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10th-15th century AD. A mixed silver group comprising: a trefoil plaque with pendant ring; a domed cap with granule detailing; a discoid pendant with stamped ornament to the edge; a tongue-shaped strap end with knop finial. 18 grams total, 19-28mm (3/4 - 1"). From an old German collection, formed in the 1990s. Fine condition. [4, No Reserve]
A George IV silver teapot, hallmarked London 1824, maker's mark of William Esterbrook Of compressed spherical form with cast spout and ebony handle and finial. 14.5 cm high overall. CONDITION REPORTS: Generally in good condition, expected wear, slight dints and bruises, approximately 22.5 troy ounces all in.
A 19th century French ormolu mantel clock The urn finial above the white enamelled dial with Roman numerals inscribed D.C. Rait a Paris above a figurally painted Sevres type porcelain panel and three other floral filled porcelain panels. 37 cm high. CONDITION REPORTS: Some wear to ormolu, pendulum lacking, back door and case section loose, some cracks to dial, top finial loose, general wear.
A 19th century silver plated tankard The hinged lid surmounted with a knight form finial, his shield engraved with a crest above the main body decorated with various classical figural vignettes, the underside marked for J.G. & Sons. 21 cm high. CONDITION REPORTS: Some plate wear/loss, general wear.
An 18th century Dutch Delft triple garniture by Johannes Van Duijn Comprising: a large vase and cover and a pair of smaller vases and covers, the former decorated with floral sprays, the cover with dog finial, the latter decorated with chinoiserie scenes, all with blue painted marks to base. 43 cm and 31 cm overall respectively. (3) CONDITION REPORTS: All with various glaze chips and losses, chips, losses and old repairs.
A large Chinese blue and white porcelain lidded vase The lid with dog-of-fo finial above the bulbous main body, decorated with figures atop the Great Wall of China above a three character calligraphic panel, fitted as a lamp. 83 cm high. CONDITION REPORTS: Some glaze wear/pitting, lid stuck down and drilled with fitting, the underside drilled for electric, general wear.
A Japanese Meiji period Kinkozan Awata Kyo-Yaki or Satsuma vase and cover Of hexagonal form and typically profusely decorated, standing on a wooden base, gilt painted four character Kinkozan Tsukuru mark to base. 18 cm high overall. CONDITION REPORTS: Generally in good condition, expected wear, slight loss to finial, slight rubbing to gilding and decoration, slight loss to stand.
Cased sets of silver cutlery, cased set of six teaspoons, pierced handles Sheffield 1919, cased set of six coffee spoons with floral terminals Sheffield 1909, cased set of six silver handled tea knives Sheffield 1964, a cased Danish silver preserve spoon "Golden Crown" finial, by W&S Sorensen, 6 loose silver grapefruit spoons Birmingham 1935, total weighable silver (excluding knives) approximately 11oz.
9th-12th century AD. A mixed group of bronze pendants comprising: two with triangular plaque and rumbler bell pendants; three with double-loops and bell-shaped dangles; a length of chain with rumbler bell finial; Baltic workmanship. 105 grams total, 6-13cm (2 1/2 - 5"). Property of a gentleman; acquired before 1990. Cf. Sedov, B.B. Finno-Ugri i Balti v Epokhi Srednevekovija, Moscow, 1987, plate LXV for type. Fine condition. [5, No Reserve]
13th-6th century BC. A bronze horse-bit suite comprising: a square-section bar with ends scrolled in opposite directions; two lateral plaques, each a flat-section rectangle with triangular voids, six spikes to the inner face, mouflon-head finial, central void to accept the bar. 230 grams, 18.5cm (7 1/4"). Property of a North West London gentleman; formerly with a central London gallery in 1990. Cf. Moorey, P.R.S. Ancient Bronzes From Luristan, London, 1974, plate VI, item A. Fine condition.
