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Lot 53
CHRISTOPHER DRESSER (1834-1904) FOR HUKIN & HEATH SILVER PLATE TUREEN, COVER AND LADLE, CIRCA 1880 the TUREEN with deep bowl set on three tapering feet, with two cylindrical ebonised wood handles, the cover with turned ebonised wood finial, bears inscription to one side IN REMEMBRANCE OF DAYS AT WORSLEY/ DECR. 1882 and with cipher, bears maker's marks to base DESIGNED BY DR C. DRESSER/ H&H/ 2123 with registration mark for July 1880, 31cm across the handles, 20cm high; the LADLE with deep bowl and cylindrical, slightly tapering ebonised wood handle, bears registration mark to bowl for July 1880, 36cm long (2) Literature: Whiteway, Michael 'Christopher Dresser 1834-1904', Milan, 2001, p. 96, pl. 96; Whiteway, Michael (ed.), 'Christopher Dresser, A Design Revolution', Victoria & Albert Museum, London, 9 September - 5 December 2004, p. 151, pl. 186.
Lot 1147
A Victorian EPBM Anglo-Indian globular teapot, angular handle, embossed with bands of stylised flowers and scrolls, knop finial, resting on four globular feet; a James Dixon and Sons EPBM ecclesiastical style hot water jug, 31cm; a Victorian boat shaped silver plated teapot, embossed with foliate scrolls (3)
Lot 28
A transitional electro-plated oval soup tureen, cover and finial, unmarked, circa 1850, the finial formed with two oval cartouches accolly to back and front, a double domed cover, a gadrooned rim, two foliate loop handles, the ball-and-claw feet issuing from bold foliage, 36cm (14in) long Provenance: the barons, later comtes, van den Steen de Jehay. The arms of van den Steen de Jehay and van Lichtervelde for Victor van den Steen de Jehay (1822-1912) and Victorine Marie Ghislaine van Lichtervelde (1825-1871) .
Lot 130
λ A French green tortoiseshell and boulle marquetry mantel clock in Louis XV style, the eight day brass drum movement by Japy Freres striking on a bell and stamped with maker's pastille and '10217', with a gilt brass and enamel dial with Roman numerals, in an arched case, with a basket of flowers finial and paw feet, late 19th century, 31.1cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
Lot 435
A George III mahogany longcase clock by George Quarman Bristol, the eight day movement with an anchor escapement and four turned pillars striking on a bell, the 12 1/8in silvered arched dial with Roman and Arabic numerals, with subsidiary seconds dial and date aperture, with engraved flowers and inscribed 'GEORGE QUARMAN TEMPLE CLOUD', the arch with a painted moonphase and inscribed 'HIGH WATER AT BRISTOL KEY', the hood with a swan neck pediment and brass urn finial with blind fretwork decoration, with a shaped trunk door and outline mouldings, with presentation plaque to inside of trunk door, 241cm high. Provenance: From the collection of Dr. J. S. Gordon.Click here to view the online page turning catalogue.
Lot 449
λ A late 19th century ivory figure of Highland Mary, the base titled and signed 'J. GEERCKE', together with a carved ivory bust of a bearded man on an ebonised socle, a carved ivory plaque of a king seated on his throne, two floral brooch mounts, an oval medallion bust of a lady, paper knife with a lion cub finial, a German bone doll's house cupboard and a Victorian tortoiseshell and engraved mother of pearl card case, 21.6cm (max). (9)Click here to view the online page turning catalogue.
Lot 455
λ A late 19th century German carved ivory cup and cover, with a standing warrior finial, with his trusty hound, above massacred enemies, the body relief carved with a Greek classical battle scene with the Amazon tribe of women warriors, on a figural stem with further defeated enemies on a circular base, the inside carved with a coat of arms, 34.5cm high. Provenance: From a distinguished naval family.Click here to view the online page turning catalogue.
