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Lot 31
An early 20th Century silver water jug Of baluster form, with central cartouche and repoussé floral detailing to the body, raised on a reeded circular base, with a scrolling acanthus leaf handle, and tapered spout with hinged lid with scrolling finial, hallmarks for Hammond, Creek & Co., Sheffield, 1930, height 24cm, gross weight 17.97ozt.
Lot 2
A Victorian silver 3-piece communion set Of gothic design, the cased set comprising a miniature goblet, jug and paten, each with cruciform cartouche, the goblet with baluster form, scrolling handle and cross finial, with personal engraving dated 1884, hallmarks for "J B," London, 1883, height of jug 11.5cm, gross weight 5.56ozt.
Lot 259
Chinese archaic style bronze ding censor , with later wood cover and soapstone finial, Ming period, on wood stand, the bronze part measures 23cm high CONDITION REPORT: small holes to the side, chip to the inside rim. The wood cover has a split and there are small chips to the soapstone finial. Some of the figures lacking heads.
Lot 439
John Thwaites & Co, London, a Regency mahogany longcase clock, the finial topped break arch hood with stop-fluted canted corners, circular side fret apertures, 12inch circular silvered dial, signed, with subsidiary seconds and calendar dials, shaped hands, strike/silent lever above XII, 5 pillar movement, the trunk with similar canted corners, break arch figured wood door, upon a panelled plinth base 210cm (82in)
Lot 344
A set of four Louis XVI style ormolu three branch wall-lights, in the manner of Gouthiere, each backplate with musical trophy, satyr mask, garlands, serpent and ribbin-tied drapery with ram's mask finial, the scroll branches hung with bunches of grapes (4) 133cm (52in) Provenance: Mawley Hall, Shropshire
Lot 348
A pair of 19th century French bronze and parcel gilt six-branch seven-light table candelabra, circa 1880, with scrolling branches above stems modelled as classical maidens, raised on circular shaped and fluted black slate bases, with fruit finial inserts, 50cm high (55.5cm high including finial)
Lot 381
A 19th century Tunbridge Ware hexagonal caddy, of hexagonal form with loose cover surmounted with a turned globular finial, the interior with floating lead cover 21 x 10.50cm (8 x 4in) Other Notes: A similar pair of caddies were illustrated in 'An Invitation to Tea', an exhibition by Witney Antiques in 1991, see the exhibition catalogue plate XXXI - 49 and accompanying text on page 39
Lot 436
A French late 19th century neo classical ormolu mantel clock, the urn shape case with bud finial above a pair of serpent entwined satyr masks to both sides, the 10cm painted dial with blue numerals, the bell striking drum movement marked 'W. Oppenheim, Londres - Paris', on a waisted socle and bow fronted base with 5 segmented disc feet, with giltwood stand, the clock 45cm high, together 50cm high 45 x 26cm (18 x 10in) formerly with a sixth foot to the centre reverse of the base. Untested
Lot 53
A Mennecy custard cup and cover, circa 1760, of spirally fluted form decorated with scattered floral sprays, the cover with bud finial, 8cm high; a pair of 18th century porcelain custard cups and covers, painted with garlands of pink roses, the covers with flower finials, 8cm high (6) Provenance: Mawley Hall, Shropshire
Lot 435
A French bisque porcelain Three Graces mantel clock, last quarter 19th century, after the model by Étienne-Maurice Falconet, the urn case with horizontal annular dials, supported by a fluted column attended by the Graces indicating the time, the count wheel striking movement with lever escapement, all on a relief moulded rectangular plinth with gilt metal base Other Notes: The original model by Falconet was executed in white marble about 1770. It is in the collection of the Louvre museum. Finial glued, not currently ticking. few firing cracks, some slight loss to garland flowers. A little grubby in places. See photos. Private lady owner downsizing. Sold as is.
