A VICTORIAN OAK STOOL IN JACOBEAN STYLE, C1880, THE CIRCULAR TOP CARVED TO THE CENTRE WITH A STYLISED LEAF WITH FLUTED RIM ON BARLEY TURNED LEGS JOINED BY CONFORMING STRETCHERS CENTRED ON A BALL AND SPIRE FINIAL, TOP 29CM DIAM, 48CM H; A LIBERTY (?) FLORAL CARVED TWO TIER OCCASIONAL TABLE, THE SQUARE TOP WITH INDENTED CORNERS ABOVE FLAT CARVED LEGS JOINING A CONFORMING UNDERTIER, 770CM H X 44CM W, A GEORGE III STYLE TRIPOD MAHOGANY WINE TABLE WITH FIGURED TOP WITHIN GOLD PAINTED PIE CRUST BORDER AND GOLD PAINTED FLUTED VASULAR STEM AND FLORAL CARVED SWEPT LEGS, TOP 30CM DIAM, 50CM H AND A FLORENTINE STYLE PAINTED WOODEN STANDARD LAMP, THE TURNED TAPERED COLUMN PAINTED WITH FLORAL PENDANTS ON WHITE RESERVES ON A CLARET GROUND WITH PUNCHED GILT FLORAL ROSETTES, THE CIRCULAR BASE CONFORMING, 138CM H (4)
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A VIENNA STYLE THREE HANDLED CYLINDRICAL CUP ON GILT LION PAW FEET, TRANSFER PRINTED IN THE MANNER OF ANGELICA KAUFMAN ON CLARET AND GREEN PANELS, 19CM H; A DRESDEN STYLE POTTERY BALUSTER VASE OF PANELLED FORM PAINTED WITH COURTING COUPLES AND FLORAL SPRAYS ON TURQUOISE PANELS WITHIN GILT BORDERS, THE DOMED COVER WITH BUD FINIAL, 33CM H, A QUANTITY OF OTHER DECORATIVE CERAMICS IN VIENNA STYLE, INCLUDING PLATES, DISHES, CARLSBAD TEA SERVICE COMPRISING TEAPOT, COVERED SUCRIER, CREAM JUG AND SIX CUPS AND SAUCERS, A VICTORIAN CASED CRANBERRY GLASS PEDESTAL WITH HEAD AND SHOULDER PORTRAIT TO ONE OVAL PANEL TO THE REVERSE WITH FLORAL SPRAY WITHIN LAPPET BORDERS ON A GILT FOLIATE GROUND, 20CM H, TOGETHER WITH A TERRACOTTA POTTERY EWER, THE PALE OLIVE GREEN GROUND PAINTED WITH PRUNUS BLOSSOM, THE WAISTED NECK WITH FOLIATE WRAPPED HANDLE Continental porcelain items with signs of wear to gilding, other wear consistent with age. Victorian cranberry cased pedestal cracked and re-glued. Other wear consistent with age
A large antique silver 2 handled, lidded winners cup, hallmarked London 1905. With Martin Hall & Co Ltd Makers mark. Cup is engraved from the Norfolk Milk Recording Society for the Herd Competition, Challenge Cup and presented by the President Major D.G. Astley, 1923. The back has an engraved list of winners from 1922/3 to 1930/31 where the winner was Messrs. S.S. Eglington & Sons. Slight dent to finial on lid. Total height approx. 24cm x 18cm diameter. Total weight approx. 1415g.
A George III mahogany and walnut longcase clock, with two train striking movement by Benson Whitehaven, the 13" silvered brass dial with centre date hand and flanked by plain columns with shaped trunk door flanked by quarter column corners and all raised on bracket feet. Height including brass finial 226 cm, case width at widest point 50 cm. (see illustration). CONDITION REPORT: The clock is currently set up in the saleroom ticking away and striking. It is keeping good time. Clearly we do have the weights and pendulum. We have the winding and door key. The door lock is a later lock. The hood is in generally good condition. The block beneath the eagle and ball finial is not original and the finial probably later also. It looks as if there will originally have been perhaps a wheatsheaf here which is missing. The cornice has minor losses and nibbles. The hood door is not warped. The mask around the dial fits. The clock is not a marriage. The trunk door is not warped. The quarter columns and sides of the trunk are in good condition. The base front panel has a full height left hand stress fracture, all feet are present. The front right hand foots is slightly sprung from the case. Please note: Cumbrian clocks do not generally have rear bracket feet and this is the case with this one.