Lot 456
λ A fine and large late 19th century German carved ivory lidded tankard, probably Erbach, the finial carved with a warrior on horseback about to throw his spear, above a leaf carved moulding, the body finely relief carved with a continuous classical battle scene, possibly the battle of Issus with Alexander the Great on horseback, the scroll handle carved with a bound captive and a lion's mask, 37.8cm high. Provenance: From a distinguished naval family. Count Franz I of Erbach-Erbach established a guild for ivory carvers in 1783 in the town of Erbach im Odenwald having discovered ivory carving during his visit to Vienna in 1769. Erbach became the 'Ivory Town', and by the end of the 19th century their fame as skilled ivory carvers was established as the 'Rose of Erbach' won an award at the 1873 World Fair in Vienna.Click here to view the online page turning catalogue.
Lot 457
λ A large late 19th century German ivory carved cup and cover, with a victorious warrior and lion finial, the body of the cup carved with a battle scene with crusaders on horseback, the base with a soldier chaining a prisoner and with war trophies, above a leaf carved and bead moulded plinth, 47.6cm high. Provenance: From a distinguished naval family.Click here to view the online page turning catalogue.
Lot 510
A pair of George III and later mahogany and satinwood cutlery urns on pedestals, inlaid with boxwood stringing and with marquetry flowers and husks, the rising tops with a turned finial revealing a stepped matrix for cutlery, with leaf and bead ormolu handles, on a stepped plinth, the pedestals each with a panelled door marquetry inlaid with urns, drapes, ribbon tied swags and an oval flower patera, enclosing a shelf, on tapering feet, 180cm high, 52cm wide, 51cm deep. (2)Provenance: Warrens House, Bramshaw, New Forest. Click here to view the online page turning catalogue.
Lot 664
AMENDED A pair of George III style cut glass twin light candelabra, each with a crescent finial, above a triangular stem, with scroll branches, with Van Dyke style sconces, hung with faceted drops, with brass sconces and mounts, on a square section stepped plinth, hung with a chain of circular and pearshaped drops, late 19th / early 20th century, 60.4cm high, 38.2cm wide. (2)Click here to view the online page turning catalogue.
Lot 83
λ A Regency tortoiseshell tea caddy, with white metal stringing, escutcheon and a vacant plaque, the dome hinged lid with a copper ball finial, revealing twin lidded compartments, on ball feet, 19.8cm wide. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
Lot 10
A George III silver circular teapot of squat form, the part reeded cover with turned finial, plain body and wooden C-scroll handle, on circular footrim, 4.625ins high, by William Bateman, London 1815 (gross weight 20ozs - engraved with crest and monogram to lid - some damage to finial and handle)
Lot 174
BY LIBERTY & CO.:- An early 20th century four-piece tea set with squat circular bodies, chased borders and a hammered finish, the tea pot with an arched wooden handle & a knop finial (each piece with the incuse no. 5824), together with a pair of matching sugar tongs and a matching, large circular tray (with incuse no. 5034), initialled "L.M.D." in the centre, all hallmarked Birmingham 1910 (except the hot water jug, 1922); the tray 17" (43.2 cms) diameter; 84.2 oz (6)
Lot 375
A MIXED LOT:- A late 17th century filigree-work tubular box with a hinged cover and applied flowerhead motifs, a late 17th century gilt copper oval spice box with scroll engraving and "squeeze" sides, a late 17th century fluted box & cover of tapering form with a round base & knop finial, maker's mark "IE", and a George III small shagreen mounted, scent bottle case with button thumbpress (bottle lacking stopper), unmarked; the latter 1.2" (3 cms) long (4)
Lot 2
An Edward VII silver oval three piece tea service engraved with leaf scroll and floral ornament, comprising - teapot with wooden finial and scroll handle, 6.5ins high, two-handled sugar basin and milk jug with angular reeded handles, by Joseph Rogers & Sons, Sheffield 1904 (gross weight 33ozs)
Lot 468
A Japanese brown patinated bronze two handled hexagonal urn and cover, the pierced cover with dragon pattern finial (piece broken off), the panelled body cast with exotic birds and flowering bunches within scroll and fan pattern borders, on shaped legs and supported by a standing figure of a Samurai, his right foot holding down an attacking figure on rectangular base, and four conforming cast feet with scroll toes, 15ins (38.2cm) x 12ins (30.5cm) x 52ins (132cm) high, (Meiji - With some damage)
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116099 item(s)/page