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Click here to subscribeLATE 19TH CENTURY COALBROOKDALE STYLE CAST IRON STICK STAND in the aesthetic taste with bird and vase of flowers panels on swept rectangular base, Victorian registration lozenge cast to the back. 66 x 24 x 92cm.(B.P. 24% incl. VAT) CONDITION REPORT: One urn shaped finial is missing, otherwise, grubby with wear commensurate with age.
19TH CENTURY WELSH MAHOGANY 30 HOUR LONG CASE CLOCK marked: H.H. Curtis, Neath, the domed hood with finials above arched aperture above flanked by baluster turned pillars, plain cross banded rectangular waist door on a cross banded panel base and bracket feet. Arch painted face with study of Durham Cathedral and ruined abbeys to the spandrels, Roman numerals, seconds dial and date aperture. Thirty hour movement strikes on one bell. The face is 18" x 12.5", the case overall 2m 25cm approx. Includes weight and pendulum.(B.P. 24% incl. VAT) CONDITION REPORT: Overall in good condition commensurate with age, a little dry in places, hard knocks and bumps, particularly to angles, face clear, appears missing one finial.
A George III silver vase shape coffee pot by John Robins, London 1796, in Neo Classical taste and oval section, with an urn finial to the dome centred and waisted cover, an ebonised high loop handle, a lunette engraved band, engraved with a crest and a motto Caen, Cressie, Calais, on a rectangular pedestal base, 30.5cm (12in) high, 906g (29.15 oz) gross The crest and motto for RADCLYFFE.
Ï’A George III silver oval tea pot by Solomon Hougham, London 11th October 1804-28th May 1805, with a pineapple finial to the lobed dome centred cover, an angular handle with ivory spacers, the moulded body half reeded, on ball feet, 31.5cm (12 1/4in) long, 700g (22.5 oz) gross Bought from Stanley Leslie on 15th April 1958 (invoice) Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’A George IV compressed spherical teapot by Charles Fox II, London 1829, with a rose finial to the dome centred cover, the reeded loop handle issuing from foliage with a flower and shell, ivory spacers, the spout chased with foliage and flowers, a moulded girdle and on a collet foot, engraved with a crest and a motto Caen, Cressie, Calais, 27.5cm (10 3/4in) long, 589g (18.9 oz) The crest and motto for RADCLYFFE. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A George I silver straight-tapered coffee pot by William Darker, London 1726, with a bell shaped finial to the domed cover, a tongue-capped stained fruitwood S-scroll handle, the base with a moulded footrim, engraved with an armorial, 25.5cm (10in) high, 901g (28.95 oz) gross The shield for DYER, de CHAUNCY, amongst others.
An early George III silver baluster coffee pot by Benjamin Bickerton, London 1763, with a beaded conical finial to the ogee domed cover, a wooden double scroll handle, a foliate cast spout, on a moulded circular foot, engraved with a later monogram, 27cm (10 1/2in) high, 935g (30.05 oz) gross
A George III silver baluster coffee pot by Charles Wright, London 1771, with a wrythen finial to the ogee domed cover, a gadrooned rim, a wooden double scroll handle, on a circular pedestal base with a gadrooned border, engraved with a crest, 30cm (12in) high, 1037g (33.35 oz) gross The crest for RADCLYFFE.
