A Victorian silver three-piece tea set, comprising teapot, twin handled sugar bowl and single handled cream jug, each piece ornately floral repousse decoration and bearing vacant cartouche to either side of the body, with acanthus leaf capped reeded S-scroll handles and standing upon four applied scrolling feet, the teapot hinged cover having a cast bird upon a branch finial and ivory insulators to the handle, maker RD (possibly Robert Death), London 1861, teapot h.approx 20cm (excluding finial), gross weight 47oztIvory submission ref: F9SZ9YB7 All pieces stand well.All marks good.No apparent splits, repairs or dents.Appears little used, an excellent example.
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A Worcester porcelain teapot, circa 1770, of bullet form, decorated in the Rock Strata Island pattern, W mark to the underside, h.14.5cmThere is a repaired chip to the underside of the lid.Chip to the main rim of the lid and chips to the base of the lid.Glaze on finial rubbed.Chip to the spout.
A circa 1900 Chinese silver three-piece tea set, comprising teapot, twin handled sugar bowl with lift-off cover, and single handled cream jug, each piece all-over cast with birds amongst flowering prunus and having bamboo effect handles, the teapot having bamboo form spout and finial to the hinged cover, with ivory insulators to the handle, each piece bearing character stamp and makers mark KW (possibly Kwan Wo of Canton & Hong Kong) verso, teapot length 25cm (including handle and spout), gross weight 32.9ozIvory submission ref: 1DHFEAWV
A Victorian silver teapot, of compressed circular semi-fluted form to a collet foot, bearing opposing cartouches, one engraved with a lion sejant above the motto Quod Adest, having an everted chased rim to domed semi-fluted hinged cover (ivory button finial removed), the C-shaped wooden handle having raised thumbpiece, maker Frederick Brasted, London 1880, dia.15.5cm (excluding spout and handle), 20.8ozt
A George V silver three-piece coffee set, comprising; coffee pot having a hinged domed cover with acorn finial, and S-scroll wooden handle with raised thumbpiece, standing upon a shallow circular foot, h.21cm, together with a further matching twin handled sugar and single handled cream jug, maker Thomas Bradbury & Sons Ltd, London 1912-13, h.21cm, gross weight 45ozt (3)
A Lowestoft porcelain coffee pot, circa 1775, of baluster form, decorated in the Lowestoft variation of the Fence pattern, h.23cmLid – glaze a little rubbed to flower finial.Pot – glaze a little rubbed around the rim and to the edge of the spout., brown spot beneath the spout, tiny hairline to the handle.
A George III silver teapot, of squat circular form upon a collet foot, formed with raised bands around the centre and engraved coat of arms to one side of the upper section, having egg and dart rim to a flush-set hinged cover rising to a domed centre with rosette carved finial, angular wooden handle with raised thumbpiece, maker John Emes, London 1807, dia.15.5cm, 20.2ozt
A Scottish Mahogany Eight Day Striking Longcase Clock, signed Wm Reid, Edinburgh, Early 19th Century, drum shaped pediment, nicely figured trunk door flanked by inset columns, 14-inch silvered dial with Roman and Arabic numerals and signed, dial centre with scroll engraving and seconds and date aperture, four pillar movement with an anchor escapement and rack striking on a bell220cm highCase with very slight bowing to the bottom side of the trunk door, top finial with a small piece missing to the front, dial is clean, movement looks all complete, with pendulum and two weights.
A Pratt Ware Pope and Devil Stirrup Cup, circa 1800, decorated in ochre green and blue 14cm high A Pearlware Whistle, formed as a dog and with sponged decoration 5.5cm A Royal Worcester Porcelain Whistle, formed as a hound's head, printed puce mark 4.5cm (3) Stirrup - rim chip, cracked, tip of finial lackingPearlware - glaze crazed and abradedWorcester - slightly scuffed and abraded
A Mahogany Striking Table Clock, signed Henry Watts, Poole, circa 1820, sloping pediment with pineapple finial, side carrying handles and fish scale sound frets, pull repeat cord, front with brass framed recessed panels, brass ball feet, 8-inch convex painted dial with Roman numerals, twin fusee movement with an anchor escapement and striking on a bell, movement backplate with an engraved decorated outer border, movement secured in by brackets49cm highCase with small cracks in parts, case edges with some dents in parts, dial has been totally re-painted but to a high standard, paint is slightly missing around both winding holes, movement looks complete, with pendulum.