2nd millennium BC. A bronze mount or finial with D-section body, balustered lower finial with collar, upper finial a human head with lentoid eyes, straight nose and ears. 75 grams, 84mm (3 1/2"). Property of a North London gentleman; formerly with a Mayfair gallery in the 1980s. Cf. Moorey, P.R.S. Ancient Bronzes From Luristan, London, 1974, plate XII (c). for type. Fine condition.
2nd millennium BC. A bronze finial comprising a tubular bulb with ribbed collar, narrow columnar shaft surmounted by a bifacial Master of Animals figurine formed as two lions on hindlegs, birds heads beneath the necks. 449 grams, 32cm (12 1/4"). Ex Kinnard collection, Oxford, UK, formed in the early 1980s; thence by decent 2015. Very fine condition.
9th-12th century AD. A mixed bronze group comprising: a round-section bracelet with hooked tail, beast-head finial; a ring with faux-twist detailing; a cross pendant with central void, cotton-reel finials, beast-head suspension loop. 9.29 grams total, 20-46mm (3/4 - 1 3/4"). Property of a Suffolk lady; acquired on the UK art market. Fine condition. [3, No Reserve]
10th-11th century AD. A bronze openwork belt fitting with scrolled tendrils and beast-head finial, return strap to the reverse with attachment rivets; attached to the beast's mouth a cast openwork panel of Urnes Style scrolled tendrils with suspension loop to the outer end. 23 grams, 64mm (2 1/2"). Property of a European gentleman living in London. Cf. Vince, A. Aspects of Saxo-Norman London: II Finds and Environmental Evidence, p.149, item 3.30. Very fine condition.
9th century AD. A large flat-section bronze leaf-shaped strap end with split upper edge, beast-head finial with pellet eyes and square ears, incised geometric pattern; pierced twice below the upper edge. 8.87 grams, 66mm (2 1/2"). Property of a London collector; acquired London, 1980s. Cf. Thomas, G. Late Anglo-Saxon and Viking Age Strap-Ends 750-1100: Part 1, Finds Research Group datasheet 32, Sleaford, 2007, items 6, 9. Fine condition. [No Reserve]
8th century BC-2nd century AD. A mixed group of bronze brooches comprising: an Iron Age leech brooch; a hinged bow brooch with slit to the bow and loop finial; four bow brooches with hinged pin and disc finial; a bow brooch with hinged pin and scrolled finial; a bow brooch with hinged pin and D-section bow; a Polden Hill brooch with sprung pin, ferrous accretion to surface. 51 grams total, 32-47mm (1 1/4 - 1 3/4"). Property of a gentleman; acquired before 1990. Cf. Hattatt, R. Ancient and Romano-British Brooches, Sherborne, 1982, item 199; Hattatt, R. Ancient Brooches and Other Artefacts, Oxford, 1989, item 1509. Fine condition. [9, No Reserve]
13th-6th century BC. A bronze tubular element from a sceptre with ribbed collars, band of human masks with horse-heads(?"). between, finial of two lion masks. 68 grams, 11cm (4 1/4"). Private collection, London, UK; formerly with Persepolis Gallery, Mayfair, London, UK; in the 1980s. Cf. Legrain, L. Luristan Bronzes in the University Museum, Pennsylvania, 1934, plate II. Fair condition.
