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Tim Stafford, Ironbridge, An oak moonphase longcase clock, the eight-day duration movement striking the hours on a bell with the thirteen inch painted arched dial having a moon phase disc to the arch, floral decoration to the four corners, seconds dial and date aperture to the centre, black Arabic numerals and signed by the maker 'Tim Stafford, Ironbridge', the falseplate embossed with the dial maker's name 'Finnemore, Birmingham', the oak case having mahogany crossbanding, a raised oval panel to the base, shell inlay to the trunk door, fluted pillars with brass capitals to the trunk and hood and a swan-neck pediment with a brass ball and eagle finial, height 227cm.
A Worcester blue-scale-ground Kakiemon-style oviform vase, with flared neck and painted with two 'Phoenix' pattern panels, 16cm high, blue 'fretted' square mark (some rubbing to gilding); and a Worcester blue-scale-ground sugar bowl and cover, painted with 'Kakiemon' panels, blue 'fretted' square mark (minute chips to finial), circa 1770. Visit www.dnfa.com for condition reports.
A George III silver tea urn of half reeded form, the domed cover with ball finial above bands of engraved flowers and scrolls framing an armorial, flanked by a pair of reeded loop handles on a circular foot and square base on scroll feet, London 1791 by Andrew Fogelberg & Stephen Gilbert, height approx 32.5cm.
A late 19th Century French gilt metal and porcelain mantel clock with eight day movement striking on a bell, the porcelain dial with Roman numerals, the case with urn finial above a pair of columns, each porcelain section painted with flowers and figures within turquoise borders, on paw feet (faults).
A small Regency rosewood bracket clock with eight day twin fusee movement striking on a bell, the square silvered dial with Roman numerals and inscribed 'C.J. Case, 54 Bishopsgate St. London', the backplate similarly inscribed, the brass inlaid case with pagoda top and acorn finial above a glazed door flanked by gilt metal scale design fret panels, on a plinth base and bun feet, height approx 30.5cm, together with a matching wall bracket.
An English porcelain two handled potpourri vase and pierced cover, circa 1820, of campana form, the main body painted with pink roses and white blossom against a gilt ground above gilt scroll moulded handles, the lower body gilt with trellis panels above the rose and blossom decorated spreading circular foot, the pierced cover with flame finial, height approx 19cm (cover restored, one handle glued).
A Worcester porcelain teapot and cover, circa 1770, richly decorated in gilt heightened Imari colours with the Rich Queen's pattern, the cover with floral finial, underglaze blue fretted square mark to base (riveted) together with a Caughley porcelain trio, circa 1795, enamelled with blue and pink stylized flowers to the rim within gilt framing, an oval teapot stand, probably Worcester, a Worcester gilt decorated milk jug, a spiral fluted teabowl and saucer gilt and enamelled with a band of harebells, and two saucers (some faults).
AN 18TH CENTURY OAK DOUBLE DOME TOPPED TWO DOOR CUPBOARD, the doors with raised and fielded panels flanking centre fielded panel with urn finial above, on a projecting base with two long and one centre short drawers having raised and fielded panels, standing on bun feet. C1720. 54" Wide x 82" High x 25" Deep. Provenance :- National Trust Llandeilo.
Measham treacle-glazed Bargeware Teapot, the domed cover with urn finial, shaped handle and spout, moulded with floral sprays and ferns and with plaque inscribed "A Present from Mr. J. Tunnicliffe, 1884",and a Measham treacle-glazed Bargeware Milk Jug, shaped handle, moulded with flower sprays and with plaque, "Love at Home - 1888, , (a.f.), (2).
†A Chinese circular tureen and cover, Guangxu period with allover lilac decoration, the cover with a lion dog finial and moulded flower and character decoration with a Greek key border, the body with animal head handles and incised with geometric patterns, blue painted character mark (cover restored) 20cm wide, 15cm high
A 19th century English porcelain twin handled tureen and cover the cover with applied fruit and flower finial, the body with applied flowers and branch like handles, with painted panels of flowers and a landscape scene titled 'Litchfield', painted mark to base 14cm high. Provenance: The Estate of the late Mrs J R F (Cookie) Matheson
An early 20th century Japanese ivory silk and ostrich feather fan carved with figures and flowers, the silk embroidered with flowers and butterflies with white ostrich feathers, 26cm long; an oval ivory box and cover, decorated with a lion's head finial and tigers, 6.5cm wide; a circular box and cover, decorated with an entwined dragon on the cover, 6.5cm diameter; and another with a lion's head, 5cm diameter; together with three ivory card cases, two with carved panels, the third with allover foliate and figure carvings -7
A small group of Chinese snuff bottles comprising: a large amber agate table bottle of rounded rectangular form, with black spot inclusions and cinnabar lacquer stopper, 9cm high; a brown mottled agate bottle of plain flattened pear shape, with amber stalk finial stopper, 7cm high; a small amethyst bottle and stopper, of pear form, 5cm high; and a mottled pink hardstone bottle of cylindrical tapering oval form, with jadeite stopper, 7cm high; a dark mottled spinach jade bottle of flattened oval form, with coral stopper, old paper label, 5.5cm high; together with a toffee striped glass snuff bottle of flattened oval form, with a green glass stopper, 6cm high -6
An 18th century Chinese export tureen and cover with pomegranate finial above oval body with boar's head handles, blue painted with rockwork, chrysanthemum and peony blossom, and birds both seated on twigs and flying (finial restored) 39cm wide. Provenance: From the Perceval-Maxwell collection.
An 18th century Chinese export tureen and cover of rectangular form with canted corners, boar's head handles and pomegranate finial, blue painted with a fenced garden, 35cm wide; and a similar blue painted dish, decorated with flowers and bamboo in a landscape setting, 37cm wide (restored) (2). Provenance: From the Perceval- Maxwell collection.
A George III mahogany pole screen the arched shield shape screen enclosing needle point of a young lady with a foliate boarder, raised on a urn finial mounted support, cross-banded triform base on spade feet 44cm wide, 140cm high, 30 cm deep. Provenance: The Estate of the late Mrs J R F (Cookie) Matheson
A Regency mahogany bracket clock, the reeded pagoda top with pineapple finial, with ring handles to the sides, the case inlaid brass designs, fitted a white enamel dial with Roman numerals signed S Lella, Newport, having a single fusee movement and plain back plate, 42cm (16.5") high (see illustration)

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116003 item(s)/page