An 18th century walnut stool, with stuffover top with four turned legs united by stretchers and raised on short feet. Height 47 cm, width 82 cm, depth 51 cm (see illustration). CONDITION REPORT: Whilst the stool is structurally fairly sound with only slightly loose joints, it is affected by woodworm in all of the bearers, legs and less so in the stretchers. The woodworm appears to be long gone but there are numerous holes. The timber is not particularly soft at all. The most badly affected section is the turned finial at the centre of the cross stretchers. The feet also have some small losses caused by the woodworm and similar to the finial. The webbing is showing signs of age but serviceable. The same comments apply to the fabric covering. The frame does not appear to have had any significant repairs over time.
A George II silver sugar caster, probably by Charles Alchorne, with baluster finial and plain girdled body. Height 15 cm, London 1733, a George III silver oval pap boat with reeded rim and a George III circular tea strainer. 236 grams. CONDITION REPORT: Sugar caster - damage to top and with soldered base, tea strainer -dented and marks rubbed.
An Edwardian Big Ben mantle clock, oak cased and with single train movement. Height 58.5 cm. CONDITION REPORT: The movement winds and is currently ticking. The glass face is in good order. The movement dial is good order. The case itself is in reasonable condition but does have some minor losses. The very top finial is rubbed. The moulding beneath the top dome has a loss to the left hand corner. Both front clock pillars have losses to the top of each finial. There is a loss to the bottom turned moulding on the right hand side of the side turning. The case other than this is in generally good order with only minor blemishes.
![A Coalport [John Rose] boat-shaped sucrier and cover: with 'demon' head ring handles, painted with butterflies and exotic bir](https://cdn.globalauctionplatform.com/c37839ad-821d-4b34-b947-ac9200bc821b/f2aca2ed-6a13-4ad4-bd89-ac9300baa9db/468x382.jpg)
A rare First Period Worcester sucrier and cover: the domed ogee cover with pointed finial, painted in the 'Eloping Bride' pattern [I.A.20] in Kangxi style, pseudo Chinese mark within double circles, circa 1765-70, 13cm.* Provenance Sotheby's February 1993 lot 297 'The late Alison Bremner Collection'. Christie's 1995 lot 22. Steppes Hill Farm Antiques.
A French boulle mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with the backplate numbered 23180, the cast brass dial having individual white enamel plaques with blue Roman numerals and blued steel cruciform hands, the waisted boulle case of brown tortoieshell inlaid with engraved brass to the front and sides, having a glazed front aperture to view the sunburst pendulum bob and surmounted by a cast-brass finial, on c-scroll cast-brass feet, height 31cm.
William Cribb, Southampton Row, London; a Regency mahogany bracket clock: the eight-day duration five-pillar double-fusee movement striking the hours on a bell, the eight-inch round convex dial having black Roman numerals, blued-steel moon hands and signed Wm. Cribb, Southampton Row, London, the mahogany case having inset brass-bound panels to the front, canted corners with brass inlaid decoration, fishscale frets to the sides with decorative brass cornucopia handles above, the architectural pediment surmounted by a cast-brass acorn finial, all standing on brass ball feet, with a later matching bracket, height 48cm.*Biography William Cribb was a well-known chronometer maker first recorded as working in Coventry as a pupil to the influential watchmaker Thomas Hewitt before moving to 17 & 30, Southampton Row, Russell Square, London from 1816 until 1822, then 58, Theobalds Road and finally 146 Southampton Row until his death in 1876 having been a maker to the Admiralty.
A Victorian bronze Gothic bracket clock: the eight-day duration, double-fusee movement having shaped-plates and striking the hours on a bell, the round convex silvered dial having black Roman numeral and blued-steel moon hands, the bronze case of Gothic form with a castellated top, side columns, Gothic mounts surmounted by a matching finial, and all standing on cast bronze bracket feet, height 40cm.