5th century AD. A mixed group of ceramic lamps comprising: one slipper-shaped with lug handle; two drum-shaped with long nozzle; one with scooped discus, long nozzle with arrowhead finial; one bulbous with ivy-leaf base. 365 grams total, 85-115mm (3 1/4 - 4 1/2"). From an old German collection; acquired before 1990. Mainly fine condition. [5]
6th century AD. A bronze cruciform brooch of the later 'florid' form with highly decorative openwork border to the headplate formed as a rectangular median plate with lateral wings, enhanced with punched-pellet detail to the sides and top edge of each; raised central square panel; to the middle of each edge a Style I human mask in plan, formed as a T-shaped brow-and-nasal with two pellet eyes, with pairs of Style I profile bird-heads with curved beaks; the bow deep with facetting at each end; the footplate rectangular with Style I lappets and punched-pellet border; the transverse collar with two rows of punched-pellet detail; the finial a Style I human mask with two columns of punched-pellet detail extending to the peltoid terminal; the overall decorative effect forming a triangular band of Style I openwork ornament broken only at the bow and terminal; to the reverse pin-lugs, ferrous stain from the pin and base of the catchplate. 112 grams, 12.5cm (5"). Extremely fine condition. Extremely rare. Found Suffolk, UK. Published in Hammond, B. British Artefacts vol.1 - Early Anglo-Saxon, Witham, 2009, fig.1.1.4.1-l. Accompanied by an Art Loss Register certificate. The staring male face on the footplate, with fierce eyes and prominent moustache, probably represents a divinity such as the thunder-god, Thunor (later Thor). The god of thunder, lightning, storms, oak trees, strength, the protector of mankind, and also hallowing, healing and fertility, probably has his origins in the pre-Roman Germanic religion, where a god with similar attributes, but whose name is not known to us, is identified with Hercules by the Romans. During the Migration Period a deity under the name of Donar appears on jewellery and inscriptions, and Christian chronicles speak of a sacred oak tree of Donar in Germany that was felled by missionary, Saint Boniface. It is in the Viking Period that Thor becomes the pre-eminent deity of the Scandinavian countries. He had the central place at the great temple in Uppsala, Sweden, with Odin and Freyr to either side of him. His main symbol is the hammer, which is likely to be derived from the club of Donar. The raven is sacred to Odin and their presence on this brooch was possibly to evoke the protection of both gods.
8th-10th century AD. A silver penannular bracelet with heart-shaped finials; round-section hoop expanding to flattened finials, each decorated with an applied silver ropework border with medial pellet above, to the centre of each finial a standing bird reserved against a textured field within a tremello-pattern border. 38 grams, 67mm (2 1/2"). From an old North London collection; acquired prior to 1980. Very fine condition.
1st-2nd century AD. A bronze wine strainer with deep rounded and perforated bowl, flat-section handle with loop finial and addorsed bird-heads; fragments of gauze adhering to the inner face of the bowl. 197 grams, 25cm (10"). Ex V.C. Vecchi and Sons Ltd., Great Smith Street, London, 1971-1985. Fine condition, rim cracked.
2nd millennium BC. A mixed set of bronze fitting comprising: a linked bit, each element pierced below the ring; two domed studs; two terrets each with a domed head, three lateral loops and a spoon-shaped finial. 264 grams total, 15-125mm (1/2 - 5"). Property of a professional gentleman, acquired 2011; formerly in a Russian private collection formed before 1950. Fine condition. [6, No Reserve]
AN EDWARDIAN SILVER CRUET SET, MAPPIN & WEBB, BIRMINGHAM, 1902 comprising: a mustard pot and two pepper castors, the baluster body moulded with c-scrolls and raised on four leaf-capped scroll feet, urn finial, blue glass liner, liner chipped, 185g, castor 9cm high; A Silver Cruet Set, London, 1956, Israel Freeman & Son Ltd, of plain baluster form with gadroon rims, raised on four leaf-capped pad feet, mustard with acanthus leaf-capped reeded loop handle, mustard lacking blue glass liner, 133g, castor 7,5cm high; And Four Silver Spoons, various maker's and dates, comprising: one salt and three mustard, 20g (10)
