electoplate Mounted Claret Jug, G R Collis, Birmingham, circa 1860, the green tinted bellied glass body applied with prunts, the collar engraved with trailing vines and a bacchus mask, the thumbpiece modelled as a drinking gnome, the cover applied with a network of hops rising to a twisted wirework finial, crested, 38cm high

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116041 item(s)/page