on shaped oval base with shell and scroll-cast feet, the border stamped with fruiting grapevines, the stem formed as two putto which support the shell-shaped bowl, with finial cast as a further putto holding a hook30cm wide, 39.5cm high, 86oz 10dwt, 2,690grCondition report: Fully marked near rim. Further marked under detachable putto finial. The other two putto are detachable but have not been removed to confirm if they are marked. The base further stamped with maker's name. There is some surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. There is some surface unevenness to the inside at the top of the shell, though this is probably constructional.
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the lower body of each piece chased with foliage, flowers and scrolls on a matted ground, comprising: a coffee-pot; a teapot, each with ebonised handle and finial; a cream-jug and a sugar-bowl; TOGETHER WITH: A Victorian Silver Hot-Water Jug, Birmingham, 1900, on ball feet and with raffia covered handle, similarly decoratedthe coffee-pot 22.5cm high, total gross weight 66oz 18dwt, 2,082grCondition report: The four-piece service: each piece fully marked near handle. The teapot and coffee-pot each further part marked inside cover. The marks are in general clear. There is some surface scratching and wear, consistent with age and use.The hot-water jug: fully marked near rim and part marked inside cover. There is some wear to the marks, particularly the maker's mark which is only partially legible. There is some overall surface scratching and wear, consistent with age and use. The covering on the handle is possibly later and part is lacking so it only covers part of the handle.
each piece tapering oblong, with fluted lower body, comprising: a teapot, with ebonised handle and finial; a cream-jug and a sugar-bowlthe teapot 29cm wide over handle, total gross weight 38oz 19dwt, 1,212grCondition report: Each piece fully marked near handle. The teapot further part marked inside cover. There is some minor wear to the marks, though they are still legible. There is some overall surface scratching and wear, consistent with age and use.
each in the form of an early 18th century two-handled cup and cover, the body tapering and on spreading gadrooned foot, the detachable cover with gadrooned border and baluster finial above cut-card decoration, with associated clear glass liners; TOGETHER WITH: six various Onslow pattern spoons, one broken, in fitted black leather covered casethe cups 11.5cm high, the case 45cm wide, weight of silver 60oz 8dwt, 1,878grCondition report: The mustard-pots each fully marked near handle. The covers further part marked on fully marked on cover bezel. The marks are generally clear. The glass liners are ill-fitting and likely are later. One liner is cracked and there are chips to the glass on others. There have been repairs to the stems of at least three of spoons and another is currently in two pieces. There are some scuffs and marks to the case.
baluster and on four flower and shell-cast panel feet, with foliage and shell heightened gadrooned rim, with ebonised handle and finial23.5cm high, gross weight 27oz 2wt, 842grProvenance:Property from the Estate of Ian Stephenson, The Laithes, Penrith.Condition report: Fully marked near handle and part marked inside cover. The marks are generally clear. There is some surface scratching and wear, consistent with age and use.
in the George III style, pear-shaped and on spreading foot, the sides chased with foliage, scrolls and flowers, each side with a cartouche, one engraved with initials, the hinged cover with spiral finial, with ebonised handle27.5cm high, gross weight 25oz 5dwt, 785grCondition report: Marked near handle and inside cover. The base further stamped with maker's name. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The initials are probably FMR. There is some fading and scratching to the wood handle.
each piece tapering oblong and with canted corners, on spreading base and with ovolo border, comprising: a teapot; a hot-water jug, each with wood handle and finial; a cream-jug and a sugar-bowlthe hot-water jug 19.5cm high, total gross weight 52oz 19dwt, 1,646grCondition report: Each piece marked near side. The teapot and hot-water jug further part marked inside. The marks in general are clear. There are some surface scratches and wear, consistent with age and use. There are some scuffs to the wood handles. The cover on the hot-water jug is slightly bruised so does not close tightly.
in the Art Deco style, each piece tapering and with reeded rim and base, comprising: a teapot, with ebonised handle and finial; a cream-jug and a sugar-bowl, the tray circular and with reeded rimthe tray 35cm diameterCondition report: Each piece marked underneath. There are some surface scratches and wear, consistent with age and use. The wear is noticeable as a loss to the plating in places.
in the Art Deco style, each piece tapering and on openwork zig-zag pattern collet foot,with a hammered finish, comprising: a teapot; a hot-water jug, each with composition handle and finial; a cream-jug and a sugar-bowl with spatulate composition handlesthe hot-water jug 18cm high, total gross weight 44oz 13dwt, 1,388grCondition report: Each piece marked near handle. The teapot and hot-water jug each further part marked inside cover. Stamped underneath with retailer's name. There is some surface scratching and wear, consistent with age and use.
