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Click here to subscribeA Victorian Wedgwood majolica glazed game pie tureen and cover, the finial moulded as nesting birds, the whole moulded in relief with floral swags, dead game, tendrils, and winged mythical birds to either side, impressed mark verso, w.28cm. Firing crack beneath birds to cover. Chip to underside of cover. Crack through body of base.
Three white metal mounted cut glass decanters with engraved foliate decoration to collar and hinged lid, scroll handle, shell finial, white metal cork stopper, height approximately 22cm contained within white metal stand raised on ball feet, the decanters contained within white metal rope design (stand af)
Two antique 9ct gold and amethyst pieces for restoration. Includes an antique 9ct rose gold and amethyst brooch probably Australian maker D. Mackay marked 9ct M. Approx 4.3 grams. With broken pin and finial. As well as a antique 9ct gold and amethyst set cross. Applied mark 9c to reverse. Approx total weight 7.5 grams. Break to setting and missing stone
Pair Italian porcelain table lamps by Giulia Mangani, of Neo-classical urn form, winged female mask handles, painted with bands of trailing leafage, with applied oval plaque relief moulded with a female bust within a gilt beaded border on square gilt marble style base with cast metal plinth and cream pleated shades, H86cm overall Condition Report Missing one finial. Click here for further images, condition, auction times & delivery costs
George III silver tea caddy, neo-classical design with bright cut decoration, hinged lid and pineapple finial by John Robins, London 1790, H15cm, approx 16oz. Provenance; Property of Bob Heath, Brandesburton Formerly of Ravenfield Hall Farm near Rotherham Condition Report Good condition, hinge good, lid closes flush to body, hallmarks good, no key, no dents, splits etc, appears to be no signs of restoration scratch mark along the base - visible in the photographs.
Small William lV brass inlaid mahogany architectural cased mahogany bracket clock with 12cm circular Roman dial, single fusee movement, case with brass pineapple finial, ring handles and bun feet, H40cm, W20cm, D12.5cm Condition Report Click here for further images, condition, auction times & delivery costs
Early 19th century oak and mahogany banded longcase clock, hood with swan neck pediment with turned finial, enamel dial painted with flowers and maiden in garden scene, signed 'W. Raw, Whitby', 30-hour movement striking on bell, H221cm Condition Report Click here for further images, condition, auction times & delivery costs
Large late 19th century French rosewood and walnut cabinet, turned finial with carved ribbon swags, scrolled pediment above turned balustrade, bevelled glazed door enclosing oak and birds eye maple interior, four adjustable shelves and drawer, single drawer to base, quarter veneers sides and panelled back, turned feet, W113cm, H252cm, D53cm Condition Report Click here for further images, condition, auction times & delivery costs
Victorian white metal and ivory ladies aide memoire, repousse floral and scroll decoration, blank cartouche to centre, length approximately 7cm including bale together with a Victorian silver circular pincushion, repousse foliate scroll decoration, blue, white and black glass finial pins to centre, makers Goldsmiths & Silversmiths Co Ltd, London (no date letter) diameter approximately 4.5cm (excluding bale) (2)
Matched George III silver three piece tea service comprising tea pot, sugar bowl and milk jug, the handles modelled as snakes, the tails coiled, basket weave banding, crimped and scrolled rims, engraved crest to body (tea pot lid also with crest) each raised on four ball feet, the tea pot with applied acanthus leaf decoration to spout and hardwood handle and finial, height of teapot approximately 17cm the teapot hallmarked Daniel Pontifex, London 1808, the milk jug hallmarked Samuel Godbehere, Edward Wigan & James Boult, London 1808, the sugar bowl hallmarked I.B London 1809
Edwardian silver bachelors teapot and twin handle sugar bowl, gadrooning to lower half and to the hinged lid and teapot spout, ebony handle and replacement finial to teapot, makers George Nathan & Ridley Hayes, Chester 1911, height of teapot approximately 14cm together with an unassociated EPNS sifter spoon
Pair of Victorian silver open salt cellars raised on three bun feet, fluted rims, engraved foliate decoration with blank cartouche, makers J E Bushell, Birmingham 1895, height approximately 3cm; together with a silver pepper pot stamped sterling 925 to basem height approximately 6cm and a continental silver salt spoon with coiled serpent finial, stamped 800 (4)
George V three piece silver tea service comprising teapot, milk jug and sugar bowl, each raised on four scrolled feet, the wide ogee style rims with pierced foliate scroll decoration, scrolled handles with acanthus leaf decoration, the teapot with ebony handle and finial and presentation inscription, height approximately 23cm, makers James Deakin & Sons, Sheffield 1922 (3)
A longcase clock, the 34 cm square brass arched dial signed Robert Greaves, Macclesfield, with Roman numerals, and calendar dial, fitted an eight day movement, in a mahogany case, 233 cm high (over finial) See illustrationReportFrom a local deceased estate, finials later, the case is a pleasing colour, some splits and slight loss consummate with age, no bracket feet, with a pendulum, winding key, trunk door key and two weightsReport by GHDial, movement and case appear to be a good match but no guarantees. Appears complete. Maker's name on dial as catalogued. Centre seconds hand
An automata longcase clock, the 30 cm arched square brass dial signed Willm Jourdain, London on a silvered tablet to the matt centre, the silvered chapter ring with Roman numerals, the centre with a subsidiary seconds dial and date aperture, the brass spandrels depicting the four seasons, and with a rocking Father of Time centred within a dial TEMPUS FUGIT MEMENTO MORI, and with N/S lever to 3 o'clock, fitted an eight day five pillar brass movement, striking on a bell, in a walnut case, 263 cm high (over finial) See inside front cover colour illustrationReport by RBWith a pendulum, trunk door key, winding key and two brass cased weights. Looks to have been restored at some point, with the case particularly having had quite a harsh clean, a little bit of moulding missing to the hood door, from about 9 o'clock to 12 o'clock, trunk door with a small split, more towards the bottom and more visible from inside, but overall an impressive clockA piece of molding at the top of the chunk off but present. Various other knocks, chips etc to case and some loss moldings. With base weights, pendulum, door key and winding key. Movement appears to be a nice match to the case, probably original. Holes from cheek boards and seat boards match and all generally seems to match. Cheeks do not appear to have been altered. Slight warping to trunk door. Weights look to be in keeping.
