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Mixed Lot: hallmarked silver bookmark with butterfly finial, a silver and enamelled badge for "Mile End Hospital", pierced silver pendant further white metal and enamelled brooch modelled in the form of an early motorcar, hardstone set bracelet (a/f), gold plated neck chain and further base metal neck chain with heart shaped pendant (qty)
Late Victorian hot water pot of baluster form with hinged and domed cover, cast and applied finial to a girdled body and raised on three cast and applied paw feet with floral and ribbon swag embossed decoration, height 18 1/2 cms, weight approx 327gms all in, Chester 1897, maker's mark rubbed
Mixed Lot: Victorian silver gilt sifter spoon with figural finial handle to a twisted stem and pierced and shaped circular bowl, together with a christening spoon and fork, four various condiment spoons, American souvenir type spoon marked "Sterling Silver", a Kings pattern butter knife and salt spoon and further cased tea spoon and with electro-plated condiment spoon, combined weighable silver approx 238gms, various dates and makers (12)
Mixed Lot: Mixed Lot: antique cornucopia brooch, Etruscan style, typically decorated with beads, scrolls and highlighted with five small rubies and one small seed pearl, stamped 9, a yellow metal bar brooch set with small seed pearls and a turquoise stone, a white metal tie pin with a translucent enamel flag finial, stamped "silver", together with a gilt metal oval locket with engine turned decoration, three white metal and marcasite brooches, a small white metal book shaped notebook pendant stamped 800, a gilt metal brooch together with a ladies Accurist wristwatch (10)
A Graingers Worcester reticulated urn and cover, the ovoid body of lobed form with decorative floral and scroll design having lobed lid and tapered finial supported on a knopped stem and circular shaped spreading foot, heightened in gilt, printed factory mark to base, painted number 2029, 28 cm high
A Royal Worcester reticulated urn and cover, in blush ivory with ten segmented sections with a green and bronze glaze heightened in gilt having domed lid with tapered finial, 13.5 cm highOverall in good condition. Wear to the base and gilt around the base and finial. Light scratches. No apparent chips or restoration. Unsigned, dated 1906
A Canton enamel teapot and associated domed cover with knop finial, decorated with dragons and cloud scrolls in pink, lemon, blue, green and aubergine enamel; 7 cm wide, Qing Dynasty or laterPlease note that there are some areas of metal and enamel deterioration to this teapot; this includes visible cracking in the interior, and enamel loss/metal degradation visible on the handle.
An early 19th century Continental porcelain garniture set of three pot pourri vases and covers, with finely gilded floral, foliate and bird decoration on a blue ground, double eagles' head finials and twin eagle handles, on stemmed triple claw feet and square bases 20/16.5 cm high (a/f)Six broken wings on eagle handles - four included loose in lot, all have three hairline cracks in body; one of smaller pair has missing finial
A German porcelain oval tureen and cover with basket-work relief to the writhen body, the figural finial as a young girl among encrusted flowers, the base with twin floral-encrusted shell handles, painted with sprays of flowers and deutsheblumen. Bears underglaze blue crowned CT monogram for Carl Theodor, Frankenthal (but not attributed), 29 cm wide overallVarious firing imperfections including cracks and glaze blemishes; glazed-over chip to rim of cover; hairline crack near base
A pair of 19th century Derby china pot pourri pails and covers with gilt decoration on a blue ground, 8 cm diameter, to/w a Royal Crown Derby Imari ovoid small vase, 1919, 10.5 cm, a Robert Bloor period green glazed scent flask and stopper encrusted with flowers, 13 cm high, a similar unmarked scent ewer and stopper with rose finial, an Imari palette miniature basket and a miniature covered pail - both also unmarked (7)Imari basket repaired handle; losses to flowers on flask and ewer; glazed crazed on Derby pails
A late Victorian silver two-handled porringer and cover, the domed cover with pierced and cast leaf and berry pattern finial, chased and cast with band of leaf ornament and with moulded rim, the body cast with a band of leaf ornament and chased and embossed with leaf strap work to lower part, with leaf cast scroll handles, on circular footrim, 9.5ins wide (handle to handle) x 8.5ins high, by R. & S. Garrard & Co. London 1899 (weight 34ozs - crested), and silver mounted and ebonised stand for same, 11.5ins high overall with stand
A George IV silver circular three piece tea service with floral and leaf cast mounts, floral finial and embossed with bands of floral and scroll ornament, conforming scroll handles and panel and paw feet, comprising - tea pot, 6ins high, two-handled sugar basin and milk jug, by Thomas Dicks, London 1822 (gross weight 44ozs)