each piece in the Art Deco style, faceted and engraved with angular decoration, comprising: a teapot; a hot-water jug, each with ivory handle and finial; a cream-jug and a sugar-bowlthe teapot 29cm wide over handle, total gross weight 56oz 3dwt, 1,746grCondition report: Each piece fully marked near handle. The teapot and hot-water jug each further marked with lion passant online inside. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. There is some cracking and discolouration to the ivory handles.
to commemorate the birth and christening of Prince William, each with shell-shaped bowl, the finial cast as two putto, one holding a trumpet, the other a Royal Prince's coronet, engraved underneath with an inscription celebrating the occasion, one with an associated blue cardboard box11cm wide, 10oz 16dwt, 336grCondition report: Fully marked underneath. The marks are clear. There is some minor surface scratching and wear, consistent with age and use.
to commemorate the Royal wedding of Prince Charles and Lady Diana Spencer, on circular flower-chased base, the stem cast as three heraldic beasts, each holding a shield, one with the Royal coat-of-arms with a label for difference, another with the arms of Spencer and the third crossed swords and an initial 'D', with three branches, each terminating in a tapering socket, with central Prince of Wales feather finial22cm high, 18oz 14dwt, 582grCondition report: Fully marked underneath. Further part marked on branches and under finial. The marks are clear. There are some surface scratches and wear, consistent with age and use.
each piece of gourd or melon form, applied with chrysanthemums and foliage, with bamboo-cast handle, comprising: a teapot, the hinged cover with realistic melon or gourd stem-cast finial, the handle ivory-insulated; a cream-jug and a sugar-bowl, in fitted wood case with sliding cover; TOGETHER WITH: an associated pair of sugar-tongs, apparently unmarked, applied with prunus flowers and foliagethe teapot 24.3cm wide over handle, the case 35.6cm wide, total gross weight 29oz 8dwt, 914grFootnote: This service compares in form and decoration to another by Luen Wo which is illustrated by A. von Ferscht in his extensive work Chinese Export Silver 1785-1940 The Definitive Collectors Guide, 4th Edition, 2015, unpaginated. That service is described by von Ferscht as ‘…. Undoubtedly one of the finest late 19th-century Chinese silver sets I’ve ever seen’. He notes that the gourd was associated in Chinese culture with fertility and that such services were given as wedding gifts. The finial on this teapot presents a departure from those on many other Chinese examples, including the above-mentioned example, in that it is more realistically cast than other examples, which are usually more basically realised. The wood box also helps this service to stand out. Of a service by Lao Tian Bao which also includes a box von Ferscht notes ‘Often these cases were as much an art piece as the tea set they contained; this particular one should be perceived as a rare piece of folk art as this box tells us much about the aesthetic mindset of the period.’Tennants are grateful to Adrien von Ferscht for his assistance in identifying the marks.Condition report: The teapot, cream-jug and sugar-bowl each marked with maker's mark LW twice and with Chinese character artisan mark. There is some surface scratching and wear, consistent with age and use. The sugar-tongs are associated to the set and do not fit properly into the space in the box. There is some scratching and wear to the case. The lid is slightly ill-fitting.
cylindrical and with slightly spreading base, chased with a dragon on a matted ground, one side with a vacant cartouche, the detachable cover similarly decorated and with a ball finial, with an overhead swing handle, the spoon with plain matted handle, with associated clear glass liner20.5cm high including handle, weight of silver 11oz, 342grCondition report: Marked underneath with maker's mark HC, 'Silver' and with a further indistinct mark. The spoon with maker's mark HC and 'Silver'. There is some overall surface scratching and wear, consistent with age and use. The glass liner is ill-fitting and is probably not original. The cover is also somewhat ill-fitting, though the decoration on the cover and body match. There are some scratches and bruising to the spoon.
Neal Jones: A Contemporary Burr Walnut Rectangular Coffee Table, with plate-glass top above C scrolls joined by a flattened stretcher surmounted by a turned finial, 110cm by 170cm by 45cmGenerally very good condition with the exception of a couple of marks as photographed. The glass top has general scratches.
Neal Jones: A Pair of Contemporary Burr Walnut and Ebonsied Glass-Top Lamp Tables, of square form with plate-glass tops, on C scroll shaped supports joined by a stretcher surmounted with a finial, 65cm by 65cm by 70cmBoth in very good condition with the exception of oak/burr wood crossbanding lifting very slightly on each table (see images).