19th century pottery game tureen with crossed gun finial, impressed marks to the base, 30cm wideCONDITION REPORT:Crack in the lid of the tureen. Heavily crazed throughout, dirty in several places, especially in the crazed areas.Approximately 2" hairline to the lid, liner is heavily crazed with two hairline cracks.
Islamic: A marble gravestone turban finial Ottoman, 19th century or earlier 23cm high Turbans were such an essential part of the Ottoman costume that they came to represent the wearer even in death. Outdoor tombs were surmounted by carved turbans, giving them an almost human presence. Particular details in the carving would provide an insight into the lives of the deceased. The appearance of the rose within the material folds, for example, might suggest affiliation with the Qadriyyah order of Dervishes. Turbans of the orfi type such as some of these were worn by members of the religious elite. For further information and diagrams of Ottoman tombstones, see Frederic Hitzel, L’Empire Ottoman XVe - XVIIIe siecles, Paris, 2002, pp. 142-45.
An early George III silver baluster coffee pot by William & James Priest, London 1765, with a wrythen urn finial to the ogee domed cover, a wooden double scroll handle, a foliate cast spout, chased with trailing fruit and flowers, on a circular domed foot, 27cm (10 1/2in) high, 801g (25.75 oz) gross
A George III silver straight-sided oval tea pot by Hester Bateman, London 1790, with a replaced wooden finial, a stained wood loop handle, bright-cut engraved with two vacant oval reserves, ribbon ties, floral swags and paterae between bands with bead decoration, 27cm (10 3/4in) long, 388g (12.5 oz) gross
A mid-18th century Irish silver twin handled cup and cover by Robert Calderwood, Dublin no date letter, circa 1760, with a cup-and-cover style finial to the ogee domed cover, leaf-capped double scroll handles, a moulded girdle, on a circular moulded foot, engraved with an armorial, 31.5cm (12 1/2in) high, 2095g (67.35 oz) The arms are for Sir Ralph GORE (1725-1802) born at Belle Isle Castle, Co. Fermanagh, the second son of Sir RALPH GORE (1675-1733), the 4th baronet of Magherabeff, Co. Donegal, by his second wife Elizabeth ASHE (1680-1741), daughter of St George ASHE (1652-1717) and Jane St GEORGE (born 1656). He succeeded his elder brother Sir St George GORE-ST GEORGE (1722-46) as the 6th baronet, having been an Irish politician. He was created Viscount Belle Isle in 1768 and in 1772 was advanced as the Earl of Ross, Co. Fermanagh. On 23rd February 1754 he married firstly, at St Mary Dublin, Katherine CONNELLY (1750-71) daughter of William CONNELLY (1712-54) and Lady Anne WENTWORTH (1717-97). He had no issue from his first marriage and his son from his second marriage in 1773 pre-deceased him. The engraving corresponds to the period 1754-73, which accommodates the estimated date of 1760. He was then Sir George GORE, 6th baronet of Magherabeff, Co. Donegal.
A George I silver octagonal baluster sugar caster by Charles Adam, London 1717, Britannia standard, with an octagonal ball finial to the octagonal pierced domed cover, a moulded rim, girdle and foot, engraved with an unidentified crest, 19cm (7 1/2in) high, 306g (9.8 oz) Crests before 1730 were not granted and could be assumed, changed, updated and re-invented. One individual may have many.
A late George II silver straight-tapered coffee pot, maker’s mark worn (..W, script), London 1750, with a turned finial to the ogee domed cover, a wooden double scroll handle, a bird's head cast spout, on a tuck-in base, engraved with a crest and an armorial in foliate cartouches, 25cm (9 3/4in) high, 948g 30.45 oz) gross These arms were granted to John ROBINS of Ruislip in 1633, the family moving in the mid seventeenth century to London where they were primarily merchants. An Elisha ROBINS (died 1663) appears to be the principal heir of the family. The London Visitation 1633-5 acknowledges the same grant.
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