George Danson, London a chiming moonphase bracket clock: the eight-day duration, triple-fusee movement having an anchor escapement and chiming the quarters on eight bells and the hour on a further bell with a fully engraved backplate of c-scroll decoration, the eight-inch break-arch dial having a moonphase aperture to the arch, a raised silvered chapter ring engraved with black Roman numerals, cast brass c-scroll spandrels to the four corners with the matted centre having a date aperture and applied plaque engraved with the maker's name Geo. Danson, London, the ebonised bell-top case with applied cast-brass mounts to the canted corners, fishscale side frets and handles, with the belltop surmounted by four brass corner finials and a centre finial mounted to a fluted block, all standing on brass bracket feet, height 57cm inc. finial.
John Murch, Honiton a mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, the silvered centre with a subsidiary seconds dial, date aperture and engraved with c-scroll decoration, with cast-brass female-head spandrels to the four corners and decorative blued-steel hands, the oak and mahogany case with crossbanding to the trunk door, tapered columns to the hood, whales tooth cresting, three giltwood ball-and-spire finials, the base with mahogany crossbanding and standing on bracket feet, height 230cm inc. finial.*Biography John Murch was a member of the prominent Honiton clockmaking family and is recorded as working from circa 1754 when he was apprenticed to another well known local maker, Francis Pile, at a premium of £15. He was to later witness Pile's will, dated 22nd of June 1763. His son, also John, became a clockmaker and in 1805 placed an advertisement for an assistant in 'the clock and watch line, or watch line only.' * Notes John Jnr. is also recorded as a silversmith in 1798 and by 1823 he was in partnership with his son William, grandson to John Snr, with premises in the High St. This partnership ended on John's death in 1830 whereupon William continued alone.
A Victorian silver mustard pot and cover, maker Joseph, Albert, Horace and Ethelbert Savory, London, 1879: initialled, of oval outline, the domed hinged lid surmounted by an acanthus decorated finial, with half reeded decoration to the lower body, S-shaped handle and blue glass liner, 11cm high, 208gms, 6.69ozs.
A mahogany sewing table with lidded top, 69cm high x 54cm wide x 37cm deep and a folding wool basket (2) Condition Report: Sewing table shows signs of wear consummate with its age and use. This includes a split to the top veneer, a detached decorative finial and the base being loose from the right supports. It does not have a key.
A black slate mantel clock and a wall clock (2) Condition Report: The mantel clock is in good general condition consummate with its age. The wall clock in a condition consummate with its age though one of the decorative finial has been broken it is present with the lot. . We cannot guarantee the functionality of any mechanical or electrical items we sell.
An Edwardian mahogany boxwood strung display cabinet, the arched corners surmounted by a ribbon and bell flower finial, raised above a curved glass flanked by two astragal glazed doors on square tapering legs, terminating in spade feet, the centre profusely decorated with a diamond and floral emblem, 200cm high, 113cm wide, 34cm deep.
A George III mahogany standing corner cabinet with a broken arch Greek key moulded cornice, having central rococo cameo finial over a single astragal glazed door, revealing shaped shelved interior enclosed by channel sides, the door having pierced brass escutcheon with eagle, the stand having double moulded and reeded overhang and triangular frieze drawer, with pierced brass back plate and escutcheon, fret work scroll infill's, channel moulded legs, co-joined by a low level curved shelf with wavy gallery, 204cm high, 82cm wide.
A 19thC French porcelain mantel clock, of scrolling rococo form with green floral panels within gilt scrolling framework, silver dial, eight day movement striking a bell, the base having a transfer printed makers stamp for a Parisian manufacturer, 32cm high. Upon initial inspection the top finial is slightly loose and not correctly seated. The top and bottom sections were fired separately and are now permanently plaster fixed together. There are minor loses to the front scroll centre left and similarly losses to the back and one of the feet were not seen from the front. Other areas look to be intact so overall condition is good save for these points.
Three silver plated teapot/coffee pots, comprising a coffee pot with acorn finial, an acanthus leaf moulded handle, stamped to underside FD&S and numbered 1305, 25cm high, a further coffee pot unmarked with a turned oak handle, and reeded lid, 22cm high, and a hot water jug, with Prince of Wales feather stamp to underside and stamped ABS numbered 2321, with a moulded handle, 21cm high. (3)
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