A Mid 19th Century Continental Mahogany, Ebonished and Mother-of-Pearl Inlaid Table, the hinged lid richly inlaid with trailing foliage and cornucopia, the interior with lidded compartments and sliding pink fabric workbox below between scrolled supports, the scrolled base surmounted by a turned finial, carved socle and flattened feet, 54cm by 41cm by 76cm
A Chinese Porcelain Jar and Cover, 19th century, of ovoid form, painted in famille rose enamels with a parade of children with a mythical beast, 23cm highSmall flat chip to the top rim. Very small star crack to the glaze on the inside. Some glaze fritting on the finial and rim cover. Glaze pitting throughout.
A Majolica-Cased Mantel Timepiece, circa 1870, of drum form with Dog of Fo finial and mask handles, decorated in cloisonne style with circular motifs on a foliate ground, on bracket feet, 28cm highDog of Fo with loss to the tip of his tail. Front-left and rear-left feet each with a chip. Glaze crazed allover. The hair spring is intact and the clock is ticking.
A Chinese Porcelain Jar and Cover, 19th century, of ovoid form, painted in famille rose enamels with a parade of children and with a mythical beast, 22cm highTwo small chips to the rim of the inner cover. Small flat chip to the underside of the rim of the cover. Fritting to the glaze on the finial. Glaze pitting throughout and some small staining patches.
A Creamware Teapot and Cover, circa 1770, Staffordshire or Yorkshire, painted in the manner of Robinson and Rhodes with the inscription When / This you see / Remember me / Tho’ many miles / We distant be within a leaf cartouche, 15cm highThe finial has been broken off and re-glued/re-stuck. There is a small chip to the inner-rim of the cover with a short associated crack. Minor very small chips to the end of the spout. There is a crack across the right-lower handle terminal. Some typical scratches to the enamel.
A Wedgwood Creamware Custard Cup and Cover, circa 1800, of typical form, painted in orange and gilt with crest and with monogram JM within formal border, impressed marks, 9cm high; A Similar Twin-Handled Cup and Cover, painted with a crest within a foliate and ribbon border, impressed marks, 8.5cm high; and A Similar Sauce Tureen, Cover and Ladle, of oval form with fixed stand, painted and gilt with initials TO and with heart crest, 19cm long (3)An accompany letter from the Wedgwood Museum states that the sauce tureen with crest and initials was ordered by "Oom Esq", but that no other information about the order was availableAll three pieces are marked. Custard cup - short hair crack to the rim and some gilt wear. Twin-handled cup - two large pieces broken out of the rim and re-stuck. Sauce tureen cover with chips to the inner rim and to the underside of the finial. Some enamel wear and scratches.
A Royal Worcester Porcelain Vase and Cover, by John Stinton, 1911, of baluster form with twin-scroll handles, painted with highland cattle in a misty landscape, on a circular socle and square plinth, signed, printed mark in puce, 36cm highBroken off at the pedestal and re-glued. Handles are intact. Finial also intact. Light gilt wear. One small scratch to the left cow. No further damage. No professional restoration.
SELECTION OF SILVER AND OTHER JEWELLERYcomprising an unmarked silver fox hunting interest bangle, with horseshoe and fox head detail; a Vivienne Westwood silver ring; a silver and enamel pendant on silver chain; and an unmarked silver stick pin with fox head finial; and small carved turquoise bead in the form of Buddha
A GEORGE II MAHOGANY BUREAU BOOKCASEMID 18TH CENTURYThe panel moulded doors opening to adjustable shelves, the fall opening to an arrangement of small drawers and pigeon holes around a central small cupboard door203cm high, 104cm wide, 58cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, some replacements to elements of timberThe handles are replacements throughout, there are old holes where the previous handles have been visible to the interior of the drawer front, overall with a polished appearance, the giltwood finial with knocks and losses; this is probably an associated element. There is a key present operating the locked fall only, there is a further key that appears to fit the cupboard doors but does not operate. The front of one candle slide is detached but present with the lot, the slide is stuck to the interiorPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A carved oak poppy head bench end finial, 16th century, probably Devon, height 64cm, width 36cm, depth 14cm.Provenance: bought from an antique shop in Chagford, Devon.Provenance: From the Estate of Viv Hendra.Viv Hendra was a much loved and inspirational teacher, always happy to get involved with extra curricular activities, particularly those with a musical or theatrical leaning. But it was as an art historian and the founder of the Lander Gallery, Truro, that we knew him at Lay's Auctions. His expertise was unrivalled when it came to the Cornish artist John Opie and he was always so generous with his advice, always cautious, always sensible, always kind and supportive. He had schorlarly, yet eclectic tastes and could be a most spirited bidder on objects that appealed to him. We are honoured to be selling some of the wonderful things he collected over the years. He was wonderful, kind and entertaining company and is very much missed.
