There are 116061 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeAn Austro-Hungarian silver small round tureen by Josef Carl Klinkosch, .800 standard large article mark for 1886 to 1922, with two reeded loop handles and egg and dart rim, the cover with a conforming band and stiff leaf and a coronet finial, each engraved an armorial, 21.5cm diameter (8in), 829g (26.5 oz)
An Indian Colonial ‘Cutch silver’ claret jug by Oomersi Mawji, Bhuj circa 1890-1910, the vase shaped body hammered with wild boar and bear hunting scenes amidst foliate scroll, peacock and exotic bird decoration, the hinged top with a lion finial, the branch handle entwined by a cobra and topped by a snake charmer, on a pedestal base hammered with foliate scrolls and stiff leaves, 34cm high, 45oz, marked O.M BHUJ to the base Cutch silversmiths were regarded as the finest craftsmen of their art in all India. During the later nineteenth century, Western Europeans were so fascinated by their work that they exhibited throughout Europe, with Liberty’s bringing two Cutch silversmiths to live and work for them in London in 1885, and Elkington & Co copying their designs. Oomsersi Mawji and his sons perfected the ages old skills of Cutch silversmiths to become recognised as the masters of this genre, and their pieces are seen as the finest of all Indian silverware. Literatre: Wilkinson W.R.T: ‘Indian Silver (Silver From the Indian Sub Continent)’; London 1999: pp74 and 75 for two examples of similar claret jugs by Oomersi Mawji
A late Victorian plated and cut and etched glass claret jug, the scroll pierced and cast mounts with presentation inscription, the ogee cover with spire finial, 28cm high The inscription reads ‘Highland Dog Show- Any Kind Sporting. 1st Prize. Her Grace The Duchess of Sutherland, Countess of Cromartie. To Cheerkass. Given by Spratt’s Patent’
A George II bullet shaped small teapot, maker’s mark of Benjamin Godfrey, London circa 1735, with the lion passant and other two indistinct marks, the body engraved with a floral band and with a flush-hinged cover with later wood finial and an ebonised scroll handle, engraved beneath ‘W’ over ‘R*H’, 10cm diameter, 333g gross
A George III silver gilt vase shaped trophy cup and cover by John Wakelin and William Taylor, London 1780, the base part fluted with two reeded loop handles, a beaded round foot and engraved with an oval reserve and a shield and lion rampant crest, the domed cover with a pineapple finial, 27cm high overall (10.75in), 790g gross
A Victorian silver mounted glass claret jug, by Charles Edwards, London 1881, flattened oval form and etched with an exotic bird and butterfly amid foliage above diamond-cut glass panels, with embossed and pierced silver collar, hinged cover with wrythen finial, and foliate and scale embossed scroll handle, 30cm high
IAN A.R. DAVIDSON A SILVER POWDER BOWL AND COVER with marks for Edinburgh 1952, sponsor's mark BH (Bernard Harrington), of planished cushioned circular form, on petal shaped foot, the domed pull-off cover with lobed waisted finial terminating in scrolls, set with oval moonstone and red circular cabochons, 11oz 17cm high
A Chinese bronze silver inlaid Gu vase, of typical slender conical shape, 20cm high; another chinese bronze vase with dragon ornament, and silver inlaid decoration, 18cm high; a chinese bronze tripod censer of circular bellied shape, 20th century, the pierced cover with 'fo' dog finial, 18cm high, also another chinese bronze censer of rectangular shape the pierced cover with 'fo' dog finial, 12cm high. (4)
An Elkington & Co gilt bronze and cloisonne inkwell in the style of Christopher Dresser Of domed top with gilt base stylised 'Egg and Dart' and 'Greek key' design on four elephant feet the top surmounted with the lift off lid with figural oriental man finial, impressed marks to feet, 194mm long 135mm high
A set of three early George III silver tea caddies, by S Herbert & Co. London 1761, of bombe form supported on four pierced leafy scroll feet with gadroon borders, the bodies chased with foliage surrounding rococo cartouches, the detachable covers with floral finial, engraved with coat of arms, 14cm high, 28 oz. (6)
Horace Woodward and Co, Birmingham 1877, a silver mounted glass claret jug, the hinged lid with standing lion and shield finial engraved with Fetherston family motto Volens et Valens below an antelope (statant), the lid, collar and handle chased with vines and masks, and with mask spout, the plain glass body with starcut base, 29cm high.
An Edwardian satinwood breakfront corner cabinet, the upper part with two shelves enclosed by beaded glazed door and side panels, painted with ribbon-tied floral swags, the lower part with cupboard and shelf, enclosed by panelled door painted with urn with flambeau finial and drapery swags, flanked by parquetry flowerhead panels, on square tapered feet, 77cm wide x 197cm high.
CHINESE BLUE AND WHITE PORCELAIN COVERED JAR, early 20th century, of squat double gourd form, with domed cover and four character mark; together with a Chinese blue and white porcelain baluster jar and cover, painted with foliage, the domed cover with dog finial and with four character mark. (2). 22cm and 38cm
A Victorian walnut and marquetry card table, late 19th century, the rounded rectangular fold over top with swivel action, above a shallow frieze and twin column end supports with leaf carved collars, joined by drum shaped platforms and a turned pole stretcher, surmounted by similar finials, on four downswept legs with Greek key carved feet and brown ceramic castors, 75cm high, 94cm wide, 47cm deep (one finial lacking)
A pair of Sevres style giltmetal mounted porcelain vases and fixed covers, modern, each with giltmetal acorn finial above false cover with gilt scrolling border, the neck with floral and trumpet motif between beaded giltmetal bands, the baluster body with opposed oval panels against a dark blue ground, one depicting figures in a landscape, the other a flower spray, framed by scrolling foliage, on circular foot and canted square giltmetal base (2) 53.5cm high
An 18th century creamware teapot, the finial in the form of a flowerhead, the body decorated with a hunting scene to one side, and a Chinese bridge scene to the other, with rope twist handle, 14cm high; and another, similar, decorated with a sunflower to one side and rose to the other, 14.5cm high (both with damages) (2)
A late 19th century walnut German mantel clock, with a fourteen day movement, with carved finial on domed top, the circular silvered dial with roman numerals and surrounded by roccoco spandrels, flanked by reeded tapering columns on a stepped base, marked 'H.A.C' (Hamburg American Clock Company) 52cm high
Loading...
