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Click here to subscribeA Derby pot pourri and cover, painted with figures and ruins in a Picturesque landscape, pine cone finial, lion paw feet, canted incurved base, 16cm high, red mark, c.1820; a Bloor Derby compressed ewer, encrusted with flowers and decorated in gilt, 14.5cm high, red crowned D mark, c.1830 (2)
A George III West Midlands oak, mahogany and marquetry longcase clock, 36cm arched painted dial inscribed John Hackett, Great Bridge, Roman numerals, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the arch painted with a hunting scene, the case with swan neck pediment centred by a brass spire finial, c.1800
A French Gothic oak open bookcase,mid-19th century, the top section with ornately and crisply carved fleur-de-lys and flowering foliage, over open shelves and turned three-quarter columns, the panelled sides carved with fruiting vines, the base having two doors with carved linenfold panels flanked by open shelves with carved, pierced and gilt brackets, the crest with a painted coat of arms, all with inlaid geometric ebonised and ebony details,265cm wide55cm deep247cm highProvenance: The Clive and Jane Wainwright Collection.A similar folio stand is to be found in the collection of the Victoria & Albert Museum, this designed by S S Teulon for his first major house commission, Tortworth Court, Gloucestershire, for the second Earl of Ducie. This stand formed part of the Handley-Read collection formed by Charles and Lavinia Handley-Read, which was exhibited at the Royal Academy, London, in 1972Condition ReportDamage to leather trim to shelves.Trim missing to four shelves.No key to doors.Minor wear, generally good.The bookcase breaks down into smaller sections with the bottom section being in one piece and the gallery breaking apart into 3 pieces with the main section being on its own and the flanking shelves detaching. The shelves also come out of the unit to make it lighter for transport. The base does not break down into smaller sections and will have to be moved as a single piece. Please see below for additional measurements of each individual section. Flanking shelves:65cm wide55cm deep142cm highCentral shelf137cm wide62cm deep 173cm highBase unit92cm high265cm wide60cm deepThe finial to the centre left has been broken off and shows signs of a previous repair. There are also further chips and losses to the ornamentation occurring throughout the piece. The top of the centre right column shows signs of possible previews would worm due to a cluster of small holes.
A French Art Deco novelty 'clown' cocktail set, 1930s, probably by Sudre, modelled with a fret-cut clown balancing a ball, with six coloured ivorine-mounted cocktail sticks, raised on a Macassar plinth, 14.5cm wide 4.5cm deep 16.5cm high Condition ReportWith some scratches to the areas of the unpainted metal. The base with fading. The top finial with scratches and scuffs. Additional images uploaded.
A Gothic oak bracket clock,c.1870, by C Lupton, Cornhill, the arched silvered dial with strike/silent and slow/fast dials, engraved decoration and inscribed 'C. Lupton, Cornhill, London', the twin fusee movement similarly stamped and striking on a gong, the case with crenellations, obelisk-shaped finials, cluster columns, and fret-cut sides,together with an ornate associated bracket,the bracket carved with an angel holding a sword and trumpet, within drop finials and carved panels,55cm wide30cm deep129cm high (clock 77cm, bracket 52cm) (2)Provenance: The Clive and Jane Wainwright Collection.Condition ReportClock - movement not tested. Key and pendulum present. The two rear finials restored. Two front finial top mouldings detached and re-affixed. Fine splits to both side panels above fretwork. Minor discolouration to dial.Bracket - minor wear and losses. Paint applied to rear edges where bracket was not removed during decoration.
A George IV silver mustard, maker Samuel Whitford II, London 1822, of compressed baluster form, the slightly domed hinge lid with cast flower finial, high 'C' scrolled handle, the body decorated with embossed flower, scrolled cartouche with engraved crest with Earl's Coronet and raised on shell capped scrolled feet, 9.6cm high, together with an Exeter silver Fiddle pattern mustard spoon, Robert Williams & Sons 300grams
A Victorian silver tea caddy, maker John Angell II & George Angell, London 1840, in the Rococo Revival style, of rectangular form, the domed hinged lid with cast flower finial, raised chased and engraved rim, the baluster body, the corner decorated with embossed flowers, raised on four bracket acanthus scrolled feet, 18cm high, 17.5cm wide, 730 grams.
