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A French red boulle mantel clock, late 19th century, with premier and contra-partie decoration and a drum movement stamped 'A&N Paris 39015', 31cm high CONDITION REPORT: No pendulum. Brass plate to top below the finial loose. Good condition. Top has a square brass piece that appears slightly crude. Some brass very slightly raised. Brown staining on number 'X'. Please view additional images.
An ormolu mantel clock, late 19th century, the case with an urn finial over applied ribbons, cast foliate handles and ornate feet, inset with Sèvres-style panels, the dial decorated with a pair of birds within a pink border, the panels with musical trophies and stylised foliage, the panels inscribed 'Rose' to the reverse, the movement stamped 'B&C', 30cm high, on a wooden base CONDITION REPORT: One handle detached. Minor rubbing. Base repainted.
*A fine South East African double figure staff, the slender shaft supporting the finial with an elliptical base, the openwork composition with two opposing male torsos, each of similar form with stylised features including a pointed beard, straight mouth, naturalistic nose and outlined eyes framed by C-shaped ears and wearing ringed coiffures, the whole surmounted by a baboon of compressed, arching form, the long face with distinctive incised eyes, fine reddish brown patina, height 94.5cm (illustrated)
Chinese Export Famille Rose Tureen/Underplate A Chinese Export Famille Rose Porcelain Tureen and Underplate, 19th c., shaped rectangular tureen with boar`s head handles, domed cover with floral finial and shaped rectangular undertray, all decorated with floral sprays and garlands, overall height 8 7/8 in., width 13 1/4 in., depth 10 1/4 in
A George III Pressed Tortoiseshell Tea Caddy A George III Pressed Tortoiseshell Tea Caddy, c. 1800, with silvered finial, escutcheon, plaque and ball feet, the bowfront with radial decoration, two interior lidded compartments retaining traces of foil lining, height 7 1/8 in., width 7 1/8 in., depth 4 in. Provenance: Wellesley House Antiques, Lake Forest, IL
Renaissance-Style Carved Walnut Armchair An Italian Renaissance-Style Carved Walnut Armchair, late 19th c., in the manner of Andrea Brustolon, Venice, padded back and seat, arms with reclining putti and figural uprights, cabriole legs terminating in dolphin masques, shaped stretchers with urn finial
Carved Walnut Center Table, ret. Viner & Burt An American Rococo Carved Walnut Center Table, mid-19th c., retailed by George Viner & J.G. Burt, Boston, labeled, serpentine Sienna marble top, conforming frieze with scrolled acanthus and shells, cabriole legs, shaped X stretcher with urn finial, casters, height 29 1/2 in., width 46 1/4 in., depth 35 in Note: Viner & Burt were included in the 1850 and 1853 Exhibition of the Massachusetts Charitable Mechanic Association in Boston.
An American Rococo Carved Mahogany Duchesse An American Rococo Carved Mahogany Duchesse, mid-19th c., cartouche-shaped mirror with floral crest, bracket supports topped by phoenix heads, serpentine drawer, acanthine cabriole legs, "X" stretcher with urn finial, height 71 1/2 in., width 41 1/2 in., depth 20 1/4 in
A Louis XVI-Style Parcel Gilt Gris Peinte Salon Table A Louis XVI-Style Parcel Gilt Gris Peinte Salon Table, inset marble top, probably Cihigue Black, molded frieze with scrolled shell pendants, square tapered and rosette blocked legs, scrolled stretcher with urn finial, molded feet, height 33 1/8 in., diameter 43 1/4 in
A Pair of Sevres-Style Gilt Bronze-Mounted Urns A Pair of Sevres-Style Gilt Bronze-Mounted Porcelain Lidded Urns, each with pineapple finial, cobalt body with gilt accents and reserves of figures in a landscape, masque handles, square plinth, spherule feet, spurious "Sevres" marks, height 23 3/4 in., width 13 3/4 in
A Pair of Burmese Polychrome Painted Figures A Pair of Burmese Polychrome Painted Carved Wood Figures and a Ritual Bowl, 20th c., the figures carved in a dancing stance, the bowl carved on a multi-tiered base with a tall tiered finial, each with applied glass and mirror "gems", figure height 27 3/4 in. and 28 1/4 in., bowl height 23 in., (3 pcs.)
A chinoiserie lacquered eight day long case clock, the silvered chapter ring signed William Critchley, London, the matted centre with calendar niche and silvered subsidiary seconds dial, the arch with a silvered strike/silent dial, the chinoiserie lacquered case with dark blue ground, maximum height including brass finial 226cm. Condition Report: Slight warp to the door together with lower left door moulding missing. Damage to lacquer on door with overall rubbing to the case.