Lot 63
A George II mahogany and parcel gilt wall mirror, circa 1750, the rectangular plate within a moulded gilt slip, the frame with egg and dart moulded border, flanked by fruiting oak garlands to the sides, surmounted overall by a scrolling split cresting centred by an eagle finial, 150cm high, 70cm wide
Lot 1740
19thC/ Georgian longcase clock, Whitley, Bridgenorth to painted Roman arch top dial, with date aperture and Maritime decoration. The 30 hour movement striking on a bell, in oak and mahogany case with banded inlay and shell decoration to door, the hood with swan neck pediments, plain columns and brass ornamentation, raised on bracket feet, 216cm tall including brass finial
Lot 1737
20thC longcase clock, the brass and steel effect Roman dial signed by retailer Charles E Short, Brighton, the arch top with moonphase feature over, the three train movement with Westminster chime, the mahogany case with glazed door, the hood with swan neck pediment, 198cm tall including brass finial
Lot 59
18th century Worcester porcelain printed blue and white teapot and cover, circa 1770, printed blue crescent mark, printed with the 'Zigzag Fence' pattern within double blue concentric lines with flower spray finial, 14.5cm highCondition ReportSmalls scratch to neck, some wear to base. Some tiny chips to the flower finial. No visible cracks.
Lot 66
18th century Worcester blue and white transfer printed coffee pot and cover and four tea bowls and saucers, circa 1770-90, blue crescent marks, the coffee pot printed with flower sprays and moths, with flower spray moulded finial, finial with riveted repair and chipping to cover, 25cm high, the tea bowls variously printed with flower sprays and moths and the 'Zigzag Fence' pattern, one saucer cracked and restuck, one tea bowl cracked and restuck, some chipping to rimsCondition ReportThe flower on the lid of the coffee pot appears to have been reattached and one of the petals has broken off. The lid is also chipped on either side. One of the saucers is very cracked. One of the tea bowls is chipped and has a crack, another has been split severely and been repaired. See attached images.
Lot 378
A pair of Chinese blue and white wine cups and lidded warmers with overglaze blue enamel floral and foliate decoration (possibly made for the Islamic market) both lids having a moulded peach finial, the bases of the cups with red seal mark and warmers with a red Tongzhi (1862-74) four character mark, 10cm high (2)One of the peach finials is chipped
Lot 283
A late Victorian Britannia standard silver caster in the Jacobean manner, Nathan & Hayes, Chester, 1895, 5.5 oz, 14 cm high to/w a Georgian style loaded silver baluster taperstick with scalloped base, Hawksworth, Eyre & Co Ltd, Sheffield 1895, 12 cm high (2)Caster - Finial is slightly bent and there is a dent in the top. Base is slightly mis-shapen.Candlestick - Split to both sides of the blade knop on the stem.
Lot 750
A fine quality 19th century Sheraton Revival satinwood combination dressing/writing table, extensively polychrome decorated with floral swags, cameo medallions and two large oval classical figural scenes, centred by a shield shaped mirror flanked by oval panelled cupboard doors and an arrangement of slender fitted drawers, over a serpentine form top having a full width frieze drawer, fitted with a rising leather writing slope and lidded compartments, raised on ring turned tapering legs united by shaped square section stretchers centred by an oval platform, retaining its original removable casket, circa 1860's, 102 cm w x 54.5 cm x 170 cm h o/a 67.5 cm h to underside of frieze drawer, 84 cm h to flat overdrawer surface, no major cracks or slits, paint appears wholly original with some overtouching overall, mirror plate showing some patination/degradation of the silvering, finial of mirror damaged/broken off/repaired, leg structure sound, casket to untertier good and matching (see multiple detail images)
Lot 147
A late Victorian silver rococo revival baluster tea caddy, the domed cover with pine-cone finial, the writhen fluted body embossed and chased with floral and foliate decoration, on stemmed and domed foot, Daniel & John Welby, London 1895, 8.4 oz. 16.5cm highMaker's mark overstamps another, but conform with cover. Generally good clean condition with no repairs or dents
Lot 1698
Good quality 19th Century oak three tier buffet of Gothic Revival design, the shaped and carved back above three moulded shelves with pierced Gothic design bracket supports, 55ins wide46ins high x 55ins wide x 16.5ins deepOne finial is loose but present. Needs cleaning and polishing. Joints are good.
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116099 item(s)/page