Three items of Burmese 900 white metal by Paung, including an ice bucket, a cream jug with scrolled strap handle and a matching covered sucrier, all with dense floral and foliate scrolled banding, the sucrier cover with similar band and lotus finial and stamped 'Paung', 900 and crown mark, total 34oz
A VICTORIAN IRISH FOUR-PIECE SILVER TEA SERVICE, JOHN SMITH, DUBLIN 1860 AND 1863 comprising: a teapot, coffee pot, sugar basin and milk jug, the melon-shaped body engraved with panels of flowerheads and foliage enclosing engraved crests, the beaded and flared upper rims with hinged domed cover and detachable acorn finial, leaf-capped and reeded scroll handles, raised on a circular footrim, sugar basin and milk jug with gilt interior, pins to teapot handle repaired coffee pot 26cm high, 2517g all inclusive (4)
A PAIR OF FRENCH BRONZE HUNTING URNS AND COVERS, PIERRE JULES MENE (1810 - 1879), 19TH CENTURY each decorated with hunting scenes in high relief depicting hounds and deer at various pursuits, applied with two branch shaped handles, the loose cover surmounted by a hunting falcon and bird of prey finial respectively, tapering support stylized as a tree with birds and lizards terminating in a canopy of leaves and branches, on a stepped oval base, on a conforming base supported by four hunting dogs, signed 44cm high (2)
A GEORGE III THREE-PIECE SILVER TEA SERVICE, HENRY SKIDMAN, LONDON, 1802 comprising: a teapot, sugar basin and milk jug, of oval form, the body half-lobed beneath a band of bright-cut flowerhead and foliate decoration and a reeded rim, wooden handle and finial, on a flat base with wriggle-work decoration, engraved crest to rim of teapot, repair to pins on teapot, soldering repair to hinged cover, hallmarks lacking to sugar basin and milk jug, 854g all inclusive the teapot 16cm high (3)
A MINTONS PATE-SUR-PATE TWIN HANDLED VASE AND COVER, ATTRIBUTED TO L. SOLON (1835 – 1913) the baluster-shaped body decorated in relief overall with gilt floral and leaf and star patterns against an olive green ground, a cameo pattern cherub to the front flying through a ring of fire, wreath-shaped handles, the loose cover surmounted by a cone finial, gilt crowned Globe and impressed marks, shape no. 3271, various cyphers including swan cypher 1895, unsigned 25cm high including cover Marc-Louis Émanuel Solon (1835 – 1913) was a French porcelain decorator and the most famous practitioner of the pâte-sur-pâte technique, working for Sèvres from 1857 to 1870 and then in England for the Mintons factory from 1870 to 1904. The date cyphers puts this lot into the correct time frame for being produced by Mintons whilst Solon was working there. Although this piece is not signed, it seems that it may well have had a companion piece, illustrated below. As one can see the decoration is very similar to the front and the subject matter corresponds to Solon’s motifs. He favoured classical subjects inspired by the Renaissance art world and usually worked in white against a dark ground. The twin handled vases and other decorative objects that were produced as pairs very rarely depict the exact same scene in the pâte-sur-pâte technique, whilst the shape and other aspects of design are identical, as is the case here. The companion piece as illustrated in figure 1 is signed L. Solon and depicts a putti flying through a hoop surrounded by swallows. The lot on auction depicts a putti flying through a hoop of fire or flames. This would be typical, as the subject matter though never an exact copy would be similar. The reverse of both pieces is identical in the atypical gilt styling as well as the shape and form. It is not unusual that one piece is signed and the other not, hence the belief that this lot was a companion to another Solon piece and most likely the one illustrated below. The companion piece was sold by Christies in 1998 and resurfaced again later. Solon was widely acclaimed during his life time and his work commanded high prices. - S-L. F.
Japanese Arita tureen and cover, Edo period (Early 18th Century) the domed cover with a flat circular finial decorated in underglaze blue with floral scrolls H 26cms x Diam 25cms - Soame Jenyns Collection Condition Report & Further Details Cover with hairline crack and chipped. Small area of repair to rim of cover and baseThis lot comes from the collection of Soame Jenyns (1904- 1976) and is being sold by order of the executors of his younger son, the late John Jenyns. Soame Jenyns was Assistant Keeper of Oriental Antiquities at The British Museum from 1931-1967. He published several books including: "A Background to Chinese Painting" published 1935, "Chinese Archaic Jades in the British Museum" 1951, "Ming Pottery & Porcelain" 1953 etc.Chips to interior rim of cover - longest 7cmHairline crackArea of repair to edge of cover about 3cm longSmall repair to top edge of base

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116041 item(s)/page