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A John Turner porcelain oval teapot, cover and stand, painted in shades of iron-red, puce, blue and gilt with sprays of flowers, with leaf moulded spout terminal (old repair to cover finial, some wear); and a tea bowl and saucer ensuite (minor wear), circa 1800; and two New Hall type teacups and a saucer, spirally moulded and painted in the Chinese Export style, late 18th century
A Late 19th Century Bone Inlaid Ebony Inkstand of rectangular shape, the corners with standing elephants and with a pair of turned inkwells flanking a square box with elephant finial with a watch holder behind and flanked by a quill stand, 10" x 7", a Similar Three Lobed Stand surmounted by three elephants, Width 5", Height 2", and a Pair of Carved Ebony Indian Elephants with bone inlaid toes and eyes, lacking tusks, Height 7".
A three-piece clock garniture, the gilt brass dial inscribed 'Aird & Thomson, Glasgow', eight-day movement striking on a coiled gong with two painted porcelain plaques to front, urn finial and all moulded, the side garnitures floral painted porcelain and gilt brass mounted, the clock 28cm high.
A Regency Flame Mahogany Brass Inlaid Bracket Clock. The round painted dial signed Jno. Houghton Birmingham with twin fusee movement striking a bell. The case surmounted by a semi-spherical domed pediment with brass finial and curved inlay above a moulded top. The front inlaid with swags hung from flower heads and curve linear bands with bellflowers and cornucopia ornamenting the canted corners. The sides having gothic arched grills below ring handles on round embossed black plates. Standing 28 ins (72 cms) overall in height on gilt brass ball feet.
A 19th century oak longcase clock, moulded swan neck pediment with urn finial, above an arched brass dial with painted moon phase and cast spandrels, the silver chapter ring with black Roman and Arabic five minute division numerals, the milled centre with subsidiary seconds and date dials inscribed 'Iohn Watson', moulded arched door on plain base, shaped apron and bracket feet
An early 19th century oak longcase clock, the later hood with swan neck pediment and brass eagle and ball finial, arched dial painted with a study of Melrose Abbey and with black Roman numerals, inscribed 'M. & J. Spiegelhalter', Malton, stepped arched moulded door within mahogany canted angles, crossbanded plinth base, shaped apron and bracket feet, 30 hour movement striking on a bell
An early 19th century mahogany longcase clock, the hood with pierced swan neck cresting, brass eagle and ball finial, on ring turned brass capped supports, the arched dial painted with rural scenes, black Arabic numerals and fifteen divisions, subsidiary seconds and date dials, inscribed 'D. Robinson Newcastle', the arched door enclosed by canted angles, the whole outlined with boxwood
A 19th century tripod pole screen, the oval banner worked in coloured threads with a study of garden flowers, the turned tapering fluted column with acorn finial and decorated with bead work on three 'S' scrolled supports with acanthus carved knees and scroll toes, banner 34cm (13.75"), 143cm (56.25")
A 19th century oak longcase clock, the eight day movement with anchor escapementand rack strike on a bell, the arched brass 12in. dial with Roman numerals and foliate spandrels, inscribed within the arch ROSS EPWORTH, the case with fluted pillasters, the hood with broken pediment and an anthemion finial, 214cm high (the hood lacks glazed door).
A pair of late 18th century French ormolu candelabra, each with a pomegranate finial and a basket of fruit and flowers, above a blued steel urn with three leaf scrolled candle branches, the engine turned sconces and drip pans supported by cockerel heads, the urn on a central vine entwined support and a classical tripod headed with rams masks supporting three further candle branches, the tripod terminating with sphinxes, on a later gilt metal round base with projecting plinths, 103 high x 45.5cm wide, (the upper candle sconces and plinth possibly of a later date, some scratching to the urns).
A Late 19th Century French Louis XV Style Gilt Metal Mounted Natural Boulle & Ebonized Mantel Clock with eight day, half hour striking movement, the gilt dial having white enamel chapter with blue roman numerals, contained in a waisted case with gilt metal finial and scroll feet, the back plate inscribed "H P & Co. 1010. 27755". Height 12"
A black basalt teapot, circa 1810, moulded with classical reliefs above acanthus borders and within reeded column corners, shaped cape rim and foliate finial, 9" long and a William Schiller & Sons, black glazed earthenware tobacco box and cover, 19th century, with recumbent hound finial and relief moulded with pipes and pipe accessories, mask handles, impressed marks, 8" long (2)
A large Dresden porcelain vase, cover and stand, 20th century, painted with lovers in pastoral landscape and reserves of flowers within heavily florally encrusted borders, the shoulders applied with cherubs, the reeded florally encrusted cover applied with cherubs and a shield and crown finial raised on a conforming florally encrusted base and four scroll bracket feet, blue Dresden mark, 28" high
A pair of late Meissen porcelain pot-pourri vases and covers, late 19th/early 20th century, each with a floral finial and pierced cover, the ogee shaped body painted with reserves of pastoral lovers and flowers within florally encrusted borders, foliate handles, the domed and waisted bases applied with cherubs holding posies, underglazed blue crossed swords and incised numerals, chips, 13" high (2)
A pair of George III mahogany and boxwood strung knife urns, circa 1790, each with a turned urn finial and rising domed top revealing a stepped and chequer strung interior of five layers and raised on a waisted column and dished plinth and chequer strung base and bracket feet, restorations, 27" high
A George III oak and mahogany crossbanded and inlaid longcase clock, late 18th century, the broken scroll swan neck pediment centred by a gilt brass eagle and ball finial and with stamped brass terminals, above an arched glazed door with tapering square side columns enclosing a 12" white painted enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked W Edwards, Bishop's Castle, florally painted corners and rolling moon phase in the arch, eight day movement striking on a bell above an ogive moulding and ogee arched top, trunk door centred by a boxwood and harewood conch shell motif over a further moulding and crossbanded base board, distressed, 85" high
A George III mahogany and boxwood strung and inlaid balloon shape mantel clock, circa 1800-1810, the case surmounted by a gilt brass urn finial, the convex glass door with brass bezel enclosing a 7" white painted enamel dial with roman numerals and inscribed Barraud, Cornhill, London, above a boxwood inlaid shell motif, the movement door pierced with foliate fretwork, damaged, enclosing an eight day double fusee movement striking on a bell, the back plate with engraved border and N S pointer, the movement secured by two gilt brass brackets, screw compensated steel pendulum with compressed gilt brass engraved disc, the clock raised on four brass ball feet and conforming plinth with reeded quarter columns and door to left hand side, also on four brass ball feet, the clock 19" high, 28" overall height
A walnut cased and gilt metal mounted mantel clock, late 19th/early 20th century, with concave pagoda top and foliate finial above an arched glazed door enclosing a silvered chapter ring with roman numerals and slow/fast dial in the arch, matted centre and pierced foliate spandrels, eight day fusee movement striking on a gong with urn and foliate pierced side grilles and foliate cast plinth raised on gilt metal bracket feet, 13" high

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116099 item(s)/page