A Flight, Barr & Barr Worcester Porcelain Urn and Cover, circa 1830, with flame finial, beaded mouldings and raised on three supports formed as scrolling dolphins over a triform plinth, heavily gilded and with an apple green ground, painted with a named view of "Little Malvern Church", painted marked in script20cm high (2)Cover restored. Base intact. Some wear to the gilding.
A Jaques Staunton Pattern Boxwood and Ebony Weighted Chess Set, two knights and two castles stamped with crowns picked out in redkings 9.5cm high, in baize-lined mahogany box with Jaques trade label, the base inscribed B.W.Hodson 1894A Booklet "The ABC of Chess by a Lady", by Jaques & SonA Chess Board, probably Jaques41cm wide (qty)Board - slightly warped and with general superficial marks. Box - good condition, no key.Pieces - (all weighted) black Pawn head detached, white Rook with damage to top (pieces retained). Black Queen with chips to crown. One black Knight may be a replacement, unmarked but still weighted, look slightly slimmer, this piece with loss to one ear. White Bishop missing finial. Some other minor marks, tiny chips throughout.
A studio pottery Salt Pig by Pru Green of Alvingham Pottery - dark brown stoneware with treacle and turquoise glazed roundel decoration around the base, signed and dated (19)75, 23.5cm high (two tiny chips to finial); together with a blue and white Cornishware 6in pudding basin (discoloured glaze crazing); a Cornishware flour sifter; and a small quantity of 1970s Denby-style matt brown glazed dinner ware comprising four handled soup bowls with covers, five 11in oval plates and two 12¾in oval platters.
An 18th century oak longcase clock by Taylor of Manchester - the 13in signed, square brass dial with Roman chapter ring, Arabic 5 minute outer minute track, foliate engraved and matted centre with chamfered date aperture and subsidiary seconds dial at 12, with gilt brass mask spandrels, fronting a twin train 8 day movement striking the half hours on a bell, the case with swan neck hood centred by a gilt brass reeded globe finial, on fluted columns to a trunk with fluted quarter columns to the angles and a mahogany cross banded door, on a conforming cross banded base with ogee feet, with weights and pendulum, 221cm high.
A fine quality silver-plated kettle on stand by Elkington & Co - late 19th century, of oval form, impressed maker's marks to base of kettle, with bands of chased foliate decoration centred by vacant cartouches, the borders beaded, the hinged lid with ebony finial beneath a trefoil shaped, beaded handle with raised, foliate ears, on an oval stand with oval burner and pierced foliate scroll arms, on four beaded bun feet, 38.4 cm high, in very good condition.
A vintage mid-20th century gilt metal and cut glass bag style chandelier – the circular reeded and interlaced laurel meander frame suspending graduated strings of octagonal facet cut lustres, terminating in a gilt brass pine apple finial, 38cm diameter, a few minor losses from a few of the strands of lustres; together with another small, similar example, some strings of lustres detached and some losses. (2)
A Continental Silver Soup-Tureen, Cover and Stand, Stamped '800', Possibly Spanish or Italian, 20th Century the soup-tureen oval and on spreading foot, with lobed sides and ram's mask handles, the detachable cover with stag finial, the conforming stand oval and with shell gripsthe stand 61.5cm wide, 170oz 8dwt, 5,301gr
An Edward VII Silver Tea-Caddy, by William Wheatcroft Harrison, Sheffield, 1905 tapering oval and and with lobed sides, with chased foliage between, the hinged cover similarly decorated, finial lacking11.5cm high, gross weight 6oz 2dwt, 190grFully marked near rim and further part marked inside cover and on fixing bolt. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. A turned wood or ivory part of the finial is lacking.
A William IV Silver Teapot, by Paul Storr, London, 1832 compressed circular and on slightly stepped collet-foot, with ivory-insulated leaf-capped handle, the slightly domed cover with disc finial, engraved on one side with a coat-of-arms and on the other with a crest25cm wide over handle, gross weight 17oz, 528grWith non-transferable standard ivory exemption declaration number AC8A14LC.Fully marked underneath and further part marked on handle and inside cover. The base further stamped 'Storr & Mortimer' and numbered '58'. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the engraving. There is some cracking and discolouration to the ivory insulators which show no signs of having been added or altered in any way.