A GROUP OF JAPANESE SATUMA WARES, 20th CENTURY comprising: a two-handled tripod censer with cover and two two-handled vases, each painted with the central panel depicting a female and her attendants, the reverse with a couple and child, against a dense ground of alternating panels of cranes , clouds and gilding, applied masks, the censer with a finial of a seated man, repair, 27,5cm high (3)
A LARGE BRONZE TWO-HANDLED CENSER, MING, 1368-1644 the globular body decorated with leaping mythical creatures leaping amongst rolling waves, the domed reticulated cover with swirling clouds beneath two sinuous dragons chasing flaming pearls, surmounted by a reticulated knop finial in the form of clouds, the sides applied with mythical beast mask handles suspending ‘C’-shaped rings, supported on a pedestal foot, the tripod stand with lappet border, the censer centred with a six-character Xuande mark 24cm high including stand
AN ENGLISH COPPER TEA KETTLE, 19TH CENTURY applied with a swan-neck spout, fixed brass handle and copper grip, the detachable cover with an acorn finial, dents, 30cm high; And A Brass and Copper Coal Scoop, the tapering cylindrical form applied with five copper bands, the side applied with copper hinges and brass swing handle, 37,5cm high (2)
A VICTORIAN ELECTROPLATE AND BONE-HANDLED STILTON SCOOP NOT SUITABLE FOR EXPORT, with foliate chased ball terminal, the two collars either side of the cylindrical bone handle chased with flower-heads and thistles, split to bone handle; An Electroplate Sugar Scuttle and Shovel, circa 1900, the body and hinged cover engraved with flower-heads and foliage, on a raised pedestal base, 13,5cm high; And A Victorian Electroplate Chocolate/Hot Water Pot, William Hutton & Sons, Sheffield, the baluster body with half-fluting decoration on a spreading foot, turned wooden leaf-capped scroll handle, wooden finial 25,5cm high (4)
JESSIE M. KING EARTHENWARE SQUARE HONEY JARdesigned and painted by Jessie Marion King (1875-1949), painted in blue, purple and yellow tones, body with bands of stylised flowers on a white ground, the lid entirely painted with purple and yellow flowers on a blue ground, honey bee finial to cover, painted initials, yellow rabbit and blue/green gate motifs to base, 13.5cm high
JESSIE M. KING EARTHENWARE SQUARE VEGETABLE DISH AND COVERdesigned and painted by Jessie Marion King (1875-1949), painted in cool toned colours with sprays of stylised flowers on a white ground, yellow lion finial to cover, rim of both painted around all four sides with 'The Selkirk Grace', painted initials, black rabbit and green gate motifs to base, 28cm long
PAIR OF ATTRACTIVE DANISH SILVER SERVING SLICESmaker Conrad Petersen of Copenhagen, active circa 1937-1948, dated 1939, assay masters mark for Johannes Siggaard (1932-1960), also stamped Haandsmedet (Hand-forged), finials in scrolling Art Deco scrolling shell design, handles also engraved with initial 'K', each 24cm long; together with an Art Deco Danish silver cake slice, maker Carl M. Cohr of Fredericia, active circa 1893-1937, dated 1933, assay masters mark for Johannes Siggaard (1932-1960), also stamped Haandarbejde(Hand-work), hand engraved with repeating geometirc design and monogram 'AW', 19cm long and a danish silver serving spoon, engraved 'Sterling' and stamped Haandsmedet (Hand-forged), with a twist detail handle with a ball finial, 25cm long (4)
UNUSUAL LATE 18TH/EARLY 19TH CENTURY CONTINENTAL/BALTIC SILVER COVERstamped with mark 'I.B' plus four pictorial marks, several of the marks seen on Swedish silver of this period, possibly from Northern German or the Low Countries, ball finial, engraved with an elaborate hunting scene of a man chasing down a pack of hounds taking down a stag, also engraved with a large coat of arms; together with a matched bowl base, lacking hallmarks (altered to fit cover so hallmarks possibly erased), possibly late 18th/early 19th century english silver, engraved with a heraldic Wyvern, interior shelf rim, on three ball feet, approximately 327g gross, each 11.5cm in diameter
EARLY GEORGE III SILVER TEA CADDYmaker John Langford II & John Sebille, London 1768, of rectangular form with beaded rims, square lid with cast rose finial, engraved with initials 'JM', base engraved with '7=16', approximately 237g, 12cm high; together with a George III silver caddy spoon, maker Josiah Snatt, London 1805, engraved with fluted borders and floral central roundel, approximately 8g, 6cm long (2)

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116061 item(s)/page