A Napoleon III silver and glass two handled confiture, maker's mark Peris, Finess mark .950, the cast finial above a high domed and fluted lid, the oval openwork frame decorated with figures hold cartouches, flanked by pilasters, cast vine handles and raised on four acanthus caped paw feet, blue liner, 14.5 x 20cm, 385grams.
A George III silver coffee pot, maker's mark *J.S, London 1770, the domed lid with pineapple finial, gadrooned rim, plain baluster body raised on a collete foot with gadrooned decoration, cast spout, replacement handle with ivory insulators- marks rubbed Roberts and Belk Ltd, 27cm high, 965grams, 30 ozs- Ivory Registration Number:- UDQBECG*Listed by Grimwade under Unregistered Marks [mark no.3685]. It may have been recorded in the lost 1758-1773 Largeworkers' Register.
A George III two-handled silver egg warmer,by Cornelius Bland, London 1793,oval form, scroll handles, with a hinged cover to the hot water compartment, reeded border, pull-off domed cover with an urn finial, with a pull-out pierced two egg holder, with a ring handle, on a raised circular foot, engraved with initials, length handle to handle 18cm, approx. weight 25oz.
A mid-17th century silver Horse Hoof spoon, maker's mark only, that of Stephen Venables, London circa 1659, the reverse of the oval bowl with a raised rat-tail and with scratch initials 'B' over 'IA', tapering stem and hoof finial, length 17.5cm, approx. weight 2oz. Provenance: A Private Collection. Coates Collection.Illustrated in How, Commander G., in collaboration with How, J., English and Scottish Spoons, 1953, Volume I, page 304/5, Chapter II, Section XII, Plate 3.
A William IV silver mustard pot, by Charles Fox, London 1835, circular form, embossed and chased acanthus leaf decoration, leaf-capped scroll handle, the raised hinged cover with a foliate urn finial, engraved with a crest, with a blue glass liner, height 8.4cm, approx. weight 4.2oz.Provenance: A Private Collection.
A George III silver teapot and stand, by Henry Green, London 1792, oval form, bright-cut foliate decoration and borders, wooden scroll handle and finial, flush-hinged domed cover, engraved with two cartouches, one initialled, tapering spout, the stand of oval form, with similar decoration, on four feet, length handle to spout 30.2cm, approx. weight 30oz. (2)Provenance: A Private Collection. Purchased form Sotheby's, London 9 November 1995, lot 188A.
A pair of early-18th century silver sugar tongs, unmarked, circa 1720,long form, plain bowls, with a knop finial, length 18.8cm, plus a pair of tongs of andiron form, indistinct mark to bowl and a pair of 18th century sugar nips, maker's mark of PR, possibly for Philip Roker, of scissor form, foliate decoration, approx. total weight 2.8oz. (3)
λAn Art Deco silver muffin dish and cover, by Mappin and Webb, Sheffield 1938, circular form, wavy-edge border, engraved ring decoration, the domed pull-off cover with a band of ring decoration and with an ivory finial, with a liner, diameter 20.3cm, approx. weight 21oz.Ivory Act registration number: ZFDHXDAK
λA three-piece Victorian silver tea set, by William Moulson, London 1846, circular form, embossed foliate scroll decoration, scroll handle with ivory insulators, the hinged cover will a melon finial, on four bracket feet, engraved with a crest, approx. weight 48oz. (3)ivory Act registration number: P9NYDFNZ
λA Victorian silver teapot, by William Hunter, London 1851, circular bellied form, embossed foliate scroll decoration, leaf-capped handle with ivory insulators, hinged cover with a flower finial, on four bracket feet, length handle to spout 26cm, approx. weight 21.9oz.Provenance: A Private Collection. Ivory Act registration number: YZ31ZBTS
A James I West Country silver Lion Sejant spoon, by William Bartlett, Exeter circa 1611, the reverse of the fig-shaped bowl with prick-dot initials 'M.M' over 'M.A', over '1611', and with an old collection label, faceted stem, with a gilded lion finial supporting a crowned shield with prick initials, length 17cm, approx. weight 1.4oz.Provenance: A Private Collection.