A Spanish Silver Vegetable-Dish and Cover, by Matilde Espuñes, 20th Century, Further Stamped 'Aldao Joyero', Probably as Retailer tapering cylindrical and with shaped reed rim, with two loop handles, the detachable cover confirming and with tapering ball finial 29.5cm wide over handles, 31oz 10dwt, 979gr
A French Silver Coffee-Pot, by Flamant et Fres., Paris, Late 19th/Early 20th Century pear-shaped and on spreading short foot, with an engine-turned finish, engraved on each side with initials within a garter, the hinged cover with baluster finial, with ivory-insulated handle18cm high, gross weight 10oz 19dwt, 340grWith non-transferable standard ivory exemption declaration number PTABRVSQ.Marked underneath with standard mark and maker's mark. Further marked on foot with standard mark. There is some wear to the marks but each is still legible. There is some overall surface scratching and wear, consistent with age and use as well as some bruises. The wear is noticeable as a softening to the engraving. There are some minor cracks and staining to the ivory insulators.
A Four-Piece Elizabeth II Silver Tea-Service, by J. B. Chatterley and Sons Ltd., Birmingham, The Teapot, Cream-Jug and Sugar-Bowl 1965, The Hot-Water Jug 1964 each piece tapering and with Celtic pattern border, comprising a teapot; a hot-water jug, each with composition handle and finial; a cream-jug and a sugar-bowlthe hot-water jug 17.5cm high, total gross weight 48oz 18dwt, 1,521gr (4)Each piece fully marked near rim. The teapot and hot-water jug each further part marked inside cover. The marks are clear. There is some overall surface scratching and wear, consistent with age and use.
A Four-Piece Victorian Silver Tea and Coffee-Service, by Charles Reily and George Storer, London, 1849 each piece shaped tapering octagonal and on four scroll and openwork panel feet, later engraved with initials, comprising a teapot; a coffee-pot, each with ivory-insulated handle and flower and foliage finial; a cream-jug and a sugar-bowl the coffee-pot 26.5cm high, total gross weight 81oz 19dwt, 2,548gr (4)With non-transferable standard ivory exemption declaration number HTUREJVC.Each piece fully marked under base and further stamped model number ‘M493’. The teapot and coffee-pot each further part marked inside cover, on handle and on finial with conforming marks. There is some minor wear to the marks but each is still legible. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points and the engraving. The engraved initials are later and there is apparently a patch on each side of the teapot and the coffee-pot. The ivory insulators with some staining and cracking, they do not show signs of having been replaced or altered. The cream-jug and sugar-bowl gilt inside.
A Four-Piece Edward VIII and George VI Silver Tea-Service, by Henry Clifford Davis, Birmingham, The Teapot, Cream-Jug and Sugar-Bowl 1938, The Hot-Water Jug 1936 in the Art Deco style, each piece tapering and on conforming foot, with canted corners, comprising a teapot; a hot-water jug, each with composition handle and finial; a cream-jug and a sugar-bowlthe hot-water jug 16.5cm high, total gross weight 45oz 15dwt, 1,423gr (4)Each piece fully marked near rim. The teapot and hot-water jug each further part marked inside cover. There is some wear to the marks but each is in general still legible. There is some overall surface scratching and wear, consistent with age and use. There are some bruises overall.
A George V Silver Tea-Caddy, by Robert Pringle and Sons, London, 1912 in the George III style, oblong and with shell and foliage heightened gadrooned border, the hinged cover with vase-shaped finial95mm wide, 5oz 17dwt, 182grFully marked on back and further part marked inside cover. The marks on the back with some wear. There is some overall surface scratching and wear, consistent with age and use.
An Edward VII Silver Kettle and Stand, by William Hutton and Sons Ltd., Sheffield, 1909 the kettle tapering oblong and with fluted lower body, with foliage and shell-heightened egg and dart border, with overhead part-composition handle, the hinged cover with composition finial, engraved with an inscription, on conforming stand with fluted tapering legs, lamp lacking33cm high, total gross weight 51oz 14dwt, 1,608grThe inscription reads 'Presented to C. A. Cunningham of Abbotrule by his Tenantry on the Occasion of His Marriage 24th August 1910'.