A carved wood finial in the form of a horse with a blank shield, possibly 17th century, height 20cm, width 11.3cm, depth 9cm.Provenance: Truro Auction Centre, 16/02/07 lot 170.Provenance: From the Estate of Viv Hendra.Viv Hendra was a much loved and inspirational teacher, always happy to get involved with extra curricular activities, particularly those with a musical or theatrical leaning. But it was as an art historian and the founder of the Lander Gallery, Truro, that we knew him at Lay's Auctions. His expertise was unrivalled when it came to the Cornish artist John Opie and he was always so generous with his advice, always cautious, always sensible, always kind and supportive. He had schorlarly, yet eclectic tastes and could be a most spirited bidder on objects that appealed to him. We are honoured to be selling some of the wonderful things he collected over the years. He was wonderful, kind and entertaining company and is very much missed.
A cylindrical pierced brass coal box, early 20th century, the cover surmounted by as turned finial, with a pair of circular carrying handles, complete with liner, height 41.5cm, diameter 31cm together with a brass chestnut roaster, length 55.5cm and a 'Longships Lighthouse, Land End' brass toasting fork, length 50cm. (3)Provenance: From the Estate of Viv Hendra.Viv Hendra was a much loved and inspirational teacher, always happy to get involved with extra curricular activities, particularly those with a musical or theatrical leaning. But it was as an art historian and the founder of the Lander Gallery, Truro, that we knew him at Lay's Auctions. His expertise was unrivalled when it came to the Cornish artist John Opie and he was always so generous with his advice, always cautious, always sensible, always kind and supportive. He had schorlarly, yet eclectic tastes and could be a most spirited bidder on objects that appealed to him. We are honoured to be selling some of the wonderful things he collected over the years. He was wonderful, kind and entertaining company and is very much missed.
A George IV silver teapot, gadroon border, C-scroll handle with acanthus thumbpiece and leaf decoration to spout, oval pagoda style finial, on ball feet, the body engraved with initials, hallmarked by Rebecca Emes & Edward Barnard, London, 1824 together with a matched sugar bowl and milk jug, similar, hallmarked by James Dixon & Sons, Sheffield, 1939, approx weight 37.49 ozt (1166.0 grams) (3)
A George V silver three piece tea service to include teapot, sugar bowls and milk jug, plain bodies, the teapot with engraved inscription, bakelite handle and finial, hallmarked by Barker Brothers, Birmingham, 1931, import marks, gross weight 32.13 ozt (999.5 grams) (3) overall condition good
A Victorian silver desk stand by Thomas, James & Nathaniel Creswick, Sheffield 1852, the central box and cover with flowerhead candlestick finial, flanked by two cut glass inkwells with silver covers, the shaped rectangular desk stand with presentation inscription, two handles on four scroll feet, 4.9oz silver.
A good Victorian slate mantel/table clock. Case decorated with 6 reeded brass columns, cherubs, brass finials and a central sphere crowned by a brass finial. Two-train French movement. Chiming on a gong. Two piece 5" dial with Arabic numerals. 17" high to finial x 16" wide X 6" deep.Condition report: slate case chipped on rear corner, rear door/plate missing. Untouched, unrestored. A/F condition
A George V silver three piece tea service, comprising teapot, milk jug and sugar bowl, gadroon lower section, carved ebony handle and pagoda shaped finial, hallmarked by Richard Richardson, Sheffield, 1911 & 12, stamped to undersides and numbered 6149, approx 25.76 ozt (801.1 gram) - overall condition good
A George V shaped silver teapot, the body engraved with Neo-Classical decoration, on four scroll feet, C-scroll handled, pagoda finial, hallmarked by Charles Boyton & Sons., Sheffield, 1928, stamped with Registration no: 478484 and pattern no: S1124, gross approx weight 19.34 ozt (601.4 grams) (handle loose in fixture and damaged)
A 1950s Bakelite Thermos ice bucket, model number 931 with refill number 923F, all in power blue with cream finial and handles, marks to base, height 16cm, together with five other assorted early plastic storage jars, of various forms and colours, also a cake stand, a pedestal bowl and a footed bowl, tallest 15.5cm, S/D. (9)
A large Clarice Cliff teapot in the Celtic Harvest pattern, relief moulded with fruit, foliage and wheatsheaves picked out in enamel colours over a honey glazed ground, printed mark, height 15.5cm, together with a Wilkinson Clarice Cliff relief moulded teapot, of ovoid form, decorated with dimpled body and yellow to orange flower finial, printed mark, height 17cm. (2)

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116061 item(s)/page