An 18th century eight day, chinoiserie lacquered, long case clock, the brass dial signed William Morgan, Southwark to the matted centre where there is also a calendar niche and a subsidiary seconds dial, the arch has a rocking Father Time figure to an aperture inscribed Tempus Fugit, beneath this a silent/strike control, the chinoiserie lacquered case with dark blue ground, maximum height including eagle finial 234cm. Condition Report: Minute hand bent. Split to trunk above the door. Wear to decoration on the door. Wear throughout.
A Victorian folding parasol by Debenham, Son & Freebody with purple and striped silk canopy, the painted stick with ivory finial, and a parchment painted parasol. Condition Report: There are some very small holes and fading to the top canopy. The lining is perished around the metal collar. Some foxing and discolouration.
A Chinese bronze censor with fo dog finial, the sides with eight daoist symbols raised on triple scroll feet, height 25cm and a smaller censor with seated Quan Yin finial, the handles mounted as two child acolytes and raised on triple feet, height 15cm. Condition Report: Smaller censor has a cast four character seal mark. Wear to the patina. Both have minor surface scratches and dents.
An Australian, gilt silver coloured metal mounted, emu egg box with emu finial and palm tree pedestal, the lobed oval base with foliage, a frog and a lizard, bird mounted handles, height 22cm (upper half of the egg damaged). Note: Christies sold an egg which was very similar, Lot 5, 1st December 2004 "Selected Silver and Plate", South Kensington, their's was dated 1885 but otherwise, like ours, apparently unmarked.
Four Minton vases two with twin handles and covers painted with roses, one signed J. E. Dean (lacking cover) and one other decorated in with raised gilt on a yellow ground, (6) the tallest vase measures 22cm high Condition report: The Dean vase has no cover, the blue ground vase has a hairline crack, the white ground vase has a hairline, the cover has the finial restuck and a minor rim nick. There are no damages to the yellow vase.
Spode tea service circa 1820 bat printed with landscapes, to include a teapot and stand, two cream boats, slop bowl, and saucer dish, two lidded sucriers, thirteen cups and saucers and one other similar teacup and saucer, (39) Condition report: wear to the gilt and occasional scratches to print on many pieces. One cup has a crack to the handle, one saucer with body crack. One sucrier has a restuck finial, the base is stained. the other sucrier cover has stains. The teapot has a star crack to the body. One cream boat has firing cracks.
Pearlware teapot and coffee pot probably Leeds circa 1790 with entwined handles and floral finials, painted in underglaze blue, the teapot has red overglaze clobbering, (4) The coffee pot measures 25cm high Condition report: Coffee pot: two 2cm x 0.5cm rim chip to cover, flat chip to flower finial. The body has a 4cm crack, restored section of the rim, restored handle, and a chip to the lower handle. There are also several small nicks to the spout. Teapot: yellowing restored crack to base, restored chips to spout, overall crazing which has stained on the interior.
Two pearlware coffee pots circa 1800 one possibly Liverpool painted in underglaze blue with `L` to the base, the second with transfer print decoration, (4) 25cm high Condition report: Painted coffee pot: old yellowing restoration to the finial and the spout. Minor glaze nicks and crazing. Printed coffee pot: flat chip to the spout and to the base. Overall crazing.
Four Staffordshire teapots three printed in brown transfer with polychrome enamelling, the forth printed in underglaze blue with swan finial, early 19th century (8) The tallest teapot measures 16cm high Condition report from left to right, top to bottom of main image: 1: Restoration to the base, spout, chips on the rim. Hairline to cover. 2: Restoration to the cover, spout and a rim chip. Short hairline to rim. 3: Two chips to the spout, one to the inner rim and one to the inner rim. Short hairline to rim. 4: Hairlines to bass, to the spout, chip to the rim and to the face of the cover. Crazing to all.
Six early 19th century teapots painted and printed with various designs in underglaze colours (12) The tallest teapot measures 13.5cm high Condition report from left to right, top to bottom of main image: 1: Two small chips to spout, and to underside of cover. 2: Two chips to the edge of cover, one to the rim, one to the spout, short hairline to rim. 3: The lid, handle, restuck with filling, filled chip to the spout. 4: Handle restuck, several cracks to body. Chip to the spout edge, restoration to the cover. 5: Three rim chips, spout chip, short base hairline. Rim restoration to the cover and finial. 6: Three chips to spout, multiple chips to edge of cover. Chip to base. Crazing and some staining to most pieces.

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116041 item(s)/page