A Cased Set of Thirteen Elizabeth II Silver Apostle-Spoons, by Comyns, London, 2001, Retailed by the Victoria and Albert Museum, From a Limited Edition of 2,000 each in the 16th/17th century style, the bowls fig-shaped, each tapering stem terminates in a finial cast as a saint holding his symbol, with St Esprit nimbus the finial of the Master gilt, in fitted glazed case and with associated bookletsthe case 61cm long, the spoons each approximately 11.5cm long, weight of silver 12oz 17dwt, 400grThe spoons in general in 'as new' condition. There are some scuffs and marks to the case.
A George III Silver Teapot, by James Young, London, 1784 oval and engraved with foliage, each side further engraved with a ribbon-tied cartouche, one engraved with a coat-of-arms and the other engraved with a crest, with wood handle and finial26cm wide over handle, gross weight 13oz 13dwt, 424grFully marked underneath. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There has been a repair to the base on one side. The handle and finial are probably replaced.
A George III Silver Tea-Caddy, by John Denzilow, London, 1788 elongated octagonal and with foliage and flower engraved borders, each on a textured ground, the corners and cartouche with engraved borders, engraved with a coat-of-arms on one side and a crest on the other, the hinged cover similarly engraved and with vase-shaped finial13cm wide, 13oz 8dwt, 417grFully marked underneath and further part marked inside cover. There is some wear to the marks but each is in general legible. There is some overall minor surface scratching and wear, consistent with age and use. There is some minor bruising to the rim. The cover does not shut tightly and the lock is lacking.
A German Silver Tankard, by Sy and Wagner, Berlin, Circa 1863 tapering cylindrical, the sides with three Gothic style tracery niches, one applied with the coat-of-arms of von Mutius below an applied parcel-gilt Iron Cross, the others applied with a cast figure of a soldier of the Kürassier-Regiment, the first depicted in the uniform of 1813 and the second that of 1863 each above the engraved date, the base chased with acorns and oak leaves on a textured ground centring an inscription, the hinged cover applied with a cast depiction of the Prussian Waterloo memorial and with a demi-horse thumbpiece on top of the reeded scroll handle, the interior gilt, further engraved on a plaque inside the cover with various names36.5cm high, 55oz 2dwt, 1,714grThe German inscription reads 'Seiner Exellenz dem General Lieutenant Louis v Mutius zu seinem 50 jührigen dienstjubiläum die Officiere des schlesischen Kürassier Reg No 1. Prinz Friedrich v. Preussen', recording the presentation of the present tankard to Lieutenant General Louis von Mutius commemorating his 50 years of military service.The foot signed 'Sy & Wagner Berlin'. There are no hall or assay marks. There is some overall surface scratching and wear, consistent with age and use. The finial on the cover is perhaps missing the cross which rests on the top of the Prussian Waterloo memorial.
A Cartier Diablo Fountain-Pen and Ballpoint-Pen, The Fountain-Pen Numbered 391677 and The Ballpoint-Pen Numbered 353401 each with black resin body, white mounts and blue cabochon finial, each in fitted gilt-tooled red leather case, each with an associated outer cardboard box and with booklet with guarantee certificate, the first unnumbered and dated 21 May 2009 and the second with corresponding number and dated 12 June 2009the boxes 18cm wide Provenance:The ballpoint-pen purchased from Cartier, Selfridges, 400 Oxford Street, London, 12 June 2009.There is some minor surface scratching on each. There is some ink staining to the nib on the fountain-pen. The mechanism on the ballpoint pen functions correctly, though the pen requires a new cartridge. The cardboard boxes relate to different pens.
A Victorian Walnut and Marquetry-Inlaid Three-Seater Conversation Sofa, 3rd quarter 19th century, covered in buttoned green velvet, with overstuffed back support, the arm supports with turned finials and turned and fluted spindle supports between overstuffed seats, on turned tapering legs with castors216cm by 80cmSeat widths are 70cm by 50cm wide. The back rest is 45cm high. The sofa is in unrestored condition so the fabric is rather tired. A finial or button missing from the top section (as photographed). Lace trim is loose and missing in places, particularly on one of the seats/seat rails. Some heavy staining also to the seats. Seat rails with some bruising and small faults consistent with age. Seats are very soft. Structurally OK, however, some slight movement in the joints. In unrestored condition. See further images.