A William IV silver mustard pot, by Creswick & Co, Sheffield 1830, in the form of a blind baluster caster, foliate decoration, vacant cartouche, hinged cover with a cut-out hole for a spoon, knop finial, beaded scroll handle, on a raised circular foot, height 16.8cm, and a George III silver-gilt Old English pattern mustard spoon, by George Smith (III) & William Fearn, London 1786, approx. weight 8.8oz. (2)Provenance: A Private Collection.
A small mixed lot of silver items,comprising: a late-Victorian night-light holder, by S. Mordan and Co., London 1899, plain form, scroll handle, plus a sealing wax case, by Levi and Salaman, Birmingham 1901, cylindrical form, embossed decoration, one end with a hinged compartment for matches with a wick holder, the other end with a hinged cover with a lion finial, length 22.4cm, a novelty dish modelled as an army cap and rifle, Birmingham 1914, and a matchbox cover applied with a pheasant, approx. total weight 4oz. (4)
λA three-piece Victorian silver tea set, by Henry Wilkinson and Co, Sheffield 1883, fluted oval form, the scroll handle with ivory insulators, domed hinged cover with a pineapple finial, the sugar bowl with a swing handle, on raised oval bases, approx. weight 39.4oz. (3)ivory Act registration number: 2DKPNMHQ
A George II silver caster,by Jabez Daniell, London 1757,plain baluster form, pull-off cover engraved with swirled decoration, baluster finial, height 15.5cm, plus a George II silver sweetmeat basket, by William Pitts, London 1759, pierced with foliate decoration, bead border, twisted swing handle, length 15.1cm, approx. weight 7.4oz. (2)
A silver argyle, by Asprey and Co. Limited, London 1926, also engraved 'Asprey, London', circular form, wicker-bound scroll handle, the hot water compartment with a hinged cover, gadroon borders, the cover with an urn finial, height 13.5cm, approx. weight 14.7oz.Provenance: A Private Collection.
A mid-17th century silver Cloven Hoof spoon, maker's mark only, RB with a pellet below, London circa 1650-60, the reverse of the oval bowl with a raised short rat-tail and with a crest and motto, and with an old collection label, tapering stem and cloven hoof finial, length 17.8cm, approx. weight 1.8oz.Provenance: A Private Collection. Illustrated in How, Commander G., in collaboration with How, J., English and Scottish Spoons, 1953, Volume I, page 306/7, Chapter II, Section XII, Plate 4.
A Victorian silver tea caddy, by William Moulson, London 1857, retailed by Lambert and Rawlings, lobed circular bellied form, chased foliate and trellis decoration, flush-hinged cover with a baluster finial, height 12.5cm, approx. weight 17oz.Provenance: A Private Collection. Purchased from Christie's, South Kensington, 9 September 1996, lot 117.
A Mary I silver Apostle spoon, St. James the Greater, maker's mark of a crescent enclosing a star, probably for Nicholas Bartholomew, London 1557, fig-shaped bowl, traces of gilding, faceted tapering stem, the finial with traces of gilding and a pierced nimbus, the reverse of the bowl with an old collection label, length 18cm, approx. weight 1.7oz.Provenance: A Private Collection.
A George III silver argyle, by Aaron Lestourgeon, London 1774, tapering circular form, scroll handle, the hinged cover with an urn finial, the handle socket with a hinged cover for the water compartment, on a circular foot, height 10.5cm, approx. weight 10.3oz.Provenance: A Private Collection. Purchased from Sotheby's, London, 28 April 1999, lot 250.