A silver twin handled trophy cup and cover by Garrard & Co. Ltd (Sebastian Garrard), London 1937, in George III style, with an urn finial to the conical cover, high reed loop handles issuing from foliage, on a spreading circular pedestal base, engraved To Roger Pilkington from Uncle Geoff to the cover rebate and beneath, 42cm (16 1/2in) high, 1813g (58.3 oz)
Ï’A late Victorian three division vegetable serving dish by Daniel & John Wellby, London 1891, with an ivory lobed finial to the domed cover, the circular dish with a threaded rim and an ivory handle carved with leaves and berries, and with a three division divider, engraved with a crest, 36.5cm (14 1/4in) long, 1530g (49.2 oz) gross The crest for RADCLYFFE. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A George III inlaid mahogany longcase clock with 13 inch brass arched dial, Roman numerals, subsidiary seconds and calendar dials, pierced spandrels and plaque inscribed, Wm. Greaves, Newcastle, in swain neck hood with brass ball finial and capped columns above trunk with flamed figured door flanked by fluted panels, 237cm high
An oak and mahogany banded 30 hour longcase clock in inlaid oak case, the arched painted roman dial inscribed 'Yates, Penrith', the hood with broken swan neck pediment and brass finial, the door flanked by turned columns with brass mounts, above a trunk with shaped crossbanded door, plinth base (missing feet).
A 19th Century gilt bronze Mantle Clock, Woppenheim, Paris, in the Adams taste, the top with an urn shaped finial embellished with rams head handles flanked by grotesque masks with a central enamel and blue painted Roman numeral dial with inset painted porcelain panels on platform base and turned feet, approx. 38cms (15") h. (1)
An important heavy late George III Irish silver Teapot, by James Le Bas, Dublin c. 1818, the body heavily embossed and engraved with scrolls, flowers, shells etc., the flush hinge lid with flower finial, the spout with bird beak, and head of bearded man, the handle shaped as a female nude figure on four ball and claw feet, with engraved shield shaped coat of arms, and motto 'Mors Potior Macula' (death rather than infamy), approx. 39 ozs. (1)Provenance: The Mansfield Family, formerly of Morristown Lattin, Naas, Co. Kildare.
A pair of 19th century glass and gilt metal twin branch table lights: the central single nozzle with urn-shaped glass finial on a knopped stem with two scrolling arms with petal-shaped drip trays, having prismatic suspensions, raised on four glass columns and gilt metal mounted domed base, 70 cm. high.
Richard et Cie, Paris, a gilt metal and porcelain clock garniture: the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped with the trademark of the movement maker Japy Freres et Cie, along with the maker's mark for Richard et Cie, the initials R. C. either side of a winged serpent, and numbered 2114, the blue shaped porcelain dial having a white chapter ring with black Arabic hour numerals and painted decoration depicting a female mask within a scroll, with floral decoration and decorative brass hands, the gilt-metal case with flying pillars to the sides, with matching blue porcelain decoration and a matching panel to the lower front, the domed top with further decoration depicting a jester's head and surmounted by a floral finial, with cast mounts to the front, sides and top, with a pair of matching decorative painted blue porcelain side pieces having applied female head mounts to each piece, dolphin mounts to the base, the case and side pieces each stamped with the casemaker's name Mourey, height 40cms (clock) 33cms (side pieces).* Biography Richard et Cie of Rue de Bondy 32, Paris, were one of the most well known makers and retailers of clocks, with a showroom in Cannon Street, London.
Robert Sutton, Stafford, a moonphase longcase clock: the eight-day duration movement striking the hours on a bell with a wood rod to the pendulum, the thirteen-inch break-arch brass dial engraved to the solid centre with the maker's name Sutton, Stafford and with cast brass female-head corner spandrels, the chapter ring engraved with black Roman numerals, large Arabic five minute numerals, with decorative blued steel hands and a sweep seconds hand, the arch showing the date and phases of the moon to a finely painted disc showing two moons, with a landscape picture to one side and a seascape to the other unusually depicting a sailing and steam ship, a feature seen on another Staffordshire moon disc, the mahogany case with finely fluted free standing pillars to the trunk and hood, a shaped top to the door, with three shells inlaid to the frieze above the door and further shell inlay to the four corners of the base and to the plinth below the trunk pillars, the swan-neck pediment to the hood fronted with three panels of blind fretwork, with side blocks, a ball-and-spire brass finial and brass paterae, the case standing on cabriole bracket feet, height 236cms.* Biography Robert Sutton is recorded as working from circa 1769 when he took John Chambley as an apprentice followed by William Gilbert in 1779. Various watches were recorded stolen from his premises in 1774 and 1781. He is known as a maker of fine longcases, with one in particular being an exceptional musical example with the dial showing the saint's days, holy days and the Gods of the four seasons along with an annual calendar.Another example, with a wooden movement showing the influence of the great John Harrison who had previously worked in the area, is on display at The Collection, Art & Archaeology in Leicestershire where it is stated: Although influenced by Harrison, Sutton remains an outstanding craftsman and innovator in his own right. Reference: Joseph McKenna, Clockmakers & Watchmakers of Central England, Mayfield Books, 2002.The rear of the moon disc and the frontplate of the movement are both signed, one scratched, the other punched, by the clockmaker Thomas Pear of Stafford who is recorded as working at 4, Marston Road, Stafford, from before 1880 until at least 1896 and beyond. This mark would indicate that he carried out some repairs/restorations on this clock.