A William IV period Pole Screen having a triangular platform base supported on scroll feet and with a turned and reeded support, terminating with a hexagonal finial, the adjustable for height screen panel decorated with nicely worked naturalistic flowers against a beige/gold coloured ground (small piece of beading missing", 54 3/4" high, the panel 14 1/4" x 17 1/4" approx.
An early Art Deco silver three-piece tea service, comprising; teapot, twin handled sugar bowl and cream jug, each piece of lower bellied form with octagonal upper sections, having redded detail and standing upon reeded foot, the handles of S-scroll form with raised thumbpieces, the teapot having a domed octagonal hinged cover with confirming wood finial, maker William Comyns & Sons, London 1913, teapot h.16.5cm, gross weight 49.3ozt
An Art Deco Scottish silver hot water pot, of inverse tapering octagonal form to an octagonal slightly domed pedestal foot, having a C-shaped wooden handle with raised thumbpiece, the domed octagonal hinged cover with conforming octagonal wooden finial, maker Mackay & Chisholm, Edinburgh 1929, further stamped Mackay & Chisholm Edinburgh 77530 and Rd No.743575 to underside, h.23cm, 23ozt
Silver small card tray (with engraved dedication) by Hamilton & Inches Edinburgh and a novelty childs silver pusher with dog finial, 125.8g. Together with Victorian sterling silver coins x 3 (crown, half-crown & 4/- piece plus a George V 3d, gross weight 65.7g, all cleaned. Total silver weight 191.5g.
A collection of Oriental ceramics, to include a lidded ginger jar with floral motifs on a turquoise background 32cm high to top of lid, a large finial lidded black vase of baluster form depicting panelled scenes with floral motifs between 51cm high to top of finial, a dark blue vase with two panelled scenes each depicting a group of people gathered by a lakeside 37cm high staples in base from previous repair, Imari bowl with scallop edge 31cm diameter and a grey crackle glaze bowl with red square motifs and blue/black circular motifs on the inside 37cm diameter and 8cm high. (5).
A 19TH CENTURY MAHOGANY CASED SAM HARPER, IRVINE GRANDFATHER CLOCKWith brass ormolu mounted face with silvered dial bear Arabic and Roman numeral with a silvered subsidiary dial and date aperture within scrolled hood capped with eagle finial with plain columns flanking glazed door over single pendulum door on bracket base, 221cm high x 50cm wide x 26cm deep Condition Report: Available upon request
A GEORGE IV SILVER GILT INKSTAND by Richard Sibley, London 1827, of oblong lobed form, with a cast scrolling shellwork border, on four paw feet, with two hobnail cut glass, silver topped containers, with engraved geometric decoration, the central container with engraved vignettes, the lid with a finial modelled as a cherub in a nautilus shell on a naturalistic base, 25cm long, weighable silver 728gms / 23.40oz Compare with an almost identical inkstand by the same maker sold by Sotheby's, in H.R.H. THE PRINCE HENRY, DUKE OF GLOUCESTER KG, KT, KP Sale, Lot 155, 26-27th January 2006. Condition Report:The inkwell lids are marked with his makers mark to the base and date letter and lion passant to side the central container lid has all marks other than assay office, the body has all marks other than date letter. Good condition.
Three Assorted Silver Items, comprising a double cigar-case, engraved with initials 'PLG' and dated '5 Sept'r 1912; a globular bottle stopper, engraved 'IS 1911-37 from P.G-L' and a further bottle stopper, the finial cast as a game bird; Together With a copper napkin-ring, in fitted case and with hammered finish (4)Provenance:The double cigar-case, presented to Philip Lloyd-Greame on the occasion of his marriage to Mary Constance Boynton on 5 September 1912.
A George II Silver Coffee-Pot, Maker's Mark Rubbed, London, Perhaps 1738 tapering cylindrical and on spreading base, the sides and hinged cover each chased with foliage and flowers, the cover with a fruiting finial, with later ebonised handle, engraved on each side with the arms of Lister quartering those of Cunliffe within drapery swags22.5cm high, gross weight 20oz 14dwt, 643grThe wear to the engraved coat-of-arms on each side of the present coffee-pot suggest that they may be original and engraved for Ellis Cunliffe (b.c.1705-1778) and his wife Elizabeth Lister who he married in 1738.Fully marked near rim. The cover is apparently unmarked. There is wear to the marks with only part of the maker's mark, either ?W or W?, visible. The other marks are only just visible. The date letter is perhaps the 'C' for 1738 but could also be the 'O' for 1749. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points and the engraving. There is a repair below the finial and the hinge is bruised so the cover does not close tightly, as can be seen in the catalogue illustration. The handle is replaced.