A George III silver tea caddy, by Thomas Heming, London 1772, plain urn form, part-fluted decoration, gadroon borders, engraved with an armorial, the pull-off cover with an acorn finial, on a raised circular foot on a square base on four bun feet, in a fitted red velvet lined silver-mounted shagreen case, with a silver scroll handle and silver lock plate, height 18.2cm, the height of case 20cm, approx. weight 9.1oz. (2)Provenance: A Private Collection. Purchased from Lawrence's, Crewkerne, 27 October 1994. The armorial is that of Saunders, Aubrey or Ellison impaling another.
A George III presentation silver-gilt two-handled cup and cover, by Story and Elliott, London 1812, campana form, with an applied band of trailing vines, simulated double snake handles with classical heads, later inscribed 'Presented by The Marquis of Chandos, July 1831', above part-fluted decoration, on a raised circular foot, the pull-off cover with a cauliflower finial, in a fitted two-handled mahogany case, height 28cm, approx. weight 49.2oz.Provenance: A Private Collection. Purchased from Sotheby's 11 March 1993, lot 160.
A large modern Irish silver mustard pot, by Royal Irish Silver Ltd., Dublin 1967, also with import marks for Sheffield 1966/67, circular form, scroll handle domed hinged cover with a cone finial, with a blue glass liner and unassociated spoon, height 12cm, approx. weight 9.9oz. (2)Provenance: A Private Collection.
An 18th century silver-gilt snuff box and spoon, unmarked, cylindrical form, the screw-off cover opens to reveal a pull-off lid with a ball finial, with a snuff spoon, in a fitted shagreen covered case, height 3.7cm, length of spoon 4.3cm. (2)Provenance: A Private Collection. Purchased from Woolley and Wallis, 26 October 2011, lot 578.
λAn early Victorian silver teapot, by Thomas Merrick, London 1837, lobed tapering circular form, leaf-capped scroll handle with ivory insulators, the hinged cover with a flower finial, on four shell bracket feet, length handle to spout 28cm, approx. weight 23.9oz.Ivory Act registration number: MM2RMZAB
A George III silver hot water pot,by Rebecca Emes & Edward Barnard I, London 1815,tapering baluster form, embossed decoration on a matted ground, engraved with a crest, domed hinged cover with a knop finial, scroll handle, on a circular foot, height to top of handle 18cm, approx. weight 15oz.
λA George IV silver teapot, by Emes and Barnard, London 1826, circular lobed form, leaf-capped scroll handles with ivory insulators, foliate scroll borders, domed hinged cover with a rose finial, on a shaped circular foot, length handle to spout 27.5cm, approx. weight 24.8oz.Ivory Act registration number: CFVM8J9D
A George III silver mustard pot, by Robert Hennell I & David Hennell II, London 1801, oval form, embossed and engraved foliate decoration, punch-bead border, raised hinged cover with a ball finial, scroll handle, blue glass liner, height 8.6cm, and an early 19th century Irish Old English pattern mustard spoon, approx. weight 4.9oz. (2)Provenance: A Private Collection.
Please note: the image is transposed with lot 2707 in the catalogue. The weight on this lot should read 20oz.A George III silver argyle, by Robert Sharp, London 1800, circular form, part-fluted decoration, scroll handle, gadroon borders, the pull-off cover with fluted decoration and a foliate finial, the interior with a compartment for a heating rod, engraved with a crest, height 16.5cm, approx. weight 20oz.Provenance: A Private Collection. The crest is a variant of Blake.
A George IV Irish silver Chinoiserie tea caddy, probably by Richard Sherwin, retailed by West, Dublin 1828, in the Paul de Lamerie Rococo manner, upright rectangular form, embossed and chased with scenes of figures picking fruit and of buildings in a landscape, below lion masks among foliate scroll and shell decoration, hinged cover with a flower finial, on a scroll base, height 15cm, approx. weight 20oz.Provenance: A Private Collection. Purchased from Phillips, London, 22 July 1988, lot 174.
A large silver porringer, cover and stand, with cancelled marks, and London Assay Office marks for 2007, circular form, flyted decoration, scroll handled, with two vacant cartouches, fluted pull-off cover with a flyted finial, the base of circular form, diameter of base 36.7cm, approx. weight 85oz. Provenance: A Private Collection.
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