J Bulgorone, London a mahogany stick barometer: the silvered plates having an inset thermometer and engraved with the usual barometer markings and the makers name J Bulgorone, Fecit, the mahogany case having a visible tube, fluted canted corners to the trunk, an opening door to the dial, a turned cistern to the base, and surmounted by an architectural pediment with a cast-brass finial, height 98cms.
M. Maggi Exeter, a mahogany Sheraton style wheel barometer: having an eight-inch round silvered dial with blued steel hand signed M. Maggi, Exeter, with a thermometer set within the trunk, the mahogany case having Sheraton style shell inlay, a Georgian brass bezel to the dial and a swan-neck pediment with cast-brass finial, height 98cms.* Notes M. Maggi, sometimes spelt Maggy, is recorded as working in Exeter from circa 1825 until at least 1850.Ref: Edwin Banfield, Barometer Makers & Retailers, Baros Books, 1991
Corti, Exeter, a rosewood wheel barometer: having an eight-inch round silvered dial with blued steel hand and brass pointer, with a hygrometer, thermometer, butler's mirror and level, signed Corti, Exeter, the rosewood case having a swan-neck pediment with a cast-brass finial, height 98cms.* Notes Paul Corti is recorded as working at 5, Market Street, Exeter from circa 1830 until at least 1860.Ref: Edwin Banfield, Barometer Makers & Retailers, Baros Books, 1991
Agostino Maspoli, a rosewood wheel barometer: having an eight-inch round silvered dial with blued steel hand and brass pointer, the centre engraved with a scene depicting a farm with windmill and signed Agostino Maspoli, with a hygrometer, thermometer, and level, the rosewood case having a swan-neck pediment with an ivory finial, height 98cms.* Biography Augustus Maspoli is recorded as working in Hull as an optician and barometer maker at 49, Salthouse Lane from circa 1826 until circa 1835, and then at 79, Lowgate until 1855, also known as Augustus Mapoli & James, being James Maspoli, from 1831.Ref: Edwin Banfield, Barometer Makers & Retailers, Baros Books, 1991
A George II chocolate pot maker William Parry, Exeter, 1747: crested, of tapered cylindrical form, the domed hinged lid with removable urn finial, acanthus decorated spout and wood scroll handle, raised on a circular spreading foot, 25cm. high. 885gms, 28.48ozs.* Provenance: The late R.B.W.Clarke Esq., Bridwell, Uffculme and thence by family descent.
WW1 German Cavalry Officers Lion Head Sword, fine untouched example with gilt metal fittings which have a dark untouched patina. Langet with crossed swords and lion head finial to cross guard. Knucklebow with relief leading to lion head pommel with jewelled eyes, back strap with etched decoration. Housed in its original black field scabbard with single hanging ring. Slightly curved plain polished blade with fuller to three quarters of the back edge. No makers trademark to the blade. The blade measures 81 cms, overall 99 cms.
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