A George III Gilt and Patinated Bronze-Mounted Blue John Vase, with cast stiff leaf borders and pendant pine cone finial supported by three Bacchic putti, on a tricorn base and peg feet 27.5cm high Lacking original bronze cover. All metal mounts and the marble plinth firmly fixed.The blue john body largely white with some russet suffusions and good strong amethyst coloured banding. Some of the natural inclusions and flaws can be felt at the surface. One surace crack above the leaves and between two figures appear to have some infill material (see image). There is a long horizontal suface crack midway up the body (also illustrated)The bronze figures with some light wear to the patination. One with some paint to left cheek that should be easily removable.Gilt mounts with some wear and scrahces.Grey marble plinth with hair cracks and light chips.
An Edward VII Silver Hot-Water Jug, by Henry Wigfull, Sheffield, 1905 tapering and on spreading foot, with egg and dart border, the hinged cover with ball finial, with ebonised handle17.5cm high, gross weight 8oz 1dwt, 251grFully marked near rim and further part marked inside hinged cover. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The top junction of the wood handle is somewhat ill-fitting. The handle has probably been replaced. The hinge has been repaired.
A Three-Piece Victorian and Edward VII Silver Tea-Service, by James Park, London, 1900 and 1901 each piece in the George II style, inverted pear-shaped, chased with foliage scrolls and scalework, engraved with the crests of Cunliffe and Lister below a slightly later baron's coronet, comprising a teapot, with wood handle; a cream-jug and a sugar-bowlthe teapot 30cm wide over handle, total gross weight 66oz, 2,053gr (3)The coronet appears to be slightly later engraved, suggesting the crests relate to one of the children of Samuel Cunliffe-Lister, 1st Baron Masham (1815-1906). On his death in 1906 he was succeeded first by his eldest son Samuel as 2nd Baron Masham. He was to die unmarried in 1917 so the title passed to his brother John who became 3rd Baron Masham.Each piece fully marked near handle. The teapot further part marked inside cover and on finial. There is some wear to the marks, particularly on the cream-jug. There is some overall surface scratching and wear, consistent with age and use. The wear is most noticeable as a softening to the engraving and high points on the cream-jug. The handle of the teapot is perhaps a replacement.
An Edward VII Silver Tea-Caddy, by William Comyns, London, 1904 plain oval, the hinged cover with silver disc finial11cm wide, 6oz 5dwt, 194grFully marked near rim and further part marked on cover bezel. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use.
An Elizabeth II Silver-Gilt Novelty Mustard-Pot and Spoon, The Mustard-Pot by Richard Comyns, London, 1960, The Spoon Apparently Unmarked realistically modelled as an owl, the hinged cover with glass eyes, the spoon with a finial cast as a mouse73mm high, gross weight 4oz, 124gr (2)Fully marked on tail. The marks are clear. There is some minor surface scratching and wear, consistent with age and use. The wear is noticeable as a minor loss to the gilding.
A Gilt Metal Porcelain Mounted Striking Mantel Clock Garniture, circa 1890, pink porcelain dial with Roman numerals, twin barrel movement striking on a bell, 42cm high, urn shaped porcelain mounted garniture, 31cm highCase top with damage to the bottom side of the urn finial and has become loose, case metal surfaces are discoloured, porcelain mounts look clean, with pendulum, garniture with metal surfaces discoloured, porcelain mounts are clean.
An Old Sheffield Plate Hot-Water Jug, Apparently Unmarked, Circa 1820 tapering and on spreading foot, the lower body chased with foliage and flowers on a matted ground and below the engraved crest of Sinclair, the hinged cover with foliage cast finial, with ivory-insulated leaf-capped handle24.5cm highThe crest is probably that of Sir John Sinclair, 5th Baronet (d.1842), ancestor of Susan Lilian Primrose Cunliffe-Lister, Countess of Swinton, Baroness Masham of Ilton through her father Major Sir Ronald Sinclair, 8th Baronet (1899-1952).With non-transferable standard ivory exemption declaration number RCC4EQHH.

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116061 item(s)/page